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Copyrighted Material Index Note to the Reader: Throughout this index boldfaced page numbers indicate primary discussions of a topic. Italicized page numbers indicate illustrations. A Aspect Ratio Calculator app, 236 hard drives, 268 ATSC standard, 8 methods, 273–274 AC adapters, 57, 101, 101 audio, 195 ball-head tripods, 137 AC-3 audio, 332 accessories, 209 balloon lights, 193, 193 action movie look, 346 ADR, 291–295, 291–294 banding actors buy vs. rent decisions, 56 description, 251–252, 252, 313, 313 checking, 265 checking, 265 removing, 360–361 eye lines, 109–110 clipping, 198, 214–215 barn doors, 185, 185 looking directly into camera, 110 dialogue, 210 barrel distortion, 70, 114 adapters equipment, 197 barrel size of lenses, 120, 120 AC, 57, 101, 101 headphones, 203 Bartech follow focus, 49, 50, 120 audio, 202–203, 203 lack of, 255 bass roll-off, 210 lenses, 28, 30–31, 31, 56, 245 levels, 213–215, 213–214 batteries additive color system, 299, 299 microphones, 43–45, 43–44, charging, 238 Adobe Encore program, 333 204–209, 205–209 emergency kits, 234 Adobe Flash format, 334 mixers, 42, 42 grips, 100 Adobe Premiere Pro, 276, 280 out-of-sync, 289–291 managing, 100–101, 101 AdobeRGB color space, 39 peaks, 199 microphones, 44 ADR (automated dialogue replacement), professionals, 196 plates, 57 291–295, 291–294 recorders, 42, 42 selecting, 53 Advanced Video Upload feature, recording. See recording sound BeachTek audio adapters, 203, 203 334–336, 336 reference audio, 201–202, 202 bellows, 35 aerial rigs, 152–153, 152 role, 195–196 bins for footage, 282–283, 282 After Effects, 343–345 room tone, 213, 292–293, 293 Birns and Sawyer matte box, 32, 32 aliasing, 245–247, 247 sample setups, 210–212 bit depth alongside-vehicles shots, 386, 386 scripts, 210 color, 311–313 ambient light slates, 45, 45, 212–213 sound, 200 three-point setup, 176 sound effects, 294, 294 bit rates, 276, 312, 329 underwater cinematography, 368–369 testing, 77 black Duvetyne Amelie, 346 timeline setup for, 290–291 emergency item, 234 anamorphic lenses, 15 video syncing, 285–289, 285–289 monitor covering, 242, 258 angle of view, 13, 19 XLR audio adapter, 202–203, 203 black wrap, 235 angles Audio Technica mic systems, 43–44 blacks setting, 320 camera motion, 140, 140 authoring DVD and Blu-ray, 333 blankets car scenes, 378 Auto audio settings, 198–199, 198 monitor covering, 72, 258 chase scenes, 387, 387–388 Auto Lighting Optimizer controls, 253 softening, 190 light, 168–169, 168–169 autofocus sound-deadening, 101, 209 perspective, 106–107 focus without, 118 blockbuster budget gear packages, 55 Anton/Bauer products limitations, 242 blocking batteries, 53, 53, 57, 101 underwater cinematography, 375 camera motion, 134 mounts, 145 automated dialogue replacement (ADR), light, 183–184 aperture COPYRIGHTED291–295, 291–294 MATERIALblooming problems, 241 lenses, 9–10 AVCHD codec, 290 blown out detail, 320 sharpness, 117 Blu-ray underwater cinematography, 370 authoring, 333 zoom lenses, 12–13 B bit rates, 276, 330 aperture rings, 122–123, 122–123 b-roll, 264 creating, 332 Apple Color program, 311, 319 back seat, car shots from, 382, 382 Blue channel for color bars, 75, 75, 261 area of capture for microphones, 207 backgrounds, 264 blue color, 298–299, 298 Arri Mini follow focus, 49, 49 backlight, 169, 169, 175, 175 blue-difference chroma, 311–312 Artemis app, 236 backscatter, 366 blur articulating arms, 153 backups Gaussian, 349 artifacting, 245–247, 246–247 dailies, 265 lenses, 113–115, 113, 115 aspect ratio, 8, 236 footage, 227 392 876602bindex.indd 392 11/9/11 3:02:47 PM Index ■ 393 bokeh, 113–114, 113 frame rates, 23–24 Canon T2i boom microphones, 43, 43, 205–206, 205 gear packages, 54–57 ISO settings, 24 booms, 128 ISO settings, 24 low budget packages, 54 bounce cards, 159, 159, 180, 183, 183, lens accessories, 34–35 recommendations, 25 187–188 lenses, 26–30, 30–31 sensor size, 23 boundary microphones, 204 lights, 40–41, 40–41 Canon T3i, 80 bracketed shots, 308 matte boxes, 31–32, 32 capture formats, 226 breathing lenses, 11 mounts, 49 exposure, 253 bribe money as emergency item, 235 recommendations, 25, 25 file numbering,219–221 , 220–221 bright lights for color, 305 sensor size, 22–23 folders, 222–223, 222–223 brightness specialty items, 48–53, 49–53 H.264 files.See H.264 video files lights, 160 tripods and dollies, 46–48, 46–48 lenses, 16, 29–30, 55 monitors, 71–72, 74, 74, 260, 260 view features, 35–39, 35–39 picture style, 79–80, 79, 92–97, 92–97 broadcast-safe color, 324 cameras presets, 78 broken mirrors in lighting, 161, 161, 178, 179 angles and height in perspective, 104–107 recording time limits, 102 Brother Where Art Thou, 345 blockbuster budget packages, 55 canted angles, 107, 140 Brown, Daniel, 363, 377 housings for underwater cinematography, capture bubble levels, 137 364, 376 formats, 226 budget cameras, 25 independent budget packages, 55 reference audio, 201–202, 202 budgets in gear planning, 54–55 looking directly into, 110 stills, 283 buoyancy in underwater cinematography, low budget packages, 54 capture codecs, 275–276 371–372 mixing makes and models, 99–100 cardioid microphone pickup pattern, 208, 208 butterfly lighting,181 , 181 motion. See camera motion cards. See CF cards butterfly silk, 187 movement testing, 77 carrying cases, 52, 52, 57 buy vs. rent decisions, 56–57 picture-style settings, 309–310 cars bytes, 311 power, 100–101, 101 audio, 211–212 remotes, 233 battery charger adapters, 238 C selecting. See camera selection overview chase scenes, 384–387, 384–388 cables testing, 59–66, 61–63, 65 emergency items, 234 backups, 57 white balance control, 307–308, 307–309 interior dialogue, 378–383, 379–382 headphone jacks, 203 CamTram dolly system, 48, 151 safety, 378 pitfalls, 262–263 candles, 178, 179 carts, 234 testing, 77 Canon ACK-E6 AC adapters, 101, 101 cases, 52, 52, 57 cache on hard drives, 273, 273 Canon APS-C sensors, 2–4, 3, 17 catch lights, 172 cages for camera support, 148, 148 Canon APS-H focal length multiplication Cb color, 311–312 calibrating external monitors, 71–76, 72–75 factor, 17 CCFL monitor backlighting, 39 camera cars, 378 Canon cameras CDL (Color Decision List) standard, 325 camera motion, 125–126 Canon 1D Mark IV, 9, 24 Celtx Script app, 238 angles, 140, 140 Canon 5D Mark II CF cards circling, 131, 131 audio, 41 cases, 57 crane moves, 132–133, 133 blockbuster budget packages, 55 labeling, 219, 219 dollies, 131 cleaning mode, 258 managing, 102–103, 102 jib arms, 133, 133 color, 100 selecting, 53 lateral movement and retracking, 132 ISO settings, 24, 62, 62 transferring files to hard drives, matching cameras, 134 noise, 250, 250 224–226, 225 monopods, 139, 139 recommendations, 25 changes in light, 304 pans, 128–132, 128–130, 132 release, 1–2 Channel Range slider, 346 planning, 134–135 sensor size, 22–23 chase scenes, 384–387, 384–388 pull-backs, 130, 130 sound recording, 197–198, cheating in close-up lighting, 180 push-ins, 129–130, 129–130 197–198 Children of Men, 383 reasons, 126 white balance, 308, 308–309 chroma, 302–303, 314–315, 314 restricting, 127 Canon 7D chroma key lighting, 180–182, 181 rigging for, 133 color, 100 chromatic aberration, 115, 115 through solid objects, 132, 132 filenames,254 chromatics, 300 stabilizing. See stabilizing camera motion independent budget packages, 55 cinema lenses, 10–12, 10–11, 114, tripods, 135–138, 135–138 ISO settings, 9, 24 244–245, 245 type overview, 127–128 recommendations, 25 cinematic look, 389–391, 389–391 zooming, 129, 129 sensor size, 23 Cinemek storyboard app, 237 camera selection overview, 21–22 Canon 40D, 364 Cineroid EVFs, 36 audio, 41–45, 41–45 Canon 60D, 35 CineSlider dollies, 48, 48 filters,32–34 Canon 70–200, 13 CineStyle picture style, 97 876602bindex.indd 393 11/9/11 3:02:47 PM 394 ■ Index circling, 131, 131 temperature, 300, 303–304 crop sensors, 2–4, 2–4, 16–17, 18 clamps, 235 correction, 342 cropping, 19 clapboards, 45, 45, 285 day-for-night solutions, 254 crushed detail, 320–321, 321 cleaning cycles, 256–257 lighting, 182, 303–304 “crushing the blacks”, 347, 351 cleaning kits for lenses, 35 testing, 66, 66, 70–71 Cube monitors, 39 clear glass filters,33 tone presets, 83 curve levels, checking, 86–87, 87 clipped audio, 198, 214–215 video, 310–311, 311 Curves effect, 352, 352 clipped detail, 320–321, 321 white balance. See white balance Cut Notes app, 237 clips color correction cards, 234, 306, 306 cutaways in troubleshooting, 264 microphone, 206, 206 Color Decision List (CDL) standard, 325 cuts in camera motion, 154–155 naming, 254–255, 254–255 Color Picker, 352, 352 cutters, 186 clocks as timestamp, 224 color wheels, 300–301, 300 close-up diopter lenses, 35 ColorChecker card, 306 D close-up lighting, 180 colorimetry, 300 dailies, 265 CMOS sensors, 141, 239, 241 Colorista Power Mask software, Dalsa Cinema lenses, 55 codecs, 274–275 324–325, 324 Dana dollies, 48 conversion issues, 276, 276 complete backups, 274 data and storage management, 217 delivery vs. capture, 275–276 compound moves, 131 backups, 227 vs. formats, 275 compressed tones, 87 file management.See file management online and offline editing,277–278 , 277 compression, 327 hard drives, 229 testing, 67 color, 313–315, 314 memory cards. See memory cards coffee as emergency item, 235 distance, 110–112, 111 THM files,227–228 , 227–228 Cokin Creative System filters, 34 DVD and Blu-ray, 332–333 data rate in compression, 329 color and color space, 297 one-file-fits-all solution,337–339 , day-for-night solutions, 253–254 action movie look, 346 337–339 de-clicking lenses, 121–123, 121–123 balance, 247–248, 322 overview, 327–330
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