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Bibliografie Bibliografie Deze bibliografie heeft vooral betrekking op de vroeg-renaissance. Publicaties in de Italiaanse taal zijn i.h.a. buiten beschouwing gelaten. Alberti, L.B., On painting. New York, 1991. Alberti, L.B., On painting and on sculpture. London, 1972. Antal, F., Florentine painting and its social background. Cambridge, Mass., 1986. Baldini, U., Masaccio. Florence, 1990. Baldini, U. & O. Casazza, La Cappella Brancacci. Milan, 1990. Baldini, U. & O. Casazza, The Crucifix by Cimabue, Milan, 1983. Baron, H., The crisis of the early Italian renaissance. Princeton, NJ, 1966. Basile, G., Giotto. La Capella degli Scrovegni. Florence, 1992. Baskovits, M., ‘Giotto born again’. Beitrage zu den Quellen Masaccios, in: Zeitschrift für Kunstgeschichte 29, 1966, p. 51-66. Baxandall, M., Giotto and the orators. Humanist observers of painting in Italy and the discovery of pictorial composition. 1350-1450. Oxford, 1971. Baxandall, M., Painting and experience in fifteenth-century Italy. Oxford, 1972. Beck, J.H., ‘Masaccio’s early career as a sculptor’, in: Art Bulletin 1971, p. 177-195. Beck, J.H., ‘Fatti di Masaccio …’, in: Essays in archeology and the humanities in memoriam Otto J. Brendel. Mainz, 1976, p. 211-214. Beck, J.H., Masaccio. The documents. New York, 1978. Beck, J.H., ‘Masaccio’s Madonnas’, in: Masaccio 1422/1989: atti del convegno del 22 april 1989. Pieve di San Pietro a Cascia, Regello, Florence, 1990, p. 48-53. Beck, J.H., Italiaanse renaissanceschilderkunst. Keulen, 1999. Bellosi, L., Giotto. Firenze, 1981. Bennett, B.A. & D.G. Wilkins, Donatello. Oxford, 1984. Berenson, B., ‘A new Masaccio’, in: Art in America 1930, p. 45-53. Berenson, B., Florentine painters of the renaissance. New York/London, 1896. Berenson, B., Homeless paintings of the renaissance. London, 1969. Berenson, B., The Italian painters of the renaissance (1894-1907). Oxford, 1980. Berenson, B., The Italian pictures of the renaissance. The Florentine school (2 vol.), London/New York, 1963. Berenson, B., The study and criticism of Italian art. London, 1902-1916. Bering, K., Fra Angelico. Mittelalterlicher Mystiker oder Maler der renaissance? Essen, 1984. Berti, L., Masaccio. University Park, Pennsylvania, 1967. Berti, L., Masaccio. Florence, 1988 (with contributions by U. Baldini and R. Foggi). Berti, L. & A. Paolucci, L’eta di Masaccio. Il primo quattrocento a Firenze. Florence: Palazzo Vecchio, 1990. Berti, L. & R. Foggi, Masaccio. Catalogo completo dei dipinti. Florence, 1989. Black, C. et al., Atlas of the renaissance. London, 1993. Bober, P. & R. Rubenstein, Renaissance artists and antique sculpture. A handbook of sources. New York, 2d ed., 1986. Boeck, W., ‘Die “Erfinder” der Perspektive’, in: Repertorium für Kunstwissenschaft 1931, p. 249-275. Bomfort, D. et al., Art in the making. Italian painting before 1400. London, 1989. Borsi, S., Masaccio. Firenze, 1998. Borsook, E., ‘A note on Masaccio in Pisa’, in: The Burlington Magazine CIII, 710, 1961, p. 212-215. Borsook, E., The mural painters of Tuscany from Cimabue to Andrea del Sarto [2nd. rev. ed.]. Oxford, 1980. Boskovits, M., ‘Giotto born again. Beitragen in der Quellen Masaccios’, in: Zeitschrift für Kunstgeschichte XXIX, 1966, p. 51-66. Boskovits, M., The origins of florentine painting (1100-1270). Florence, 1992. Bréton, E., Notice sur Tommaso Guidi dit Masaccio. Saint-Germain-en Laye, 1850. Brockhaus, H., ‘Die Brancacci-Kapelle in Florenz’, in: Mitteilungen des Kunsthistorisches Instituts in Florenz III, 4, 1930, p. 160-182. Brown, J., The renaissance. London/New York, 1988. Brucker, G., Renaissance Florence. New York, 1975. Burckhardt, J.C., The civilisation of the renaissance in Italy (1860). London, 1995. [Nederlandse editie: De cultuur der renaissance in Italië. Utrecht, 1980.] Burke, P., The renaissance. Basingstoke, 1997. Burke, P., The Italian renaissance. Culture and society in Italy. Cambridge (herz. dr.), 1987. [Nederlandse editie: De Italiaanse renaissance. 1984] Carman, C., ‘Masaccio’s “Tribute Money”. An early reflection of the dignity of man’, in: Source VIII, 1, 1988, p. 7-12. Camille, M., Gothic art, London?New York, 1996. Casazza, O., Masaccio and the Brancacci chapel. Firenze, 1990. Castelfranchi Vegas, L., International gothic art in Italy. London, 1968. Castelfranchi Vegas, L., Vlaanderen en Italië. Vlaamse primitieven en Italiaanse renaissance. Amsterdam, 1984. Castelnuovo-Tedesco, The Brancacci chapel in Florence (diss.). UCLA, 1971. Cavallero, A., ‘The Colonna altarpiece’, in: Roma 1300-1875, l’arte deglianni santi (exhibition catalogue). Rome, 1984, p. 334-346. Cavazzini, L., Giotto. Firenze, 1998. Christiansen, K., Gentile da Fabriano. London, 1982. Christiansen, K., ‘Some observations on the Brancacci chapel frescoes after their cleaning’, in: The Burlington Magazine CXXXIII, 1054, 1991, p. 5-20. Clark, K., ‘An early quattrocentro triptych from Santa Maria Maggiore, in: The Burlington Magazine, XVIII, 584, 1951, p. 339-346. Cocke, R., ‘Masaccio and the Spinario, Piero and the Pothos. Observations on the reception of the antique in renaissance painting’, in: Zeitschrift für Kunstgeschichte XLIII, 1, 1980, p. 21-32. Cocke, R., ‘Planning of the Brancacci fresco cycle. The role of Masaccio’, in: Bulletin of the Society for Renaissance Studies VIII, 1, 1990, p. 12-19. Cole, B., Agnolo Gaddi. Oxford, 1977. Cole, B., Giotto and Florentine painting 1280-1375. New York, 1976. Cole, B., Masaccio and the art of early renaissance Florence. Bloomington, Ind., 1980. Cole, B., The renaissance artist at work. From Pisano to Titian. New York, 1983. Cole Ahl, D. (ed.), The Cambridge companion to Masaccio. Cambridge, z.j. Coolidge, J., ‘Further observations on Masaccio’s “Trinity”’, in: Art Bulletin XLVIII, 3, 1966, p. 382-384. Covi, D.A., The inscription in fifteenth century Florentine painting. New York, 1986. Dal Poggetto, P., U. Baldini & U. Procacci, The great age of fresco. Giotto to Pontormo. New York, 1965. Davies, M., The earlier Italian school (2d ed.). London, 1961. Debold von Kritter, A., Studien zum Petruszyklus in der Brancaccikapelle (diss.). Berlin, 1975. Delaborde, M., ‘Des oeuvres et de la manière de Masaccio’, in: Gazette des Beaux-Arts XVIII, 14, 1876, p. 369-384. Dempsey, C., ‘Masaccio’s Trinity altarpiece or tomb?’, in: Art Bulletin LIV, 3, 1972, p. 279-281. Edgerton jr., S.H., The renaissance rediscovery of linear perspective. New York, 1975. Einem, H. von, ‘Zur Deutung von Masaccios Zinsgroschen’, in: Acta Historiae Artium XIII, 1/3, 1967, p. 187-190. Elkins, J., The poetics of perspective. Ithaca/London, 1994. Field, J.V., R. Lunardi & T.B. Settle, ‘The perspective scheme of Masaccio’s “Trinity”’, in: Nuncius, Annali di Storia della Scienza IV, 2, 1989, p. 31-114. Freemantle, R., Florentine gothic painters. From Giotto to Masaccio. London, 1975. Freemantle, R., ‘Masaccio and the antique’, in: Critica d’Arte 16/103, 1969, p. 39-56. Freemantle, R., ‘Restoration at Arezzo’, in: The Burlington Magazine CXVII, 865, 1975, p. 265-266. Freemantle, R., ‘Some documents concerning Masaccio and his mother’s second family’, in: The Burlington Magazine CXV, 845, 1973, p. 516-519. Freemantle, R., ‘Some new Masolino documents’, in: The Burlington Magazine, CXVII, 1975, p. 658-659. Gardner von Teuffel, C., ‘Masaccio and the Pisa altarpiece. A new approach’, in: Jahrbuch der Berliner Museen XIX, 1977, p. 23-68. Gilbert, C.E., History of renaissance art. New York, 1973. Gilbert, C.E., Italian art: 1400-1500. Sources and documents in the history of art. Engelwood Cliffs, NJ, 1980. Gilbert, C.E., ‘The drawings now associated with Masaccio’s Sagra’, in: Storia dell’ Arte 3, 1969, p. 260-278. Goffen, R. Spirituality in conflict. Saint Francis and Giotto’s Bardi chapel. London, 1988. Goffen, R., ‘Masaccio’s Trinity’, in: Masterpieces of Western painting. New York/London, 1998. Goffen, R., ‘Masaccio’s Trinity and the Letter to the Hebrews’, in: Memorie dominicane, II, 1980, p. 489-504. Goldscheider, L., Lorenzo Ghiberti. London, 1949. Gombrich, E.H., Die Geschichte der Kunst. Stuttgart, 1987, hfdst. 12-18. Gombrich, E.H., Norm and form. Studies in the art of the renaissance (1966). London, 1985. Gould, C., ‘On the direction of light in Italian renaissance frescoes and altarpieces’, in: Gazette des Beaux Arts VI période, XCVII, 1344, 1981, p. 20-25. Graham-Dixon, A., Renaissance. Utrecht/Antwerpen: 2002. Guillaud, M., Les fresques de Masaccio à la chapelle Brancacci avec les fresques de Masolino et de Filippino Lippi. Paris/New York, 1991. Hadeln, D.F. von, ‘Andrea di Giusto und das dritte predellenstück vom pisanischen altarwerk des Masaccio’, in: Monatshefte für Kunstwissenschaft 1908, p. 784-789. Hale, J.R., The civilisation of Europe in the renaissance. London, 1993. Hartt, F., A history of Italian renaissance art. Painting, sculpture, architecture (1970), herz. D. Wilkins. New York/London, 1994. Hartt, F. & D. Finn, Donatello. Prophet of modern vision. New York/London, 1973. Hatfield, R., ‘Five early renaissance portraits’, in: Art Bulletin, XLVII, 1965, p. 315-334. Hay, D., The age of the renaissance. London, 1986. Hay, D., The Italian renaissance in its historical background (1961). Cambridge, 1977. Helton, T. (red.), The renaissance. A reconsideration of the theories and interpretations of the age (1961). Madison, 1964. Hertlein, E., Masaccios Trinität. Kunst, Geschichte und Politik der Frührenaissance in Florenz. Florence, 1979. Hills, P., The light of early Italian painting. London, 1987. Holmes, G., Renaissance. London, 1996. Holmes, G., The Florentine enlightenment: 1400-1450.
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