Musiker Magazin 04/2012 (PDF)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PRESSE-INFO Tropical Music Alexander Trofimow Tropical Music Fon +49-6421-26312 Fax -21791 [email protected]
PRESSE-INFO Tropical Music Alexander Trofimow Tropical Music Fon +49-6421-26312 Fax -21791 [email protected] www.tropical-music.com LEGENDS OF THE FAMOUS LIPPMAN + RAU FESTIVALS DVD 3 Legends of the American Folk Blues Festivals DVD Tropical Music 68.364 (764.916.836.49) Im Vertrieb von SONY BMG Music Entertainment DVD 9; PAL; Alle Regionen; Farbe/Schwarz-Weiß; Dauer 162:10 Min.; Format 4/3, Untertitel in Englisch Digipack mit Booklet mit 56 Seiten in Englisch FSK ohne Altersbeschränkung VÖ: 30.01.2009 Weitere Informationen unter www.legends-of.de American Folk Blues Festival 1967 mit Little Walter: My Babe / Untitled / Mean Old World Koko Taylor: Will My Man Be Home Tonight / Wang Dang Doodle / What Kind Of Man Is This Bukka White: Aberdeen Mississippi Blues Skip James: Hard Times Killing Floor Son House: Death Letter Blues Sonny Terry & Brownie McGhee: Born With The Blues / Rock Island Line Hound Dog Taylor: Shake Your Money Maker Dillard Crume & Odie Payne Jr. Bonus: Interviews mit Bruce Jackson, Sonny Terry & Brownie McGhee, Horst Lippmann Dauer: 54:00 Min American Folk Blues Festival 1968 mit John Lee Hooker: Serves Me Right To Suffer T-Bone Walker with Eddie Taylor Band & John Lee Hooker: Maudy / Boom Boom / Stormy Monday Blues / I Wonder Why / Shake It Baby Big Joe Williams: Cryin’ Shame / Baby Please Don’t Go Big “Shaky” Walter Horton: Juke Jimmy Reed: Big Boss Man Curtis Jones: Cherie Bonus: Interviews mit Al Smith und Fritz Rau Dauer: 52:00 Min American Folk Blues Festival 1969 on tour Tour-Dokumentation von Hanno Brühl mit John Jackson: You’re The Best Friend / You Ain’t No Woman / John Henry Earl Hooker; Off The Hook / Walking The Floor / Rocket 88 Magic Sam: All My Love Juke Boy Bonner: Going Back To The Country Clifton & Cleveland Chenier: You Got Me Walking On The Floor / Zydeco Et Pas Sale Alex Moore; Whistling Blues Carey Bell: Love Ain’t A Play Thing Interviews Dauer: 56:10 Min Bereits 1962 hatten Horst Lippmann und Fritz Rau das erste American Folk Blues Festival veranstaltet. -
Has There Ever, in the History of 20Th Century Music, Ever Been a More Influential Organisation Than That of the American Folk Blues Festivals (AFBF)?
Muddy Waters John Lee Hooker Sonny Boy Williamson Willie Dixon, Buddy Guy Otis Spann a.m.m. ACT 6000-2 Release Date: 24. May 2004 Has there ever, in the history of 20th century music, ever been a more influential organisation than that of the American Folk Blues Festivals (AFBF)? Founded in 1962, this series has surely had a lasting effect on the European, American, and indeed interational, music scenes. Where would hip hop, jazz, funk, rock, heavy metal or world music be without the blues? Blues is the foundation of the popular music of the 20th century. Its intensity, rhythms and harmonies have affected many peoples and culture, up to and including the music of Africa, the alkand and Spanish flamenco. The blues captures the sentiments of the people in a nutshell. Of course, in the beginning it was just a feeling. But not just of the blues, but also of emptiness. The idea of tracking down and bringing surviving blues legends to Europe was that of jazz publicist Joachim Ernst Berendt at the end of the 1950s. The new style of rock 'n' roll was beginning to take a foothold, jazz was in the mean time beginning to be celebrated in Europe, but all too little was heard of the blues, despite itself being the musical foundation of jazz and rock 'n' roll. It was up to Horst Lippmann and his partner Fritz Rau to realise the idea of the AFBF and bring the best Afro- american blues performers to concert halls (!) for a European audience. First they contacted Willie Dixon. -
Santana Spirits Dancing in the Flesh Mp3, Flac, Wma
Santana Spirits Dancing In The Flesh mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Spirits Dancing In The Flesh Country: Europe Released: 1990 Style: Psychedelic Rock, Classic Rock MP3 version RAR size: 1531 mb FLAC version RAR size: 1191 mb WMA version RAR size: 1728 mb Rating: 4.9 Votes: 489 Other Formats: AA MMF MPC MP2 ASF AUD MP1 Tracklist Hide Credits Let There Be Light / Spirits Dancing In The Flesh Bass – Alphonso JohnsonChoir – Charisse Dancy, Darryl Williams , De Anna Brown, Kevin Swan Butler, Lovetta Brown, Lynice Pinkard, Marjo Keller, Sandra Hunter Congas – Armando PerazaDirected By [Choir Director] – Edwin M. Harper. Jr.Drums – Walfredo 1 Reyes*Engineer – Jim GainesEngineer [Additional Engineering] – Devon BernardoniGuitar, 7:22 Narrator – Carlos SantanaKeyboards – Chester Thompson , Devon BernardoniLead Vocals – Stephen King Lead Vocals, Narrator – Tramaine HawkinsMixed By – Jim GainesMixed By [Additional Mixing] – Devon BernardoniProducer – Carlos Santana, Chester Thompson , Jim GainesVocals – Walter A. RedmondWritten-By – Carlos Santana, Chester Thompson Gypsy Woman Backing Vocals – Jim Gilstrap, Kevin Dorsey, Oren Waters, Phillip IngramBass – Benny RietveldCongas, Bongos – Armando PerazaDrums – Walfredo Reyes*Engineer – Paul 2 EricksenEngineer [Additional Engineering] – Devon BernardoniGuitar – Carlos 4:29 SantanaKeyboards – Chester Thompson Lead Vocals – Alex LigertwoodMixed By – Paul EricksenMixed By [Additional Mixing] – Devon BernardoniProducer, Arranged By – Peter Wolf Written-By – Curtis Mayfield -
Founder & Chairman of Electro Scan Inc
CHUCK HANSEN Founder & Chairman of Electro Scan Inc. Chuck Hansen has a pretty cool life outside of trenchless technology. He has played his saxophone on stage with the likes of Tower of Power, Huey Lewis, Todd Rundgren, to name a few. His passion for rock n’ roll music runs deep — rooted in his childhood and in full bloom as an adult. He plays live music with rock stars, as well as owns a recording studio, where he records his own music (he’s recorded 24 CDs) in addition to other artists. Hansen is known in trenchless circles as the founder and chairman of Electro Scan Inc. (2011) and was founder of Hansen Information Technologies (1983), which developed asset management systems for water and sewer agencies. Electro Scan is an alternative to CCTV cameras to certify a trenchless lining and rehab projects as “leak-free.” He’s been playing music for more than 50 years, first learning the clarinet from his brother in the second grade then switching to the big baritone sax in the eighth grade. By high school, he was tabbed to play in the famous Monterey Jazz Festival’s All-Star Band competition, allowing him to take the stage with the likes of Dizzy Gilliespe, Louis Belson and Clark Terry. He went on to play in the U.C. Berkeley Jazz Band. Today, Hansen plays, in addition to the baritone sax, the bass sax and the contrabass sax. His “real world” job sometimes inhibits when he can play but he says he does each with as much passion and gusto as he can; each requires such enthusiasm and commitment to be successful, he says. -
Jon Batiste and Stay Human's
WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. -
Eine Heimat Für Armstrong Und Co
DEUTSCHLANDFUNK Sendung: Hörspiel/Hintergrund Kultur Dienstag, 14.07.2009 Redaktion: Hermann Theißen 19.15 – 20.00 Uhr „Eine Heimat für Armstrong & Co“ Das Blues- und Jazzarchiv Eisenach Von Sylvia Systermans URHEBERRECHTLICHER HINWEIS Dieses Manuskript ist urheberrechtlich geschützt und darf vom Empfänger ausschließlich zu rein privaten Zwecken genutzt werden. Jede Vervielfältigung, Verbreitung oder sonstige Nutzung, die über den in §§ 45 bis 63 Urheberrechtsgesetz geregelten Umfang hinausgeht, ist unzulässig. Deutschlandradio - Unkorrigiertes Manuskript - 2 Ansage: „Eine Heimat für Armstrong & Co“ Das Blues- und Jazzarchiv Eisenach Ein Feature von Sylvia Systermans Musik: mit Schlagzeuger Trevor Richards Atmo: Schritte, Aufschließen von Tür / Schritte durch Raum O-Ton Lorenz: Das ist das Schlagzeug von dem Ray Bauduc. Er hat jetzt die Felle geschickt. Das Schlagzeug ist hundert Jahre alt, das ist einfach unglaublich. Wir sind froh, dass das hier gelandet ist über den Umweg von New Orleans. Sprecherin: Reinhard Lorenz in einem kleinen Raum in der Alten Mälzerei, Jazzarchiv Eisenach. Um ihn rum lädierte Trommeln, verbeulte Becken, rostige Gestänge. Musik: Backwater Blues mit Big Bill Broonzy O-Ton Lorenz: Das ist von Fred Coleman, also auch einem der Schlagzeuglehrer und Ikonen von Trevor Richards, als er in New Orleans gelebt hat. Das ist alles durch Kathrina zerstört und das haben wir jetzt leer gemacht und gesäubert, da waren die Trommeln drin, das ist schon kreuz und quer durch die Welt. Musik: Backwater Blues mit Big Bill Broonzy Sprecherin: Trevor Richards. Schlagzeuger. Hat gerettet, was zu retten war. Einen ganzen Container von New Orleans nach Eisenach verschifft. Aufgequollene Bücher, Noten, ramponierte Schlagzeugsets. 8000 Schallplatten in verdreckten, triefnassen Hüllen. -
Salt Lake City August 1—4, 2019 Nfac Discover 18 Ad OL.Pdf 1 6/13/19 8:29 PM
47th Annual National Flute Association Convention Salt Lake City August 1 —4, 2019 NFAc_Discover_18_Ad_OL.pdf 1 6/13/19 8:29 PM C M Y CM MY CY CMY K Custom Handmade Since 1888 Booth 110 wmshaynes.com Dr. Rachel Haug Root Katie Lowry Bianca Najera An expert for every f lutist. Three amazing utists, all passionate about helping you und your best sound. The Schmitt Music Flute Gallery offers expert consultations, easy trials, and free shipping to utists of all abilities, all around the world! Visit us at NFA booth #126! Meet our specialists, get on-site ute repairs, enter to win prizes, and more. schmittmusic.com/f lutegallery Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 214 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2019, Salt available in Carbon Fibre. Lake City! Dr. Rachel Haug Root Katie Lowry Bianca Najera An expert for every f lutist. Three amazing utists, all passionate about helping you und your best sound. The Schmitt Music Flute Gallery offers expert consultations, easy trials, and free shipping to utists of all abilities, all around the world! Visit us at NFA booth #126! Meet our specialists, get on-site ute repairs, enter to win prizes, and more. 00 44 (0)20 8778 0752 [email protected] schmittmusic.com/f lutegallery www.wisemanlondon.com TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ............................................................... -
August-September 2020
2013 KBA -BLUES SOCIETY OF THE YEAR CELEBRATING OUR 25TH YEAR IN THIS ISSUE: -Consider This- by Lionel Young -The 1960s American Folk Blues Festivals and Manchester Volume 27 No5 August/September Memories -by David Booker 2020 -How To Make a Black Cat Bone - by Rick Saunders Editor- Chick Cavallero -Atlantic City Pop Festival – by Chick Cavallero -Gone But Not Forgotten-Howlin Wolf -by Todd Beebe Consider This -The Forgotten Walter- by Chick Cavallero and bobcorritire.com By Lionel Young -CD Reviews –CBS Members Pages Lionel Young is perhaps the greatest performer in the history of the IBC. He is the CONTRIBUTERS TO THIS ISSUE: only performer to win both the Solo Lionel Young, David Booker, Todd Competition and the Band Competition at the Beebe, Chick Cavallero, Jack Grace, Blues Foundation’s International Blues Dan Willging, Jim O’Neal, Challenge. He did both representing the Bluesoterica.com, Al Chessis, Colorado Blues Society. Racism has our world https://bobcorritore.com, Rick in turmoil and Lionel has witnessed this racism Saunders firsthand. This is Lionel’s story… Sometimes I forget who I am as a person. This exercise helps me to remember some important things about who I am. I believe that this country is changing fast for the long haul. I think in the future, people will look back at this time as pivotal. Please 1 take what’s happening now as an opportunity. This is a time for empathy. Try not to give in to fear and act from it. The disease of racism in this country the United States of America affects me in several ways. -
Dissertation Committee for Michael James Schmidt Certifies That This Is the Approved Version of the Following Dissertation
Copyright by Michael James Schmidt 2014 The Dissertation Committee for Michael James Schmidt certifies that this is the approved version of the following dissertation: The Multi-Sensory Object: Jazz, the Modern Media, and the History of the Senses in Germany Committee: David F. Crew, Supervisor Judith Coffin Sabine Hake Tracie Matysik Karl H. Miller The Multi-Sensory Object: Jazz, the Modern Media, and the History of the Senses in Germany by Michael James Schmidt, B.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2014 To my family: Mom, Dad, Paul, and Lindsey Acknowledgements I would like to thank, above all, my advisor David Crew for his intellectual guidance, his encouragement, and his personal support throughout the long, rewarding process that culminated in this dissertation. It has been an immense privilege to study under David and his thoughtful, open, and rigorous approach has fundamentally shaped the way I think about history. I would also like to Judith Coffin, who has been patiently mentored me since I was a hapless undergraduate. Judy’s ideas and suggestions have constantly opened up new ways of thinking for me and her elegance as a writer will be something to which I will always aspire. I would like to express my appreciation to Karl Hagstrom Miller, who has poignantly altered the way I listen to and encounter music since the first time he shared the recordings of Ellington’s Blanton-Webster band with me when I was 20 years old. -
Mastery and Masquerade in the Transatlantic Blues Revival
Journal of the Royal Musical Association, 2018 Vol. 143, No. 1, 173–210, https://doi.org/10.1080/02690403.2018.1434352 Mastery and Masquerade in the Transatlantic Blues Revival ROSS COLE We wear the mask that grins and lies, It hides our cheeks and shades our eyes, — his debt we pay to human guile; With torn and bleeding hearts we smile, And mouth with myriad subtleties. (Paul Laurence Dunbar)1 When Dunbar, the most celebrated African American poet of the Reconstruction era, published his terse commentary on the trauma of racism ‘We Wear the Mask’, he distilled an abiding facet of the relationship of black to white: whether slave or free, African Americans had been forced to perform a veneer of mirth veiling an inner self torn asunder. Indebted to and necessitated by artful deception and the tactics of trickery, this igurative disguise – manifest in expressive culture as well as the ‘myriad subtleties’ of vernacular language – is the mask of racial alterity. What Dunbar is implying is that black voices of both acquiescence and resistance were mediated by this process of masquerade. he meanings and histories of black music, in consequence, are complex and polysemous. As Charles Keil airmed in 1966, black music functions as a ‘projective test’ through which ‘white liberals, black militants, and others of varying pigmentation and persuasion hear in the blues essentially what they want to hear, ind in the blues ethos what they expect to ind’.2 Such insights serve as a perennial warning for scholars caught up in what Ronald Radano and Philip Bohlman have called the ‘racial imagination’ – a network of unexamined assumptions that lead us to view music Email: [email protected] I wish to thank Sam Barrett, Philip V. -
Brian Auger´S Oblivion Express Feat. Alex Ligertwood
Brian Auger´s Oblivion Express feat. Alex Ligertwood Alex Ligertwood (li.) und Brian Auger (re.) „Brian Auger (* 18. Juli 1939 in London) ist einer der profiliertesten Jazz- und Rock-Keyboarder der Gegenwart. Für seine Millionen Fans ist der einzigartige Sound, der seine Wurzeln im Jazz, Rock, Soul und Funk hat, ein unverkennbares Markenzeichen des berühmten Hammond - und Keyboard -Spielers. Schon früh erhielt Auger Klavierunterricht. 1962 formierte er sein Brian Auger Trio mit Rick Laird und Schlagzeuger Phil Kinorra als zunächst reine Jazzcombo. 1965 gründete er zusammen mit Rod Stewart, Julie Driscoll und John Baldry die Gruppe The Steampacket. Nachdem Rod Stewart und John Baldry die Gruppe verlassen hatten, gründete Auger mit Julie Driscoll die Gruppe Trinity. In dieser Besetzung hatte die Band mehrere Single-Hits (Road ToCairo, This Wheel's on Fire, Season Of The Witch) und brachte das viel beachtete Doppelalbum „Streetnoise“ (1969) heraus. Nachdem Driscoll 1969 Trinity verließ, besetzte Auger die Gruppe um (mit Gary Boyle), doch konnte er nicht mehr an die Erfolge der späten 1960er Jahre anknüpfen und löste Trinity 1970 auf. Auch mit seiner anschließend gegründeten Band Oblivion Express hatte Auger zunächst keinen übermäßigen Erfolg. Seit dem Album „CloserToIt“ (1973), das es in die Charts schaffte, festigte sich der Gruppenstil zu einer groove-betonten Mischung aus rhythmischen Elementen des R&B und Funk und harmonischen und melodischen Elementen des Jazz. Brian Auger trat auch mit Klaus Doldinger, Alexis Korner, Pete York, Eric Burdon und anderen Größen der populären Musik auf. 1974 zog Auger in die USA, wo er weiter Alben aufnahm. In den USA bekam er wieder Kontakt zu Julie Tippetts-Driscoll. -
Chicago Jazz Festival Spotlights Hometown
NOVEMBER 2017 VOLUME 84 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Hawkins Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Kevin R. Maher 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian,