Theater (THE) Courses 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
Undergraduate Play Reading List
UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M. -
X********X************************************************** * Reproductions Supplied by EDRS Are the Best That Can Be Made * from the Original Document
DOCUMENT RESUME ED 302 264 IR 052 601 AUTHOR Buckingham, Betty Jo, Ed. TITLE Iowa and Some Iowans. A Bibliography for Schools and Libraries. Third Edition. INSTITUTION Iowa State Dept. of Education, Des Moines. PUB DATE 88 NOTE 312p.; Fcr a supplement to the second edition, see ED 227 842. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Annotated Bibllographies; *Authors; Books; Directories; Elementary Secondary Education; Fiction; History Instruction; Learning Resources Centers; *Local Color Writing; *Local History; Media Specialists; Nonfiction; School Libraries; *State History; United States History; United States Literature IDENTIFIERS *Iowa ABSTRACT Prepared primarily by the Iowa State Department of Education, this annotated bibliography of materials by Iowans or about Iowans is a revised tAird edition of the original 1969 publication. It both combines and expands the scope of the two major sections of previous editions, i.e., Iowan listory and literature, and out-of-print materials are included if judged to be of sufficient interest. Nonfiction materials are listed by Dewey subject classification and fiction in alphabetical order by author/artist. Biographies and autobiographies are entered under the subject of the work or in the 920s. Each entry includes the author(s), title, bibliographic information, interest and reading levels, cataloging information, and an annotation. Author, title, and subject indexes are provided, as well as a list of the people indicated in the bibliography who were born or have resided in Iowa or who were or are considered to be Iowan authors, musicians, artists, or other Iowan creators. Directories of periodicals and annuals, selected sources of Iowa government documents of general interest, and publishers and producers are also provided. -
Michael Schweikardt Design
Michael Schweikardt Scenic Designer United Scenic Artists Local 829 624 Galen Drive State College, PA 16803 917.674.4146 [email protected] www.msportfolio.com Curriculum Vitae Education Degrees MFA Scenic Design, The Pennsylvania State University, School of Theatre, University Park, 2020. Monograph: On the Ontology and Afterlife of the Scenic Model Committee: Daniel Robinson; Milagros Ponce de Leon; Laura Robinson; Charlene Gross; Richard St. Clair Studied under: Dr. Jeanmarie Higgins; Sebastian Trainor; Dr. Susan Russell; Dr. William Doan; Rick Lombardo BFA Scenic and Costume Design, Rutgers University, Mason Gross School of the Arts, New Brunswick, NJ, 1993. Studied under: John Jensen; R. Michael Miller; Desmond Heeley; David Murin; Vickie Esposito Academic Appointments Graduate Assistant, The Pennsylvania State University, State College, PA School of Theatre, 2017-present Adjunct Professor, Bennington College, Bennington, VT School of Theatre, 2014 Publications and Academic Presentations Book Chapters “Deep Thought: Teaching Critical Theory to Designers” with Dr. Jeanmarie Higgins in Teaching Critical Performance Theory in Today’s Theatre Classroom, Studio, and Communities. Ed. Jeanmarie Higgins. London: Routledge, 2020. Journal Issues Schweikardt, Michael and Jeanmarie Higgins. “Dramaturgies of Home in On- and Off- Stage Spaces.” Etudes: An Online Theatre and Performance Studies Journal for Emerging Scholars. 5:1 (2019). Peer-Reviewed Journal Publications Schweikardt, Michael. “Deep When: A Basic Philosophy for Addressing Holidays in Historical Dramas.” Text and Presentation, 2019 (2020): 63-77. Other Publications Co-Editor, Design, The Theatre Times, 2017-present. “I Can’t Hear You in the Dark: How Scenic Designer Sean Fanning Negotiates the Deaf and Hearing Worlds”, 2019. “Designing for Site-Specific Theatre: An Interview with Designer Susan Tsu on her Costumes for King Lear at Quantum Theatre”, 2019. -
Rethinking Complicity and Survival in Paula Vogel's How I Learned to Drive
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 5-8-2020 “SHE’S A SLY ONE:” RETHINKING COMPLICITY AND SURVIVAL IN PAULA VOGEL’S HOW I LEARNED TO DRIVE Mary Ann Barfield Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Recommended Citation Barfield, Mary Ann, "“SHE’S A SLY ONE:” RETHINKING COMPLICITY AND SURVIVAL IN PAULA VOGEL’S HOW I LEARNED TO DRIVE." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/english_theses/252 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “SHE’S A SLY ONE:” RETHINKING COMPLICITY AND SURVIVAL IN PAULA VOGEL’S HOW I LEARNED TO DRIVE by MARY ANN BARFIELD Under the Direction of Matthew Roudané ABSTRACT In an early 1998 interview, playwright, Paula Vogel, sat in conversation with Arthur Holmberg to discuss the ambivalent victim-perpetrator power dynamics in her critically- acclaimed play, How I Learned to Drive, explaining that “there are two forgivenesses in the play. one forgiveness for Peck, but the most crucial forgiveness would be Li’l Bit’s forgiving Li’l Bit. Li’l Bit as an adult looking at and understanding her complicity.” Since the Holmberg interview, critics have made only passing references to Vogel’s discussion of complicity in play reviews and critical essays. This thesis represents the first sustained engagement with complicity as an ethical subject to argue that Li’l Bit’s dependence upon her uncle for emotional and sometimes physical survival exempts her from moral scrutiny in the course of his abuse. -
Past Blackfriars' Theatre Productions
PAST BLACKFRIARS' THEATRE PRODUCTIONS PRODUCTION DATE DIRECTOR Les Miserables: School Edition 2020 Spring Edward Lawrence Clue On Stage 2019 Fall Edward Lawrence Mamma Mia! 2019 Spring Edward Lawrence A Christmas Carol 2018 Fall Edward Lawrence Jesus Christ Superstar 2018 Spring Edward Lawrence Peter and the Starcatcher 2017 Fall Edward Lawrence You're A Good Man, Charlie Brown 2017 Spring Edward Lawrence It's A Wonderful Life 2016 Fall Edward Lawrence Godspell 2016 Spring Edward Lawrence And Then There Were None 2015 Fall Edward Lawrence The Addams Family 2015 Spring Edward Lawrence Uh Oh! Here Comes Christmas 2014 Fall Edward Lawrence Curtains 2014 Spring Edward Lawrence All I Need To Know I Learned in Kindergarten 2013 Fall Edward Lawrence How to Succeed in Business 2013 Spring Edward Lawrence Anything Goes (Alumni Show) 2012 Fall Edward Lawrence Hello Dolly! 2012 Spring Edward Lawrence Our Town 2011 Fall Edward Lawrence Oklahoma 2011 Spring Edward Lawrence Memories and Dreams (Alumni Show) 2010 Fall Edward Lawrence Joseph and Amazing Technicolor Dreamcoat 2010 Spring Edward Lawrence M*A*S*H 2009 Fall Edward Lawrence Fiddler on the Roof 2009 Spring Edward Lawrence The Mousetrap 2008 Fall Edward Lawrence Beauty and the Beast 2008 Spring Edward Lawrence No Time For Sergeants 2007 Fall Edward Lawrence High School Musical 2007 Spring Edward Lawrence The Caine Mutiny Court Martial 2006 Fall Edward Lawrence Footloose 2006 Spring Edward Lawrence The Odd Couple 2005 Fall Edward Lawrence Bye Bye Birdie 2005 Spring Edward Lawrence Amadeus 2004 -
UW-Green Bay Theatre Script Library
UW-Green Bay Theatre Revised: November 2012 Script Library Author Title Anthology Abb. Ackermann, Joan Batting Cage, The HF96 Ackermann, Joan Stanton's Garage HF93 Adams, Liz Duffy Neon Mirage HF06 Aerenson, Benjie Lighting up the Two-Year Old HF97 Aeschylus Agamenmnon GT1, ATOT Aeschylus Eumenides, The GT3 Aeschylus Libation Bearers, The DD, GT2 Aeschylus Prometheus Bound GT1 Aeschylus Prometheus Bound WD1 Aeschylus (tran Grene) Prometheus Bound CTGR Aeschylus (tran Harrison) Oresteia, The CTGR Albee, Edward A Delicate Balance Albee, Edward American Dream, The 2EA Albee, Edward American Dream, The Albee, Edward Death of Bessie Smith, The Albee, Edward Fam and Yam Albee, Edward Sandbox, The AE, TOD5 Albee, Edward Three Tall Women Albee, Edward Tiny Alice Albee, Edward Who's Afraid of Virginia Woolf? 23IA Albee, Edward Who's Afraid of Virginia Woolf? Albee, Edward Zoo Story, The 2EA Albee, Edward Zoo Story, The FAP50 Alexander, Ronald Time Out For Ginger Alfieri, Vittorio Saul WD2 Anderson, Jane Last Time We Saw Her, The HF94 Anderson, Jane Tough Choices for the New Century HF95 Anderson, Maxwell Bad Seed AE, BMSP Anderson, Maxwell Bad Seed BMS Anderson, Maxwell Elizabeth the Queen Anderson, Maxwell Feast of the Ortolans, The 10SP Anderson, Maxwell High Tor AE, TDAI Anderson, Maxwell Joan of Lorraine Anderson, Maxwell Mary of Scotland AE, TGA Anderson, Maxwell What Price Glory? FAP20 Anderson, Maxwell Winterset 6MA Anderson, Maxwell Winterset AE, MAD, MD, SMAP Anderson, Maxwell and Laurence StallingsWhat Price Glory? FA20s Anderson, Robert -
The Sixth Act: an Event History
The Sixth Act: An Event History 2004-2005 Academic Workshop: The Sixth Act: A New Drama Initiative This workshop will officially launch The Sixth Act, MCC's new Drama Initiative, so in addition to mocking a rehearsal for Sophocles' Oedipus Rex, we also will talk about the initiative and its goals. Everyone interested in drama--for personal, political, artistic, and/or pedagogical reasons-- is invited! Academic Workshop: Mamet, Harassment, and the Stage The workshop will focus on interdisciplinary approaches to a dramatic text, using David Mamet’s provocative, challenging play Oleanna as a case study. Oleanna, which is widely taught and performed, tells the story of a college student who issues a formal sexual harassment complaint against her college professor. The play is difficult in part because it’s difficult to tell which character is the real victim—raising real questions about different forms of power. More than one version of a key scene will be shown and then a group of MCC colleagues from different academic perspectives will offer insight into the text based on their individual backgrounds. The idea is that a single dramatic text can yield multiple readings, and that we all are better equipped to approach a dramatic text when we have a wider understanding of some of these readings. Academic Workshop: "Unpack My Heart With Words": Using Dramatic Techniques to Understand Shakespeare's Language This interactive workshop will help students, teachers, and drama enthusiasts use performance to interpret the multiple dimensions of Shakespeare's words. Academic Workshop: Stagecraft 101: Understanding the Fundamentals of Design This hands-on workshop will familiarize participants with the language of scenic, sound, lighting, costume, and property design-providing important insight into practical as well as metaphoric applications of the stage. -
A History of Production
A HISTORY OF PRODUCTION 2020-2021 2019-2020 2018-2019 Annie Stripped: Cry It Out, Ohio State The Humans 12 Angry Jurors Murders, The Empty Space Private Lies Avenue Q The Wolves The Good Person of Setzuan john proctor is the villain As It Is in Heaven Sweet Charity A Celebration of Women’s Voices in Musical Theatre 2017-2018 2016-2017 2015-2016 The Cradle Will Rock The Foreigner Reefer Madness Sense and Sensibility Upton Abbey Tartuffe The Women of Lockerbie A Piece of my Heart Expecting Isabel 9 to 5 Urinetown Hello, Dolly! 2014-2015 2013-2014 2012-2013 Working The Laramie Project: Ten Years Later The Miss Firecracker Contest Our Town The 25th Annual Putnam County The Drowsy Chaperone Machinal Spelling Bee Anna in the Tropics Guys and Dolls The Clean House She Stoops to Conquer The Lost Comedies of William Shakespeare 2011-2012 2010-2011 2009-2010 The Sweetest Swing in Baseball Biloxi Blues Antigone Little Shop of Horrors Grease Cabaret Picasso at the Lapin Agile Letters to Sala How I Learned to Drive Love’s Labour’s Lost It’s All Greek to Me Playhouse Creatures 2008-2009 2007-2008 2006-2007 Doubt Equus The Mousetrap They’re Playing Our Song Gypsy Annie Get Your Gun A Midsummer Night’s Dream The Importance of Being Earnest Rumors I Hate Hamlet Murder We Wrote Henry V 2005-2006 2004-2005 2003-2004 Starting Here, Starting Now Oscar and Felix Noises Off Pack of Lies Extremities 2 X Albee: “The Sandbox” and “The Zoo All My Sons Twelfth Night Story” Lend Me a Tenor A Day in Hollywood/A Night in the The Triumph of Love Ukraine Babes in Arms -
Adapted by Doug Rand from the Novel by J.M. Barrie
presents adapted by Doug Rand from the novel by J.M. Barrie Theater for Young Audiences Adaptation for First Stage by Jeff Frank Director – Ernie Nolan Fight Director – Chuck Coyl Dialect Coaches – Claudia Anderson, Phil Timberlake Scenic Designer – Jake Ives Costume Designer – Nikki Foster Lighting Designer – Vada Briceno Sound Designer – Sebby Woldt Dramaturgs – Kaysie Bekkela, Abbie O’Donnell Stage Manager – Cat Andrade APRIL 21 - MAY 28, 2016 The Theatre School at DePaul University Chicago Playworks for Families and Young Audiences DePaul’s Merle Reskin Theatre 60 E. Balbo Drive, Chicago, IL 60605 Email: [email protected] | (312) 922-1999 Peter Pan and Wendy 1 CAST [in order of appearance] PRODUCTION STAFF [cont.] Michael Darling .....................................................................................................................Carolyn Moore Make-up Crew ..................................................................................................................Christina Euphrat John Darling ............................................................................................................................Shea Petersen Lighting Crew .............................................................Andrei Borges, Cody McGlashan, Elise Rivkin Housekeeper/Twin #2/Flight Company ...................................................................... Sarah Serabian Sound Crew .................................................................................................................................Johnny -
Albee, Edward. Three Tall Women. 1994. a Frustrated Ninety-Two Year Old Woman Reveals Three Arduous and Painful Stages of Her Life
Drama Albee, Edward. Three Tall Women. 1994. A frustrated ninety-two year old woman reveals three arduous and painful stages of her life. Beckett, Samuel. Waiting for Godot. 1952. Two tramps wait eternally for the elusive Godot in this first success of the Theater of The Absurd. Bernstein, Leonard. West Side Story. 1957. The Jets and Sharks battle it out in song and dance as Tony and Maria fall in love in this musical based on Shakespeare's Romeo and Juliet. Christie, Agatha. Mousetrap. 1954. Stranded in a boarding house during a snowstorm, a group of strangers discovers a murderer in their midst. Coward, Noel. Blithe Spirit. 1941. A ghost troubles a novelist's second marriage. Fugard, Athol. Master Harold and the Boys. 1982. Hally, a precocious white South African teenager, lashes out at two older black friends who are substitute figures for his alcoholic father. Hansberry, Lorraine. Raisin in the Sun. 1959. The sudden appearance of money tears an African American family apart. Hellman, Lillian. Little Foxes. 1939. Members of the greedy and treacherous Hubbard family compete with each other for control of the mill that will bring them riches in the post-Civil War South. Ibsen, Henrik. A Doll's House. 1879. Nora, one of feminism's great heroines, steps off her pedestal and encounters the real world. Ionesco, Eugene. Rhinoceros. 1959. The subject is conformity; the treatment is comedy and terror. Kushner, Tony. Angels in America: A Gay Fantasia on National Themes. Pt.1, Millennium Approaches (1992); Pt.2, Perestroika (1993). Kushner chronicles AIDS in America during the Reagan era. -
This Month on Tcm Showcases
WEEKLY THIS MONTH ON TCM SHOWCASES 1 BILLY WILDER COMEDIES 8 AN EVENING IN THE 12TH 15 MAY FLOWERS 22 STARRING CEDRIC HARDWICKE Sergeant York (’41) THE ESSENTIALS CENTURY Stalag 17 (’53) A Foreign Affair (’48) The Blue Dahlia (’46) The Hunchback of Notre Dame (’39) Must-See Classics The Great Escape (’63) Some Like It Hot (’59) The Lion in Winter (’68) Days of Wine and Roses (’62) Nicholas Nickelby (’47) Saturdays at 8:00pm (ET) The Bridge on the River Kwai (’57) The Fortune Cookie (’66) The Adventures of Robin Hood (’38) Please Don’t Eat the Daisies (’60) On Borrowed Time (’39) 5:00pm (PT) King Rat (’65) The Major and the Minor (’42) Robin and Marian (’76) What’s Up, Tiger Lily? (’66) King Solomon’s Mines (’37) A Foreign Affair (’48) Billy Wilder Speaks (’06) Becket (’64) Brother Orchid (’40) The Desert Fox (’51) 29 MEMORIAL DAY WEEKEND WAR The Lion in Winter (’68) The Blue Gardenia (’53) Valley of the Sun (’42) MOVIE MARATHON The Blue Dahlia (’46) 2 GOVERNESSES NOT NAMED MARIA 9 MOTHER’S DAY FEATURES The Hunchback of Notre Dame (’39) You’re in the Army Now (’41) Dragonwyck (’46) So Big (’53) 16 STARRING EDDIE BRACKEN 23 WE GOT YOUR GOAT The Best Years of Our Lives (’46) Buck Privates (’41) All This, and Heaven Too (’40) Gypsy (’62) Hail the Conquering Hero (’44) A Kid for Two Farthings (’56) In Harm’s Way (’65) About Face (’52) The Rising of the Moon (’57) 3 ROBERT OSBORNE’S PICKS 10 GUEST PROGRAMMER: Battle of the Bulge (’65) TCM UNDERGROUND Cult Classics Can’t Help Singing (’44) SHIRLEY JONES 17 STARRING ROSSANO BRAZZI 24 BASED ON