DOCSLIB.ORG

Jack K. Magaw United Scenic Artists, Local 829

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jack K. Magaw United Scenic Artists, Local 829 Jack K. Magaw United Scenic Artists, Local 829 www.jackmagaw.com CONTACT STUDIO: 1718 Sherman Avenue, Suite 205, Evanston, IL 60201 – (773) 259-4366 – [email protected] HOME: 5507 North Winthrop Ave Apt 2H, Chicago, IL 60640 – (773) 259-4366 EDUCATION NORTHWESTERN UNIVERSITY, Evanston, IL. Master of Fine Arts , Scenic/Lighting Design, 1991 VANDERBILT UNIVERSITY, Nashville, TN. Bachelor of Arts , Theatre and English Literature, 1985 EMPLOYMENT THE THEATRE SCHOOL, DEPAUL UNIVERSITY, Chicago, IL. Adjunct Faculty – Design and Technical Theatre , 2000 – present (full time 2006-07 and Winter Quarter 2011) PROFESSIONAL FREELANCE DESIGNER, Chicago, IL. Scenic and Lighting Designer , 1998 – present NORTHWESTERN UNIVERSITY, Evanston, IL. Adjunct Faculty – Scene Design , 1998, 2009 – 2012 LOYOLA UNIVERSITY, Chicago, IL. Adjunct Lecturer – Lighting Design , 1999 – 2004 NORTHERN ILLINOIS UNIVERSITY, DeKalb, IL. Interim Assistant Professor - Lighting , 1998 - 2001 CONSULTING FOR ARCHITECTS, Chicago, IL. AutoCAD Consultant , 1998 – 2001 FREELANCE ARTIST, Franklin, TN. Stage Designer and Architectural Draftsman , 1996 – 1997 VANDERBILT UNIVERSITY, Nashville, TN. Assistant Professor of Design , 1991 – 1996 UNIVERSITY OF ILLINOIS, DEPARTMENT OF THEATRE, Urbana, IL. Guest Scenic Designer , 1995 INTERLOCHEN ARTS CAMP, Interlochen, MI. Scenic/Lighting Designer , summers 1993 – 1995 NORTHWESTERN UNIVERSITY, Evanston, IL. Graduate Assistant , 1988 – 1991 FREELANCE THEATRE ARTIST, Chicago, IL. Designer, Draftsman and Technician , 1988 – 1991 UNITED STATES ARMY, Active and Reserve Duty. Captain, Field Artillery , 1985 – 1996 TEACHING EXPERIENCE THE THEATRE SCHOOL, DEPAUL UNIVERSITY, Chicago, IL. Adjunct Faculty – Design , 2000 - present Courses Taught : Scene Design I, Scene Design II, Scene Design III, Model Building, PhotoShop for Designers, Portfolio Preparation, Design Workshop, Technical Drawing I (Hand Drafting & AutoCAD), World of the Theatre, Student Design Advising NORTHWESTERN UNIVERSITY, Evanston, IL. Adjunct Faculty - Scene Design , 1998 and 2009 - 2012 Courses Taught : Scene Design I, Computer Graphics for Stage Designers (PhotoShop) LOYOLA UNIVERSITY, Chicago, IL. Adjunct Lecturer & Designer , 1999 - 2004 Courses Taught : Stage Lighting Theory and Technique, Student Design Advising Jack K. Magaw Page 2 TEACHING EXPERIENCE (continued) NORTHERN ILLINOIS UNIVERSITY, DeKalb, IL. Interim Assistant Professor - Lighting , 1998 - 2001 Courses Taught : Stage Technology - Lighting, Theatre Design IV - Lighting, Advanced Drafting – AutoCAD and 3D Studio, Electronic Visualization - PhotoShop and Illustrator, Graduate Design Studio in Lighting INTERLOCHEN ARTS CAMP, Interlochen, MI. Faculty Scenic/Lighting Designer , summers 1993 - 1995 Courses Taught : Technical Theatre, Design and Technical Theatre Major VANDERBILT UNIVERSITY, Nashville, TN. Assistant Professor of Theatre - Design , 1991 - 1996 Courses Taught : Introduction to Theatre, Basic Design: Scenery and Props, Basic Design: Lighting and Sound, Basic Design: Costume and Makeup, Independent Study in Scenography, Independent Study in Costume Design and Research, Independent Study in Scene Painting PROFESSIONAL DESIGN BARRINGTON STAGE COMPANY, Pittsfield, MA. Julianne Boyd, Artistic Director Scenic Design America v.2.1: The Sad Demise and Eventual Extinction of the American Negro (World Premiere) directed by Logan Vaughn, 2019 PENINSULA PLAYERS THEATRE, Fish Creek, WI. Greg Vinkler, Artistic Director Scenic Designs Silent Sky directed by Elizabeth Margolius, 2019 A Murder Is Announced directed by Joe Foust, 2019 Living on Love directed by Linda Fortunato, 2018 Miss Holmes directed by Elizabeth Margolius, 2018 Lord Arthur Savile’s Crime directed by Greg Vinkler, 2017 The Bridges of Madison County directed by Elizabeth Margolius, 2017 Alabama Story directed by Brendon Fox, 2016 The Full Monty directed by Greg Vinkler, 2016 Outside Mullingar directed by Greg Vinkler, 2015 Lend Me A Tenor directed by Linda Fortunato, 2015 Butler directed by Kristine Thatcher, 2014 And Then There Were None directed by Linda Fortunato, 2014 The Game’s Afoot directed by Kimberly Senior, 2013 Sunday in the Park with George directed by Greg Vinkler, 2013 Saloon directed by Tom Mula, 2013 Murder on the Nile directed by Kimberly Senior, 2012 Opus directed by Brendan Fox, 2012 A Few Good Men directed by Kimberly Senior, 2011 The Importance of Being Earnest directed by Karen Sheridan, 2011 Heroes directed by Karen Sheridan, 2010 Comic Potential directed by Peter Amster, 2010 The Lady With All the Answers directed by Tom Mula, 2009 A Day in Hollywood/A Night in the Ukraine directed by Peter Amster, 2009 The Lady’s Not For Burning directed by Greg Vinkler, 2008 Rumors directed by Karen Sheridan, 2008 Sherlock Holmes: The Final Adventure directed by Jim Corti, 2008 Doubt directed by Todd Schmidt, 2007 Be My Baby directed by Tom Mula, 2007 The Elephant Man directed by Mark Lococo, 2006 The Mousetrap directed by David New, 2006 Jack K. Magaw Page 3 PROFESSIONAL DESIGN (continued) PENINSULA PLAYERS THEATRE, Fish Creek, WI. Greg Vinkler, Artistic Director Scenic Designs Red Herring directed by Tom Mula, 2005 Tom, Dick & Harry directed by William Norris, 2005 REMY BUMPPO THEATRE COMPANY, Chicago, IL. Nick Sandys, Artistic Director Scenic Design Bloomsday directed by James Sullivan, 2019 ALLIANCE THEATRE, Atlanta, GA. Susan Booth, Artistic Director Scenic Designs Approval Junkie (World Premiere) directed by Amanda Watkins, 2019 Sheltered (World Premiere) directed by Kimberly Senior, 2018 I Just Stopped By To See The Man directed by Ron OJ Parson, 2012 Broke (World Premiere) directed by Jason Loewith, 2011 CENTERSTAGE, Baltimore, MD. Stephanie Ybarra, Artistic Director Scenic Designs Indecent directed by Eric Rosen, 2019 Beneatha’s Place (World Premiere) directed by Derrick Sanders, 2013 Clybourne Park directed by Derrick Sanders, 2013 CHICAGO OPERA THEATRE, Chicago, IL. Lidiya Yankovskaya, Music Director Scenic Design The Scarlet Ibis directed by Elizabeth Margolius, 2019 Giovanna d’Arco directed by David Schweizer, 2013 KANSAS CITY REPERTORY THEATRE, Kansas City, MO. Jason Chanos, Interim Artistic Director Scenic Designs Indecent directed by Eric Rosen, 2019 Of Mice and Men directed by Jason Chanos, 2018 Sweeney Todd directed by Eric Rosen, 2018 Fences directed by Ron OJ Parson, 2017 Side by Side by Sondheim directed by Eric Rosen, 2017 Evita directed by Eric Rosen, 2016 Roof of the World (World Premiere) directed by Eric Rosen, 2016 Hair: Retrospection directed by Eric Rosen, 2015 The Who And The What directed by Eric Rosen, 2014 When I Come To Die directed by Kyle Hatley, 2014 Romeo and Juliet directed by Eric Rosen, 2014 The Foreigner directed by Jerry Genochio, 2013 Pippin directed by Eric Rosen, 2012 The Whipping Man directed by Eric Rosen, 2012 Cabaret directed by Eric Rosen, 2011 A Flea In Her Ear directed by Gary Griffin, 2009 Winesburg, Ohio directed by Eric Rosen and Jessica Thebus, 2009 THEATRE WIT, Chicago, IL. Jeremy Wechsler, Artistic Director Scenic Designs The Realistic Joneses directed by Jeremy Wechsler (co-production with Shattered Globe Theatre, Sandy Shinner, Artistic Director), 2019 The North Plan directed by Kimberly Senior, 2012 Spin (World Premiere) directed by Jeremy Wechsler, 2010 ARENA STAGE, Washington, DC. Molly Smith, Artistic Director Scenic Design Indecent directed by Eric Rosen, 2018 Jack K. Magaw Page 4 PROFESSIONAL DESIGN (continued) GOODMAN THEATRE, Chicago, IL. Robert Falls, Artistic Director Scenic Designs Support Group For Men (World Premiere) directed by Kimberly Senior, 2018 Rapture Blister Burn directed by Kimberly Senior, 2015 COURT THEATRE, Chicago, IL. Charles Newell, Artistic Director Scenic Designs Radio Golf directed by Ron OJ Parson, 2018 Long Day’s Journey Into Night directed by David Auburn (Jeff Award nomination), 2016 Gem of the Ocean directed by Ron OJ Parson, 2015 Jitney directed by Ron OJ Parson, 2012 Home directed by Ron OJ Parson, 2010 Sizwe Banzi Is Dead directed by Ron OJ Parson, 2010 The Mystery of Irma Vep directed by Sean Graney, 2009 Wait Until Dark directed by Ron OJ Parson, 2009 The First Breeze of Summer directed by Ron OJ Parson, 2008 Flyin’ West directed by Ron OJ Parson, 2007 Lettice and Lovage directed by Lucy Smith Conroy, 2006 Fences directed by Ron OJ Parson (Jeff Award nomination), 2006 Who’s Afraid of Virginia Woolf? directed by Charles Newell, 2004 WRITERS’ THEATRE, Glencoe, IL. Michael Halberstam, Artistic Director Scenic Designs Buried Child directed by Kimberly Senior, 2018 East Texas Hot Links directed by Ron OJ Parson (Jeff Award nomination), 2016 The Diary of Anne Frank directed by Kimberly Senior (Jeff Award nomination), 2015 Hedda Gabler directed by Kimberly Senior, 2014 The Letters directed by Kimberly Senior, 2012 The Caretaker directed by Ron OJ Parson (Jeff Award nomination), 2011 She Loves Me directed by Michael Halberstam, 2010 The Old Settler directed by Ron OJ Parson, 2010 Picnic directed by David Cromer (Jeff Award nomination), 2008 Nixon’s Nixon directed by Michael Halberstam, 2008 The Lion in Winter directed by Rick Snyder, 2008 The Turn of the Screw directed by Jessica Thebus, 2007 The Chosen directed by Shade Murray, 2006 Bus Stop directed by Rick Snyder (Jeff Award nomination), 2006 The Subject Was Roses directed by Shade Murray, 2005 AMERICAN PLAYERS THEATRE, Spring Green, WI. Brenda Devita, Artistic Director Scenic Design A Flea In Her Ear directed by David Frank, 2017 GEVA THEATRE CENTER, Rochester, NY. Mark Cuddy, Artistic
Load more

Recommended publications
  • 2019 Silent Auction List
    September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD,
    [Show full text]
  • Digital Playbill
    IRISH REPERTORY THEATRE Little Gem BY ELAINE MURPHY DIRECTED BY MARC ATKINSON BORRULL A PERFORMANCE ON SCREEN IRISH REPERTORY THEATRE CHARLOTTE MOORE, ARTISTIC DIRECTOR | CIARÁN O’REILLY, PRODUCING DIRECTOR A PERFORMANCE ON SCREEN LITTLE GEM BY ELAINE MURPHY DIRECTED BY MARC ATKINSON BORRULL STARRING BRENDA MEANEY, LAUREN O'LEARY AND MARSHA MASON scenic design costume design lighting design sound design & original music sound mix MEREDITH CHRISTOPHER MICHAEL RYAN M.FLORIAN RIES METZGER O'CONNOR RUMERY STAAB edited by production coordinator production coordinator SARAH ARTHUR REBECCA NICHOLS ATKINSON MONROE casting press representatives general manager DEBORAH BROWN MATT ROSS LISA CASTING PUBLIC RELATIONS FANE TIME & PLACE North Dublin, 2008 Running Time: 90 minutes, no intermission. SPECIAL THANKS Irish Repertory Theatre wishes to thank Henry Clarke, Olivia Marcus, Melanie Spath, and the Howard Gilman Foundation. Little Gem is produced under the SAG-AFTRA New Media Contract. THE ORIGINAL 2019 PRODUCTION OF LITTLE GEM ALSO FEATURED PROPS BY SVEN HENRY NELSON AND SHANNA ALISON AS ASSISTANT STAGE MANAGER. THIS PRODUCTION IS MADE POSSIBLE WITH PUBLIC FUNDS FROM THE NEW YORK STATE COUNCIL ON THE ARTS, THE NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS, AND OTHER PRIVATE FOUNDATIONS AND CORPORATIONS, AND WITH THE ASSISTANCE OF THE MANY GENEROUS MEMBERS OF IRISH REPERTORY THEATRE’S PATRON’S CIRCLE. WHO’S WHO IN THE CAST MARSHA MASON (Kay) has summer 2019, Marsha starred in Irish received an Outer Critics Rep’s acclaimed production of Little Gem Circle Award and 4 Academy and directed a reading of The Man Who Awards nominations for her Came to Dinner with Brooke Shields and roles in the films “The Goodbye Walter Bobbie at the Bucks County Girl,” “Cinderella Liberty,” Playhouse and WP Theater in NYC.
    [Show full text]
  • Chicago Artsguide 2009
    ACRL Artsguide: Chicago 2009 Introduction ........................................................................................................................... 3 Map of sites listed in this guide........................................................................................................... 3 Where to search for arts and entertainment...................................................................................... 3 1. Visual arts and museums .................................................................................................... 4 The Art Institute of Chicago ................................................................................................................ 4 Field Museum of Natural History ........................................................................................................ 4 Museum of Science and Industry........................................................................................................ 5 Museum of Contemporary Art Chicago (MCA) ................................................................................... 5 National Museum of Mexican Art ....................................................................................................... 5 Chicago Cultural Center ...................................................................................................................... 6 Chicago History Museum .................................................................................................................... 6 Hyde Park Museums
    [Show full text]
  • Anniversary Season
    th ASOLO REPERTORY THEATRE o ANNIVERSARY6 SEASON ASOLO REPERTORY THEATRE th 6oANNIVERSARY DINNER November 26, 2018 The Westin | Sarasota 6pm | Cocktail Reception 7pm | Dinner, Presentation and Award Ceremony • Vic Meyrich Tech Award • Bradford Wallace Acting Award 03 HONOREES Honoring 12 artists who made an indelible impact on the first decade and beyond. 04-05 WELCOME LETTER 06-11 60 YEARS OF HISTORY 12-23 HONOREE INTERVIEWS 24-27 LIST OF PRODUCTIONS From 1959 through today rep 31 TRIBUTES o l aso HONOREES Steve Hogan Assistant Technical Director, 1969-1982 Master Carpenter, 1982-2001 Shop Foreman, 2001-Present Polly Holliday Resident Acting Company, 1962-1972 Vic Meyrich Technical Director, 1968-1992 Production Manager, 1992-2017 Production Manager & Operations Director, 2017-Present Howard Millman Actor, 1959 Managing Director, Stage Director, 1968-1980 Producing Artistic Director, 1995-2006 Stephanie Moss Resident Acting Company, 1969-1970 Assistant Stage Manager, 1972-1990 Bob Naismith Property Master, 1967-2000 Barbara Redmond Resident Acting Company, 1968-2011 Director, Playwright, 1996-2003 Acting Faculty/Head of Acting, FSU/Asolo Conservatory, 1998-2011 Sharon Spelman Resident Acting Company, 1968-1971 and 1996-2010 Eberle Thomas Director, Actor, Playwright, 1960-1966 rep Co-Artistic Director, 1966-1973 Director, Actor, Playwright, 1976-2007 Brad Wallace o Resident Acting Company, 1961-2008 l Marian Wallace Box Office Associate, 1967-1968 Stage Manager, 1968-1969 Production Stage Manager, 1969-2010 John M. Wilson Master Carpenter, 1969-1977 asolorep.org | 03 aso We are grateful you are here tonight to celebrate and support Asolo Rep — MDE/LDG PHOTO WHICH ONE ??? Nationally renowned, world-class theatre, made in Sarasota.
    [Show full text]
  • Michael Schweikardt Design
    Michael Schweikardt Scenic Designer United Scenic Artists Local 829 624 Galen Drive State College, PA 16803 917.674.4146 [email protected] www.msportfolio.com Curriculum Vitae Education Degrees MFA Scenic Design, The Pennsylvania State University, School of Theatre, University Park, 2020. Monograph: On the Ontology and Afterlife of the Scenic Model Committee: Daniel Robinson; Milagros Ponce de Leon; Laura Robinson; Charlene Gross; Richard St. Clair Studied under: Dr. Jeanmarie Higgins; Sebastian Trainor; Dr. Susan Russell; Dr. William Doan; Rick Lombardo BFA Scenic and Costume Design, Rutgers University, Mason Gross School of the Arts, New Brunswick, NJ, 1993. Studied under: John Jensen; R. Michael Miller; Desmond Heeley; David Murin; Vickie Esposito Academic Appointments Graduate Assistant, The Pennsylvania State University, State College, PA School of Theatre, 2017-present Adjunct Professor, Bennington College, Bennington, VT School of Theatre, 2014 Publications and Academic Presentations Book Chapters “Deep Thought: Teaching Critical Theory to Designers” with Dr. Jeanmarie Higgins in Teaching Critical Performance Theory in Today’s Theatre Classroom, Studio, and Communities. Ed. Jeanmarie Higgins. London: Routledge, 2020. Journal Issues Schweikardt, Michael and Jeanmarie Higgins. “Dramaturgies of Home in On- and Off- Stage Spaces.” Etudes: An Online Theatre and Performance Studies Journal for Emerging Scholars. 5:1 (2019). Peer-Reviewed Journal Publications Schweikardt, Michael. “Deep When: A Basic Philosophy for Addressing Holidays in Historical Dramas.” Text and Presentation, 2019 (2020): 63-77. Other Publications Co-Editor, Design, The Theatre Times, 2017-present. “I Can’t Hear You in the Dark: How Scenic Designer Sean Fanning Negotiates the Deaf and Hearing Worlds”, 2019. “Designing for Site-Specific Theatre: An Interview with Designer Susan Tsu on her Costumes for King Lear at Quantum Theatre”, 2019.
    [Show full text]
  • Local Links for SAA Web Site
    LOCAL LINKS FOR SAA ANNUAL MEETING WEB SITE Updated: April 30, 2007 Locations are Chicago, IL unless otherwise noted. Telephone number in right column indcates no web site. IN TWELVE SECTIONS 1. GENERAL AND LOGISTICS 7. MUSEUMS, ARCHIVES, LIBRARIES, PARKS, AND OTHER CULTURAL INSTITUTIONS 2. ARCHIVAL ORGANIZATIONS 8. MUSIC, THEATER, AND FILM 3. BOOKSTORES 9. ORGANIZED SIGHTSEEING AND TOURS 4. COLLEGES AND UNIVERSITIES 10. SPORTS AND RECREATION 5. DINING--PART 1--DINING GUIDES AND REVIEWS 11. TOURIST SITES AND HISTORIC AREAS AND NEIGHBORHOODS 6. DINING--PART 2--NEARBY RESTAURANTS (SEE MAP) 12. TRANSPORTATION 1. GENERAL AND LOGISTICS Chicago and Illinois Tourist Office http://www.gochicago.com/ Chicago Convention and Tourism Bureau http://www.choosechicago.com/ Chicago Defender (newspaper) http://chicagodefender.com/ Chicago Greeter (volunteer city orientation service) http://chicagogreeter.com/ Chicago Magazine (monthly magazine) http://chicagomag.com/ Chicago Quick Guide http://guestinformant.com Chicago Reader (alternative weekly newspaper) http://chicagoreader.com Chicago Sun-Times (newspaper) http://www.suntimes.com Chicago Traveler http://www.chicagotraveler.com/ Chicago Tribune (newspaper) http://chicagotribune.com City of Chicago (city government) http://www.cityofchicago.org City Pass (multi-attraction pass) http://www.citypass.com Cook County (county government) http://www.co.cook.il.us Enjoy Illinois (Illinois tourism information) http://www.enjoyillinois.com/ Fairmont Chicago Hotel http://www.fairmont.com/chicago/ Fodor's Guide
    [Show full text]
  • National Endowment for the Arts Annual Report 1982
    Nat]onal Endowment for the Arts National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1982. Respectfully, F. S. M. Hodsoll Chairman The President The White House Washington, D.C. March 1983 Contents Chairman’s Statement 3 The Agency and Its Functions 6 The National Council on the Arts 7 Programs 8 Dance 10 Design Arts 30 Expansion Arts 46 Folk Arts 70 Inter-Arts 82 International 96 Literature 98 Media Arts: Film/Radio/Television 114 Museum 132 Music 160 Opera-Musical Theater 200 Theater 210 Visual Arts 230 Policy, Planning and Research 252 Challenge Grants 254 Endowment Fellows 259 Research 261 Special Constituencies 262 Office for Partnership 264 Artists in Education 266 State Programs 272 Financial Summary 277 History of Authorizations and Appropriations 278 The descriptions of the 5,090 grants listed in this matching grants, advocacy, and information. In 1982 Annual Report represent a rich variety of terms of public funding, we are complemented at artistic creativity taking place throughout the the state and local levels by state and local arts country. These grants testify to the central impor­ agencies. tance of the arts in American life and to the TheEndowment’s1982budgetwas$143million. fundamental fact that the arts ate alive and, in State appropriations from 50 states and six special many cases, flourishing, jurisdictions aggregated $120 million--an 8.9 per­ The diversity of artistic activity in America is cent gain over state appropriations for FY 81.
    [Show full text]
  • Annie Arnoult EDUCATION Academic: Professional Training
    CURRICULUM VITAE, ARNOULT 1 Annie Arnoult 3701 Del Monte Drive Houston, TX 77019 [email protected] 773.398.9532 EDUCATION Academic: The Ohio State University M.F.A. Dance, December 2007 (Laban Studies, Dance Theater, Choreography, Pedagogy, History, Theory, Criticism and Performance) Northwestern University, Evanston, IL B.A. Comparative Literary Studies and Dance, June 1997. Phi Beta Kappa. Magna Cum Laude. Professional Training: LIMS, NYC Bartenieff Fundamentals, 2013. Joe Goode Performance Workshop, San Francisco, CA, Summer Workshop, 2003. Birgitta Victorson Ensemble Performance Workshops Viewpoints & Laban Fall Series, 1998. Martha Graham School of Contemporary Dance, NY, NY Summer Program, 1995. American Dance Festival, Raleigh­Durham, North Carolina, 1992 and 1994. Studied with Donald Byrd, Mark Dendy, Linda Hodes, Donald McKayle and Mark Taylor. Performed in repertory by Donald McKayle and Donald Byrd. Moksha Yoga Center Chicago, 1998­2002 Ashtanga Yoga in the tradition of Sri K. Pattabhi Jois Certifications: Cecchetti Council of America, 2004, 2005 Cecchetti Teacher Certifications, Grade I and II Chicago School of Massage Therapy, 1998 Certified Massage Therapist with extensive Anatomy Training PROFESSIONAL APPOINTMENTS CURRICULUM VITAE, ARNOULT 2 Academic: 2014 Adjunct Faculty, Dance Program ​ School of Theatre and Dance University of Houston, Houston, TX (Ballet) 2011­2014 Lecturer, Dance Program ​ The Department of Theatre Northwestern University, Evanston, IL (Modern, Ballet, Dance History and Theory, Movement for
    [Show full text]
  • PJ Powers Resume 9.10.14
    PJ Powers Height: 5’ 9” Weight: 175 Hair: Brown Eyes: Blue Stage THE APPLE FAMILY PLAYS: THAT HOPEY CHANGEY THING Tim TimeLine Theatre Company THE FRONT PAGE Hildy Johnson TimeLine Theatre Company THE FARNSWORTH INVENTION David Sarnoff TimeLine Theatre Company ALL MY SONS George TimeLine Theatre Company FIORELLO! Fiorello TimeLine Theatre Company WIDOWERS’ HOUSES Trench TimeLine Theatre Company COPENHAGEN Heisenberg TimeLine Theatre Company PRAVDA Andrew TimeLine Theatre Company PARAGON SPRINGS Odegaard TimeLine Theatre Company OUR TOWN Simon Stimson Writers’ Theatre HAUPTMANN Richard Hauptmann TimeLine Theatre Company ROCKET TO THE MOON Frenchy Writers’ Theatre HALCYON DAYS Raper TimeLine Theatre Company THE CRUCIBLE John Hale TimeLine Theatre Company THE SEAGULL Konstantin TimeLine Theatre Company NOT ABOUT NIGHTINGALES Queen TimeLine Theatre Company A CRY OF PLAYERS Will TimeLine Theatre Company GASLIGHT Rough TimeLine Theatre Company THE CRIPPLE OF INISHMAAN Bartley Northlight Theatre NO END OF BLAME Grigor TimeLine Theatre Company SUMMIT CONFERENCE The Soldier TimeLine Theatre Company THE GLASS MENAGERIE Gentleman Caller Writers’ Theatre LOCKED UP DOWN SHORTY’S Tommy Steeltown Productions BECKET Brother John Shattered Globe Theatre ATOMIC BOMBERS Richard Feynman u/s Northlight Theatre THE SUBJECT WAS ROSES Timmy Carpe Noctem Productions THE THREE SISTERS Solyony Porchlight Theatre PETER PAN The Twins/Jukes Shattered Globe Theatre ROMEO AND JULIET Benvolio Ivanhoe Theatre TimeLine Theatre Company co-founder; Artistic Director since 1999 Film & Television & Web FLATCHESTED Featured DePaul Project Bluelight SCROOGE AND MARLEY Featured Sam I Am Films EARLY EDITION Featured CBS Television CHECK PLEASE! Guest (Two Episodes) WTTW Television THE ONION Featured—Recurring Onion Web Video Commercials, Industrials & Voiceovers NISSAN OF OMAHA Salesman Regional Commercial FRONTLINE INSURANCE Spokesperson Regional Voiceover VIRTUAL FINANCE CONSULTANT Spokesperson Web Industrial MT.
    [Show full text]
  • The Subject Was Roses
    Otterbein University Digital Commons @ Otterbein 1968-1969 Season Productions 1961-1970 1-30-1969 The Subject Was Roses Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/production_1968-1969 Part of the Acting Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "The Subject Was Roses" (1969). 1968-1969 Season. 2. https://digitalcommons.otterbein.edu/production_1968-1969/2 This Book is brought to you for free and open access by the Productions 1961-1970 at Digital Commons @ Otterbein. It has been accepted for inclusion in 1968-1969 Season by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. --------- ~ etterbein cttollege ~beatre ------------------------------------.... THERE'S NO BUSINESS LIKE "SHOW BUSINESS" for a friendly, helpful cast. Why not get "better acquainted" with Buckeye tomorrow? 9 SOUTH STATE STREET WESTERVILLE 882-2319 Main Office: 36 E. Gay St. 11 Convenient Locations JE EN JE ELR Phone 882-2959 50 N. State St. Westerville ELLIOTT-COOPER-BARR INSURANCE AGENCY BLENDON REALTY 39 N. State St. Westerville, Ohio 882-2335 882-2336 VIN(:EN1~ '10TORS PLYMOUTH VINCENT It DefEUCE, President CHRYSLER 21 WINTER STREET WESTERViLU:, OHIO IMPERIAL 882-2314 Donator of Automobile for Guest Star During Stay in Westerville (!&ttcrbein ((olleg:e m:beatre presents 209th production ( .. BEST \. /"IHT '\ !'UY 'I> ~ i!'UW 'II 1965'' f MA c111mc \ TOIO'!HSV' AWAIID '-.II!~~ -~ ~ By f run~ o. Gilrcy January 30, 31, February l, 1969 Director - Linda Grznar* * Designer-Technical Director - Prof. Fred Thayer Quality Merchandise Reasonably Priced J. P~ MILES COe 21 N.
    [Show full text]
  • A Tale of Two Moms
    THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 May 7, 2008 • vol 23 no 34 www.WindyCityMediaGroup.com MOTHER’S DAY SPECIAL: A Tale of Two Robert Moms Gant: This is the first of a two-part account of Christy Webber and Jennie Rule’s journey to mother- I, Spy page 17 hood. BY OWEN KEEHNEN It’s tough to out-butch Christy Webber. The small-town girl from Montrose, Mich. (near Flint), grew up loving to hunt, fish, skate and snowmobile. The outdoors was her playground. As a teen she was the National Powder Puff Motorcross Champion. She attended college at the University of Denver, where she received her Bachelor’s Degree in physical education and played sports for the university, most notably Wilson as a star on the women’s basketball team. After college Webber worked briefly as a P.E. teacher, Cruz at but always felt she had some bigger contribu- tion to make. Soon after, she discovered that Roosevelt page 7 something and over the next two decades Web- ber has made an impressive name for herself in Chicago with her landscaping business. Jennie Rule met Christy Webber eight years ago at Girlbar on North Halsted. That night, Rule recalls coming down the stairs and being first captivated by Webber’s white shoes. At first glance she thought, “Thank God; finally a lesbian with some fashion sense!” At that point in her life, Rule had been with a couple of women, but was looking to go back to men. In the months to come, Webber would change all that.
    [Show full text]
  • By Donald Margulies David Emmes
    - 48th Season • 460th Production JULIANNE ARGYROS STAGE / MARch 11 - APRIL 1, 2012 Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS presents Sight Unseen by Donald Margulies Cameron Anderson Fred Kinney Geoff Korf SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Cricket S. Myers Jackie S. Hill Kathryn Davies* SOUND DESIGN PRODUCTION MANAGER STAGE MANAGER Directed by David Emmes Pam and Jim Muzzy honorary Producers Commissioned and originally produced by South Coast Repertory on September 20, 1991. Originally produced in New York City by the Manhattan Theatre Club on January 7, 1992. SIGHT UNSEEN is presented by special arrangement with Dramatists Play Service, Inc., New York. Sight Unseen • South CoaSt RepeRtoRy • P1 CAST OF CHARACTERS (In order of appearance) Jonathan ............................................................................................ Gregory Sims* Nick ................................................................................................. Andrew Borba* Patricia .................................................................................................. Nancy Bell* Grete ............................................................................................... Erin Anderson* SETTING ACT I: Scene 1. A cold farmhouse in Norfolk, England. 1991. Scene 2. An art gallery in London. Four days later. Scene 3. The farmhouse. An hour before the start of Scene 1. Scene 4. A bedroom in Brooklyn. Fifteen years earlier. ACT II: Scene 5.
    [Show full text]