La Voix De L'est
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L'utilisation Des Chansons En Cours D'espagnol
L’utilisation des chansons en cours d’espagnol Sabrina Stützle To cite this version: Sabrina Stützle. L’utilisation des chansons en cours d’espagnol. Education. 2017. dumas-01710230 HAL Id: dumas-01710230 https://dumas.ccsd.cnrs.fr/dumas-01710230 Submitted on 15 Feb 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License MASTER METIERS DE L’ÉDUCATION, DE L’ENSEIGNEMENT ET DE LA FORMATION Mention Parcours Espagnol Master 2 MEEF MEMOIRE L’utilisation des chansons en cours d’espagnol Auteur : Sabrina Stützle Directrice de mémoire : Membres du jury de soutenance : - - - - Soutenu le ..../…./2017 Année universitaire 2016-2017 1 Remerciements En premier lieu, je tiens à remercier Marie-Pierre Diaz, ma tutrice de stage, qui m’a encouragée et donné des idées pour mes expériences tout au long de l’année. En deuxième lieu, je remercie mes élèves, qui ont été patients, réceptifs à mes demandes et volontaires pour coopérer quand il s’agissait d’essayer de nouvelles manières de procéder. Je souhaite également remercier Madame Cohen pour son précieux guidage. De plus, je remercie mes collègues, particulièrement l’équipe d’espagnol, pour leur accompagnement et leurs conseils avisés. -
La Fabrication D'un Espace Suburbain : La Rive-Sud De Montréal
Document generated on 09/26/2021 10:24 p.m. Recherches sociographiques La fabrication d’un espace suburbain : la Rive-Sud de Montréal Jean-Pierre Collin and Claire Poitras Volume 43, Number 2, mai–août 2002 Article abstract The reinterpretation of suburban history could devote more space to the URI: https://id.erudit.org/iderudit/000539ar specific contribution of outlying areas to the process of creation of suburban DOI: https://doi.org/10.7202/000539ar spaces. In order to understand the reality today, we trace over the various phases of development of the South Shore of Montréal (defined as the set See table of contents formed by the regional county municipalities of Lajemmerais, La Vallée-du-Richelieu, Champlain and Roussillon), placing the emphasis on certain contextual factors, including the process of industrialization and Publisher(s) urbanization, the evolution of the institutional and territorial divisions, and the deployment of transportation infrastructures and technical urban Département de sociologie, Faculté des sciences sociales, Université Laval networks. ISSN 0034-1282 (print) 1705-6225 (digital) Explore this journal Cite this article Collin, J.-P. & Poitras, C. (2002). La fabrication d’un espace suburbain : la Rive-Sud de Montréal. Recherches sociographiques, 43(2), 275–310. https://doi.org/10.7202/000539ar Tous droits réservés © Recherches sociographiques, Université Laval, 2002 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. -
La Voix Humaine: a Technology Time Warp
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2016 La Voix humaine: A Technology Time Warp Whitney Myers University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.332 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Myers, Whitney, "La Voix humaine: A Technology Time Warp" (2016). Theses and Dissertations--Music. 70. https://uknowledge.uky.edu/music_etds/70 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
2018 BAM Next Wave Festival #Bamnextwave
2018 BAM Next Wave Festival #BAMNextWave Brooklyn Academy of Music Adam E. Max, Katy Clark, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Place BAM Harvey Theater Oct 11—13 at 7:30pm; Oct 13 at 2pm Running time: approx. one hour 15 minutes, no intermission Created by Ted Hearne, Patricia McGregor, and Saul Williams Music by Ted Hearne Libretto by Saul Williams and Ted Hearne Directed by Patricia McGregor Conducted by Ted Hearne Scenic design by Tim Brown and Sanford Biggers Video design by Tim Brown Lighting design by Pablo Santiago Costume design by Rachel Myers and E.B. Brooks Sound design by Jody Elff Assistant director Jennifer Newman Co-produced by Beth Morrison Projects and LA Phil Season Sponsor: Leadership support for music programs at BAM provided by the Baisley Powell Elebash Fund Major support for Place provided by Agnes Gund Place FEATURING Steven Bradshaw Sophia Byrd Josephine Lee Isaiah Robinson Sol Ruiz Ayanna Woods INSTRUMENTAL ENSEMBLE Rachel Drehmann French Horn Diana Wade Viola Jacob Garchik Trombone Nathan Schram Viola Matt Wright Trombone Erin Wight Viola Clara Warnaar Percussion Ashley Bathgate Cello Ron Wiltrout Drum Set Melody Giron Cello Taylor Levine Electric Guitar John Popham Cello Braylon Lacy Electric Bass Eileen Mack Bass Clarinet/Clarinet RC Williams Keyboard Christa Van Alstine Bass Clarinet/Contrabass Philip White Electronics Clarinet James Johnston Rehearsal pianist Gareth Flowers Trumpet ADDITIONAL PRODUCTION CREDITS Carolina Ortiz Herrera Lighting Associate Lindsey Turteltaub Stage Manager Shayna Penn Assistant Stage Manager Co-commissioned by the Los Angeles Phil, Beth Morrison Projects, Barbican Centre, Lynn Loacker and Elizabeth & Justus Schlichting with additional commissioning support from Sue Bienkowski, Nancy & Barry Sanders, and the Francis Goelet Charitable Lead Trusts. -
Rapport D'activité 2009
RAPPORt d’ACTIVITÉ 09 | 10 TABLE DES MATIÈRES Mot des présidents p. 3 La direction générale p. 4 Le conseil d’administration p. 5 Le Bureau des Gouverneurs p. 6 Un rôle de porte-parole rassembleur p. 8 Persévérance scolaire et formation p. 10 Relève et culture entrepreneuriale p. 11 Transport et développement durable p. 12 Le comité Nouvelle Génération d’Affaires p. 14 Le comité Femmes p. 15 Le tournoi de golf p. 16 Le Rendez-vous p. 17 Les Prix Excellence p. 18 Rencontres d’affaires p. 20 Les membres p. 23 Rédaction et révision : Marie-Ève Hébert, Lisette Beaulieu Graphisme : SPI Communications Impression : Imprimerie Pub Cité Photographies : CCIRS et Longueuil Photo 3 MOT DES PRÉSIDENTS Chers membres, La CCIRS, qui célébrait en 2009 son 50e anniversaire, est plus que jamais enthousiaste face à son avenir. Au cours de la dernière année, nous avons poursuivi notre rôle d’être votre porte-parole et d’agir à titre de catalyseur du développement économique. Les enjeux sur lesquels nous avons agi ont été nombreux, en lien avec vos préoccupations : transport et mobilité sur le territoire, décrochage scolaire et pénurie de main-d’œuvre, pérennité des entreprises et mentorat, développement des affaires et maillage. Surtout, nous sommes prêts à relever de nouveaux défis. Si le passé de notre organisation est glorieux, il n’aura d’égal que notre futur qui s’annonce prometteur. En effet, nous travaillons activement afin de revoir nos façons de faire et notre plan d’action pour jouer un rôle encore plus significatif au sein de la communauté économique. -
BENEFIT EVENING in Supportofscleroderma Quebec October 22, 2019 Cabaret Ducasinodemontréal Robert Charlebois
PRESENTING PARTNER 30th ANNIVERSARY OF THE EVENING a BENEFIT EVENING in support of Scleroderma Quebec October 22, 2019 Cabaret du Casino de Montréal 6:00 p.m. Cocktail — 6:45 p.m. Dinner — 8:15 p.m. Show Another great moment this year as Robert Charlebois will again perform at our benefit evening. He will share the stage of the Cabaret with his musicians, and renown guests. Luce Dufault, Marjo, Geneviève Jodoin, winner of La Voix and Jérôme Charlebois who will perform classics and other songs from the great singer’s new album. This edition, which marks the 30th anniversary of the foundation, will be uniquely festive and lively! Robert Charlebois has always reinvented himself to support this cause that he’s held close to his heart for many years. Jérôme Charlebois Geneviève Jodoin and his guests Marjo Luce Dufault Stage Director : Jérôme Charlebois 05062019 Scleroderma Quebec | Telephone: 514-990-6789 - 1-844-990-6789 | [email protected] PRESENTING PARTNER OF THE EVENING 30th ANNIVERSARY a BENEFIT EVENING in support of Scleroderma Quebec October 22, 2019 Cabaret du Casino de Montréal PARTNERSHIP PLAN DIAMOND PLATINUM RUBY GOLD SILVER BRONZE $15,000 $10,000 $7,500 $5,000 $3,750 $2,500 Number of tickets included: 8* 8* 8* 8* 4 2 *a table for 8 guests Logo on the welcome banner X at the guest entrance Logo on the tent cards placed on X X every table Preferred table placement X X X Sponsor's logo in continuous X X X X projection during the evening Logo in the programme X X X X X X 29052019 PRESENTING PARTNER OF THE EVENING 30th ANNIVERSARY BENEFIT EVENING a In support of Scleroderma Quebec October 22, 2019 Cabaret du Casino de Montréal REGISTRATION FORM / SPONSORS AND TABLES To confirm your sponsorship, please return this completed form by email to [email protected]. -
1 Procès-Verbal De La Séance Extraordinaire Du Conseil Des Commissaires De La Commission Scolaire Marie-Victorin, Tenue Le 29
Initiales de la 1 présidence C OMMISSION SCOLAIRE M ARIE - V ICTORIN C ONSEIL DES COMMISSAI RES Initiales de la S É A N C E EXTRA ORDINAIRE D U 29 OCTOBRE 2 0 1 9 secrétaire Procès-verbal de la séance extraordinaire du Conseil des commissaires de la Commission scolaire Marie-Victorin, tenue le 29 octobre 2019 à la salle Flore laurentienne située au centre administratif de la Commission scolaire Marie- Victorin, 13, rue Saint-Laurent Est à Longueuil. SONT PRÉSENTS : COMMISSAIRES : Mesdames Diane Fournier, Paule Froment, Denise Girard, Carole Lavallée, Nicole Leblanc et Catherine Pelletier Messieurs Michel Gervais, Benoît Laganière (à distance), Serge Mainville, Bruno Marcoux, Michel Messier et Jean-Pierre Picard Formant quorum sous la présidence de Mme Carole Lavallée. COMMISSAIRES REPRÉSENTANTS DU COMITÉ DE PARENTS: Mesdames Reine Bombo et Sheila Ellien Messieurs Nicola Grenon et Michel Rocheleau SONT ÉGALEMENT PRÉSENTS : Mme Marie-Dominique Taillon, directrice générale Mme France Blouin, directrice générale adjointe M. Hugo Clermont, directeur général adjoint M. Marc-André Petit, directeur général adjointe M. Ghislain Plourde, directeur général adjoint Me Julie Brunelle, secrétaire générale / directrice du Service du secrétariat général, des affaires corporatives et des communications Me Arianoush Moazzezi Moghaddam, secrétaire générale adjointe OUVERTURE DE LA SÉANCE ET MOMENT DE RÉFLEXION Mme Carole Lavallée, présidente, déclare la séance ouverte. Il est 20 h 22. VÉRIFICATION DE LA PROCÉDURE DE CONVOCATION La présidente vérifie, auprès de la secrétaire générale adjointe, la procédure de convocation. 28-CC-2019-2020 ADOPTION DE L’ORDRE DU JOUR 1. Ouverture de la séance et moment de réflexion 1.1. -
La Voix Humaine"
Butler University Digital Commons @ Butler University Scholarship and Professional Work - LAS College of Liberal Arts & Sciences 1998 Almodóvar on the Verge of Cocteau's "La Voix humaine" Linda M. Willem Butler University, [email protected] Follow this and additional works at: https://digitalcommons.butler.edu/facsch_papers Part of the Film and Media Studies Commons, and the Spanish and Portuguese Language and Literature Commons Recommended Citation Willem, Linda M. "Almodóvar on the Verge of Cocteau's La Voix humaine," Literature/Film Quarterly 26 (1998): 142-47. This Article is brought to you for free and open access by the College of Liberal Arts & Sciences at Digital Commons @ Butler University. It has been accepted for inclusion in Scholarship and Professional Work - LAS by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. Almodovar on the Verge of Cocteau's La Voix humaine Jean Cocteau'S onc-act play, LA Voix Immaille [The Huma" Voice], consists entirely of a monologue by a woman engaged in a fmal phone conversation with her lover. Alone in her room, she desperately clings to Lbe telephone as her on ly link to the man who has left her for someone else. Although thi s agonizing poruait of abandonment and despair bears lillie resemblance toAI.mod6var's multi·charactered comedic romp through the streets of Madrid in Mujeres 01 borde de lUi otaqlte de ne",ios [Women on the Verge of a Nervous Break· down ], Cocteau's play has been named as lhe source of inspiration for that film. In various imerviews Almod6var has explained that his originaJ intention had been to adapt the play to the screen, but due to its brevity, he needed 10 expand the material to feature film length. -
PRESS RELEASE for Immediate Release QUEBECOR FUND ANNOUNCES LIST of PRODUCERS FUNDED UNDER ITS TELEVISION PRODUCTION ASSISTANCE
PRESS RELEASE For immediate release QUEBECOR FUND ANNOUNCES LIST OF PRODUCERS FUNDED UNDER ITS TELEVISION PRODUCTION ASSISTANCE PROGRAM AND EXPORT ASSISTANCE PROGRAM Montréal, December 4, 2018 - The Quebecor Fund Board of Directors today announced the names of the Canadian production companies that will receive funding in the 37th round of the Fund’s Television Production Assistance Program following October 1, 2018 submissions. In this round, the Fund will disburse a total of more than $1.9 million. Of that amount, nearly $825,000 is being granted under the Support for Convergent Production component to the following producers: Productions Version 10 inc. / Happy Camper Media, PVP Animation IV (2018) inc. (Groupe PVP inc.), and La Voix Télévision inc. (Les Productions Déferlantes inc.). The three selected productions will air on the Canadian broadcasters ICI Radio-Canada, TFO, CBC, TV5 Québec Canada, and TVA Group. Under the Support for the Creation of Intellectual Property component, nearly $1.1 million is being granted to five projects from Productions Pixcom inc., Oasis Animation inc., DATSIT Sphère inc., Duo Productions inc., and Blachfilms. The broadcasters supporting the development of these projects are TVA Group, AMI, ICI Radio- Canada, TFO, Bell Media (Canal Vie), and Télé-Québec. Since its inception in 1999, Quebecor Fund’s Television Production Assistance Program has supported 267 projects involving 82 production companies, 46 Canadian broadcasters and 34 foreign broadcasters with grants totalling nearly $81 million. Under the Convergent Production component, Quebecor Fund has distributed more than $68.4 million to support the multiplatform side of the funded projects (which accounts for 72% of the total sums invested in multimedia by the participating production companies) and more than $7.8 million to support the television side of the same projects, for a total of more than $76.2 million. -
Conditional Acceptance ...2
Conditional acceptance .................................................... 2 Failed high school courses ................................................ 2 Withdrawing from the College ......................................... 2 Paying your fees ............................................................... 3 Refund policy ................................................................... 3 Omnivox homepage ......................................................... 4 Omnivox services ............................................................. 5 MIO (Messaging in Omnivox) ........................................... 6 Omnivox discussion forum ............................................... 6 Your schedule ................................................................... 7 Dropping courses ............................................................. 8 Adding courses ................................................................. 8 IPESA ................................................................................ 9 Attendance ....................................................................... 9 Class cancellations ............................................................ 9 Academic advising .......................................................... 10 Bookstore ....................................................................... 11 Career & personal counseling ........................................ 12 Computers ...................................................................... 12 Financial Assistance ....................................................... -
La Voix Humaine Digital Premiere Oct
Francis Poulenc La Voix HumaIne Digital Premiere Oct. 24, 2020 | 7:30pm 2020–2021 DIGITAL SEASON REIMAGINED FOR THE SCREEN CANADA’S ONLY 5-TIME WINNER OF WINERY OF THE YEAR Since 1981, Mission Hill Family Estate has pioneered British Columbia’s Okanagan Valley as a premium wine making region. Founded by Proprietor Anthony von Mandl, the iconic family-owned winery is known as Canada’s only 5-time winner of the Winery of the Year Award by WineAlign Canada. Guests can experience international award-wining wines and indulge in an epicurean adventure all while enjoying the panoramic views of mountains, lakes, and vineyards. MISSIONHILLWINERY.COM Francis Poulenc La Voix HumaIne Tom Wright, General Director Jonathan Darlington, Music Director Emeritus CONTENTS VO Administration and Ticket Centre 6 Cast & Creative 19 Behind the Scenes The Michael and Inna O’Brian Centre for Team Vancouver Opera 21 Patron Information 1945 McLean Drive 7 Production Team Vancouver, BC, V5N 3J7 22 VO Board & Staff Administration 8 Synopsis T: 604 682 2871 F: 604 682 3981 9 Notes from the Creative Team VO Ticket Centre Sponsored by Mission Hill Family Estate T: 604 683 0222 10 Biographies [email protected] www.vancouveropera.ca 15 Opera in Context 16 Opera Allsorts Vancouver Opera acknowledges that we work and perform on the unceded and traditional territory of the Musqueam, Squamish, and Tsleil-Waututh First Nations. Publication Manager Vincent Wong Design & Layout Annie Mack Vancouver Opera is a professional company. It operates under the jurisdiction of Canadian Actors’ Equity Association, Vancouver Musicians’ Association, and IATSE, and is a member of OPERA America and Opera.ca 2020–2021 DIGITAL SEASON Privacy Vancouver Opera is committed to REIMAGINED FOR THE SCREEN protecting your privacy. -
L'etang De Robert Walser Gisèle Vienne
NOUVELLE CRÉATION 2020 L’Etang de Robert Walser Gisèle Vienne Photo Estelle Hanania Production et diffusion / Alma Office Rue du Grand Hospice 34a, B-1000 Bruxelles Anne-Lise Gobin – [email protected] & Alix Sarrade – [email protected] Tel : +32 2 223 58 45 Administration / DACM Fabrique de théâtre, 10 rue du Hohwald, F-67000 Strasbourg Etienne Hunsinger – [email protected] Tel : +33 (0)9 83 52 62 74 www.g-v.fr L’ETANG Première au festival TNB du 10 au 14 et du 17 au 21 novembre 2020 au Théâtre National de Bretagne, Rennes D’après l’œuvre originale Der Teich (L’Etang) de Robert Walser Conception, mise en scène, scénographie Gisèle Vienne Interprétation Adèle Haenel et Ruth Vega Fernandez Direction musicale Stephen F. O'Malley Musique originale Stephen F. O’Malley & François J. Bonnet Lumière Yves Godin Dramaturgie Gisèle Vienne Photos Estelle Hanania Adaptation d’un court texte de jeunesse de l’écrivain suisse Robert Walser, l‘Etang, expose au regard les plis et replis d’une histoire d’amour filial, en distribuant les rôles entre deux comédiennes, Adèle Haenel et Ruth Vega Fernandez. L’Etang est un drame familial qui se distingue du reste de l’œuvre de Robert Walser (1878-1956): c’est un texte privé que le jeune écrivain avait offert à sa sœur et l’unique qu’il écrira jamais en suisse-allemand. C’est l’histoire d’un enfant qui se sent mal aimé par sa mère et simule, au comble de son désespoir, un suicide pour vérifier l’amour qu’elle lui porte.