DOCSLIB.ORG

New Holland Island International Debut Film Festival July 26–28

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
New Holland Island International Debut Film Festival July 26–28 NEW HOLLAND ISLAND INTERNATIONAL DEBUT FILM FESTIVAL JULY 26–28 SAINT-PETERSBURG, 2019 High resolution images available at: http://www.newhollandsp.ru/media/nhi_film_festival.zip New Holland: www.nhifilmfest.com Cultural Urbanization [email protected] Saint Petersburg Admiralteysky Canal Embankment, 2 +7 (812) 245 20 35 facebook.com/nhifilmfest vk.com/nhifilmfest instagram.com/nhifilmfest ПРЕМЬЕРНЫЕ ПОКАЗЫ ЛЕКЦИИ ОБСУЖДЕНИЯ Q&A ЛЕКЦИИ ОБСУЖДЕНИЯ ПРЕМЬЕРНЫЕ ПОКАЗЫ ЛЕКЦИИ ОБСУЖДЕНИЯ Q&A ПРЕМЬЕРНЫЕ ПОКАЗЫ Q&A ОБСУЖДЕНИЯ ЛЕКЦИИ Q&A ОБСУЖДЕНИЯ ПОКАЗЫ Q&A ПРЕМЬЕРНЫЕ ОБСУЖДЕНИЯ ЛЕКЦИИ ПОКАЗЫ ПРЕМЬЕРНЫЕ 26–28.07.2019 NEW HOLLAND ISLAND INTERNATIONAL DEBUT FILM FESTIVAL Вход на показы свободный Free admission. Open-air screenings nhifilmfest.com RUSSIAN PREMIERES DISCUSSIONS LECTURES Q&A RUSSIAN PREMIERES DISCUSSIONS LECTURES Q&A LECTURES Q&A PREMIERES RUSSIAN DISCUSSIONS LECTURES PREMIERES RUSSIAN DISCUSSIONS RUSSIAN PREMIERES DISCUSSIONS LECTURES Q&A RUSSIAN PREMIERES RUSSIAN Q&A LECTURES DISCUSSIONS PREMIERES RUSSIAN PROGRAMME FRIDAY SATURDAY SUNDAY 26 JULY 27 JULY 28 JULY 15:00-17:00 12:00-14:00 12:00-14:30 The Pavilion The Pavilion The Pavilion Roundtable: Films from the Moscow Film Programme of young The realities, prospects School video art + Q&A and problems of debut films in Russia 15:00-16:00 14:30-15:30 The Pavilion The Bottle House 19:00-21:30 Public talk with Kirill Public talk with Kantemir Main Stage Mikhanovsky and Alice Aus- Balagov Saint Petersburg ten film premier: Give Me Liberty dir. Kirill Mikhanovsky, 2019, 16:30-19:00 USA, 119 min. 16:00-18:00 The Pavilion + Q&A The Pavilion Films from Films from the Moscow the Marina Razbezhkina and Saint Petersburg School + Q&A 22:00-00:0 Schools of New Cinema 00:30 – 02:30 + Q&A The Bottle House 19:30-21:00 Russia film premier: Main Stage The Souvenir 19:00-21:30 Saint Petersburg Main Stage dir. Joanna Hogg, 2019, film premier: UK/USA, 120 min Beanpole dir. Kantemir Balagov, 2019, Rus- A Russian Youth dir. Alexandr Zolotukhin, 2019, sia, 134 min.) + Q&A. 16+ Russia, 72 min. + Q&A 22:00-00:30 01.00-03.30 21:30-23:30 The Bottle House The Bottle House Russia film premier: Saint Petersburg Long Day’s Journey into film premier Night Fire Will Come, dir. Bi Gan, 2018, China/France, dir. Oliver Laxe, 2019, Spain, 138 min. 16+ France, Luxembourg, 90 min. + Q&A TEAM ALEXANDER RODNYANSKY ALEXEY ARTAMONOV PRESIDENT OF THE FESTIVAL PROGRAM DIRECTOR Producer of more than 30 television series Curator of film programs and film critic. He wrote and 40 feature films, both author and genre, about music and cinema for Session, Cinema Arts, including Elena, Leviathan and Nelyubov by Playbill, Interview Russia, W-O-S, Look At Me, Andrey Zvyagintsev, Sun by Alexander Sokurov, On Colta.ru, Kommersant Weekend, and other Saturday by Alexander Mindadze, Jane Mansfield’s publications. He worked as press secretary Car by Billy Bob Thornton, Long live the antipodes! for the State Central Museum of Cinema and By Viktor Kosakovsky, Driver for Faith by Pavel the Festival Message to Man, editor of the Chukhrai, The 9th Company, The Inhabited Island magazine Session, cinema section on the site and Stalingrad by Fyodor Bondarchuk, Peter FM Theory and Practice, site syg.ma. Curator of by Oksana Bychkova, Heat by Rezo Gigineishvili, programs for the Media Forum of the Moscow Duelist by Alexey Mizgirev, as well as international International Film Festival, the Message to Man projects Cloud Atlas by Tom Tykwer and the festival and the Lisbon & Sintra Film Festival. Wachowski sisters and City of Sin 2 by Robert New Holland: Cultural Urbanization film program Rodriguez. Since 2016, Alexander Rodnyansky curator. has been a member of the American Academy of Motion Picture Arts and Sciences. THE FESTIVAL IS ORGANIZED BY THE NEW HOLLAND ISLAND: CULTURAL URBANIZATION PROJECT TEAM FULL-LENGTH FEATURES JULY 26 7PM GIVE ME LIBERTY Director Kirill Mikhanovsky, 2019, USA, 119 min. 18+ Give Me Liberty is an absurd and incredibly Kirill Mikhanovsky emigrated from lyrical comedy about two lovers, one petty Russia to Milwaukee (USA, Wisconsin), and studied linguistics and anthropology swindler and a dozen charming marginals who at the University of Wisconsin- find themselves in one minibus on their way to Milwaukee. He worked in odd jobs, a raucous wake. Kirill Mikhanovsky’s next film after including being a special transport Dubrovsky, was warmly received at the Sundance driver for people with disabilities. A graduate of the New York University Film Festival, Give Me Liberty is bold questions Film School and the Scriptwriters Lab and sincere love confessions, lively scenes and at the Sundance Institute. His debut touching madness, all set to the music of Bon Iver. film Dreams of Fish was shown at the Cannes Film Festival as part of the Week of Critics and received the Prix Director, screenwriter Alice Austen and co-star Regard Jeune (Prize for Young Talent). Maxim Stoyanov will present the film. In 2014, Kirill Mikhanovsky, together Q&A after the screening. with Alexander Vartanov, made the film Dubrovsky with Danila Kozlovsky in the lead role. Mikhanovsky began work on the film Give Me Liberty in 2015 with screenwriter Alice Austen. JULY 26 10PM, 12:30AM THE SOUVENIR Director Joanna Hogg, 2019, United Kingdom, United States, 120 min. 18+ Joanna Hogg made her debut as a director and screenwriter in 2008 with the film Unrelated. The main role was played by Tom Hiddleston. A young, quiet and ambitious film studies student (Honor The film won the FIPRESCI Swinton-Byrne) starts the first serious relationship in her Award and the Guardian Award for Best Debut. Her next works life with a charismatic, mysterious man (Tom Burke). As the were Archipelago and Exhibition. romance grows into something more serious and starts to The British Film Institute called threaten and upset all the girl’s plans and dreams, she tries her «one of the leading directors to figure out, what is true and what is fiction? working in the UK today.» JULY 27 7PM BEANPOLE Director Kantemir Balagov, 2019, Russia, 134 min. 16+ Kantemir Balagov was born in 1991 in Nalchik. In 2015, he graduated from the director’s workshop of A.N. Sokurov at the H.M. Berbekov Kabardino- Balkarian State University. During his studies, he made several feature films and documentaries. His short film Me First (2014) was included in the almanac of Global Russians. His directorial full-length debut, the movie Closeness, participated in the official competitive program Un Certain Regard at the 70th Cannes Film Festival, where he was awarded Central to the plot of Beanpole is the life of two young girls the FIPRESCI prize by the International Film Press Federation. Beanpole, Balagov’s second full-length who returned from the front to post-war Leningrad at the end feature was selected for the official competitive of 1945. This is a story about how everyone tries to find a new program at the 72nd Cannes Film Festival (Un peaceful life, when all around them, and most importantly, Certain Regard) and won two awards at once - the inside them, are ruins. prize for directing and the FIPRESCI prize from the International Film Press Federation for “incredible film language aesthetics and a unique history of Director will present the film. Q&A after the screening. post-war trauma.” JUL 27 10PM, 1AM LONG DAY’S JOURNEY INTO NIGHT / DI QIU ZUI HOU DE YE WAN Director Bi Gan, 2018, China, France, 138 min. 16+ Bi Gan is one of the youngest poets and directors of modern China. In 2013, his short film Diamond Sutra received a special award in the Asian New Force category of the 19th IFVA Luo Yiwu returns to his hometown Kaili, which escaped sev- Festival. His debut feature film, Kaili Blues, was eral years ago. He begins his search for a woman he loved praised by critics and brought the author victory in the nomination for Best Directorial Debut at and has never been able to forget. He knew her by the name the 68th Locarno International Film Festival, of Wan Kuiwen... the title The Best New Director at the 52nd Golden Horse Festival in Taipei and other awards. His second film, A Long Day’s Journey Into Night, is an international co-production of China and France. The film premiered in the Un Certain Regard program at the 71st Cannes Film Festival. JULY 28 7.30PM RUSSIAN BOY Director Alexander Zolotukhin, 2019, Russia, 72 min. 14+ Alexander Zolotukhin was born on September 7, 1988 in Ukraine. His family moved frequently, so Alexander managed to live in the remote steppe regions of Kazakhstan, in Belarus, in Russia and in the Caucasus. In Nalchik, he received an education in programming. Later, in 2015, he graduated from the director’s workshop of Alexander Sokurov at the Kabardino- The story of a simple Russian boy who goes to the front Balkarian State University. Alexander’s short films participated in the programs of several in the First World War with a naive youthful dream of glory international film festivals. He now lives and works and medals. In the first battle, he loses his sight. He is left to in St. Petersburg. serve as a “listener”. He must listen for the approach of ene- my airplanes through huge metal funnels and raise the alarm. The film will be presented by the director and members of the film crew. Q&A after the screening. JULY 28 9.30PM FIRE WILL COME / O QUE ARDE Director Oliver Laxe, 2019, Spain, France, Luxembourg, 90 min. 16+ Oliver Laxe was born in 1982 and grew up traveling between France, Spain and Morocco.
Load more

Recommended publications
  • Kira Kovalenko
    Non-Stop Production presents UNCLENCHING THE FISTS a film by KIRA KOVALENKO 97 min - Russia – 2021 – Color - 2,35 - 5.1 INTL PR: INTL SALES: DDA Antoine Guilhem [email protected] [email protected] Photos and press kit can be downloaded from https://www.wildbunch.biz/movie/unclenching-the-fists/ SYNOPSIS In a former mining town in North Ossetia, a young woman struggles to escape the stifling hold of the family she loves as much as she rejects. THE FILM The small mining town of Mizur lies high in the mountains of North Ossetia between steep cliffs. Zaur has settled his family here. He keeps his sons and daughter on a short leash, blind to the line that separates fatherly concern from overprotectiveness. His eldest, Akim, has already run off to the nearest city, Rostov, to find work. Meanwhile, his youngest, Dakko, isn’t entirely sure yet what he wants out of life, while middle child, Ada, is actively planning her own escape. Although she’s already a young woman, her father still insists on treating her like a defenseless little girl. Freeing herself from his strong paternal embrace to finally embark on an independent adult life of her own is proving tougher than she anticipated. But just what is this father trying to protect his daughter from? Kira Kovalenko: The initial inspiration for the story came from a line in Faulkner’s Intruder in the Dust about how, while some people can endure slavery, nobody can stand freedom. The idea of freedom as a burden was the single most important theme for me while I was working on the film.
    [Show full text]
  • Religion, Family, and Society in Andrey Zvyagintsev's Leviathan (2014)
    Journal of Religion & Film Volume 24 Issue 2 October 2020 Article 1 October 2020 Corruption as Shared Culpability: Religion, Family, and Society in Andrey Zvyagintsev's Leviathan (2014) Maria Hristova Lewis and Clark College, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Part of the Christianity Commons, European Languages and Societies Commons, and the Other Film and Media Studies Commons Recommended Citation Hristova, Maria (2020) "Corruption as Shared Culpability: Religion, Family, and Society in Andrey Zvyagintsev's Leviathan (2014)," Journal of Religion & Film: Vol. 24 : Iss. 2 , Article 1. DOI: 10.32873/uno.dc.jrf.24.2.001 Available at: https://digitalcommons.unomaha.edu/jrf/vol24/iss2/1 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Corruption as Shared Culpability: Religion, Family, and Society in Andrey Zvyagintsev's Leviathan (2014) Abstract This article engages in close analysis of how Andrey Zvyagintsev depicts corruption and its various manifestations: moral, familial, societal, and institutional, in Leviathan (Leviafan, 2014). While other post- Soviet films address the problem of prevalent corruption in Russia, Zvyagintsev’s work is the first ot provoke strong public reactions, not only from government and Russian Orthodox Church officials, but also from Orthodox and political activist groups. The film demonstrates that the instances of legal and moral failings in one aspect of existence are a sign of a much deeper and wider-ranging problem that affects all other spheres of human experience.
    [Show full text]
  • Friendly Fire Project Examines How a Country Views Itself by How It Tells Its War Story, We Are Also Very Interested in What Other Countries Consume for Entertainment
    00:00:00 Music Music Soft, melancholy, somewhat eerie music. 00:00:01 Adam Host If it feels like there are a lot of films about Stalingrad, you’re not Pranica wrong. A quick search in your movie streaming service of choice—or if you’re so lucky, a brick-and-mortar video store—will reveal ten of them. Although only one, to our knowledge, has a scene depicting a Rachel Weisz hand job. It’s enough film content to spin off a podcast of its own, and I’ve already pitched Earwolf a show about German/Russian World War II films with an emphasis on fighter plane aerodynamics/equestrian cavalry enclosures hosted by fifth-year college seniors from acting school with limb fractures called The Stalingrad Stall Stall Stallin’ Grad Cast Cast Cast. For comparison, there are only five more films made about Pearl Harbor, and that’s if you don’t disqualify the Michael Bay movie, which we do. This Stalingrad film is the most successful Russian film of all time, earning 51 million domestically in Russia and $68 million globally. And while the Friendly Fire project examines how a country views itself by how it tells its war story, we are also very interested in what other countries consume for entertainment. Stalingrad accomplishes both. But does that say anything about the importance of this battle in the story of World War II, and the historical record? Well, in our experience watching war films, sometimes quantity doesn’t equal quality. And this is a film that tries very hard to project quality.
    [Show full text]
  • Preservation and Changes of Russian Culture from the Perspective of Film Language — Taking Attraction As an Example
    Preservation and Changes of Russian Culture from the Perspective of Film Language — Taking Attraction as an Example Wenhan Yang Heilongjiang University, Harbin 116085, Heilongjiang, China Email: [email protected] Abstract: The changes of Russian literature and film language, to some extent, mirror the historical process of changes of Russian culture. In the history of cultural development in several centuries, Russia has critically absorbed the achievements of Eastern and Western civilizations on the premise of preserving its own cultural background, thus forming a Russian civ- ilization with national characteristics. Taking Attraction as an example, this paper analyzes the preservation and changes of modern and contemporary Russian culture from the perspective of film language, so as to discover the changes of modern and contemporary Russian civilization. Keywords: film language, Russian culture, preservation and change, Attraction Introduction Attraction is a science fiction based love affair film directed by Fyodor Bondarchuk with the love track of the heroine Yulya as the clue, and it depicted various contradictions and tensions in social life as the earth was collapsing. In the film, there are few descriptions of battles and invasions, but love, kinship, friendship and other elements are vigorously rendered with relatively slow pace. The doomsday soft science fiction film Attraction gives a large proportion on the discussion of human nature, conveying the director and screenwriter's unique world view and cosmology, and conveying the anti-war spiritual core. 1. The preservation of Russian culture in the film language of Attraction 1.1 Preservation of love culture Love is the eternal theme of Russian films and world films.
    [Show full text]
  • High Stakes, Drama in Soviet Hockey Reviewed by Susan Welsh Legend No
    SLAVFILMS High Stakes, Drama in Soviet Hockey Reviewed by Susan Welsh Legend No. 17 (Легенда № 17), 2013 Legend No. 17 Director: Nikolai Lebedev Starring: Danila Kozlovsky, Oleg This fictionalized biopic about the late Soviet Menshikov, Svetlana Ivanova hockey star Valery Kharlamov (played by Danila DVD in Russian, with English subtitles. No U.S. rating; some nudity. Kozlovsky) was the smash hit of the Russian film in- dustry in 2013, grossing $27 million within a month of Red Army, 2014. Director: Gabe Polsky its release. How closely it follows the life and career of Documentary, in English and Russian (with subtitles), rated PG, DVD released in USA: June 2015. Theatrical release in Russia: the real Kharlamov (who died in a car crash in 1981) August 2015 is not known to me, but Kharlamov for sure played a leading role in the famous Summit Series with Canada Hockey was a big battleground of the Cold War, in 1972, when the Soviet team unexpectedly beat the and both Red Army and Legend No. 17 tell that story tough Canadian team in the first game. Whether the in quite different ways, both with a focus on Moscow’s handsome and exuberant young player really climbed ЦСКА (Central Sports Club, Red Army). For both the up the fire escape to the apartment of his beloved to United States and the Soviet Union, hockey was a bring her flowers, read poetry, and ask her to mar- symbol of national pride; for the latter it was also the ry him, is anybody’s guess (not surprisingly, she had recipient of large sums of money, befitting its role as turned a cold shoulder to him when he said, while in a propaganda instrument.
    [Show full text]
  • Stilyagi (Crnnrrn) Review - ESCAPE from HOLLYWOOD I the International Cinema Addict's Definitive Resource 814ILL 4:T2 PM
    Stilyagi (Crnnrrn) Review - ESCAPE from HOLLYWOOD I the international cinema addict's definitive resource 814ILL 4:T2 PM Stilyagi (Crnilntlt) Review Published May 151h,2009 in Europe & Russia and Reviews. 4 Comments Musical comedy is hardly a genre most people would associate with modern Russian cinema. Traditionally known and respected for such somber and inquisitive works as Nikita Mikhalkov's Burnt by the Sun (1994), Andrei Zvyagintsev's The Return (2001), and Aleksei Balabanov's Cargo 200 (2OO7), post-Soviet Russian directors had generally focused on negative aspects of the Russian experience until the early 2000s, when waves of cash flowing from the country's oil and gas-fueled economic boom finally reached the film industry, resulting in the production of commercially-oriented blockbusters such as Night Watch (2OO4) and The 9th Company (2OO5). Continuing this trend and taking it in a new direction is Valeriy Todorovskiy's new frlm Stilyagi (Hipsters). Featuring an all-star cast, dynamic script and slick cinematography, Stilyagi takes the viewer on an epic joy ride through 1955 Moscow, two years after Stalin's death. At the height of the Cold War in the Soviet Union, the titular stilyagi were a bunch of Western-oriented hipsters who loved jazz, exhibited questionable morals and enjoyed dressing with style. Mels (Anton Shagin), a seemingly brainwashed member of the Communist youth group Komsomol, falls in love with Polza (Oksana Akinshina) while raiding an illegal underground nightclub . Polza invites Mels to join her and her friends on the "Broadway" and Mels is dumbfounded when he shows up to the party dressed plainly and looking apologetic.
    [Show full text]
  • Urso De Prata Melhor Contribuição Artística
    Urso de Prata Melhor Contribuição Artística MILAN MARIC DANILA KOZLOVSKY HELENA SUJECKA ARTUR BESCHASTNY ELENA LYADOVA UM FILME DE ALEKSEY GERMAN JR. ESTREIA 29 DE NOVEMBRO WWW.LEOPARDOFILMES.COM SINOPSE Dovlatov é o mais recente filme de Aleksey German Jr., que pela primeira vez vira a sua câmara para a sua cidade natal, Leningrado, nos anos 70 para mergulhar no burburinho quotidiano de uma franja de intelectuais soviéticos dissidentes, Sergei Dovlatov, Joseph Brodsky, entre outras referências a reconhecidos gigantes literários do século XX, que não passarão despercebidos (Yevtushenko, Mandelstam, Steinbeck , Nabokov. Inspirado na obra “O Ofício” (1985), agora em edição portuguesa, pela Editora Antígona, Dovlatov, de Aleksey German Jr., acompanha seis dias na vida do brilhante escritor russo. « Porque a liberdade não possui ideologia. A liberdade favorece na mesma medida o bom e o ruim. A liberdade é como a lua, que ilumina, indiferente, o caminho do predador e da vítima. » SERGEI DOVLATOV, “O OFÍCIO” « “O Ofício” (1985) O árduo ofício de escrever, pelo qual Dovlatov lutou com unhas, dentes e uma Underwood — não é um livro, mas dois: “O Livro Invisível” e “O Jornal Invisível”. O primeiro é a crónica das aventuras e desventuras de um escritor soviético — um certo Dovlatov — que tudo faz, sem êxito, para ser publicado no seu país. Das cedências que o autor recusa fazer às humilhações por ele vividas, dos tolos agentes do sistema aos editores teimosos que com ele se cruzam, é uma hilariante reflexão sobre a burocracia, a censura e a condição dos escritores em reinos da estupidez. O segundo narra a nova vida de Dovlatov nos Estados Unidos, onde, mal chegou, “como convém a um literato russo”, preguiçou seis meses no sofá, e a tentativa não menos difícil de fundar um jornal para imigrantes como ele em Nova Iorque, o centro da liberdade e o umbigo do capitalismo.
    [Show full text]
  • LEONE FILM GROUP E KEY FILMS Dal 13 Aprile Al Cinema
    LEONE FILM GROUP e KEY FILMS sono lieti di presentarvi Un film scritto e diretto da ILYA NAISHULLER Prodotto da TIMUR BEKMAMBETOV con SHARLTO COPLEY DANILA KOZLOVSKY HALEY BENNETT Durata 95' Dal 13 aprile al cinema distribuito da Sito ufficiale: http://hardcore.multiplayer.it/ Pagina FB: www.facebook.com/HardcoreIlFilm Ufficio Stampa Film: Marianna Giorgi +39 338 1946062 - [email protected] Ufficio Stampa Lucky Red: Alessandra Tieri + 39.335.8480787 - [email protected] Georgette Ranucci + 39.335.5943393 - [email protected] Olga Brucciani + 39.345.8670603 - [email protected] 1 SINOSSI Non ricordi nulla. Sei appena stato salvato da tua moglie che ti ha riportato in vita (Haley Bennet). Lei sostiene che ti chiami Henry. Dopo 5 minuti vieni colpito, tua moglie rapita, e forse è il caso che tu vada a riprendertela.Chi l'ha rapita? Il suo nome è Akan (Danila Kozlovsky), un folle personaggio a capo di un gruppo di mercenari e con un piano per dominare il mondo. Ti trovi a Mosca, città a te sconosciuta e tutti intorno vogliono ucciderti. Tutti tranne un misterioso alleato inglese di nome Jimmy (Sharlto Copley). É probabile che lui sia dalla tua parte, ma non ne sei sicuro. Se riuscirai a sopravvivere alla follia, e a risolvere il mistero, potrai probabilmente capire il tuo obiettivo e la tua vera identità. Buona Fortuna. Ne avrai parecchio bisogno. Per ogni generazione c’è un flm che cambia tutto per sempre: dal 13 aprile arriva al cinema Hardcore!, il flm completamente in prima persona che ridefnisce una volta per tutte i confni del cinema d’azione.
    [Show full text]
  • PDF Presseheft
    PRESSEHEFT ZWISCHEN VERRAT UND EHRE Ab 6. Juli 2017 im Kino Ein Film von Alexey Mizgirev Eine Produktion der Non-Stop Production Sprache: Deutsch Spielzeit: 110 Minuten WWW.DERDUELLIST-FILM.DE im Verleih der Kinostar Filmverleih GmbH Inhaltsverzeichnis: Synopsis .................................................................................S.3 Der Regisseur .......................................................................S.4 Der Produzent ......................................................................S.5 Filme des Produzenten ....................................................S.6 Anmerkungen des Regisseur und Produzenten .....S.7 Details .....................................................................................S.8 Kontakt ...................................................................................S.9 2 DER DUELLIST INHALT Sankt Petersburg, 1860. Der im Ruhestand lebende Offizier Yakovlev ist ein mysteriöser und unbesiegbarer Berufsduellist, der gegen eine Gebühr für all jene kämpft, welche zu schwach, untrainiert oder verängstigt sind um ihre Duelle selbst auszutragen. Aber er hat ein dunkles Geheimnis: Der mächtige Graf Beklemishev beschuldigte ihn eines Verbrechens, welches er nicht begangen hatte, nahm ihm seinen Titel und schickte ihn zum Sterben ins Exil. Aber Yakovlev überlebte. Unter neuer Identität kehrt er nach St Petersburg zurück um Rache zu nehmen. Dabei verliebt er sich in die junge Fürstin Martha. Um diese Liebe zu retten und seine Rache zu bekommen, muss Yakovlev seine Identität enthüllen
    [Show full text]
  • Azerbaijan Film
    CISCCONTENTONTENT:CONTENRTRREPORTEPORTEPORT CC ReviewОбзорОбзор of новостейaudiovisualновостей рынка content производства production and ии дистрибуциидистрибуции distribution аудиовизуальногоаудиовизуальногоin the CIS countries контента контента Media«»«MediaМ«»ÌЕДИÅÄÈ ResourcesА ResourcesÀРЕСУРСЫÐÅÑÓÐÑÛ МManagement ÌManagementЕНЕДЖМЕНТÅÍÅÄÆÌÅÍÒ » №№20, №121(9) №213 №2 October April января, 1 April, 30, 2014 201320122011 2012 тема FOCUSномераFOCUS DEARсловоDeAr COLLEAGUESColle редакциAguesи УжеWeWe areareв первые happyhappy to toдни presentpresent нового youyou года thethe AprilOctoberнам, issue редак issue of цthe иofи conferences,ПервыйLast autumn номер members international Content of Russian contentReport association выходитmarket and ofв televiкsevану- н- КИНОТЕАТРАЛЬНЫ Й ContentCIS:the CIS:Content Report, Content Report сразу Report whereстало where понятно,we triedwe tried toчто gather toв 2011gather theм eralСтарогоsion special and movie Нового events producers года,in order который chose to achieve Red (наконецто) Squaresynergy, Screen learn за - mostthe most interesting interesting up-to-date up-to-date information information about rapidlyabout aboutings as current the most trends important of the industry international event ofmedia the season. busi- РЫНTVО MARKETS:К В УКРАИН Е : все мы будем усердно и неустанно трудиться. За вершает череду праздников, поэтому еще раз KIEV MEDIA WEEK 2014: нимаясьdevelopingrapidly developing подготовкой content contentproduction первого production andвыпуска distribution and обзора distribu
    [Show full text]
  • Read Ebook {PDF EPUB} the Time Wanderers by Arkady Strugatsky Prominent Russians: Arkady and Boris Strugatsky
    Read Ebook {PDF EPUB} The Time Wanderers by Arkady Strugatsky Prominent Russians: Arkady and Boris Strugatsky. Arkady and Boris Strugatsky are well-known Soviet-Russian science fiction writers with a highly developed fan base. They became the spiritual leaders of Russian sci-fi literature in the 1960s, and to this day, their influence remains immense - entire generations were brought up on their books and loved them for their unique style. Though the early works of the Strugatsky bothers lacked individuality – at the beginning of their writing career their novels and short stories resembled those of Ivan Yefremov, a Soviet paleontologist and science fiction author who was the brothers’ lifetime icon and role model. Strugatsky novels were very different from ordinary sci-fi novels: strictly speaking they didn’t write showpiece science fiction. The brothers have always tried to write not just about spaceships, technology or other fantastic stuff, but also about people and their problems. At the beginning of the 1990s the brothers became the best-known and loved Soviet science-fiction writers abroad – their works were translated into multiple languages and published in 27 countries; a success Russian writers rarely experienced in the West. Arkady Strugatsky. Childhood. Arkady Strugatsky was born on 28 August 1925 in Batumi, Georgia; his mother was a teacher and his father – a fine arts expert, who at the same time earned a bit on the side as a newspaper editor. Two months after the elder son was born, in autumn 1925, the family moved to Leningrad (now Saint Petersburg). When WWII broke out, Arkady first helped constructing defenses and then assisted at the grenade manufactory.
    [Show full text]
  • A Film by Alexey German Jr
    A film by Alexey German Jr. Russia | Poland | Serbia - 2018 - HD - 1:2.39 - 5.1 - 126 min - Russian références PANTONE : références CMJN : TRES IMPORTANT ! Pantone fluo 814 Violet C=55% ; M=60 ; J=0% ; N=0% Lors de changement d’échel du logo pensez à agrandir et/ou réduir proportionnellement Pantone Process Black Noir C=40% ; M=0% ; J=0 % ; N=100% le flou gaussien qui est de 12 pix pour le symbole “alpha” et de 8 pix pour le mot “violet”. Dovlatov is the new film by Alexey German Jr. (Silver Bear for Under Electric Clouds, Silver Lion for Paper Soldier) who for the first time turns his camera on his hometown, ‘70s Leningrad (St. Petersburg) to portray the lives of young Soviet writers Sergei Dovlatov, Joseph Brodsky and other repressed artists in the ‘70s. Logline Dovlatov charts six days in the life of the brilliant, ironic writer Sergei Dovlatov who saw far beyond the rigid limits of 70s Soviet Russia. Together with his friend and poet Joseph, he fought preserve his own talent and integrity while seeing their artist friends getting crushed by the iron-willed state machinery, which they would later escape by emigrating to New York, losing all they had back home. Dovlatov - by Alexey German Jr. Page 2 / 14 Director Alexey German Jr “I got to read Dovlatov very late in life – when I was 26 or 27 – but all in one sitting. Back then I already thought that it would be great to make a film about him, but for almost 15 years I could not figure out how.
    [Show full text]