Jane Austen and Her Influence on Society
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Sanditon Scripted by Emmy® Award Winner Andrew Davies Premiering on MASTERPIECE on PBS January 12, 2020
Jane Austen’s Final Unfinished Work—Finished! Sanditon Scripted by Emmy® Award Winner Andrew Davies Premiering on MASTERPIECE on PBS January 12, 2020 Jane Austen was chronically ill with a mysterious disease in early 1817, when she turned her thoughts to a happier subject. She started work on a witty and delightful novel set in a seaside town. She never finished it. Now, noted screenwriter Andrew Davies (Pride and Prejudice, Les Misérables, Primetime Emmy® winner for Little Dorrit) picks up Austen’s plot and takes it in a glorious and satisfying direction, on Sanditon. Produced by Red Planet Pictures, the eight-hour series will premiere on MASTERPIECE on PBS on Sunday, January 12, 2020 at 9pm ET. MASTERPIECE’s bold and lavish adaptation of Jane Austen’s final work stars Rose Williams (Curfew) as Austen’s lively but levelheaded heroine, Charlotte Heywood; Theo James (Divergent) as the humorous, charming (and slightly wild!) Sidney Parker; Anne Reid (Years and Years) as the forthright grande dame of Sanditon, Lady Denham; Kris Marshall (Love Actually) as Sanditon’s compulsively enterprising promoter, Tom Parker; and Crystal Clarke (Ordeal by Innocence) as the mysterious West Indian heiress, Miss Lambe. Also appearing are Kate Ashfield (Secrets and Lies) as Tom’s stalwart spouse, Mary; Jack Fox (Riviera) as the fortune hunter Sir Edward Denham; Charlotte Spencer (Watership Down) as Sir Edward’s scheming sister, Esther; and Lily Sacofsky (Bancroft) as the enigmatic and elegant Clara Brereton. With four acclaimed Austen adaptations to his credit (Pride and Prejudice, Sense and Sensibility, Northanger Abbey and Emma), plus the Pride and Prejudice modernization Bridget Jones’s Diary, Andrew Davies is no stranger to Jane Austen’s story strategies— which makes him the perfect candidate to channel the creative spirit of one of the world’s most amusing and penetrating novelists. -
Multi-Dimensional Feminism: Elizabeth Bennet and the Representation of Women in the Media
Eliana Berger [email protected] Multi-Dimensional Feminism: Elizabeth Bennet and the Representation of Women in the Media Depictions of women in the media have historically been less representative of actual people than of idealized, single-faceted characters. Women on television and in books are too often defined by a single trait or belief; they are either beautiful or ugly, foolish or intelligent, strong or weak, inspirational or malevolent. Seldom are women depicted as complex people with conflicting thoughts and feelings wholly their own. Understanding this, one can perceive the importance of Elizabeth Bennet from Jane Austen’s Pride and Prejudice. She was a strong – though faulted – female character who understood and advocated for her values, undermining contemporary stereotypes with her outspokenness. Elizabeth’s world is typical of middle-class Caucasian families of the 1790s, when the book was originally written. She and the other women in the story are defined and confined by romantic-era, cult of sensibility stereotypes: women are frail, hypersensitive creatures whose only worth is in their marriage prospects. Her mother is prone to fainting. All of Elizabeth’s sisters are encouraged to find men to marry as soon as possible to secure themselves futures. However, Austen breaks with this conventional image in how she portrays Elizabeth. Elizabeth Bennet, by the end of the novel, is a fully-formed human being with feminist opinions on the world around her and the intelligence to back them up with. She is just as much a complex human as any of the men in the story, in spite of being a woman. -
Contrast and Didacticism in the Novels of Jane Austen
Edith Cowan University Research Online Theses : Honours Theses 2010 Contrast and didacticism in the novels of Jane Austen Brittany Morgan Woodhams Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Literature in English, British Isles Commons Recommended Citation Woodhams, B. M. (2010). Contrast and didacticism in the novels of Jane Austen. https://ro.ecu.edu.au/ theses_hons/1329 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1329 "Contrast and Didacticism in the Novels of Jane Austen" Brittany Morgan Woodhams Bachelor of Arts in English and History This thesis is submitted in fulfilment of the requirements for the degree of Bachelor of Arts with Honours (English). School of Communications and Arts Edith Cowan University 14th June 2010 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). -
Package 'Janeaustenr'
Package ‘janeaustenr’ June 10, 2017 Title Jane Austen's Complete Novels Version 0.1.5 Description Full texts for Jane Austen's 6 completed novels, ready for text analysis. These novels are ``Sense and Sensibility'', ``Pride and Prejudice'', ``Mansfield Park'', ``Emma'', ``Northanger Abbey'', and ``Persuasion''. URL https://github.com/juliasilge/janeaustenr BugReports https://github.com/juliasilge/janeaustenr/issues Depends R (>= 3.1.2) Suggests dplyr, testthat License MIT + file LICENSE LazyData true RoxygenNote 6.0.1 Encoding UTF-8 NeedsCompilation no Author Julia Silge [aut, cre] Maintainer Julia Silge <[email protected]> Repository CRAN Date/Publication 2017-06-10 06:29:05 UTC R topics documented: austen_books . .2 emma ............................................2 janeaustenr . .3 mansfieldpark . .3 northangerabbey . .4 persuasion . .4 prideprejudice . .5 sensesensibility . .5 Index 6 1 2 emma austen_books Tidy data frame of Jane Austen’s 6 completed, published novels Description Returns a tidy data frame of Jane Austen’s 6 completed, published novels with two columns: text, which contains the text of the novels divided into elements of up to about 70 characters each, and book, which contains the titles of the novels as a factor in order of publication. Usage austen_books() Details Users should be aware that there are some differences in usage between the novels as made avail- able by Project Gutenberg. For example, "anything" vs. "any thing", "Mr" vs. "Mr.", and using underscores vs. all caps to indicate italics/emphasis. Value A data frame with two columns: text and book Examples library(dplyr) austen_books() %>% group_by(book) %>% summarise(total_lines = n()) emma The text of Jane Austen’s novel "Emma" Description A dataset containing the text of Jane Austen’s 1815 novel "Emma". -
Jane Austen's Northanger Abbey
Jane Austen’s Northanger Abbey A Mock-Gothic Romp through Regency England Jane Austen, 1775-1817 Thwarted Love Early Literary Efforts Elinor and Mariann, commenced 1796 Susan, commenced 1798 First Impressions, commenced 1799 Publication History of Northanger Abbey Third full-length novel completed (1803) First novel sold (for ten pounds to an apparently inept publisher in 1803) Returned to Austen (for the same sum) in 1816 Revised prior to her death in 1817 Last novel published in a single volume with Persuasion (1817) The Novel in Regency England Perceived as an inferior form of writing Largely consumed by women Considered “dangerous” or “scandalous” The Gothic Novel Generally considered to have originated with Horace Walpole’s The Caste of Otranto (1764) The genre reached wild popularity with Ann Radcliffe’s The Mysteries of Udolfo (1794) And there was the rather off-color hit, The Monk, by Matthew Gregory Lewis (1796) The Monk inspired Radcliff’s final novel, The Italian (1797) Characteristics of the Genre of the Gothic Novel In Austen’s time, Ann Radcliffe was the most popular Gothic novelist among the English reading public Key elements of her books: “Supernatural” events explained by natural causes Innocent, helpless heroine (annoyingly virtuous) Brooding villain Terror and mystery Crumbling castles, locked rooms, unexplained events Ultimate salvation of heroine by dashing hero The Gothic Novel and English Society Although bestsellers, Radcliffe’s novels were considered “light” or “sensational” fiction and derided by the more educated -
A Good Moral Disposition from The
Linfield University DigitalCommons@Linfield Senior Theses Student Scholarship & Creative Works 2012 "A good moral disposition from the aesthetic appreciation of nature": The Importance of the Picturesque Landscape in Jane Austen's Novels and Elizabeth Bennet as the Ideal Heroine Nora Casey Linfield College Follow this and additional works at: https://digitalcommons.linfield.edu/englstud_theses Part of the English Language and Literature Commons Recommended Citation Casey, Nora, ""A good moral disposition from the aesthetic appreciation of nature": The Importance of the Picturesque Landscape in Jane Austen's Novels and Elizabeth Bennet as the Ideal Heroine" (2012). Senior Theses. 7. https://digitalcommons.linfield.edu/englstud_theses/7 This Thesis (Open Access) is protected by copyright and/or related rights. It is brought to you for free via open access, courtesy of DigitalCommons@Linfield, with permission from the rights-holder(s). Your use of this Thesis (Open Access) must comply with the Terms of Use for material posted in DigitalCommons@Linfield, or with other stated terms (such as a Creative Commons license) indicated in the record and/or on the work itself. For more information, or if you have questions about permitted uses, please contact [email protected]. "A good moral disposition from the aesthetic appreciation of nature":The Importance of the Picturesque Landscape in Jane Austen's Novels and Elizabeth Bennet as the Ideal Heroine A thesis submitted in partial fulfillment of the Bachelor of Arts in English by Nora Casey Spring 2012 Signature redacted Signature redacted I would like to thank Professor Ken Ericksen and Professor Kathy Kernberger for all the help, support, and time they put into this. -
Emma by Jane Austen
Emma by Jane Austen Born- 16 December 1775 Steventon Rectory, Hampshire, England Died - 18 July 1817 (aged 41) Winchester, Hampshire, England Resting place- Winchester Cathedral, Hampshire, England Education- Reading Abbey Girls' School Period- 1787 to 1809–11 By:- Dr. Ritu Mittal Assistant professor JKP(PG) College Muzaffarnagar BIOGRAPHY Jane Austen was an English novelist whose books, set among the English middle and upper classes, are notable for their wit, social observation and insights into the lives of early 19th century women. Jane Austen was born on 16 December 1775 in the village of Steventon in Hampshire. She was one of eight children of a clergyman and grew up in a close-knit family. She began to write as a teenager. In 1801 the family moved to Bath. After the death of Jane's father in 1805 Jane, her sister Cassandra and their mother moved several times eventually settling in Chawton, near Steventon. Jane's brother Henry helped her negotiate with a publisher and her first novel, 'Sense and Sensibility', appeared in 1811. Her next novel 'Pride and Prejudice', which she described as her "own darling child" received highly favourable reviews. 'Mansfield Park' was published in 1814, then 'Emma' in 1816. 'Emma' was dedicated to the prince regent, an admirer of her work. All of Jane Austen's novels were published anonymously. • . • In 1816, Jane began to suffer from ill-health, probably due to Addison's disease. She travelled to Winchester to receive treatment, and died there on 18 July 1817. Two more novels, 'Persuasion' and 'Northanger Abbey' were published posthumously and a final novel was left incomplete. -
Celebrating 200 Years of Jane Austen at Sharon Public Library
Sharon Public Library (781) 784-1578 www.sharonpubliclibrary.org Celebrating 200 Years of Jane Austen at Sharon Public Library Austen’s Works The Novels of Jane Austen, Volumes Sanditon 1-5 Fic Austen, Jane Fic Austen, Jane Sense and Sensibility Mansfield Park Fic Austen, Jane Fic Austen, Jane Jane Austen’s Pride & Prejudice: The Persuasion Graphic Novel by Laurence Sach Fic Austen, Jane GN Austen, Jane Pride and Prejudice Sense and Sensibility Fic Austen, Jane New YA GN King, Stacy Sense Inspired by Austen The Mysterious Death of Miss Jane The Jane Austen Book Club Austen Fic Fowler, Karen Fic Ashford, Lindsay (Mystery) Austentatious Longbourn Fic Goodnight, Alyssa Fic Baker, Jo Midnight in Austenland Jane and the Unpleasantness at Fic Hale, Shannon Scargrove Manor Fic Barron, Stephanie (Mystery) Arsenic with Austen Fic Hyde, Katherine (Mystery) Jane Austen in Boca Fic Cohen, Paula Death Comes to Pemberley Fic James, P.D. (Mystery) Jane Austen in Scarsdale: or Love, Death, and the SATs The Missing Manuscript of Jane Fic Cohen, Paula Austen Fic James, Syrie Definitely Not Mr. Darcy Fic Doornebos, Karen Shades of Milk and Honey Fic Kowal, Mary Sharon Public Library (781) 784-1578 www.sharonpubliclibrary.org First Impressions Love & Friendship: In Which Jane Fic Lovett, Charlie Austen’s Lady Susan Vernon is Entirely Vindicated Emma: A Modern Retelling Fic Stillman, Whit Fic McCall Smith, Alexander Sense and Sensibility and Sea The Independence of Miss Mary Monsters Bennet Fic Winters, Ben Fic McCullough, Colleen The Jane Austen Project The -
The Pride and Prejudice of the Characters in Jane Austen’S Novel
1 The Pride and Prejudice of the Characters in Jane Austen’s Novel Pride and Prejudice Katarina Andersson C essay Department of Languages and Literatures University of Gothenburg Fall 2011 Supervisor: Margrét Gunnarsdóttir Champion 2 Abstract In this essay, I will discuss the terms “pride” and “prejudice” and how they are conveyed in Jane Austen’s novel Pride and Prejudice. I claim that the title of the book describes the flaws of almost every character in the book, and not just the protagonists Elizabeth Bennet and Mr Darcy. I will first examine how these flaws show themselves in Elizabeth and Mr Darcy, and how they are not present in Jane Bennet and Mr Bingley, so as to be able to know what to look for in other characters, and compare them to the protagonists. I will then discuss the relation between the terms “pride” and “prejudice”, and also the role of the community as a whole. To support and enforce my discussion and my argument I will use books and articles by other writers who have analyzed Jane Austen’s Pride and Prejudice, the terms “pride” and “prejudice” and different characters and phenomena in it. Front page: The picture is from the film Pride & Prejudice (2005). Turned into greyscale by the writer of this essay. Found at: http://images4.fanpop.com/image/photos/17200000/Pride- and-Prejudice-pride-and-prejudice-2005-17217511-2324-1500.jpg 2011-11-24 3 Table of contents Introduction ................................................................................................................................4 Chapter One: -
Sense and Sensibility Discussion Questions
Sense and Sensibility Discussion Questions 1. In this novel Austen parodies the 18th-century cult of sensibility, which valued strong emotions over reason and intellect. Consider the significance of the novel’s title. How are the qualities of sense and sensibility represented in the main characters? 2. Discuss the entailment of Norland, the Dashwood estate. Could the Dashwood sisters’ father have done more to provide for the future of his wife and daughters? 3. How does John Dashwood fulfill the promise to his father to “take care” of his half-sisters and stepmother? How is he influenced? 4. Who is the heroine of the novel? Is Elinor too good to be true, too perfect? Is Marianne too flawed to be the heroine? 5. Although Elinor Dashwood is not a first-person narrator, most of the story is told through her eyes and thoughts. Do you think Austen agrees with Elinor’s viewpoint? 6. What is your opinion of Marianne at the beginning and then at the end of the novel? 7. What qualities does Marianne find appealing in Willoughby? Compare Marianne’s initial impression of Colonel Brandon. 8. Austen’s parody of the cult of sensibility is primarily embodied in Marianne. What mistakes does Marianne make in being guided by the tenets of sensibility? How does it affect her judgment of Elinor? 9. How and why does Marianne become ill? In the end, does Marianne examine her own conduct? Does she grow as a character to become self-aware? 10. How did you feel about Willoughby when he first entered the novel? What clues does Austen provide about his character? Is his apology to Elinor at the end of the book believable? Do you feel sorry for him? Should Elinor have told her sister what he said? 11. -
Elinor Dashwood in Sense and Sensibility
SUMMARY -139- Elinor Dashwood in Sense and Sensibility KITAWAKI Tokuko Sense and Sensibility was Jane Austen’s first novel published in 1811. Its first manuscript was entitled Elinor and Marianne, which was written as the story of two sisters in 1795. This story was rewritten twice in the sixteen years before its publication. Sense and Sensibility is regarded as a debate or a dialogue. Elinor Dashwood is a symbol of sense and Marianne Dashwood is that of sensibility. Jane Austen tried to let sense and sensibility have a dialogue through this novel. In the end of the story we are able to deepen our understand- ing of these two ideas. Elinor is intellectual and prudent, but she is affectionate and her feelings are strong. Marianne is emotional and imprudent, but she is also sensible and clever. We should not think of one as superior to the other. Both Elinor and Marianne are more or less endowed with sense and sensibility. Marianne’s behaviour is based on her own feelings, and she often ignores the feelings of other people. Her slightest consideration of circumstances invites ultimately her sufferings. In spite of Elinor’s advice to pay much attention to formal social activities, Marianne will never listen to her and indulges herself in loving a play boy. She was betrayed by the materialist Willoughby, who was engaged to the wealthy Miss Grey. Marianne suffers from his desertion and becomes seriously ill. Through these sufferings she learns to thank the people around her and behave properly. Elinor is always thinking of the feelings of other people and controls her own strong feelings. -
Conforming to Conventions in Jane Austen's Northanger Abbey, Pride and Prejudice, and Emma
Olson 1 Conforming to Conventions in Jane Austen’s Northanger Abbey, Pride and Prejudice, and Emma A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English By Veronica J. Olson 1 May 2013 Olson 2 Table of Contents Chapter 1: Introduction: ............................................................................................ 4 Chapter 2: Northanger Abbey: Going for the Goal (but is it worth it?) ..................... 22 Chapter 3: Pride and Prejudice: Money to Buy Love and the Behavior to Secure it ................................................................................................................ 50 Chapter 4: Emma: The Power of Social Standing (and how too much belief in that power is blinding) .......................................................................................... 83 Chapter 5: Conclusion: ............................................................................................. 111 Olson 3 Acknowledgements As the largest academic process I have undertaken, the thesis project naturally involved a great deal of assistance, support, and encouragement from a good number of individuals. I would like to especially thank Dr. Emily Heady for chairing my committee and for believing that the amateur English graduate student could turn into a scholar. I would like to thank Dr. Karen Prior for being a part of my committee and for inspiring me with many of the ideas that found their way into my thesis through her classes. I would like to thank Dr. Bruce Bell who graciously stepped in midway into the thesis process. His presence on my committee was a great help and encouragement. I also want to thank the entire English graduate studies faculty, particularly those whom I have been privileged to learn from in class. I would also like to thank my family and friends who have taken an interest in this project and will be able to celebrate with me.