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JOAN CRAWFORD Early Life and Inspiration Joan Crawford Was Born Lucille Fay Lesueur on March 23, 1908, in San Antonio, Texas
JOAN CRAWFORD Early Life and Inspiration Joan Crawford was born Lucille Fay LeSueur on March 23, 1908, in San Antonio, Texas. Her biological father, Thomas E. LeSueur, left the family shortly after Lucille’s birth, leaving Anna Bell Johnson, her mother, behind to take care of the family. page 1 Lucille’s mother later married Henry J. Cassin, an opera house owner from Lawton, Oklahoma, which is where the family settled. Throughout her childhood there, Lucille frequently watched performances in her stepfather’s theater. Lucille, having grown up watching the many vaudeville acts perform at the theater, grew up wanting to pursue a dancing career. page 2 In 1917, Lucille’s family moved to Kansas City after her stepfather was accused of embezzlement. Cassin, a Catholic, sent Lucille to a Catholic girls’ school by the name of St. Agnes Academy. When her mother and stepfather divorced, she remained at the academy as a work student. It was there that she began dating and met a man named Ray Sterling, who inspired her to start working hard in school. page 3 In 1922, Lucille registered at Stephens College in Columbia, Missouri. However, she only attended the college for a few months before dropping out when she realized that she was not prepared enough for college. page 4 Early Career After her stint at Stephens, Lucille began dancing in various traveling choruses under the name Lucille LeSueur. While performing in Detroit, her talent was noticed by a producer named Jacob Shubert. Shubert gave her a spot in his 1924 Broadway show Innocent Eyes, in which she performed in the chorus line. -
PLANNER PROJECT 2016... the 60S!
1 PLANNER PROJECT 2016... THE 60s! EDITOR’S NOTE: Listed below are the venues, performers, media, events, and specialty items including automobiles (when possible), highlighting 1961 and 1966 in Planner Project 2016! 1961! 1961 / FEATURED AREA MUSICAL VENUES FROM 1961 / (17) AREA JAZZ / BLUES VENUES / (4) Kornman’s Front Room / Leo’s Casino (4817 Central Ave.) / Theatrical Restaurant / Albert Anthony’s Welcome Inn AREA POP CULTURE VENUES / (13) Herman Pirchner’s Alpine Village / Aragon Ballroom / Cleveland Arena / the Copa (1710 Euclid) / Euclid Beach (hosts Coca-Cola Day) / Four Provinces Ballroom (free records for all attendees) / Hickory Grill / Homestead Ballroom / Keith’s 105th / Music Hall / Sachsenheim Ballroom / Severance Hall / Yorktown Lanes (Teen Age Rock ‘n Bowl’ night) 1961 / FEATURED ARTISTS / MUSICAL GRPS. PERFORMING HERE IN 1961 / [Individuals: (36) / Grps.: (19)] [(-) NO. OF TIMES LISTED] FEATURED JAZZ / BLUES ARTISTS PERFORMING HERE IN 1961 / (12) Gene Ammons / Art Blakely & the Jazz Messengers / John Coltrane / Harry ‘Sweets’ Edison / Ramsey Lewis / Jimmy McPartland / Shirley Scott / Jimmy Smith / Sonny Stitt / Stanley Turrentine / Joe Williams / Teddy Wilson POP CULTURE: FEATURED NORTHEAST OHIO / REGIONAL ARTISTS FROM 1961 / (6) Andrea Carroll / Ellie Frankel trio / Bobby Hanson’s Band / Dennis Warnock’s Combo / West Side Bandstand (with Jack Scott, Tom King & the Starfires) FEATURED NATIONAL ARTISTS PERFORMING HERE IN 1961 / [Individuals: (16) / Groups: (14)] Tony Bennett / Jerry Butler / Cab Calloway (with All-Star -
Steven Spielberg's Early Career As a Television Director at Universal Studios
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Surugadai University Academic Information Repository Steven Spielberg's Early Career as a Television Director at Universal Studios 著者名(英) Tomohiro Shimahara journal or 駿河台大学論叢 publication title number 51 page range 47-61 year 2016-01 URL http://doi.org/10.15004/00001463 Steven Spielberg’s Early Career as a Television Director at Universal Studios SHIMAHARA Tomohiro Introduction Steven Spielberg (1946-) is one of the greatest movie directors and producers in the history of motion picture. In his four-decade career, Spielberg has been admired for making blockbusters such as Jaws (1975), Close Encounters of the Third Kind (1977), E.T.: the Extra-Terrestrial (1982), Indiana Jones series (1981, 1984, 1989, 2008), Schindler’s List (1993), Jurassic Park series (1993, 1997, 2001, 2015), Saving Private Ryan (1998), Lincoln (2012) and many other smash hits. Spielberg’s life as a filmmaker has been so brilliant that it looks like no one believes that there was any moment he spent at the bottom of the ladder in the movie industry. Much to the surprise of the skeptics, Spielberg was once just another director at Universal Television for the first couple years after launching himself into the cinema making world. Learning how to make good movies by trial and error, Spielberg made a breakthrough with his second feature-length telefilm Duel (1971) at the age of 25 and advanced into the big screen, where he would direct and produce more than 100 movies, including many great hits and some commercial or critical failures, in the next 40-something years. -
Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense. -
Business AD-Vantage
PAGE 8 PRESS & DAKOTAN n MONDAY, DECEMBER 28, 2015 ecutor who parlayed his handling Bobbi Kris- it to Me,” on the hit comedy show. a prominent figure in Margaret vehicles ranging from the beautiful of the Charles Manson trial into tina Brown, Sept. 3. Thatcher’s government but helped to the outrageous. Nov. 5. a career as a bestselling author. 22. Daughter of William Grier, 89. Psychiatrist bring about her downfall after they Gunnar Hansen, 68. He Deaths June 6. singers Whitney who co-authored the groundbreak- parted ways over policy toward played the iconic villain Leather- From Page 7 Christopher Lee, 93. Actor Houston and ing 1968 book, “Black Rage,” Europe. Oct. 9. face in the original “Texas Chain who brought dramatic gravitas Bobby Brown, which offered the first psychologi- Jerry Parr, 85. Secret Ser- Saw Massacre” film. Nov. 7. Pan- and aristocratic bearing to screen she was raised cal examination of black life in the vice agent credited with saving creatic cancer. the hail of snowballs and shower villains from Dracula to the wicked in the shadow United States. Sept. 3. President Ronald Reagan’s life Helmut Schmidt, 96. Former of boos that rained down on him. wizard Saruman in “The Lord of of fame and Martin Milner, 83. His whole- on the day he was shot outside a chancellor who guided West April 30. the Rings” trilogy. June 7. shattered by some good looks helped make Washington hotel. Oct. 9. Germany through economic turbu- Vincent Musetto, 74. Veteran Walter Dale the loss of her him the star of two hugely popular Richard Heck, 84. -
South Hill Park Cinema · Bracknell
Film and Live Screenings South Hill Park Cinema · Bracknell Last Christmas wilde theatre · mansion house · cinema · italian gardens · studio theatre · gallery bars · licensed wedding venue · recital room · art and dance studios · restaurant Noveber – December 2019 Members can book from Fri 18 Oct southhillpark.org.uk Non-members from Wed 23 Oct HEARING LOOP Dementia-Friendly and Relaxed Screenings ALL TICKETS The cinema is fitted with £5.50 each an audio induction loop. Customers can use the Specially-designed screenings for people living with dementia, T-setting on their hearing their carers and anyone preferring to experience cinema in calm aids for clear film sound. surroundings. With lights left on low and sound level reduced, these relaxed screenings are on the second Monday of each month. Key to Symbols Doors open 1.30pm for a 2pm start, with a short interval. Silver Screening Si Complimentary refreshments will be provided after each film screening. All staff and volunteers are Dementia Friends. Bringing in Baby BiB Not for Bringing in Baby Not BiB When booking please advise if wheelchair access is required. Family Screening F An American in Paris Gold Diggers of 1933 Hard of Hearing HoH Mon 11 Nov 2pm Mon 13 Jan 2pm Dir. Vincente Minnelli, US, 1951, 111 mins Dir. Mervyn LeRoy, US, 1933, 96 mins Family Super Deal F Gene Kelly, Leslie Caron, Oscar Levant Dick Powell, Ruby Keeler, Ginger Rogers Special prices for families. Things become complicated when A wealthy composer secretly rescues Please check film certificate two friends fall in love with the unemployed Broadway performers and content before booking same woman. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zed) Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 TWILIGHT AND SHADOWS: THE LESBIAN PRESENCE IN HLM NOIR DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Terry L. -
Highland Historical Society Highlights Highland, Illinois January, 2013______
Highland Historical Society Highlights Highland, Illinois_ January, 2013_______________________ NEXT QUARTERLY MEETING WILL BE 7:00PM, WEDNESDAY, JANUARY 9, 2013 AT FAITH COUNTRYSIDE ATRIUM APARTMENTS Highland, IL TH 1331 26 Street The once popular TV show Route 66 shot an episode, partly in Highland, in the fall of 1962 We plan to show a 1963 TV show: “Soda (October 27-November 5, 1962) which was Pop and Paper Flags,” which was partially aired on May 31, 1963 as Episode 31, the last shot in Highland, Illinois. of the Third Season. This is also our “Show and Tell” meeting, In the first three seasons the show starred so bring your area items to share. Martin Milner (1931-) (better known for his 174 ________________________________________ episodes of Adam-12), in the role of Tod Stiles NOTE THE DUES INVOICE IN THIS MAILING and George Maharis (1928-)(a top-40 singer in 1962), in the role of Buz Murdock, his sidekick. Most members will receive a Membership George Maharis apparently came to Highland Renewal Form with this newsletter. These for the filming, but he quit the show due to dues statements are for the calendar year health issues and does not appear in the final 2013, and are due upon receipt. Some version shown or in the credits. members are lifetime members. If we send you an invoice and you think it is a mistake, The scenes he filmed here were cut from the please contact us, and clarify our records. final show and the new sidekick filmed similar Make checks payable to “Highland Historical scenes in Florida that were then blended in. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
“Route 66” TV Episode Filmed in Lewisville, TX Solid Axle Event! Join Us Thursday, January 24, at the MCL Grand Theater, 100 S
January 2019 Straight Talk “Route 66” TV Episode Filmed in Lewisville, TX Solid Axle Event! Join us Thursday, January 24, at the MCL Grand Theater, 100 S. Charles St., Lewisville, TX Bring your C-1 Corvette for a special display in front of the theater to honor the famous Corvettes, which were the stars of “Route 66”. The program starts in the theater at 7pm, but your car needs to move into position from 4:30-5pm. They are closing off Charles St. in front of the MCL Grand on the East side to park our Vettes. Then we can dine across the street at Prohibition Chicken restau- rant before the show. The theater event is free to attend but you need to sign up for a free General Admission ticket at mclgrand. tix.com. Come, even if you can’t bring your C-1. We hope for good weather... it could happen. of the full episode of “Love Is a Skinny Kid.” Did you know Lewisville TX is on famed highway Route 66? For 20 years, Robin Cole-Jett has been Actually, it isn’t. But that didn’t stop a production crew from documenting the storied history of the Red making a stop in Lewisville in January 1962 to tape an episode of River Valley of the Old Southwest, looking for the legendary “Route 66” television program. Renamed “Kilkenny, ghost towns, teaching history at North Central Texas” for the episode, Lewisville served as the backdrop for stars Texas College, conducting tours of Bonnie & Martin Milner, George Maharis, Tuesday Weld, Cloris Leachman, Clyde’s Dallas, and designing museum exhib- and Burt Reynolds as they filmed scenes across many of the city’s its. -
“Can't Help Singing”: the “Modern” Opera Diva In
“CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location. -
To Download The
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