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978-1-4964-4748-7.Pdf
The Tyndale nonfiction imprint Visit Tyndale online at tyndale.com. Visit Tyndale Momentum online at tyndalemomentum.com. TYNDALE, Tyndale’s quill logo, Tyndale Momentum, and the Tyndale Momentum logo are registered trademarks of Tyndale House Ministries. Tyndale Momentum is the nonfiction imprint of Tyndale House Publishers, Carol Stream, Illinois. The Lord of the Rings is a trademark of the Saul Zaentz Company dba Tolkien Enterprises. Finding God in The Lord of the Rings Copyright © 2001 by Kurt Bruner; copyright © 2021 by Kurt Bruner and Jim Ware. All rights reserved. Cover illustration by Lindsey Bergsma. Copyright © Tyndale House Ministries. All rights reserved. Designed by Lindsey Bergsma Edited by Lisa A. Jackson All Scripture quotations, unless otherwise indicated, are taken from the Holy Bible, New International Version,® NIV.® Copyright © 1973, 1978, 1984 by Biblica, Inc.® Used by permission. All rights reserved worldwide. Scripture quotations marked KJV are taken from the Holy Bible, King James Version. Scripture quotations marked NASB are taken from the New American Standard Bible,® copyright © 1960, 1962, 1963, 1968, 1971, 1972, 1973, 1975, 1977 by The Lockman Foundation. Used by permission. Scripture quotations marked NLT are taken from the Holy Bible, New Living Translation, copyright © 1996. Used by permission of Tyndale House Publishers, Carol Stream, Illinois 60188. All rights reserved. Scripture quotations marked NKJV are taken from the New King James Version,® copyright © 1982 by Thomas Nelson. Used by permission. All -
Perspectives of Research for Intangible Cultural Heritage
束 9mm Proceedings ISBN : 978-4-9909775-1-1 of the International Researchers Forum: Perspectives Research for Intangible Cultural Heritage towards a Sustainable Society Proceedings of International Researchers Forum: Perspectives of Research for Intangible Cultural Heritage towards a Sustainable Society 17-18 December 2019 Tokyo Japan Organised by International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI), National Institutes for Cultural Heritage Agency for Cultural Affairs, Japan Co-organised by Tokyo National Research Institute for Cultural Properties, National Institutes for Cultural Heritage IRCI Proceedings of International Researchers Forum: Perspectives of Research for Intangible Cultural Heritage towards a Sustainable Society 17-18 December 2019 Tokyo Japan Organised by International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI), National Institutes for Cultural Heritage Agency for Cultural Affairs, Japan Co-organised by Tokyo National Research Institute for Cultural Properties, National Institutes for Cultural Heritage Published by International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI), National Institutes for Cultural Heritage 2 cho, Mozusekiun-cho, Sakai-ku, Sakai City, Osaka 590-0802, Japan Tel: +81 – 72 – 275 – 8050 Email: [email protected] Website: https://www.irci.jp © International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI) Published on 10 March 2020 Preface The International Researchers Forum: Perspectives of Research for Intangible Cultural Heritage towards a Sustainable Society was organised by the International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI) in cooperation with the Agency for Cultural Affairs of Japan and the Tokyo National Research Institute for Cultural Properties on 17–18 December 2019. -
AJS Matchless Modifications Model Range for 1957 (The Motor Cycle
AND MOTORCYCLES FOR 1957 Reprinted from 27 September 1956 Associated Motor Cycles Limited Plumstead Road London, S. E.1 8 Telephonewww.ajs-matchless.info: Woolwich 1223 Telegrams: MATCHLESS-LONDON-TELEX. TELEX No. 2-2617 2 THE MOTOR CYCLE, 27 SEPTEMBER 1956 ROADSTERS, COMPETITION MOUNTS, RACERS, FOR NEXT YEAR : MEASURES TO ENSURE OIL TIGHTNESS : ENGINE PER- FORMANCE INCREASED : LATEST GEAR BOX AND CLUTCH SPECI- FIED : NO PRICE INCREASES A.J.S. and Matchless Modifications OURISTS, racing men, trials riders Above: The 498 c.c. A.J.S. and scramblers can all find models model 20 fitted with chromium- to whet the appetite in the A.J.S. plated tank panels Tand Matchless ranges which are, of course, basically similar. All models have pivoted-fork rear springing and telescopic front forks. The roadsters—comprising Right: Largest - capacity singles of 347 and 498 c.c. and parallel Matchless is the 592 c.c. model twins of 498 and 592 c.c.—are renowned G11 for their comfort, high-quality finish and mechanical quietness. A unique, three- tank decoration. For the first time since those for the three clutch springs is ob- bearing crankshaft layout is a feature of rear springing was introduced in 1949 pro- tained by removal of a dome from the the twins which have an enviable reputa- prietary shock absorbers are used in place primary chaincase. tion for robust construction and tireless of the A.M.C.-manufactured units. In General liveliness of A.J.S. and Match- performance. addition to the foregoing changes there less roadsters has never been in doubt. -
The Christian Mythology of CS Lewis and JRR Tolkien
Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects 2010 Roads to the Great Eucatastrophie: The hrC istian Mythology of C.S. Lewis and J.R.R. Tolkien Laura Anne Hess Western Kentucky University Follow this and additional works at: http://digitalcommons.wku.edu/stu_hon_theses Part of the Philosophy Commons, and the Religion Commons Recommended Citation Hess, Laura Anne, "Roads to the Great Eucatastrophie: The hrC istian Mythology of C.S. Lewis and J.R.R. Tolkien" (2010). Honors College Capstone Experience/Thesis Projects. Paper 237. http://digitalcommons.wku.edu/stu_hon_theses/237 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Copyright by Laura Ann Hess 2010 ABSTRACT The purpose of this thesis is to analyze how C.S. Lewis and J.R.R. Tolkien created mythology that is fundamentally Christian but in vastly different ways. This task will be accomplished by examining the childhood and early adult life of both Lewis and Tolkien, as well as the effect their close friendship had on their writing, and by performing a detailed literary analysis of some of their mythological works. After an introduction, the second and third chapters will scrutinize the elements of their childhood and adolescence that shaped their later mythology. The next chapter will look at the importance of their Christian faith in their writing process, with special attention to Tolkien’s writing philosophy as explained in “On Fairy-Stories.” The fifth chapter analyzes the effect that Lewis and Tolkien’s friendship had on their writing, in conjunction with the effect of their literary club, the Inklings. -
Triumph Motorcycles Timeline the Glory Years, 1963-1972
6/18/2021 Triumph Motorcycles Timeline: The Glory Years, 1963-1972 Triumph Motorcycles timeline 1963-1972: The Glory Years See bottom of page for links to other eras in Triumph's history New: Post your comments, opinions, and ask questions on my new FORUM. Tiger 90, high performance 350 3TA introduced, similar to T100S/S. All 650s, (including Bonnies, 1963 Tbirds, TR6, Trophy) are built with a new unit construction engine/gear box. Tina T10, 100cc scooter with automatic transmission introduced (designed by Turner). The US-only TR6SC, a pure desert racer with straight pipes, was produced: basically a single-carb T120, very fast. 650s all get new coil ignition. First year for T120 unit construction models. The Bonnie undergoes numerous and significant upgrades to its engine, gearbox, transmission and frame (after toying with a duplex design, Triumph instead made a larger diameter downtube to combat wobble and weave). A special TT model (T120C/TT) is produced until 1967 for the USA, due to the encouragement of Bill Johnson, of Johnson Motors ("Jo-Mo"). This is a stripped-down racing model, only made until 1966 for the US market. Two US dealers on a camping trip come up with the idea for the T20M Mountain Cub, combining Tiger Cub, Sports Cub and trials Cub parts. First sold in USA in 1964, proves very successful. BSA closes the Ariel factory at Selly Oak. The last Ariels in production, the Leader and Arrow, are manufactured at BSA's factory in Small Heath until 1965. Norton Atlas released. AMC acquires James. Norman ceases production. -
2015 Australian Historic Championships 9 - 11 October
2015 Australian Historic Championships 9 - 11 October PERIOD 3 - 500cc Date: 10/10/15 Leg 1 Started at: 10:36:25 Event: R07 Laps: 5 Weather: Mostly cloudy - Temp: 26.4C Starters: 20 Track: Dry - Temp: 29.2C PROVISIONAL CLASSIFICATION Printed at: 10:46 Race Fastest On Pos No Name Machine Laps Time Behind Lap Lap 1 21 Jack WRIGHT / Homes For Every 1962 Manx Norton 500 5 7:05.248 1:23.808 5 Lifestyle 2 6 Brendan ROBERTS 1962 Matchless G80 500 5 7:05.263 .015 1:23.573 5 3 41 Bob ROSENTHAL 1962 Matchless G50 500 5 7:12.866 7.618 1:25.328 3 4 3 Keith CAMPBELL / Murrummong 1962 Honda CB 500 5 7:14.793 9.545 1:25.237 4 Vineyard 5 75 Darren TROTTER 1962 Matchless G50 500 5 7:25.771 20.523 1:26.241 3 6 27 Danny AHERN / Homes For Every 1962 Matchless G50 500 5 7:27.900 22.652 1:27.995 2 Lifestyle 7 789 Brendan O'NEILL 1962 Matchless G50 500 5 7:34.892 29.644 1:27.695 2 8 293 Bruce MARSTON 1961 BSA Goldstar 500 5 7:36.058 30.810 1:29.025 2 9 913 Murray JOHNSON / Homes For Every 1962 Manx Norton 500 5 7:44.802 39.554 1:30.044 2 Lifestyle 10 38 Greg WATKINS 1961 Norton Manx 500 5 7:53.031 47.783 1:32.381 3 11 2 Paul McGAHAN / Team Africa 1961 Triumph Triton 500 5 7:54.176 48.928 1:32.591 5 12 311 Dan GLEESON 1962 Norton Domiracer 500 5 8:02.876 57.628 1:34.260 3 13 22 Adrian WRIGHT / Homes For Every 1962 Norton Manx 500 5 8:22.511 1:17.263 1:36.986 5 Lifestyle 14 26 Geoff MADDAFORD / Team Africa 1962 Trida 500 5 8:24.886 1:19.638 1:39.400 5 15 112 Stan MUCHA 1962 Eso Special 500 5 8:25.781 1:20.533 1:38.223 3 16 53 David HAGNEY 1962 Matchless G50 500 -
Chain Cat Inner.Indd
Classic Motorcycle Chain Chain Sizes and Technical Details Pitch Chain No Roller Dia. Chain Size Plate Height Inside Width MC Chain No Pin Clearance Arg. Weight/m Min. Ult. Strength Renold Chain No. Riveted Pin Length P x W P Dr W A1 B H N Kg/m Primary and Rear Chains 111044 N/A 53 1/2x1/8 12.70 7.75 3.30 9.30 12.30 9.91 8000 0.29 111046 415 54 1/2x3/16 12.70 7.75 4.88 12.90 15.90 10.30 11600 0.43 110044 420 125EBSR 1/2x3/16 12.70 8.51 5.21 14.50 22.00 11.81 15600 0.60 112045 415 90R 1/2x3/16 12.70 7.75 4.88 14.60 17.60 11.15 15600 0.51 112046 420 125EBSR 1/2x3/16 12.70 8.51 5.21 14.50 22.00 11.81 15600 0.60 110046 428 126SR 1/2x5/16 12.70 8.51 7.75 16.50 24.00 11.81 17800 0.69 N/A 428 126RS3 1/2x5/16 12.70 8.51 7.75 18.50 26.00 11.15 21000 0.81 110054 520 135RESR 5/8x1/4 15.875 10.16 6.48 16.10 24.30 14.73 24500 0.76 110056 530 136SR 5/8x3/8 15.875 10.16 9.65 19.10 27.00 14.73 24800 0.88 N/A 520 135EBSR 5/8x1/4 15.875 10.16 6.48 17.50 26.00 14.73 22000 0.80 119058 520 135GPM 5/8x1/4 15.875 10.16 6.48 18.10 26.60 14.73 28000 0.85 119059 530 136RS 5/8x3/8 15.875 10.16 9.53 22.00 30.50 14.73 33400 1.14 N/A 525 137RS 5/8x5/16 15.875 10.16 7.95 19.50 28.00 14.73 31400 1.02 Primary, Camshaft, Dynamo and Magneto Chains 110500 N/A 105 8x3mm 8.00 5.00 3.00 8.30 13.00 7.11 4400 0.16 114500 N/A 205 8x3mm 8.00 5.00 3.00 14.00 20.20 7.11 7800 0.31 110037 N/A C120SR 3/8x5/32 9.252 6.35 3.90 11.00 15.00 8.26 8900 0.35 110038 N/A C121SR 3/8x7/32 9.252 6.35 5.72 12.80 19.00 8.26 8900 0.39 114038 N/A C221SR 3/8x7/32 9.252 6.35 5.72 22.90 29.50 8.26 16900 0.74 116038 N/A C321SR 3/8x7/32 9.252 6.35 5.72 33.2 39.8 8.26 24900 1.13 1 Chain cat inner.indd 1 21/12/2006 17:10:06 Classic Motorcycle Chain Chain for AJS Motorcycles Model c.c. -
An Introduction to C. S. Lewis
An Introduction to C. S. Lewis Clive Staples Lewis—C. S. Lewis to many readers—was born in Belfast, Ireland, on November 29, 1898. His parents were Albert James Lewis, a solicitor, and Florence Augusta Lewis. Lewis had one brother, Warren Hamilton Lewis, with whom he remained close for all of his life. Lewis read widely as a child, but dearly enjoyed stories about animals and nature, a theme which resurfaced in his later work The Chronicles of Narnia. Lewis and his brother Warren even created an imaginary world called Boxen in which animals lived and talked together. Coupled with Lewis’ love of creating worlds filled with anthropomorphic animals and lively natural settings was his love for ancient literature, including the epic sagas of Iceland, Norse mythology, and Greek and Medieval literature. Readers familiar with his work will recognize how these these genres and themes influenced the trajectory of his life’s work. In his early years of education, Lewis attended several private preparatory schools in Britain, including Wynyard School in Hertfordshire (1908), Campbell College in Belfast (1910), and Cherbourg House at Malvern, Worcestershire (1911). Due to poor health, though, he never remained at these schools for long. It was during his time in Worcestershire that Lewis pronounced himself an atheist, a belief he held onto until 1929 when he became a theist and then a Christian. In December 1916, Lewis received a scholarship to study at University College, Oxford. His life of academic study took a tremendous turn, however, for in 1917 Lewis enlisted in the British Army. After training, Lewis attained the rank of Second Lieutenant with the Third Battalion of the Somerset Light Infantry. -
Tolkien's Inspirations and Influences in His Book, Intentionally It Seems
Last updated 9 March 2008 Tolkien’s inspirations and influences on his works An alphabetical entry list compiled by Ardamir of the Lord of the Rings Fanatics Forum (http://www.lotrplaza.com/forum/) While reading J.R.R. Tolkien: A Biography by Humphrey Carpenter about 2½ years ago, I noticed that he mentions many of Tolkien's inspirations and influences in his book, intentionally it seems. I took the opportunity to start listing these inspirations along with their sources, and have since then used many other sources for my list. I am listing elements in Tolkien's works in alphabetical order, along with their respective inspirations, and the sources I have used. Many of the inspirations are (very) speculative, and those I have marked with a '?', but some are obvious. The list is not meant (at least not yet) to be a detailed investigation of Tolkien's inspirations but rather to include just the relevant information and gather all the inspirations in one place for each entry. I know that it has many defects, and it is somewhat lacking in sources and references, but I am constantly improving it while adding more and more inspirations. I would greatly appreciate it if other people would take a look at it and tell me what they think about it, and also suggest additions and improvements. I am not making the list just for the benefit of myself, but for everyone. I update the list almost every day. Bolded (emphasized) parts of quotes by me. Entries that are names are in italics. Entries for text passages can be found in a separate section at the end. -
Thursday, September 17, 2020 Home-Delivered $1.90, Retail $2.20
Nupepa o Te Tairawhiti THE GISBORNE HERALD RĀHINA, MAHURU 9, 2019 I MONDAY, SEPTEMBER 9, 2019 HOME-DELIVERED $1.70, RETAIL $2.00 TE NUPEPA O TE TAIRAWHITI RAPARE, MAHURU 17, 2020 | THURSDAY, SEPTEMBER 17, 2020 HOME-DELIVERED $1.90, RETAIL $2.20 PAGE 2 ARTS & FINANCE ENTERTAINMENT CALL TO MINISTER PAGES 19-22 CORRECT FLAGS RUATORIA TO - RECESSION RUATOREA INSIDE TODAY PAGES 6, 9 His assailant got 13 years in prison. Baseball bat assault victim Sam Wanoa got a... LIFEUNHEARDOFSAVINGS! SENTENCE by Andrew Ashton and I don’t earn enough money. “Come November 20 we are going to A GISBORNE man left permanently be homeless. brain-damaged when he was hit in the “I’ve been applying everywhere for head with a baseball bat still walks the past two months so that’s a huge around “like a zombie”.HEARING stress, and there’s a lot of places we And in several weeks he and his can’t go because of Sam’s head injury. partner and now caregiver could be “He can’t handle a lot of noise and homeless. he can’t handle being around children The man responsible for the attack anymore.” on Sam Wanoa six years ago was up for Sam’s speech has improved but he parole but will remain in prison serving still has issues remembering words or a 13-year sentence (see story, page 5). using the wrong words — like calling For Sam and partner Liddy Hayllar, his medication his “diving gear” or however, the effects of that horrific saying left instead of right night will continue for life. -
Religion and Literature: C. S. Lewis and Tolkien Syllabus
1 Religion 4600/6600: Religion and Literature: C. S. Lewis and Tolkien Carolyn Jones Medine, Professor of Religion and in the Institute for African American Studies Office: 19 Peabody Hall Telephone: 706-542-5356 (messages) E-Mail: [email protected] Office Hours: Monday and Wednesday 1:30-2:30 and by appointment Graduate Teaching Assistants: Noah Pollock, Jessica Couch, Eduardo Mendez I Course Description Religion and Literature’s goal is to examine the problematic of religion in the modern world and to explore basic human questions, such as those of identity, community, ethical action, and spirituality and how those have been expressed in literature. The language of such an exploration is sometimes specifically Christian; sometimes it interprets Christian language in new way, but often, the religious meanings are hybrid, using a number of traditions in syncretic ways. The first work in the field was on specifically Christian writers. We will, this semester, revisit that landscape. This course will examine the works of two of the group of writers who called themselves The Inklings: J. R. R. Tolkien and C. S. Lewis. Each was a Christian who expressed his faith through his art. We want to ask: Why do Christian writers—not just the Inklings, but also, for example, Walker Percy, Flannery O’Connor, Madeline L’Engle, and others—turn to fiction—in particular, to what Lewis and Tolkien called “the fairy story”—as a medium of expression of their ideas? What is gained or lost by such a choice? What is the relationship between art, imagination and belief? II Course Goals: In this course we will learn and come to: 1. -
The Chronicles of War Repercussions in J. R. R. Tolkien and C. S. Lewis's
The Chronicles of War Repercussions in J. R. R. Tolkien and C. S. Lewis’s Life and Work by Nora Alfaiz B.A. in English, May 2007, King Saud University M.A. in English, May 2011, American University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 31, 2020 Dissertation directed by Marshall Alcorn Professor of English The Columbian College of Arts and Sciences of The George Washington University certifies that Nora Alfaiz has passed the Final Examination for the degree of Doctor of Philosophy as of May 06, 2020. This is the final and approved form of the dissertation. The Chronicles of War Repercussions in J. R. R. Tolkien and C. S. Lewis’s Life and Work Nora Alfaiz Dissertation Research Committee: Marshall Alcorn, Professor of English, Dissertation Director Kavita Daiya, Associate Professor of English, Committee Member Maria Frawley, Professor of English, Committee Member ii © Copyright 2020 by Nora Alfaiz All rights reserved iii Dedication To the writer of The Hobbit. And to my mother, who nudged me towards bookshops and calls me her Precious. iv Acknowledgments I could not have made it this far without my Dissertation Director, Marshall Alcorn, whose class lectures spurred my interest in trauma studies and eventually led to years of office visits and samosa meetings as I looked more into the Great War’s influence on my writers. I am also grateful to Kavita Daiya and Maria Frawley for their invaluable support from the first classroom discussion till the end of my doctoral experience.