Season Main Series Production 1966-67 1. You Can't Take It With
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Play-Guide Sunshine-Boys-FNL.Pdf
TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 MEET THE CREATOR 2 MEET THE CHARACTERS 4 COMMENTS ON THE PLAY 4 COMMENTS ON THE PLAYWRIGHT 6 THE HISTORY OF VAUDEVILLE 7 FamOUS VAUDEVILLIANS 9 A VAUDEVILLE EXCERPT: WEBER AND FIELDS 11 MEDIA TRANSITIONS: THE END OF AN ERA 12 REFERENCES IN THE PLAY 13 DISCUSSION QUESTIONS AND ACTIVITIES 19 The Sunshine Boys Play Guide written and compiled by Katherine Monberg, ATC Literary Assistant. Discussion questions and activities provided by April Jackson, Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS John and Helen Murphy Foundation The Maurice and Meta Gross Arizona Commission on the Arts National Endowment for the Arts Foundation Bank of America Foundation Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Blue Cross Blue Shield Arizona PICOR Charitable Foundation The Stocker Foundation City of Glendale Rosemont Copper The William l and Ruth T. Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company Fund The Johnson Family Foundation, Inc Freeport-McMoRan Copper & Gold Foundation The Lovell Foundation JPMorgan Chase The Marshall Foundation ABOUT ATC Arizona Theatre Company is a professional, not-for-profit -
X********X************************************************** * Reproductions Supplied by EDRS Are the Best That Can Be Made * from the Original Document
DOCUMENT RESUME ED 302 264 IR 052 601 AUTHOR Buckingham, Betty Jo, Ed. TITLE Iowa and Some Iowans. A Bibliography for Schools and Libraries. Third Edition. INSTITUTION Iowa State Dept. of Education, Des Moines. PUB DATE 88 NOTE 312p.; Fcr a supplement to the second edition, see ED 227 842. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Annotated Bibllographies; *Authors; Books; Directories; Elementary Secondary Education; Fiction; History Instruction; Learning Resources Centers; *Local Color Writing; *Local History; Media Specialists; Nonfiction; School Libraries; *State History; United States History; United States Literature IDENTIFIERS *Iowa ABSTRACT Prepared primarily by the Iowa State Department of Education, this annotated bibliography of materials by Iowans or about Iowans is a revised tAird edition of the original 1969 publication. It both combines and expands the scope of the two major sections of previous editions, i.e., Iowan listory and literature, and out-of-print materials are included if judged to be of sufficient interest. Nonfiction materials are listed by Dewey subject classification and fiction in alphabetical order by author/artist. Biographies and autobiographies are entered under the subject of the work or in the 920s. Each entry includes the author(s), title, bibliographic information, interest and reading levels, cataloging information, and an annotation. Author, title, and subject indexes are provided, as well as a list of the people indicated in the bibliography who were born or have resided in Iowa or who were or are considered to be Iowan authors, musicians, artists, or other Iowan creators. Directories of periodicals and annuals, selected sources of Iowa government documents of general interest, and publishers and producers are also provided. -
Anniversary Season
th ASOLO REPERTORY THEATRE o ANNIVERSARY6 SEASON ASOLO REPERTORY THEATRE th 6oANNIVERSARY DINNER November 26, 2018 The Westin | Sarasota 6pm | Cocktail Reception 7pm | Dinner, Presentation and Award Ceremony • Vic Meyrich Tech Award • Bradford Wallace Acting Award 03 HONOREES Honoring 12 artists who made an indelible impact on the first decade and beyond. 04-05 WELCOME LETTER 06-11 60 YEARS OF HISTORY 12-23 HONOREE INTERVIEWS 24-27 LIST OF PRODUCTIONS From 1959 through today rep 31 TRIBUTES o l aso HONOREES Steve Hogan Assistant Technical Director, 1969-1982 Master Carpenter, 1982-2001 Shop Foreman, 2001-Present Polly Holliday Resident Acting Company, 1962-1972 Vic Meyrich Technical Director, 1968-1992 Production Manager, 1992-2017 Production Manager & Operations Director, 2017-Present Howard Millman Actor, 1959 Managing Director, Stage Director, 1968-1980 Producing Artistic Director, 1995-2006 Stephanie Moss Resident Acting Company, 1969-1970 Assistant Stage Manager, 1972-1990 Bob Naismith Property Master, 1967-2000 Barbara Redmond Resident Acting Company, 1968-2011 Director, Playwright, 1996-2003 Acting Faculty/Head of Acting, FSU/Asolo Conservatory, 1998-2011 Sharon Spelman Resident Acting Company, 1968-1971 and 1996-2010 Eberle Thomas Director, Actor, Playwright, 1960-1966 rep Co-Artistic Director, 1966-1973 Director, Actor, Playwright, 1976-2007 Brad Wallace o Resident Acting Company, 1961-2008 l Marian Wallace Box Office Associate, 1967-1968 Stage Manager, 1968-1969 Production Stage Manager, 1969-2010 John M. Wilson Master Carpenter, 1969-1977 asolorep.org | 03 aso We are grateful you are here tonight to celebrate and support Asolo Rep — MDE/LDG PHOTO WHICH ONE ??? Nationally renowned, world-class theatre, made in Sarasota. -
Michael Schweikardt Design
Michael Schweikardt Scenic Designer United Scenic Artists Local 829 624 Galen Drive State College, PA 16803 917.674.4146 [email protected] www.msportfolio.com Curriculum Vitae Education Degrees MFA Scenic Design, The Pennsylvania State University, School of Theatre, University Park, 2020. Monograph: On the Ontology and Afterlife of the Scenic Model Committee: Daniel Robinson; Milagros Ponce de Leon; Laura Robinson; Charlene Gross; Richard St. Clair Studied under: Dr. Jeanmarie Higgins; Sebastian Trainor; Dr. Susan Russell; Dr. William Doan; Rick Lombardo BFA Scenic and Costume Design, Rutgers University, Mason Gross School of the Arts, New Brunswick, NJ, 1993. Studied under: John Jensen; R. Michael Miller; Desmond Heeley; David Murin; Vickie Esposito Academic Appointments Graduate Assistant, The Pennsylvania State University, State College, PA School of Theatre, 2017-present Adjunct Professor, Bennington College, Bennington, VT School of Theatre, 2014 Publications and Academic Presentations Book Chapters “Deep Thought: Teaching Critical Theory to Designers” with Dr. Jeanmarie Higgins in Teaching Critical Performance Theory in Today’s Theatre Classroom, Studio, and Communities. Ed. Jeanmarie Higgins. London: Routledge, 2020. Journal Issues Schweikardt, Michael and Jeanmarie Higgins. “Dramaturgies of Home in On- and Off- Stage Spaces.” Etudes: An Online Theatre and Performance Studies Journal for Emerging Scholars. 5:1 (2019). Peer-Reviewed Journal Publications Schweikardt, Michael. “Deep When: A Basic Philosophy for Addressing Holidays in Historical Dramas.” Text and Presentation, 2019 (2020): 63-77. Other Publications Co-Editor, Design, The Theatre Times, 2017-present. “I Can’t Hear You in the Dark: How Scenic Designer Sean Fanning Negotiates the Deaf and Hearing Worlds”, 2019. “Designing for Site-Specific Theatre: An Interview with Designer Susan Tsu on her Costumes for King Lear at Quantum Theatre”, 2019. -
PJ Powers Resume 9.10.14
PJ Powers Height: 5’ 9” Weight: 175 Hair: Brown Eyes: Blue Stage THE APPLE FAMILY PLAYS: THAT HOPEY CHANGEY THING Tim TimeLine Theatre Company THE FRONT PAGE Hildy Johnson TimeLine Theatre Company THE FARNSWORTH INVENTION David Sarnoff TimeLine Theatre Company ALL MY SONS George TimeLine Theatre Company FIORELLO! Fiorello TimeLine Theatre Company WIDOWERS’ HOUSES Trench TimeLine Theatre Company COPENHAGEN Heisenberg TimeLine Theatre Company PRAVDA Andrew TimeLine Theatre Company PARAGON SPRINGS Odegaard TimeLine Theatre Company OUR TOWN Simon Stimson Writers’ Theatre HAUPTMANN Richard Hauptmann TimeLine Theatre Company ROCKET TO THE MOON Frenchy Writers’ Theatre HALCYON DAYS Raper TimeLine Theatre Company THE CRUCIBLE John Hale TimeLine Theatre Company THE SEAGULL Konstantin TimeLine Theatre Company NOT ABOUT NIGHTINGALES Queen TimeLine Theatre Company A CRY OF PLAYERS Will TimeLine Theatre Company GASLIGHT Rough TimeLine Theatre Company THE CRIPPLE OF INISHMAAN Bartley Northlight Theatre NO END OF BLAME Grigor TimeLine Theatre Company SUMMIT CONFERENCE The Soldier TimeLine Theatre Company THE GLASS MENAGERIE Gentleman Caller Writers’ Theatre LOCKED UP DOWN SHORTY’S Tommy Steeltown Productions BECKET Brother John Shattered Globe Theatre ATOMIC BOMBERS Richard Feynman u/s Northlight Theatre THE SUBJECT WAS ROSES Timmy Carpe Noctem Productions THE THREE SISTERS Solyony Porchlight Theatre PETER PAN The Twins/Jukes Shattered Globe Theatre ROMEO AND JULIET Benvolio Ivanhoe Theatre TimeLine Theatre Company co-founder; Artistic Director since 1999 Film & Television & Web FLATCHESTED Featured DePaul Project Bluelight SCROOGE AND MARLEY Featured Sam I Am Films EARLY EDITION Featured CBS Television CHECK PLEASE! Guest (Two Episodes) WTTW Television THE ONION Featured—Recurring Onion Web Video Commercials, Industrials & Voiceovers NISSAN OF OMAHA Salesman Regional Commercial FRONTLINE INSURANCE Spokesperson Regional Voiceover VIRTUAL FINANCE CONSULTANT Spokesperson Web Industrial MT. -
The Subject Was Roses
Otterbein University Digital Commons @ Otterbein 1968-1969 Season Productions 1961-1970 1-30-1969 The Subject Was Roses Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/production_1968-1969 Part of the Acting Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "The Subject Was Roses" (1969). 1968-1969 Season. 2. https://digitalcommons.otterbein.edu/production_1968-1969/2 This Book is brought to you for free and open access by the Productions 1961-1970 at Digital Commons @ Otterbein. It has been accepted for inclusion in 1968-1969 Season by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. --------- ~ etterbein cttollege ~beatre ------------------------------------.... THERE'S NO BUSINESS LIKE "SHOW BUSINESS" for a friendly, helpful cast. Why not get "better acquainted" with Buckeye tomorrow? 9 SOUTH STATE STREET WESTERVILLE 882-2319 Main Office: 36 E. Gay St. 11 Convenient Locations JE EN JE ELR Phone 882-2959 50 N. State St. Westerville ELLIOTT-COOPER-BARR INSURANCE AGENCY BLENDON REALTY 39 N. State St. Westerville, Ohio 882-2335 882-2336 VIN(:EN1~ '10TORS PLYMOUTH VINCENT It DefEUCE, President CHRYSLER 21 WINTER STREET WESTERViLU:, OHIO IMPERIAL 882-2314 Donator of Automobile for Guest Star During Stay in Westerville (!&ttcrbein ((olleg:e m:beatre presents 209th production ( .. BEST \. /"IHT '\ !'UY 'I> ~ i!'UW 'II 1965'' f MA c111mc \ TOIO'!HSV' AWAIID '-.II!~~ -~ ~ By f run~ o. Gilrcy January 30, 31, February l, 1969 Director - Linda Grznar* * Designer-Technical Director - Prof. Fred Thayer Quality Merchandise Reasonably Priced J. P~ MILES COe 21 N. -
Past Blackfriars' Theatre Productions
PAST BLACKFRIARS' THEATRE PRODUCTIONS PRODUCTION DATE DIRECTOR Les Miserables: School Edition 2020 Spring Edward Lawrence Clue On Stage 2019 Fall Edward Lawrence Mamma Mia! 2019 Spring Edward Lawrence A Christmas Carol 2018 Fall Edward Lawrence Jesus Christ Superstar 2018 Spring Edward Lawrence Peter and the Starcatcher 2017 Fall Edward Lawrence You're A Good Man, Charlie Brown 2017 Spring Edward Lawrence It's A Wonderful Life 2016 Fall Edward Lawrence Godspell 2016 Spring Edward Lawrence And Then There Were None 2015 Fall Edward Lawrence The Addams Family 2015 Spring Edward Lawrence Uh Oh! Here Comes Christmas 2014 Fall Edward Lawrence Curtains 2014 Spring Edward Lawrence All I Need To Know I Learned in Kindergarten 2013 Fall Edward Lawrence How to Succeed in Business 2013 Spring Edward Lawrence Anything Goes (Alumni Show) 2012 Fall Edward Lawrence Hello Dolly! 2012 Spring Edward Lawrence Our Town 2011 Fall Edward Lawrence Oklahoma 2011 Spring Edward Lawrence Memories and Dreams (Alumni Show) 2010 Fall Edward Lawrence Joseph and Amazing Technicolor Dreamcoat 2010 Spring Edward Lawrence M*A*S*H 2009 Fall Edward Lawrence Fiddler on the Roof 2009 Spring Edward Lawrence The Mousetrap 2008 Fall Edward Lawrence Beauty and the Beast 2008 Spring Edward Lawrence No Time For Sergeants 2007 Fall Edward Lawrence High School Musical 2007 Spring Edward Lawrence The Caine Mutiny Court Martial 2006 Fall Edward Lawrence Footloose 2006 Spring Edward Lawrence The Odd Couple 2005 Fall Edward Lawrence Bye Bye Birdie 2005 Spring Edward Lawrence Amadeus 2004 -
UW-Green Bay Theatre Script Library
UW-Green Bay Theatre Revised: November 2012 Script Library Author Title Anthology Abb. Ackermann, Joan Batting Cage, The HF96 Ackermann, Joan Stanton's Garage HF93 Adams, Liz Duffy Neon Mirage HF06 Aerenson, Benjie Lighting up the Two-Year Old HF97 Aeschylus Agamenmnon GT1, ATOT Aeschylus Eumenides, The GT3 Aeschylus Libation Bearers, The DD, GT2 Aeschylus Prometheus Bound GT1 Aeschylus Prometheus Bound WD1 Aeschylus (tran Grene) Prometheus Bound CTGR Aeschylus (tran Harrison) Oresteia, The CTGR Albee, Edward A Delicate Balance Albee, Edward American Dream, The 2EA Albee, Edward American Dream, The Albee, Edward Death of Bessie Smith, The Albee, Edward Fam and Yam Albee, Edward Sandbox, The AE, TOD5 Albee, Edward Three Tall Women Albee, Edward Tiny Alice Albee, Edward Who's Afraid of Virginia Woolf? 23IA Albee, Edward Who's Afraid of Virginia Woolf? Albee, Edward Zoo Story, The 2EA Albee, Edward Zoo Story, The FAP50 Alexander, Ronald Time Out For Ginger Alfieri, Vittorio Saul WD2 Anderson, Jane Last Time We Saw Her, The HF94 Anderson, Jane Tough Choices for the New Century HF95 Anderson, Maxwell Bad Seed AE, BMSP Anderson, Maxwell Bad Seed BMS Anderson, Maxwell Elizabeth the Queen Anderson, Maxwell Feast of the Ortolans, The 10SP Anderson, Maxwell High Tor AE, TDAI Anderson, Maxwell Joan of Lorraine Anderson, Maxwell Mary of Scotland AE, TGA Anderson, Maxwell What Price Glory? FAP20 Anderson, Maxwell Winterset 6MA Anderson, Maxwell Winterset AE, MAD, MD, SMAP Anderson, Maxwell and Laurence StallingsWhat Price Glory? FA20s Anderson, Robert -
A History of Production
A HISTORY OF PRODUCTION 2020-2021 2019-2020 2018-2019 Annie Stripped: Cry It Out, Ohio State The Humans 12 Angry Jurors Murders, The Empty Space Private Lies Avenue Q The Wolves The Good Person of Setzuan john proctor is the villain As It Is in Heaven Sweet Charity A Celebration of Women’s Voices in Musical Theatre 2017-2018 2016-2017 2015-2016 The Cradle Will Rock The Foreigner Reefer Madness Sense and Sensibility Upton Abbey Tartuffe The Women of Lockerbie A Piece of my Heart Expecting Isabel 9 to 5 Urinetown Hello, Dolly! 2014-2015 2013-2014 2012-2013 Working The Laramie Project: Ten Years Later The Miss Firecracker Contest Our Town The 25th Annual Putnam County The Drowsy Chaperone Machinal Spelling Bee Anna in the Tropics Guys and Dolls The Clean House She Stoops to Conquer The Lost Comedies of William Shakespeare 2011-2012 2010-2011 2009-2010 The Sweetest Swing in Baseball Biloxi Blues Antigone Little Shop of Horrors Grease Cabaret Picasso at the Lapin Agile Letters to Sala How I Learned to Drive Love’s Labour’s Lost It’s All Greek to Me Playhouse Creatures 2008-2009 2007-2008 2006-2007 Doubt Equus The Mousetrap They’re Playing Our Song Gypsy Annie Get Your Gun A Midsummer Night’s Dream The Importance of Being Earnest Rumors I Hate Hamlet Murder We Wrote Henry V 2005-2006 2004-2005 2003-2004 Starting Here, Starting Now Oscar and Felix Noises Off Pack of Lies Extremities 2 X Albee: “The Sandbox” and “The Zoo All My Sons Twelfth Night Story” Lend Me a Tenor A Day in Hollywood/A Night in the The Triumph of Love Ukraine Babes in Arms -
By Donald Margulies David Emmes
- 48th Season • 460th Production JULIANNE ARGYROS STAGE / MARch 11 - APRIL 1, 2012 Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS presents Sight Unseen by Donald Margulies Cameron Anderson Fred Kinney Geoff Korf SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Cricket S. Myers Jackie S. Hill Kathryn Davies* SOUND DESIGN PRODUCTION MANAGER STAGE MANAGER Directed by David Emmes Pam and Jim Muzzy honorary Producers Commissioned and originally produced by South Coast Repertory on September 20, 1991. Originally produced in New York City by the Manhattan Theatre Club on January 7, 1992. SIGHT UNSEEN is presented by special arrangement with Dramatists Play Service, Inc., New York. Sight Unseen • South CoaSt RepeRtoRy • P1 CAST OF CHARACTERS (In order of appearance) Jonathan ............................................................................................ Gregory Sims* Nick ................................................................................................. Andrew Borba* Patricia .................................................................................................. Nancy Bell* Grete ............................................................................................... Erin Anderson* SETTING ACT I: Scene 1. A cold farmhouse in Norfolk, England. 1991. Scene 2. An art gallery in London. Four days later. Scene 3. The farmhouse. An hour before the start of Scene 1. Scene 4. A bedroom in Brooklyn. Fifteen years earlier. ACT II: Scene 5. -
This Month on Tcm Showcases
WEEKLY THIS MONTH ON TCM SHOWCASES 1 BILLY WILDER COMEDIES 8 AN EVENING IN THE 12TH 15 MAY FLOWERS 22 STARRING CEDRIC HARDWICKE Sergeant York (’41) THE ESSENTIALS CENTURY Stalag 17 (’53) A Foreign Affair (’48) The Blue Dahlia (’46) The Hunchback of Notre Dame (’39) Must-See Classics The Great Escape (’63) Some Like It Hot (’59) The Lion in Winter (’68) Days of Wine and Roses (’62) Nicholas Nickelby (’47) Saturdays at 8:00pm (ET) The Bridge on the River Kwai (’57) The Fortune Cookie (’66) The Adventures of Robin Hood (’38) Please Don’t Eat the Daisies (’60) On Borrowed Time (’39) 5:00pm (PT) King Rat (’65) The Major and the Minor (’42) Robin and Marian (’76) What’s Up, Tiger Lily? (’66) King Solomon’s Mines (’37) A Foreign Affair (’48) Billy Wilder Speaks (’06) Becket (’64) Brother Orchid (’40) The Desert Fox (’51) 29 MEMORIAL DAY WEEKEND WAR The Lion in Winter (’68) The Blue Gardenia (’53) Valley of the Sun (’42) MOVIE MARATHON The Blue Dahlia (’46) 2 GOVERNESSES NOT NAMED MARIA 9 MOTHER’S DAY FEATURES The Hunchback of Notre Dame (’39) You’re in the Army Now (’41) Dragonwyck (’46) So Big (’53) 16 STARRING EDDIE BRACKEN 23 WE GOT YOUR GOAT The Best Years of Our Lives (’46) Buck Privates (’41) All This, and Heaven Too (’40) Gypsy (’62) Hail the Conquering Hero (’44) A Kid for Two Farthings (’56) In Harm’s Way (’65) About Face (’52) The Rising of the Moon (’57) 3 ROBERT OSBORNE’S PICKS 10 GUEST PROGRAMMER: Battle of the Bulge (’65) TCM UNDERGROUND Cult Classics Can’t Help Singing (’44) SHIRLEY JONES 17 STARRING ROSSANO BRAZZI 24 BASED ON -
William Powell ~ 23 Films
William Powell ~ 23 Films William Horatio Powell was born 29 July 1892 in Pittsburgh, Pennsylvania. In 1907, he moved with his family to Kansas City, Missouri, where he graduated from Central High School in 1910. The Powells lived just a few blocks away from the Carpenters, whose daughter Harlean also found success in Hollywood as Blonde Bombshell Jean Harlow, although she and Powell did not meet until both were established actors. After school, Powell attended New York City's American Academy Of Dramatic Arts. Work in vaudeville, stock companies and on Broadway followed until, in 1922, aged 30, playing an evil henchman of Professor Moriarty in a production of Sherlock Holmes, his Hollywood career began. More small parts followed and he did sufficiently well that, in 1924, he was signed by Paramount Pictures, where he stayed for the next seven years. Though stardom was elusive, he did eventually attract attention as arrogant film director Lev Andreyev in The Last Command (1928) before finally landing his breakthrough role, that of detective Philo Vance in The Canary Murder Case (1929). Unlike many silent actors, the advent of sound boosted Powell's career. His fine, urbane voice, stage training and comic timing greatly aided his successful transition to the talkies. However, not happy with the type of roles he was getting at Paramount, in 1931 he switched to Warner Bros. His last film for them, The Kennel Murder Case (1933), was also his fourth and last Philo Vance outing. In 1934 he moved again, to MGM, where he was paired with Myrna Loy in Manhattan Melodrama (1934).