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An Inklings Bibilography (11) Volume 6 Number 4 Article 15 10-15-1979 An Inklings Bibilography (11) Joe R. Christopher Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Christopher, Joe R. (1979) "An Inklings Bibilography (11)," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 6 : No. 4 , Article 15. Available at: https://dc.swosu.edu/mythlore/vol6/iss4/15 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract A series of bibliographies of primary and secondary works concerning the Inklings Additional Keywords Gord Wilson This article is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol6/iss4/15 AN INKLINGS BIBLIOGRAPHY (11) Compiled by Joe R. Christopher Amon Hen: The Bulletin o{ the Tolkien Society No. 26 (May- Denethor, not an objective presentation; from the second 1977) , 1-20. Edited by Jessica Kemball-Cook. s ta n z a : Main contents: (a) Lucy Matthews, untitled cover drawing (p. 0, w ill the visions never pale? l). Bilbo's farewell party, (b) Jessica Kemball-Cook, edi­ —of Gondor fra il, unguarded, plundered, torial (p. 2). Included is news of a children's book honor raped by foul barbarians f o r The Father Christmas Letters. (c) Stephen Lines, "Three and Variags that serve the East. is Company" (p. 3)« A drawing of the hobbits on their jour­ Marmor's poem is more interesting in versification and imagery ney; Frodo and the others are seen from the back, between than ninety percent (or more) of Tolkien-inspired rhymings. trees, the road before them, (d) Lucy Matthews and Jessica (b) [Ben Indick], "Ben Indick's Bookshop: Of Tolkien and Kemball-Cook, "News" (pp. 4-5)- Matthews reports on a plaque the Tolkienesque", pp. 27-30. A review column. Indick dis­ placed in Birmingham in honor of Tolkien; Kemball-Cook, along cusses Terry Brooks' The Sword of Shannara. with emphasis on with items of society business, lists eight reviews of the its style: the constant use of adverbs—"nodded Flick gloomi­ exhibition of "Drawings by Tolkien", (ej John Edward Ives, ly"—and inept substitutions for said. He praises, within "Lord of the Nazgul" (pp. 6-7). Ives, before the publication lim its, the Rankin-Bass TV production of The Hobbit: "The of The. Silm arillion, states his belief that the Witch-King, animation itself was as close as we have come in years to the leader of the Nazgul, was Ar-Pharazon the Golden. He offers great Disney work of the '40s. and a far cry from the short­ an interesting series of suppositions, but the main one has hand of TV and Hanna-Barbara [sic]." The cartoon, however, cannot turned out to be incorrect, (f) Jon Noble, "Sauron as the rival the human face in live action in capturing the complexi­ Product of Social Ineptitude" (pp. 8-9), with a "Commentary ty of attitudes in The Hobbit; most of the actors—except for on Jon Noble's article" by E. Crawford (p. 10). Noble's the one who read Gollum's lines—tend to sound like adults humorous inversion of the usual view of Sauron first appeared reading for children. Indick mentions, but does not evaluate, in The Eye [the journal of the Sydney University Tolkien Humphrey Carpenter's Tolkien; he praises, with great enthusi­ Society], No. 1 (1974), 48-50; Crawford's reply is mainly a asm, The Silm arillion: "Doom is the fate of all [who struggle prose flyting. (g) "Books" (pp. 11-12). Jessica Kemball- for the Silm arils], foreseen but not foresworn, but Love, Cook reviews J. R. R. Tolkien: A Biography, by Humphrey Car­ Beauty and Courage remain. [The Silmarillion is] a penter. A survey of the contents. Ronan Coghlan and Rode­ magnificent creation, to be read and reread until each of its rick Sinclair offer separate paragraphs on A Dictionary of tapestried figures assumes independent stature and life , and Fairies (London: Allen Lane, 1976), by K. M. Briggs. Sinclair its pages expand to the breadth of infinity." (Indick also points out the appearance of the word hobbits in a passage briefly discusses two other fantasy works, neither related to quoted from Michael Denham, originally published in 1895 (see T o lk ie n .) B ri . ' l i s t i n g f o r "The Denham T r a c ts " ) , (h ) [ J e s s ic a Kem­ Asimov, I s a a c . In Memory Yet G reen: The A utobiography o f I - ball-Cook], "Societies" (pp. 13-15)- A survey of fantasy- saac Asimov, 1920-1954. Garden City, New York: Doubleday related societies. Besides the major societies on the Ink­ and Company, 1979. x ii + 732 pp. Index. [Tolkien, 148.] lings, whose publications are included in this checklist, a In this first volume of his autobiography, Asimov traces his few smaller English fan magazines related to Tolkien are life from his birth in Russia, through his upbringing in listed on p. 13. Perhaps the most intriguing note, however, Brooklyn and his school and war-time experiences, to his po­ is for The Engliscan Gesithas, a society for the encourage­ sition as an Assistant Professor of Biochemistry at Boston ment of Anglo-Saxon culture. "They use the Anglo-Saxon cal­ University, at which time his writing—then, mainly science- endar as reconstructed by Tolkien, for which he gave his per­ fiction—began to pay substantially more than his teaching. mission" (p. 14). (i) "Letters" (pp. 16-18). (j) "Queries" "I remember distinctly that first piece of fiction I ever (p . 1 8 ). wrote on the typewriter [his first typewriter, given him in 1935 by his father] involved a group of men wandering on some Anderson, Poul. "On Thud and Blunder", pp. 271-288 [Tolkien, quest through a universe in which there elves, dwarves, p. 272]. In Swords against Darkness, No. Ill, edited by were and wizards, and in which magic worked. It was as though I Andrew J. O ffutt. New York: Zebra Books (Kensington Pub­ had some premonition of J. R. R. Tolkien's Lord of the Rings. lishing Corporation), 1978. Paperback. I can't for the life of me remember what it was that inspired In an anthology of "heroic fantasy" stories (the genre also me in this direction. I had read The Arabian Nights, the E. referred to as "sword and sorcery"), Anderson has an essay Nesbit fantasies (particularly her stories about the psam- at the end of the volume about the lim itations of common mead), and all sorts of books of magic and legendry, but none examples of the type. (His title is an often-used Spoonerism of them stick in my mind as sufficient" (pp. 147-148). for "blood and thunder".) His reference to Tolkien is part of his introduction: "every kind of writing is prone to B aynes| Pauline. A Map of Middle—eaeth. New York; Interna­ special faults. For example, while no one expects heroic fan­ tional Polygonics, n.d. tasy . to be of ultimate psychological profundity, it is A boxed jigsaw puzzle (No. 96T121), consisting of Baynes' often simple to the. point of being sim plistic. This is not well-known map with the Company of the Ring at the top, the necessary, as such fine practitioners as de Gamp, Leiber, and map in the center, and the Nazguls and other evil forces at Tolkien have proven." the bottom; ten inset landscapes appear in small circles at the right and left edges of the map. The jigsaw puzzle con— Anduril: Magazine of Fantasy, No. 7 (February 1979), 1-52. sists o£ over 500 pieces; the completed puzzle measures 15" Edited by John Martin [3 Aylesbury Crescent, Hindley Green, x 21". Note: the top of the box bears the title , "from the Nr. Wigan, Lancs WN2 4TY, England; $3•50/issue]. Issued work o f / J . R. R. TOLKIEN", w ith th e name in la rg e p r in t; irregularly. [Tolkien, 2, 27-30.] but the titleson the ends of the box match that on the map. Tolkien-related contents: (a) Paula Katherine Marmor, "Dene- thor", p. 2. Illustrated by Russ Nicholson. A four-stanza Borges, Jorge Luis, with Norman Thomas di Giovanni. "An Auto­ poem with eight-line stanzas in iambic tetram eter; the rhyme biographical Essay", pp. 201-260 [Lewis, p. 243]. In The scheme is based on two-line units, the last stressed syllable Aleph and Other Stories, 1933-1959. New York: E. P. Dut­ of the first (third, fifth, seventh) line rhyming or near- ton, 1970. 286 pp. rhyming with the second stress of the following line, and Borges' mention of Lewis is incidental. He describes an in­ sometimes the last two stresses of the first (third, fifth, fected head wound from an accident which put him in the hos­ or seventh) matched to the first two of the next.
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