Pride and Prejudice
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Sanditon Scripted by Emmy® Award Winner Andrew Davies Premiering on MASTERPIECE on PBS January 12, 2020
Jane Austen’s Final Unfinished Work—Finished! Sanditon Scripted by Emmy® Award Winner Andrew Davies Premiering on MASTERPIECE on PBS January 12, 2020 Jane Austen was chronically ill with a mysterious disease in early 1817, when she turned her thoughts to a happier subject. She started work on a witty and delightful novel set in a seaside town. She never finished it. Now, noted screenwriter Andrew Davies (Pride and Prejudice, Les Misérables, Primetime Emmy® winner for Little Dorrit) picks up Austen’s plot and takes it in a glorious and satisfying direction, on Sanditon. Produced by Red Planet Pictures, the eight-hour series will premiere on MASTERPIECE on PBS on Sunday, January 12, 2020 at 9pm ET. MASTERPIECE’s bold and lavish adaptation of Jane Austen’s final work stars Rose Williams (Curfew) as Austen’s lively but levelheaded heroine, Charlotte Heywood; Theo James (Divergent) as the humorous, charming (and slightly wild!) Sidney Parker; Anne Reid (Years and Years) as the forthright grande dame of Sanditon, Lady Denham; Kris Marshall (Love Actually) as Sanditon’s compulsively enterprising promoter, Tom Parker; and Crystal Clarke (Ordeal by Innocence) as the mysterious West Indian heiress, Miss Lambe. Also appearing are Kate Ashfield (Secrets and Lies) as Tom’s stalwart spouse, Mary; Jack Fox (Riviera) as the fortune hunter Sir Edward Denham; Charlotte Spencer (Watership Down) as Sir Edward’s scheming sister, Esther; and Lily Sacofsky (Bancroft) as the enigmatic and elegant Clara Brereton. With four acclaimed Austen adaptations to his credit (Pride and Prejudice, Sense and Sensibility, Northanger Abbey and Emma), plus the Pride and Prejudice modernization Bridget Jones’s Diary, Andrew Davies is no stranger to Jane Austen’s story strategies— which makes him the perfect candidate to channel the creative spirit of one of the world’s most amusing and penetrating novelists. -
Multi-Dimensional Feminism: Elizabeth Bennet and the Representation of Women in the Media
Eliana Berger [email protected] Multi-Dimensional Feminism: Elizabeth Bennet and the Representation of Women in the Media Depictions of women in the media have historically been less representative of actual people than of idealized, single-faceted characters. Women on television and in books are too often defined by a single trait or belief; they are either beautiful or ugly, foolish or intelligent, strong or weak, inspirational or malevolent. Seldom are women depicted as complex people with conflicting thoughts and feelings wholly their own. Understanding this, one can perceive the importance of Elizabeth Bennet from Jane Austen’s Pride and Prejudice. She was a strong – though faulted – female character who understood and advocated for her values, undermining contemporary stereotypes with her outspokenness. Elizabeth’s world is typical of middle-class Caucasian families of the 1790s, when the book was originally written. She and the other women in the story are defined and confined by romantic-era, cult of sensibility stereotypes: women are frail, hypersensitive creatures whose only worth is in their marriage prospects. Her mother is prone to fainting. All of Elizabeth’s sisters are encouraged to find men to marry as soon as possible to secure themselves futures. However, Austen breaks with this conventional image in how she portrays Elizabeth. Elizabeth Bennet, by the end of the novel, is a fully-formed human being with feminist opinions on the world around her and the intelligence to back them up with. She is just as much a complex human as any of the men in the story, in spite of being a woman. -
Hayashi Fumiko: the Writer and Her Works
University at Albany, State University of New York Scholars Archive East Asian Studies Faculty Scholarship East Asian Studies 1994 Hayashi Fumiko: The Writer and Her Works Susanna Fessler PhD University at Albany, State University of New York, [email protected] Follow this and additional works at: https://scholarsarchive.library.albany.edu/eas_fac_scholar Part of the Japanese Studies Commons Recommended Citation Fessler, Susanna PhD, "Hayashi Fumiko: The Writer and Her Works" (1994). East Asian Studies Faculty Scholarship. 13. https://scholarsarchive.library.albany.edu/eas_fac_scholar/13 This Dissertation is brought to you for free and open access by the East Asian Studies at Scholars Archive. It has been accepted for inclusion in East Asian Studies Faculty Scholarship by an authorized administrator of Scholars Archive. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. Hie quality of this reproduction is dependent upon the qualify of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bieedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Song Lyrics of the 1950S
Song Lyrics of the 1950s 1951 C’mon a my house by Rosemary Clooney Because of you by Tony Bennett Come on-a my house my house, I’m gonna give Because of you you candy Because of you, Come on-a my house, my house, I’m gonna give a There's a song in my heart. you Apple a plum and apricot-a too eh Because of you, Come on-a my house, my house a come on My romance had its start. Come on-a my house, my house a come on Come on-a my house, my house I’m gonna give a Because of you, you The sun will shine. Figs and dates and grapes and cakes eh The moon and stars will say you're Come on-a my house, my house a come on mine, Come on-a my house, my house a come on Come on-a my house, my house, I’m gonna give Forever and never to part. you candy Come on-a my house, my house, I’m gonna give I only live for your love and your kiss. you everything It's paradise to be near you like this. Because of you, (instrumental interlude) My life is now worthwhile, And I can smile, Come on-a my house my house, I’m gonna give you Christmas tree Because of you. Come on-a my house, my house, I’m gonna give you Because of you, Marriage ring and a pomegranate too ah There's a song in my heart. -
In John's Gospel
John Carroll University Carroll Collected Masters Essays Theses, Essays, and Senior Honors Projects Winter 2016 A STUDY OF “BELIEVING” AND “LOVE” IN JOHN’S GOSPEL Patrick Sullivan John Carroll University, [email protected] Follow this and additional works at: http://collected.jcu.edu/mastersessays Part of the Biblical Studies Commons Recommended Citation Sullivan, Patrick, "A STUDY OF “BELIEVING” AND “LOVE” IN JOHN’S GOSPEL" (2016). Masters Essays. 56. http://collected.jcu.edu/mastersessays/56 This Essay is brought to you for free and open access by the Theses, Essays, and Senior Honors Projects at Carroll Collected. It has been accepted for inclusion in Masters Essays by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. A STUDY OF “BELIEVING” AND “LOVE” IN JOHN’S GOSPEL An Essay Submitted to The Office of Graduate Studies College of Arts and Sciences John Carroll University in Partial Fulfillment of the Requirements for the Degree of Master of Arts By Patrick Sullivan 2016 The essay of Patrick Sullivan is hereby accepted: ________________________________________ ____________________ Advisor — Dr. Sheila E. McGinn Date I certify that this is the original document ________________________________________ ___________________________ Author — Patrick Sullivan Date If one reads the Gospel of John through a contemplative lens one can discern a very useful dynamic interplay between the evangelist’s treatment of the words “believe” and “love.” This paper will investigate this dynamic. It will begin by identifying the relevant perspectives that a contemplative brings into an encounter with scripture. After this, there will be a short section exploring John’s use of the word love, and how this understanding of love is uniquely useful to the contemplative. -
English Pronunciation in Virginia
English Pronunciation in Virginia A DISSERTATION Submitted to the Faculty of the University of Virginia in Partial Fulfillment of the Requirements for mavww-»~mn the Degree of Doctor of Philosophy -—wu_.<.=.- gr r-i ~ 7' - ‘ By EDWIN FRANCIS SHEWMAKE Alumni Professor of English in Davidson College _ ' UV; “Vtw ‘z 7 , ul’.m.‘;tl=-frmmfi.flmfiwuz_;_-I .- u~ 33915 . ._..,. PREFACE —. This study of English pronunciation in Virginia was accepted in 1920 by the faculty of the University of Virginia as a doctoral disserta- tion. That part dealing with the dialectal pronunciation of 0:4 and of i, was published in slightly modified form in Modern Language Notes, XL, 489 E., for December, 1925. The editor of the N ates has kindly given permission for the use of the article here. The author would thank all those who have in any way assisted or encouraged him in this undertaking. Especially does he wish to record his indebtedness to Professors John Calvin Metmlf and James Southall Wilson of the University of Virginia, Professor Percy W. Long of Harvard University, and Professor George Philip Krapp of Columbia University, all of whom have given valuable suggestions and advice. Thanks are also due to several editors and publishers for permission to use certain material for purposes of quotation and summary. The titles of books and periodicals used in this way appear in the text, with specific references to volumes and pages. E. F. S. Davidson, North Carolina. November, 1927. .-r.. .. _. .i 4.. ..._......_.__..4.-. .. >»~e~q—.«+.~vym oOpr-r 3-,, - A“. -
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some words about words This talk was written about North American English, but English is not a single language with a single standard meaning for every word or phrase. It’s possible that the specific things I say in this talk will not apply to the dialect of English that you speak in your workplace. Unfortunately, I don’t have the experience I would need to be able to localize this talk to the major dialects of English people speak in this part of the world. So I will begin by talking about the theories of language I drew on in writing this talk. Understanding these theories can help you understand what to look for in your workplace and your dialect(s) of English. what to listen for Direct insults have no place in a retrospective (or, I would argue, any workplace), but they’re also reasonably easy to identify, and they’re generally an issue for a company’s management, so insults and other unambiguous mean remarks are mostly not what I am going to to talk about today. I am going to talk about subtle words and phrases that may make you feel bad but leave you feeling confused about why. These are regionally and culturally variant- subtle insults or compliments depend on you knowing what the speaker considers good and bad and what words have good or bad connotations, and those things are strongly influenced by culture and region (even within countries). So I will start by giving you some tools to use when thinking about the meanings of words in English. -
Rectv Powered by レコチョク 配信曲 覧(アーティスト名ヨミ「は」 )
RecTV powered by レコチョク 配信曲⼀覧(アーティスト名ヨミ「は」⾏) ※2021/7/19時点の配信曲です。時期によっては配信が終了している場合があります。 曲名 歌手名 アワイロサクラチル バイオレント イズ サバンナ It's Power of LOVE バイオレント イズ サバンナ OH LOVE YOU バイオレント イズ サバンナ つなぐ バイオレント イズ サバンナ I'M DIFFERENT HI SUHYUN AFTER LIGHT [Music Video] HYDE INTERPLAY HYDE ZIPANG (Japanese Version) HYDE feat. YOSHIKI BELIEVING IN MYSELF HYDE FAKE DIVINE HYDE WHO'S GONNA SAVE US HYDE MAD QUALIA [Japanese Version] HYDE LET IT OUT HYDE 数え切れないKiss Hi-Fi CAMP 雲の上 feat. Keyco & Meika, Izpon, Take from KOKYO [ACOUSTIC HIFANA VERSION] CONNECT HIFANA WAMONO HIFANA A Little More For A Little You ザ・ハイヴス Walk Idiot Walk ザ・ハイヴス ティック・ティック・ブーン ザ・ハイヴス ティック・ティック・ブーン(ライヴ) ザ・ハイヴス If I Could Change Your Mind ハイム Summer Girl ハイム Now I'm In It ハイム Hallelujah ハイム Forever ハイム Falling ハイム Right Now ハイム Little Of Your Love ハイム Want You Back ハイム BJ Pile Lost Paradise Pile I Was Wrong バイレン 100 ハウィーD Shine On ハウス・オブ・ラヴ Battle [Lyric Video] House Gospel Choir Waiting For The Sun Powderfinger Already Gone Powderfinger (Baby I've Got You) On My Mind Powderfinger Sunsets Powderfinger These Days [Live In Concert] Powderfinger Stumblin' [Live In Concert] Powderfinger Take Me In Powderfinger Tail Powderfinger Passenger Powderfinger Passenger [Live At The 1999 ARIA Awards] Powderfinger Pick You Up Powderfinger My Kind Of Scene Powderfinger My Happiness Powderfinger Love Your Way Powderfinger Reap What You Sow Powderfinger Wake We Up HOWL BE QUIET fantasia HOWL BE QUIET MONSTER WORLD HOWL BE QUIET 「いくらだと思う?」って聞かれると緊張する(ハタリズム) バカリズムと アステリズム HaKU 1秒間で君を連れ去りたい HaKU everything but the love HaKU the day HaKU think about you HaKU dye it white HaKU masquerade HaKU red or blue HaKU What's with him HaKU Ice cream BACK-ON a day dreaming.. -
Package 'Janeaustenr'
Package ‘janeaustenr’ June 10, 2017 Title Jane Austen's Complete Novels Version 0.1.5 Description Full texts for Jane Austen's 6 completed novels, ready for text analysis. These novels are ``Sense and Sensibility'', ``Pride and Prejudice'', ``Mansfield Park'', ``Emma'', ``Northanger Abbey'', and ``Persuasion''. URL https://github.com/juliasilge/janeaustenr BugReports https://github.com/juliasilge/janeaustenr/issues Depends R (>= 3.1.2) Suggests dplyr, testthat License MIT + file LICENSE LazyData true RoxygenNote 6.0.1 Encoding UTF-8 NeedsCompilation no Author Julia Silge [aut, cre] Maintainer Julia Silge <[email protected]> Repository CRAN Date/Publication 2017-06-10 06:29:05 UTC R topics documented: austen_books . .2 emma ............................................2 janeaustenr . .3 mansfieldpark . .3 northangerabbey . .4 persuasion . .4 prideprejudice . .5 sensesensibility . .5 Index 6 1 2 emma austen_books Tidy data frame of Jane Austen’s 6 completed, published novels Description Returns a tidy data frame of Jane Austen’s 6 completed, published novels with two columns: text, which contains the text of the novels divided into elements of up to about 70 characters each, and book, which contains the titles of the novels as a factor in order of publication. Usage austen_books() Details Users should be aware that there are some differences in usage between the novels as made avail- able by Project Gutenberg. For example, "anything" vs. "any thing", "Mr" vs. "Mr.", and using underscores vs. all caps to indicate italics/emphasis. Value A data frame with two columns: text and book Examples library(dplyr) austen_books() %>% group_by(book) %>% summarise(total_lines = n()) emma The text of Jane Austen’s novel "Emma" Description A dataset containing the text of Jane Austen’s 1815 novel "Emma". -
Pride and Prejudice and Persuasion
RTN_C01.qxd 6/22/07 2:04 PM Page 13 Chapter 1 Pride and Prejudice and Persuasion Jane Austen is an author readers think they know. At least one reader of Austen has described heaven as a place where you would habitually engage in con- versation with her. There are Austen societies in England and in the United States. Some readers concern themselves with every detail of her novels and their social settings, down to the cut of dresses and the recipes for the food consumed in them. There is indeed a name for such people, “Janeites.” Henry James objected to all this, writing disparagingly of those who, for commercial gain, in his view distorted her actual (and considerable) achievement by invit- ing readers to think of her as “their ‘dear,’ our dear, everybody’s dear, Jane.”1 Rudyard Kipling, by contrast, wrote a story celebrating a particular group of Janeites – a group of World War I soldiers who kept their sanity intact by engag- ing in an elaborate ritual of giving the military objects around them names drawn from the persons and places depicted in “Jane’s” novels, and testing each other on their details. The palpable realities of her world, its men and women and settings, were apparently sufficient to ward off the horrific realities of trench warfare, if anything could. The idea that novels contain real people and are told to us directly by their authors is one that teachers of the novel often find themselves combating – usually for good reasons. Readers who think of characters as if they were real people living in the real world have a way of remaking those characters according to the logic of the familiar world they themselves inhabit, which can be a way of short-circuiting a more difficult but in the end more rewarding kind of reading that takes into account historical, cultural, and ideological differences between the present and the past, and is alive to the novelist’s craft. -
Download a Sample Lifetime Firdaria Report for John Edwards (PDF FILE)
SOLAR FIRE INTERPRETATIONS John Edwards - Natal Chart Jun 10 1953, 7:02 am, EST +5:00 Seneca SC, 34°N41'08'', 082°W57'12'' Geocentric Tropical Zodiac Porphyry Houses, True Node FIRDARIA (Al Biruni/Schoener) Planetary Period: The Sun From Jun 10 1953 to Nov 14 1954 Age 0.0yrs to 1.4yrs The quality of this period of life varies depending on whether or not you were born during the night or day. Generally speaking it is a positive phase. If you were born during the night then you experience the shining influence of the Sun's rays in your mid 40s. You have been reassessing your life goals and making the necessary changes. This can range from something as simple as spring cleaning your house, to a more serious change of career or relationship. After a period of letting go and perhaps experiencing a sense of loss, you are now ready to move forward and shine in your life. Opportunities arise in all areas of life. People from all walks of life are ready to help you achieve your personal and professional ambitions. You have the opportunity to live and rich and rewarding life with appreciation from other people. If you were born during the day then you experience the positive influence of the Sun's rays from birth, and then again in your mid 70s if you live that long. Depending on other influences in your birth chart, you are likely to have a rewarding childhood. Your parents dote on you in early childhood, helping you to experience a good sense of self. -
2Words-Season-3-Week-7.Pdf
WEEK Ability vs Dependability 07 CONTENT OVERVIEW C COACHES CAPTAINS ATHLETES FAMILY Celebrate Demonstrate your Become someone Hold your kids dependability commitment to you would and yourself whenever accountability. depend on. accountable to you see it. the family. ABILITY VS. DEPENDABILITY Think about the person you count on most in the world, such as your parent, your sibling, a friend, an older neighbor, and so on. What about them makes you comfortable relying on them? It could be that they always listen when you need it. It could be that they’ve never failed to help you procure something you need. It could be that they always show up when they say they will. The key can probably be boiled down to: They always do what they say they are going to do. That is the core of dependability. A dependable person will do whatever is required to get the job done. It doesn’t matter if there is a sacrifce of time or resources or mental energy required. They said they would do it, so you know that it will be done. Everybody wants to be the big, noticeable talent on the court. You want to be recognized for your abilities because society tells you that’s what counts. But, dependability is far more vital to success than mere talent. If your teammates and coach can’t depend on you to be there when you’re needed most, it doesn’t matter how much talent or ability you have. You have to be trustworthy before you will be trusted with the moments that matter.