Christoforou, P. (2017); ''If He Is Worthy': Interactions Between Crowds and Emperors in Plutarch and Tacitus' Accounts
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The Supernatural in Tacitus When Compared with His Predecessor Livy, Tacitus Has Been Said to Be Less Interested in the “Super
The Supernatural in Tacitus When compared with his predecessor Livy, Tacitus has been said to be less interested in the “supernatural,” a rubric under which we include the prodigies and omens of traditional Roman religion; characters’ participation in forms of religious expression, both traditional and non-normative; and nebulous superhuman forces such as fate and fortune. In this panel, we seek to modify this perception by investigating aspects of the superhuman, religious, and/or inexplicable in Tacitus’ works that contribute in important ways to his historiographical project and to our view of Tacitus as an historian. As the most recent contribution on this topic shows (K. Shannon-Henderson, Religion and Memory in Tacitus’ Annals. Oxford, 2019), religion and its related fields are extremely important to Tacitus’ narrative technique, and ‘irrational’ elements such as fatum and fortuna are constantly at play in Tacitus’ works, particularly, but not exclusively, in his historical narratives. Each of the five papers that we have gathered for this panel addresses these topics from different angles, whether focusing more on the literary, historical, or linguistic elements of the Tacitean narrative under examination. Two papers focus on omens and other ways of predicting the future; two examine religious experiences of Tacitus’ characters; and one considers the role of fortuna in the world of the Dialogus. In the first paper, Contributor #1 examines the value of observing supernatural signs for decision-making in the Histories. In particular, s/he looks at the practical value of observing and interpreting supernatural signs as predictors of the future success or failure of military leaders. -
Pliny's "Vesuvius" Narratives (Epistles 6.16, 6.20)
Edinburgh Research Explorer Letters from an advocate: Pliny's "Vesuvius" narratives (Epistles 6.16, 6.20) Citation for published version: Berry, D 2008, Letters from an advocate: Pliny's "Vesuvius" narratives (Epistles 6.16, 6.20). in F Cairns (ed.), Papers of the Langford Latin Seminar . vol. 13, Francis Cairns Publications Ltd, pp. 297-313. Link: Link to publication record in Edinburgh Research Explorer Document Version: Early version, also known as pre-print Published In: Papers of the Langford Latin Seminar Publisher Rights Statement: ©Berry, D. (2008). Letters from an advocate: Pliny's "Vesuvius" narratives (Epistles 6.16, 6.20). In F. Cairns (Ed.), Papers of the Langford Latin Seminar . (pp. 297-313). Francis Cairns Publications Ltd. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 LETTERS FROM AN ADVOCATE: Pliny’s ‘Vesuvius’ Narratives (Epp. 6.16, 6.20)* D.H. BERRY University of Edinburgh To us in the modern era, the most memorable letters of Pliny the Younger are Epp. 6.16 and 6.20, addressed to Cornelius Tacitus. -
Caesar and Tacitus Reading Introduction to the Caesar Reading Julius Caesar Wrote Accounts of His Campaigns in Gaul to Justify His Power and Actions
Caesar and Tacitus Reading Introduction to the Caesar Reading Julius Caesar wrote accounts of his campaigns in Gaul to justify his power and actions. Here he gives his most extensive accounts of the peoples of Gaul and Germany. What customs, values and practices among the Gauls and the Germans seem significantly different from customs, values and practices at Rome? Are there ways in which he may use these differences as a justification for the military campaigns he is carrying out? Caesar, Gallic Wars Book 6 (chapters 11-20) (Trans. by H. J. Edwards, 1917) 6.11 Since I have arrived at this point, it would seem to be not inappropriate to set forth the customs of Gaul and of Germany, and the difference between these nations. In Gaul, not only in every state and every canton and district, but almost in each several household, there are parties [= political factions]; and the leaders of the parties are men who in the judgment of their fellows are deemed to have the highest authority, men to whose decision and judgment the supreme issue of all cases and counsels may be referred. And this seems to have been an ordinance from ancient days, to the end that no man of the people should lack assistance against a more powerful neighbour; for each man refuses to allow his own folk to be oppressed and defrauded, since otherwise he has no authority among them. The same principle holds in regard to Gaul as a whole taken together; for the whole body of states is divided into two parties. -
Women in Livy and Tacitus
Xavier University Exhibit Honors Bachelor of Arts Undergraduate 2021-5 Women in Livy and Tacitus STEPHEN ALEXANDER PREVOZNIK Xavier University, Cincinnati, OH Follow this and additional works at: https://www.exhibit.xavier.edu/hab Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Ancient Philosophy Commons, Classical Archaeology and Art History Commons, Classical Literature and Philology Commons, and the Other Classics Commons Recommended Citation PREVOZNIK, STEPHEN ALEXANDER, "Women in Livy and Tacitus" (2021). Honors Bachelor of Arts. 46. https://www.exhibit.xavier.edu/hab/46 This Capstone/Thesis is brought to you for free and open access by the Undergraduate at Exhibit. It has been accepted for inclusion in Honors Bachelor of Arts by an authorized administrator of Exhibit. For more information, please contact [email protected]. Women in Livy and Tacitus By Stephen Prevoznik Prevoznik 1 Introduction Livy and Tacitus are both influential and important Roman authors. They have written two of the most influential histories of Rome. Livy covers from the founding of Rome until the Reign of Augustus. Tacitus focuses on the early empire, writing from the end of Augustus’ reign through Nero. This sets up a nice symmetry, as Tacitus picks up where Livy stops. Much has been written about the men they include, but the women also play an important role. This essay plans to outline how the women in each work are used by the authors to attain their goals. In doing so, each author’s aim is exposed. Livy: Women as Exempla Livy’s most famous work, Ab Urbe Condita, is meant to be read as a guide. -
The Madness of Isolation in Suetonius' “Caligula” and “Nero”
University of Kentucky UKnowledge Lewis Honors College Capstone Collection Lewis Honors College 2020 ‘De Monstris’: The Madness of Isolation in Suetonius’ “Caligula” and “Nero” Maya Menon University of Kentucky, [email protected] Follow this and additional works at: https://uknowledge.uky.edu/honprog Part of the Ancient History, Greek and Roman through Late Antiquity Commons Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Menon, Maya, "‘De Monstris’: The Madness of Isolation in Suetonius’ “Caligula” and “Nero”" (2020). Lewis Honors College Capstone Collection. 50. https://uknowledge.uky.edu/honprog/50 This Article is brought to you for free and open access by the Lewis Honors College at UKnowledge. It has been accepted for inclusion in Lewis Honors College Capstone Collection by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ‘De Monstris’: The Madness of Isolation in Suetonius’ “Caligula” and “Nero” Maya Menon MCL 495-001: Capstone Dr. Matthew Wells December 2, 2020 Menon 2 The emperors Gaius Caesar ‘Caligula’ (r. 37-41 CE) and Nero (r. 54-68 CE) are regarded as some of Rome’s most infamous and notorious rulers due to their erratic, destructive, and complex behaviors. In his biographical work The Lives of the Caesars, the literary artist Gaius Suetonius Tranquillus (c. 69-122 CE) provides a concise, informative, and illustrative depiction of the reigns of these two emperors. Suetonius’ particular literary technique and style used in the narration for both Nero and Caligula contributes to an enduring legacy of madness and depravity that has been influential in our understanding of these two rulers well into the modern age. -
Romans and Barbarians in Tacitus' Battle Narratives
ROMANS AND BARBARIANS IN TACITUS’ BATTLE NARRATIVES by RYAN MICHAEL SEEGER (Under the direction of Dr. Susan Mattern-Parkes) ABSTRACT The purpose of the study is to examine how Tacitus constructs ethnic stereotypes, namely those of the Romans and of the barbarians, in his battle narratives. The first section of the study explores his descriptions of technical aspects of the battle narrative, such as topography, use of weaponry, battle formations, and sieges. The second section examines the value judgments that Tacitus makes about the combatants and their actions, discussing the themes of discipline and virtus, as well as the leaders’ ability to lead by example and stifle dissent. In his descriptions of both the technical and the “moral” aspects of battle, Tacitus shapes his Romans quite differently from his barbarians. Tacitus constructs identities in his battle narratives possibly to satisfy his audience’s expectations or to make the scenes more understandable. Such constructions indicate that ethnocentrism plays an important role in Latin historiography, revealing racial prejudice in Roman society. INDEX WORDS: Tacitus, battle narratives, Roman army, barbarians, ethnicity. ROMANS AND BARBARIANS IN TACITUS’ BATTLE NARRATIVES by RYAN MICHAEL SEEGER B. A., Appalachian State University, 1998 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2002 © 2002 Ryan Michael Seeger All Rights Reserved ROMANS AND BARBARIANS IN TACITUS’ BATTLE NARRATIVES by RYAN MICHAEL SEEGER Approved: Major Professor: Susan Mattern-Parkes Committee: James Anderson Erika Thorgerson-Hermanowicz Electronic Version Approved: Gordhan L. Patel Dean of the Graduate School The University of Georgia August 2002 iv ACKNOWLEDGMENTS Several people were instrumental in the completion of this thesis. -
Pliny, the Eruption of Vesuvius
CSCP Support Materials: Notes and Commentary Eduqas GCSE Latin Component 3A Latin Literature (Narratives) Pliny, The Eruption of Vesuvius For examination in 2020 and 2021 PUBLISHED BY THE CAMBRIDGE SCHOOL CLASSICS PROJECT Faculty of Education, University of Cambridge, 184 Hills Road, Cambridge, CB2 8PQ, UK http://www.CambridgeSCP.com © University of Cambridge School Classics Project, 2019 Copyright In the case of this publication, the CSCP is waiving normal copyright provisions in that copies of this material may be made free of charge and without specific permission so long as they are for educational or personal use within the school or institution which downloads the publication. All other forms of copying (for example, for inclusion in another publication) are subject to specific permission from the Project. Image Acknowledgments Image on pg. 9 ‘Vesuvius Looms’ courtesy of Paull Young [http://www.flickr.com/photos/paullyoung/429923584/in/photostream/] Images on pg. 15 courtesy of Big Albert [https://www.flickr.com/photos/52948047@N05/24356049443] and Andrea Schaffer from Sydney, Australia [CC BY 2.0 (https://creativecommons.org/licenses/by/2.0)] Image on pg. 26 courtesy of Wellcome Images [CC BY 4.0 (https://creativecommons.org/licenses/by/4.0)] All other images taken from Cambridge Latin Course resources. First published 2019 version date: 14/08/2019 Contents Introduction .............................................................................................................. 1 Pliny the Younger .................................................................................................. -
From Caesar to Tacitus: Changes in Early Germanic Governance Circa 50 BC-50 AD
From Caesar to Tacitus: Changes in Early Germanic Governance circa 50 BC-50 AD Andrew T. Young College of Business and Economics West Virginia University Morgantown, WV 26506-6025 ph: 304 293 4526 em: [email protected] Latest Version: November 2014 JEL Codes: D72, N43, N93, P16, Keywords: governance institutions, constitutional exchange, antiquity, early Germanic peoples, the Roman Empire, political economy, Julius Caesar, Tacitus, roving versus stationary bandits, ancient economic history 0 From Caesar to Tacitus: Changes in Early Germanic Governance circa 50 BC-50 AD Abstract: Julius Caesar and Cornelius Tacitus provide characterizations of early Germanic (barbarian) society around, respectively, 50 BC and 50 AD. The earlier date corresponds to expansion of Rome to the Rhine and Danube. During the subsequent century Germanic governance institutions changed in a number of ways. In particular, (1) temporary military commanders elected from the nobility gave way to standing retinues under the leadership of professional commanders, (2) public assemblies met more frequently and regularly, (3) councils made up of nobility gained agenda control in the assemblies, and (4) these councils relinquished their control over the allocations of land. I account for these constitutional exchanges in light of Rome’s encroachment upon Germania. In particular, it brought new sources of wealth and also constraints on the expansion of Germans into new lands. Incentives favored a reallocation of resources away from pastoralism and towards both sedentary farming and raids across the frontier. JEL Codes: D72, N43, N93, P16, Keywords: governance institutions, constitutional exchange, antiquity, early Germanic peoples, the Roman Empire, political economy, Julius Caesar, Tacitus, roving versus stationary bandits, ancient economic history 1 1. -
The Imitation of Some Structural Techniques in Cicero, Tacitus, and Minucius Felix
1 Schedae, 2007 Prépublication n° 1 Fascicule n° 1 The Imitation of Some Structural Techniques in Cicero, Tacitus, and Minucius Felix Christopher Van den Berg Yale University – Thesaurus Linguae Latinae (Munich) Reminiscences of Cicero’s dialogues clutter the literary landscape of Tacitus’ Dialogus de Oratoribus (hereafter DDO). The patient philology lavished upon excavating their com- mon literary ground gives little cause for surprise. The references – or (put less generously) the debt owed – to Cicero have remained a prominent focus since the DDO’s earliest mod- ern readers. Yet the call for renewed examination of the issue has recently been sounded and is thus far largely unanswered 1. The still pressing need to rethink Tacitus’ reworking of Cicero can be seen as the natural result of two tendencies within the scholarship to date. To begin with, the inquiry of the nineteenth century and the greater part of the twen- tieth largely confined itself to Quellensforschung. That philological labor has borne impres- sive fruits: catalogues of parallel passages and lists of structural or thematic likenesses. These investigations culminate in the systematic monograph of Haß-von Reitzenstein 1970, though her general restriction of the study to formal aspects understandably makes it a valuable prolegomenon to future work rather than the final word on Tacitus’ refashion- ing of Cicero. Readers who appreciate the dialogue’s imitation of phraseology, redeploy- ment of dramatic motifs, or adaptation of Ciceronian ideas have begun to inquire into the broader relevance of such techniques. And these readers are growing in number. Döpp’s 1986 lean foray into the issue was soon followed by Luce 1993 who emphasizes the importance of the differences between the two authors 2. -
PERFORMING the LABORING CLASS: the EVOLUTION of PUNCH and JUDY PERFORMANCE by Kathryn Meehan, BA a Thesis Submitted to The
PERFORMING THE LABORING CLASS: THE EVOLUTION OF PUNCH AND JUDY PERFORMANCE by Kathryn Meehan, BA A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Theatre August 2014 Committee Members: John Fleming Sandra Mayo Margaret Eleanor Menninger 1 COPYRIGHT by Kate Meehan 2014 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgment. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Kate Meehan, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. ACKNOWLEDGEMENTS I would first like to thank Dr. Margaret Eleanor Menninger, whose support for my work in theatre as an historical tool has been unwavering, and Dr. John Fleming and Dr. Sandra Mayo, who also served as readers for this thesis. I would be remiss if I didn’t thank Adam Rodriguez, La Fenice’s most popular Pulcinella, for providing invaluable insight into the character’s modern interpretation and serving as a sounding board for much of this thesis. Also due recognition is Olly Crick, whose decade-long support of my work as both a performer and academic is much appreciated. Special thanks also to my husband, Stephen Brent Jenkins, and our children, who were both encouraging and understanding throughout the writing of this document. -
Can One Believe the Ancient Sources That Describe Messalina?
Constructing the Past Volume 12 Issue 1 Article 7 June 2011 Can One Believe the Ancient Sources That Describe Messalina? Kristen A. Hosack Illinois Wesleyan University, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/constructing Recommended Citation Hosack, Kristen A. (2011) "Can One Believe the Ancient Sources That Describe Messalina?," Constructing the Past: Vol. 12 : Iss. 1 , Article 7. Available at: https://digitalcommons.iwu.edu/constructing/vol12/iss1/7 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by editorial board of the Undergraduate Economic Review and the Economics Department at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Can One Believe the Ancient Sources That Describe Messalina? Abstract This paper discusses the various ancient writings that discussed the empress Messalina. It ultimately concludes that the ancient authors wrote with profound biases, which discredits the accuracy of their negative accounts of her. This article is available in Constructing the Past: https://digitalcommons.iwu.edu/constructing/vol12/iss1/7 Can One Believe the Ancient Sources That Describe Messalina? Kristen Hosack If readers were to believe everything the ancient sources wrote about the Empress Valeria Messalina, they might conclude that she was a conniving, sex-crazed megalomaniac who worked as a prostitute in her spare time. -
Three Theories of the Origin of the Commedia Dell'arte
THREE THEORIES OF THE ORIGIN OF THE COMMEDIA DELL' ARTE by NANCY KAY PENNELL B.A., McPherson College, 1986 A REPORT submitted in partial fulfillment of the requirements for the degree MASTER OF ARTS SPEECH KANSAS STATE UNIVERSITY Manhattan, Kansas 1989 Approved by: Major Professor \J) AllEDfl 3QS057 TABLE OF CONTENTS Acknowledgements li Chapter I : INTRODUCTION 1 Chapter II: THE COMMEDIA DELL' ARTE 3 Chapter III: THE FABULA ATELLANA THEORY 7 Chapter IV: THE MIME THEORY ' 49 Chapter V: THE MOUNTEBANK THEORY 67 Chapter VI : CONCLUSION 72 Chapter VII: WORKS CONSULTED 74 ACKNOWLEDGMENTS I would like to thank Dr. Lewis Shelton and Dr. Carl Hinrichs for sacrificing their valuable time to serve on my graduate committee and for their support through my years at Kansas State. Thanks, too, to Dr. Norman Fedder for his encouragement and enthusiasm for this project. To my parents, Bill and Grace Pennell, I extend deep gratitude and love for their support and for their unfailing belief in my abilities. Also, thanks to Sean Dwyer, for his tolerance, his encouragement, his advice, and his assurances that this project could be completed. Special thanks to my major professor, Dr. Harold J. Nichols, whom I admire greatly and without whose help this report would not have become a reality. ii I INTRODUCTION Bright colors, comic characters, rude comments, and the crack of a slapstick were all elements of the commedia dell'arte of mid-sixteenth century Italy. This lively, improvised form of entertainment was extremely popular with both the upper and lower classes. There are numerous facts available regarding the commedla's characters, some plotlines and titles, costumes, masks, and comic business, but there are no definite facts regarding its origin.