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Stilyagi (Crnnrrn) Review - ESCAPE from HOLLYWOOD I the International Cinema Addict's Definitive Resource 814ILL 4:T2 PM
Stilyagi (Crnnrrn) Review - ESCAPE from HOLLYWOOD I the international cinema addict's definitive resource 814ILL 4:T2 PM Stilyagi (Crnilntlt) Review Published May 151h,2009 in Europe & Russia and Reviews. 4 Comments Musical comedy is hardly a genre most people would associate with modern Russian cinema. Traditionally known and respected for such somber and inquisitive works as Nikita Mikhalkov's Burnt by the Sun (1994), Andrei Zvyagintsev's The Return (2001), and Aleksei Balabanov's Cargo 200 (2OO7), post-Soviet Russian directors had generally focused on negative aspects of the Russian experience until the early 2000s, when waves of cash flowing from the country's oil and gas-fueled economic boom finally reached the film industry, resulting in the production of commercially-oriented blockbusters such as Night Watch (2OO4) and The 9th Company (2OO5). Continuing this trend and taking it in a new direction is Valeriy Todorovskiy's new frlm Stilyagi (Hipsters). Featuring an all-star cast, dynamic script and slick cinematography, Stilyagi takes the viewer on an epic joy ride through 1955 Moscow, two years after Stalin's death. At the height of the Cold War in the Soviet Union, the titular stilyagi were a bunch of Western-oriented hipsters who loved jazz, exhibited questionable morals and enjoyed dressing with style. Mels (Anton Shagin), a seemingly brainwashed member of the Communist youth group Komsomol, falls in love with Polza (Oksana Akinshina) while raiding an illegal underground nightclub . Polza invites Mels to join her and her friends on the "Broadway" and Mels is dumbfounded when he shows up to the party dressed plainly and looking apologetic. -
CTX Vol 2 No 3
Volume 2, No. 3 2012 ISSN 2162-6421 (online) 8/1/2012 Vol. 2, No. 3 | CTX EDITORIAL STAFF From the Editor MICHAEL FREEMAN Executive Editor ANNA SIMONS Executive Editor Welcome to the fifth issue of the Combating Terrorism Exchange, beginning ELIZABETH SKINNER Managing Editor the second full year of the journal’s publication. You will notice changes RYAN STUART Design & Layout to the look of the CTX right away, particularly the bold new cover design. Graphic designer Ryan Stuart has used the three months since the last issue TAMMY DITMORE Copy Editor to rethink the look of the entire journal, and we hope you like the results as much as we do. We are also excited to see our submissions inbox bringing EDITORIAL REVIEW BOARD us a variety of papers from an increasing number of sources. If you have VICTOR ASAL something you’d like us to look at, please read the submissions guidelines University at Albany SUNY (on the final page) and send it in. ALEJANDRA BOLANOS National Defense University This issue brings together a selection of articles that, somewhat unusually LAWRENCE CLINE for this journal, tend more toward the scholarly than the operational, with Naval Postgraduate School a couple of notable exceptions. Andy Kraag leads off with the story of the STEPHEN DI RIENZO Netherlands Maritime Special Operations Force (NL MARSOF). Created National Intelligence University from two small SOF units to improve efficiency, the force found that cultural SAJJAN GOHEL differences between them badly undermined overall effectiveness. Kraag Asia Pacific Foundation was able to use analytical research and his SOF background to give the unit’s command the information it needed to make vital changes that improved SEBASTIAN GORKA morale and ensured the group’s continued operational effectiveness. -
Press-File-2017.Pdf
MENU 2017 Edito ................................................................................................................................... 4 BIFFF Fun Facts ................................................................................................................... 5 Program ............................................................................................................................. 6 BIF Market .......................................................................................................................... 7 ArtBIFFF Expo .................................................................................................................... 8 2nd International Art Contest ............................................................................................ 9 Pimp My Chair .................................................................................................................. 10 34th Makeup Contest ....................................................................................................... 11 Gaming Madness day ....................................................................................................... 12 Magyar Movie Madness ................................................................................................... 13 Tromarathon .................................................................................................................... 14 Panorama ....................................................................................................................... -
The State and the Public Sphere in Russia
The State and the Public Sphere in Russia Elena Chebankova Abstract: This paper explores the structural problems of the public sphere in Russia during the Putin–Medvedev era and discusses the possible directions of its evolution. Keywords: civil society, democratization, public sphere he public sphere is a central feature of a modern liberal society. Some literature on Tpolitical philosophy claims that it should promote popular control over the govern- ment, to be exercised by means of public opinion formed in a free critical environment. The public sphere today, however, has many structural problems. It falls under the influ- ence of economic and political elites. Thus, it becomes a means of popularizing and imposing “appropriate” behavioral patterns within the economic and political domains. This article discusses how the state and hegemonic elites influence the public sphere in Russia. It is divided into four sections. The first section discusses historical and theoreti- cal dimensions of the public sphere. The second section examines how trivial culture emerges and colonizes the public domain. The third and fourth sections delineate the problems of political and socioeconomic domination. I conclude that the values and behavioral patterns that the state and elites propagate in the public domain could impede ongoing economic and political modernization. Theoretical Aspects Charles Taylor writes that the public sphere is a “common space in which the members of society meet, through a variety of media (print, electronic) and also by face-to-face encounters, to discuss matters of common interest and thus to be able to form a common mind about those matters.”1 The public sphere is conceptually distinct from both the state and the economy. -
CHARLES UNIVERSITY in PRAGUE Ph.D. Dissertation
CHARLES UNIVERSITY IN PRAGUE FACULTY OF SOCIAL SCIENCE Institute of International Studies Ph.D. Dissertation 2016 Francesca Mazzali 1 CHARLES UNIVERSITY IN PRAGUE FACULTY OF SOCIAL SCIENCE Institute of International Studies Francesca Mazzali, M.A. The Kremlin’s Program for Patriotic Education and Russian War Movies (2000- 2010) Ph.D. Dissertation Prague 2016 2 Author: Francesca Mazzali, M.A. Supervisor: Doc. PhDr. Jiří Vykoukal, CSc. Academic Year: 2016/2017 3 Bibliographic note MAZZALI, Francesca. The Kremlin’s Program for Patriotic Education and Russian War Movies (2000-2010). 97 p. Ph.D. Dissertation. Charles University, Faculty of Social Sciences, Institute of International Studies. Supervisor: Doc. PhDr. Jiří Vykoukal, CSc. Abstract This dissertation considers films to be double-sided mirrors that absorb political and cultural content from one side, with filmmakers filtering and elaborating the content between the two surfaces, and then transmitting the elaborated points to the audience. The elaboration of political content can be performed in an educational and propagandistic way, depicting and supporting specific political ideas. This dissertation analyses the first two programs of a Russian government program, Patriotic Education for Russian Federation Citizens (2001-2005 and 2006-2010) (hereinafter, ‘Patriotic Education’), and identifies six political priorities that can be observed and analysed in eleven Russian war movies. It will first be explained how the movies serve as propagandistic and educational tools in the context of Patriotic Education, projecting its political priorities to the audience. Second, it will be explained how a continuity with the Soviet past is displayed in the content of war films and the way they depict some of the elements promoted by Patriotic Education. -
Honor, Violence, Resistance and Conscription in Colonial Cameroon During the First World War
Soldiers of their Own: Honor, Violence, Resistance and Conscription in Colonial Cameroon during the First World War by George Ndakwena Njung A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in the University of Michigan 2016 Doctoral Committee: Associate Professor Rudolph (Butch) Ware III, Chair Professor Joshua Cole Associate Professor Michelle R. Moyd, Indiana University Professor Martin Murray © George Ndakwena Njung 2016 Dedication My mom, Fientih Kuoh, who never went to school; My wife, Esther; My kids, Kelsy, Michelle and George Jr. ii Acknowledgments When in the fall of 2011 I started the doctoral program in history at Michigan, I had a personal commitment and determination to finish in five years. I wanted to accomplish in reality a dream that began since 1995 when I first set foot in a university classroom for my undergraduate studies. I have met and interacted with many people along this journey, and without the support and collaboration of these individuals, my dream would be in abeyance. Of course, I can write ten pages here and still not be able to acknowledge all those individuals who are an integral part of my success story. But, the disservice of trying to acknowledge everybody and end up omitting some names is greater than the one of electing to acknowledge only a few by name. Those whose names are omitted must forgive my short memory and parsimony with words and names. To begin with, Professors Emmanuel Konde, Nicodemus Awasom, Drs Canute Ngwa, Mbu Ettangondop (deceased), wrote me outstanding references for my Ph.D. -
Film and Television Genres of the Late Soviet Era
F i l m a n d Te l e v i s i o n G e n r e s o f t h e Late Soviet Era i ii Film and Television Genres of the Late Soviet Era A l e x a n d e r P r o k h o r o v a n d E l e n a P r o k h o r o v a Bloomsbury Academic An imprint of Bloomsbury Publishing Inc NEW YORK • LONDON • OXFORD • NEW DELHI • SYDNEY iii Bloomsbury Academic An imprint of Bloomsbury Publishing Inc 1385 Broadway 50 Bedford Square New York London NY 10018 WC 1B 3 DP USA UK www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2017 © Alexander Prokhorov and Elena Prokhorova, 2017 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the author. Library of Congress Cataloging- in-Publication Data Names: Prokhorov, Alexander, 1965- author. | Prokhorova, Elena, author. Title: Film and television genres of the late Soviet era / Alexander Prokhorov and Elena Prokhorova Description: New York : Bloomsbury Academic, 2016. | Includes bibliographical references and index. Identifi ers: LCCN 2016023096 (print) | LCCN 2016035443 (ebook) | ISBN 9781441177292 (hardback) | ISBN 9781501324093 (ePub) | ISBN 9781501324086 (ePDF) Subjects: LCSH: Motion pictures--Soviet Union. -
Military Linguistics: Russian in the Red/Soviet Army1
Journal of Military and Strategic VOLUME 12, ISSUE 3, SPRING 2010 Studies JMSS AWARDS OF EXCELLENCE 2010 Third Prize Military Linguistics: Russian in the Red/Soviet Army1 Nathan Hawryluk The development of military linguistics, a field similar to military anthropology or military history, would benefit the disciplines of linguistics and strategic studies. For linguists interested in society, the military offers another cultural group with which to contrast civilian society and a format for examining how institutions shape communication. Linguistic studies can aid strategic studies by explaining how discourse reinforces military culture and hierarchy, as well as the interaction between military and civilian society. Since language reflects the society which produces it, linguistics can be used to better understand culture. If militaries are seen as their own cultures, then, predictably, 1 Feedback to presentations given at the Department of Germanic, Slavic and East Asian Studies’ Work in Progress series at the University of Calgary, the 2009 Verbatim Undergraduate Linguistics Colloquium and the 2010 Strategic Studies and Security Consortium (S3C) Conference has been invaluable in the development of this article. I am thankful for the recommendations from faculty members in the Department of Germanic, Slavic and East Asian Studies and the anonymous reviewers. All errors are my own. ©Centre of Military and Strategic Studies, 2010 ISSN : 1488-559X VOLUME 12, ISSUE 3, SPRING 2010 the resulting discourse will have distinct traits. These linguistic and cultural distinctions are likely a reaction to the extreme conditions faced in combat. Despite the fact that non-linguists might readily accept that military discourse differs from its civilian counterpart,2 comprehensive linguistic studies of the nature of military discourse are rarely conducted. -
Download the Publication
COLD WAR INTERNATIONAL HISTORY PROJECT WORKING PAPER #51 Inside the Soviet Invasion of Afghanistan and the Seizure of Kabul, December 1979 By Aleksandr Antonovich Lyakhovskiy Translations by Gary Goldberg and Artemy Kalinovsky January 2007 THE COLD WAR INTERNATIONAL HISTORY PROJECT WORKING PAPER SERIES Christian F. Ostermann, Series Editor This paper is one of a series of Working Papers published by the Cold War International History Project of the Woodrow Wilson International Center for Scholars in Washington, D.C. Established in 1991 by a grant from the John D. and Catherine T. MacArthur Foundation, the Cold War International History Project (CWIHP) disseminates new information and perspectives on the history of the Cold War as it emerges from previously inaccessible sources on “the other side” of the post-World War II superpower rivalry. The project supports the full and prompt release of historical materials by governments on all sides of the Cold War, and seeks to accelerate the process of integrating new sources, materials and perspectives from the former “Communist bloc” with the historiography of the Cold War which has been written over the past few decades largely by Western scholars reliant on Western archival sources. It also seeks to transcend barriers of language, geography, and regional specialization to create new links among scholars interested in Cold War history. Among the activities undertaken by the project to promote this aim are a periodic BULLETIN to disseminate new findings, views, and activities pertaining to Cold War history; a fellowship program for young historians from the former Communist bloc to conduct archival research and study Cold War history in the United States; international scholarly meetings, conferences, and seminars; and publications. -
Lars Westerlund, the Finnish SS-Volunteers and Atrocities
LARS WESTERLUND The Finnish SS-VOLUNTEERS AND ATROCITIES 1941–1943 SKS The Finnish SS-VOLUNTEERS AND ATROCITIES 1941–1943 LARS WESTERLUND THE FINNISH SS-VOLUNTEERS AND ATROCITIES against Jews, Civilians and Prisoners of War in Ukraine and the Caucasus Region 1941–1943 An Archival Survey Suomalaisen Kirjallisuuden Seura – Finnish Literature Society Kansallisarkisto – The National Archives of Finland Helsinki 2019 Steering Group Permanent State Under-Secretary Timo Lankinen, Prime Minister’s Office / Chair Research Director Päivi Happonen, The National Archives of Finland Director General Jussi Nuorteva, The National Archives of Finland Legal Adviser Päivi Pietarinen, Office of the President of the Republic of Finland Production Manager, Tiina-Kaisa Laakso-Liukkonen, Prime Minister’s Office / Secretary Project Group Director General Jussi Nuorteva, The National Archives of Finland / Chair Research Director Päivi Happonen, The National Archives of Finland / Vice-Chair Associate Professor Antero Holmila, University of Jyväskylä Dean of the Faculty of Law, Professor Pia Letto-Vanamo, University of Helsinki Professor Kimmo Rentola, University of Helsinki Academy Research Fellow Oula Silvennoinen, University of Helsinki Docent André Swanström, Åbo Akademi University Professor, Major General Vesa Tynkkynen, The National Defence University Professor Lars Westerlund Researcher Ville-Pekka Kääriäinen, The National Archives of Finland / Secretary Publisher’s Editor Katri Maasalo, Finnish Literature Society (SKS) Proofreading and translations William Moore Maps Spatio Oy Graphic designer Anne Kaikkonen, Timangi Cover: Finnish Waffen-SS troops ready to start the march to the East in May or early June 1941. OW Coll. © 2019 The National Archives of Finland and Finnish Literature Society (SKS) Kirjokansi 222 ISBN 978-951-858-111-9 ISSN 2323-7392 Kansallisarkiston toimituksia 22 ISSN 0355-1768 This work is licensed under a Creative Commons CC-BY-NC-ND 4.0 International License. -
Deconstructing Patriarchal War Narratives: State Mythmaking And
2 Table of Contents Acknowledgements……………………………………………………………………….3 Introduction……………………………………………………………………………….4 Chapter 1: Evolution of the Cult of the Great Patriotic War Under Late Socialism…….11 Chapter 2: Comparison of Narratives of the Great Patriotic War………………………..19 State-Sponsored Realism 1.0: Liberation………………………………………..19 Militarized Masculinity…………………………………………………..23 Ethnicity as a Brotherhood of Nations…………………………………...26 Objectalism 1.0: War’s Unwomanly Face……………………………………….28 Gynocentric Perspective…………………………………………………31 Ethnicity as a Supranational Group……………………………………...35 Military and the Economy of War………………………………….……42 Different Editions of War’s Unwomanly Face…………………………..45 Chapter 3: Comparison of Narratives of the Soviet War in Afghanistan………………..49 Objectalism 2.0: Zinky Boys……………………………………………………..51 Multiplicity of Voices……………………………………………………52 Gender……………………………………………………………………59 Ethnicity and the Enemy…………………………………………………65 Economy of War and the Myth of Soviet Unity…………………………67 Later Editions of Zinky Boys……………………………………………..72 “Close to Life:” Realism 2.0……………………………………………………..73 Unity of Voices and Unity of Military Conquest………………………...74 Gender…………………………………………………………………....75 Ethnicity………………………………………………………………….77 Ode to State Power……………………………………………………….78 Conclusion: Politics of Memory in the Post-Soviet Era…………………………………81 Appendix: Interview with Ilya Kukulin………………………………………………….86 Works Cited……………………………………………………………………………...96 Filmography…………………………………………………………………………….102 3 Acknowledgements The support -
The Afghan War (1979-1989) in the Cultural Memory of the Russians
Kadykało The Afghan War (1979-1989) in the Cultural Memory of the Russians The Afghan War (1979-1989) in the Cultural Memory of the Russians1 Anna Kadykało Jagiellonian University Krakow, Poland Abstract The article analyzes the process of building Russian cultural memory based on the events of the past, specifically the Soviet-Afghan conflict (1979-1989). It shows how the perception of the war developed in Soviet / Russian society among veterans, as well as in the circles of politicians and historians. It also shows how the younger generation of the Russians refer to these events now. Attention focuses on the ways memory is constructed, how various carriers of memory construct the Afghan war (including those relating to popular culture), and how popular cul- ture has the most influence on contemporary Russian society. lthough it has been over twenty years since the collapse of the Soviet Union, the events of this period still affect the historical consciousness of Russians, and constitute one of the most important traits of their national identity. AApart from the victory in the Second World War (in the Russian tradition called the Great Patriotic War), which was recognized by the Russians themselves as crucial in building national consciousness and pride, the Afghan war (1979-1989) should also be mentioned. It is much more controversial and still shrouded in many mysteries (Levinson; Левинсон 2005).2 In this text, the process of constructing Russian cultural memory will be traced on the basis of imaging the events associated with the Soviet- Afghan conflict. How the reception of this war evolved, both in the Soviet/Russian society and among its veterans, researchers, historians and politicians will be shown.