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Interpretation of Dreams and Kafka's a Country Doctor: a Psychoanalytic Reading Sara Mirmobin1, Ensieh Shabanirad2 1M.A
International Letters of Social and Humanistic Sciences Online: 2015-11-30 ISSN: 2300-2697, Vol. 63, pp 1-6 doi:10.18052/www.scipress.com/ILSHS.63.1 2015 SciPress Ltd, Switzerland Interpretation of Dreams and Kafka's A Country Doctor: A Psychoanalytic Reading Sara Mirmobin1, Ensieh Shabanirad2 1M.A. Student of Language and English Literature, University of Semnan, Iran 2PhD Candidate of Language and English Literature University of Tehran, Iran Corresponding Author: [email protected] Keywords: Kafka, A Country Doctor, Freud, dreams, psychological approach. ABSTRACT. Dreams are so real that one cannot easily distinguish them from reality. We feel disappointed after waking up from a fascinating dream and rejoice to wake up knowing the nightmare is ended. In some literary works the line between fancy and reality is blurred as well, so it provides the opportunity to ponder on them psychologically. The plot of some of the poems, novels, novellas, dramas and short stories is centered on the minds, thoughts, or generally speaking, human psyche. This essay elaborates upon the "nightmarish"-rather than dreamlike-story, Kafka's A Country Doctor, by applying psychological approach. It seeks to discuss the interpretation of some of the incidents of the story according to Freud's "The Interpretations of Dreams". Also, the id, ego and superego, the three parts of Freudian psychic apparatus, as well as their identification with the related characters are discussed. 1. INTRODUCTION Franz Kafka, one of the most influential writers of 20th century, was a German-language writer with the significant style of writing known as Kafkaesque. His stories are thoroughly bizarre, digging into psychological state of the characters as well as characterizing different aspects of human psyche. -
Caught Between Continents the Holocaust and Israel’S Attempt to Claim the European Jewish Diaspora
Caught between Continents The Holocaust and Israel’s Attempt to Claim the European Jewish Diaspora Zachary Kimmel Columbia University Abstract Israel’s idea of its sovereignty over Jewish cultural production has been essential in defining national mythology and self-consciousness ever since its founding as a state in 1948. But by what right does Israel make such claims? This article examines that question through exploring three legal cases: Franz Kafka’s manuscripts, the historical records of Jewish Vienna, and the literary estate of Lithuanian-born Chaim Grade. All three cases reveal a common jurisprudential and cultural logic, a rescue narrative that is central to the State of Israel itself. To this day, Israel maintains an idea of its sovereignty over Jewish cultural production, and a study of these cases demonstrates how the Holocaust plays as decisive a role in the creation and implementation of Israeli policy and jurisprudential practice as it has in its national identity more broadly. Article After decades of legal wrangling, a Tel Aviv court ruled in June 2015 that the manuscripts of Franz Kafka must be handed over to the National Library of Israel.1 The final batch of Kafka’s papers arrived in Jerusalem on August 7, 2019.2 Despite the fact that Kafka died in Prague in 1924, Israel’s lawyers argued that his manuscripts ought to be the legal property of the Jewish nation-state. Yet by what right does Israel make such claims—even over the claims of other nations where the artists in question were citizens, or ignoring the ethno- religious identifications of the artists themselves? This article examines that question, exploring the fate of Kafka’s manuscripts as well as legal battles over two other important archives with Jewish lineage: the historical records of Jewish Vienna and the literary estate of Lithuanian-born Chaim Grade. -
An Innocent Abroad: Lectures in China, J
An Innocent Abroad The FlashPoints series is devoted to books that consider literature beyond strictly national and disciplinary frameworks, and that are distinguished both by their historical grounding and by their theoretical and conceptual strength. Our books engage theory without losing touch with history and work historically without falling into uncritical positivism. FlashPoints aims for a broad audience within the humanities and the social sciences concerned with moments of cultural emergence and transformation. In a Benjaminian mode, FlashPoints is interested in how liter- ature contributes to forming new constellations of culture and history and in how such formations function critically and politically in the present. Series titles are available online at http://escholarship.org/uc/flashpoints. series editors: Ali Behdad (Comparative Literature and English, UCLA), Edi- tor Emeritus; Judith Butler (Rhetoric and Comparative Literature, UC Berkeley), Editor Emerita; Michelle Clayton (Hispanic Studies and Comparative Literature, Brown University); Edward Dimendberg (Film and Media Studies, Visual Studies, and European Languages and Studies, UC Irvine), Founding Editor; Catherine Gallagher (English, UC Berkeley), Editor Emerita; Nouri Gana (Comparative Lit- erature and Near Eastern Languages and Cultures, UCLA); Susan Gillman (Lit- erature, UC Santa Cruz), Coordinator; Jody Greene (Literature, UC Santa Cruz); Richard Terdiman (Literature, UC Santa Cruz), Founding Editor A complete list of titles begins on p. 306. An Innocent Abroad Lectures in China J. Hillis Miller northwestern university press | evanston, illinois Northwestern University Press www.nupress.northwestern.edu Copyright © 2015 by Northwestern University Press. Foreword copyright © 2015 by Fredric Jameson. Published 2015. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging- in- Publication Data Miller, J. -
Kafka's Last Trial
Kafka’s Last Trial - NYTimes.com 5/25/11 10:23 AM HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Welcome, breasty0 Log Out Help Search All NYTimes.com Magazine WORLD U.S. N.Y. / REGIONBUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATEAUTOS Kafka’s Last Trial Log in to see what Log In With Facebook your friends are sharing on nytimes.com. Privacy Policy | What’s This? What’s Popular Now Top Colleges Decorum Overlook Low- Breaks Down Income at House Students Hearing on Consumer Finance Agency Courtesy the National Library of Israel An undated photograph of Franz Kafka. By ELIF BATUMAN Published: September 22, 2010 During his lifetime, Franz Kafka burned an estimated 90 RECOMMEND percent of his work. After his death at age 41, in 1924, a letter was TWITTER Today's Headlines Daily E-Mail discovered in his desk in Prague, addressed to his friend Max Brod. E-MAIL “Dearest Max,” it began. “My last request: Everything I leave behind Sign up for a roundup of the day's top PRINT stories, sent every morning. me . in the way of diaries, manuscripts, letters (my own and SINGLE- [email protected] others’), sketches and so on, to be burned unread.” Less than two PAGE Change E-mail Address | Privacy Policy months later, Brod, disregarding Kafka’s request, signed an REPRINTS agreement to prepare a posthumous edition of Kafka’s unpublished SHARE novels. “The Trial” came out in 1925, followed by “The Castle” MOST E-MAILED RECOMMENDED FOR YOU (1926) and “Amerika” (1927). -
Kafka : Toward a Minor Literature
Kafka: Toward a Minor Literature This page intentionally left blank Kafka Toward a Minor Literature Gilles Deleuze and Felix Guattari Translation by Dana Polan Foreword by Réda Bensmai'a Theory and History of Literature, Volume 30 University of Minnesota Press MinneapolLondon The University of Minnesota gratefully acknowledges translation assistance provided for this book by the French Ministry of Culture. Copyright © 1986 by the University of Minnesota Originally published as Kafka: Pour une littérature mineure Copyright © 1975 by Les éditions de Minuit, Paris. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290, Minneapolis, MN 55401-2520 Printed in the United States of America on acid-free paper Seventh printing 2003 Library of Congress Cataloging-in-Publication Data Deleuze, Gilles. Kafka: toward a minor literature. (Theory and history of literature ; v. 30) Bibliography: p. Includes index. 1. Kafka, Franz, 1883-1924—Criticism and interpretation. I. Guattari, Felix. II. Title. III. Series. PT2621.A26Z67513 1986 833'.912 85-31822 ISBN 0-8166-1514-4 ISBN 0-8166-1515-2 (pbk.) The University of Minnesota is an equal-opportunity educator and employer. Contents Foreword: The Kafka Effect by Réda Bensmai'a ix Translator's Introduction xxii 1. Content and Expression 3 2. An Exaggerated Oedipus 9 3. What Is a Minor Literature? 16 4. The Components of Expression 28 5. Immanence and Desire 43 6. -
Fixing the Shadows Access to Art and the Legal Concept of Cultural Commons
FIXING THE SHADOWS ACCESS TO ART AND THE LEGAL CONCEPT OF CULTURAL COMMONS MERIMA BRUNCEVIC ! ! Juridiska institutionens skriftserie Handelshögskolan vid Göteborgs universitet Skrift 016 2014 Fixing the shadows: Access to art and the legal concept of cultural commons © Merima Bruncevic, Göteborg 2014 ISBN 978-91-87869-01-3 Grafisk design: Jeffrey Johns Tryck: Kompendiet 2 ACKNOWLEDGEMENTS I want thank my supervisor, Professor Håkan Gustafsson (University of Gothenburg, Sweden). His guidance, encouragement, wit, inspiration, trust, pa- tience, endurance and friendship enabled me to write this thesis. He introduced me to the wonderful world of legal philosophy and jurisprudence already when I was a law student. For all of this and for his steady support, I will be forever grateful! A special thank you to my co-supervisor, Professor Ulf Petrusson (University of Gothenburg, Sweden), for his advice, frankness, valuable com- ments, joy and discussions. My good friends and colleagues doctor Leila Brännström (Lund University, Sweden) and Associate Professor Filippo Valguarnera (University of Gothen- burg, Sweden) for reading, discussing and commenting on the first draft of this thesis, and challenging me at my final seminar. Leila and Filippo, thank you for your diligent work, and for your valuable comments when I needed them the most. I also want to take this opportunity to thank Professor Juha Karhu (Uni- versity of Lapland, Finland) who has provided me with many insightful tips and comments throughout my doctoral studies. I am particularly grateful for his reading and comments on a very early draft of this thesis, as well as for all his spellbinding accounts of Northern Finland and Ethiopia that always stir my im- agination. -
51.Dr.Ajoy-Batta-Article.Pdf
www.TLHjournal.com Literary Herald ISSN: 2454-3365 UGC-Approved Journal An International Refereed English e-Journal Impact Factor: 2.24 (IIJIF) Franz Kafka and Existentialism Dr. Ajoy Batta Associate Professor and Head Department of English, School of Arts and Languages Lovely Professional University, Phagwara (Punjab) Abstract: Franz Kafka was born on July 3, 1883 at Prague. His posthumous works brought him fame not only in Germany, but in Europe as well. By 1946 Kafka‟s works had a great effect abroad, and especially in translation. Apart from Max Brod who was the first commentator and publisher of the first Franz Kafka biography, we have Edwin and Willa Muir, principle English translators of Kafka‟s works. Majority studies of Franz Kafka‟s fictions generally present his works as an engagement with absurdity, a criticism of society, element of metaphysical, or the resultant of his legal profession, in the course failing to record the European influences that form an important factor of his fictions. In order to achieve a newer perspective in Kafka‟s art, and to understand his fictions in a better way, the present paper endeavors to trace the European influences particularly the influences existentialists like Kierkegaard, Dostoevsky and Nietzsche in the fictions of Kafka. Keywords: Existentialism, absurd, meaningless, superman, despair, identity. Research Paper: Friedrich Nietzsche is perhaps the most conspicuous figure among the catalysts of existentialism. He is often regarded as one of the first, and most influential modern existential philosopher. His thoughts extended a deep influence during the 20th century, especially in Europe. With him existentialism became a direct revolt against the state, orthodox religion and philosophical systems. -
The Kafka Project
theatre: live and wriggling chrysalis: the kafka project CSU Theatre presents chrysalis: the kafka project World Premiere Created by Walt Jones and the Company Original Music by Peter Sommer and James David Directed by Walt Jones Scenic Design by Maggie Seymour The Kennedy Center American College Theater Festival™ 44, part of the Rubenstein Arts Access Program, Lighting Design by Alex Ostwald is generously funded by David and Alice Rubenstein. Costume Design by Janelle Sutton Sound Design by Parker Stegmaier Additional support is provided by the U.S. Department of Education, Projections Design by Nicole Newcomb the Dr. Gerald and Paula McNichols Foundation, Properties Design by Brittany Lealman The Honorable Stuart Bernstein and Wilma E. Bernstein, and Production Stage Manager, Amy Mills the National Committee for the Performing Arts. Assistant Stage Manager, Tory Sheppard This production is entered in the Kennedy Center American College Theater THE PROGRAMME Festival (KCACTF). The aims of this national theater education program are to identify and promote quality in college-level theater production. To From Amerika . Michael Toland this end, each production entered is eligible for a response by a regional “Report to An Academy” . Tim Werth KCACTF representative, and selected students and faculty are invited to Metamorphosis . Michael Toland, Kat Springer, Michelle Jones, participate in KCACTF programs involving scholarships, internships, grants Nick Holland, Willa Bograd, Sean Cummings and awards for actors, directors, dramaturgs, playwrights, designers, stage “The Country Doctor” . Sean. Cummings, Emma Schenkenberger, managers and critics at both the regional and national levels. Jeff Garland, Willa Bograd, Kat Springer, Kaitlin Jaffke, Tim Werth, Michelle Jones, Nick Holland, Trevor Grattan Productions entered on the Participating level are eligible for inclusion at the Metamorphosis . -
PROVISIONAL DELIVERY: SEPTEMBER 2021 Pitch
A 4x26’ documentary series Directed by Anne-Sophie Martin Produced by Arte France and Little Big Story PROVISIONAL DELIVERY: SEPTEMBER 2021 Pitch The Manuscripts Adventure traces the origin and journey of works of international significance or some major stories, the original manuscript of which came down to us. In a world that is becoming a little more dematerialized every day, each of these works appears nowadays as a «wonder», constitutes a common wealth, our European heritage: those are the manuscripts of key works that are the foundation of our contemporary culture, and which have sometimes changed the course of history. 1 Episode 1 Alice in Wonderland by Lewis Carroll Manuscript in the British Library, London PLACES British Library, London Christchurch University, Museum of Natural History, Thames – Oxford STAKEHOLDERS Edward WAKELING, Former President of the Lewis Carroll Society Franziska KOHLT, Teacher in English Literature Mark DAVIES, Oxford Historian Charles Lutwidge Dogson, Lewis Caroll, For Christmas 1864, Alice Liddell receives a the author’s name, is a dashing professor of divine gift in memory of this summer day. The mathematics at Oxford, holding the oars on this book was to be published the following year, hot summer afternoon of 1862. He takes for a ride but this time around, illustrated by the most the three daughters of Liddell, dean of the college: popular cartoonist of the time, John Teniel, with Edith, Lorine and Alice (10 years old). For her, resounding and almost immediate success. Alice he invents a tale, along with the current, about will treasure Dogson’s gift for the rest of her a big white rabbit with pink eyes, who passes life. -
Kafka Streams and Ksqldb Building Real-Time Data Systems by Example
Mastering Kafka Streams and ksqlDB Building Real-Time Data Systems by Example Compliments of Mitch Seymour ksqlDB + Confluent Build and launch stream processing applications faster with fully managed ksqlDB from Confluent Simplify your stream processing Enable your business to Empower developers to start architecture in one fully innovate faster and operate in building apps faster on top of managed solution with two real-time by processing data in Kafka with ksqlDB’s simple components: Kafka and ksqlDB motion rather than data at rest SQL syntax USE ANY POPULAR CLOUD PROVIDER Try ksqlDB on Confluent Free for 90 Days TRY FREE New signups get up to $200 off their first three monthly bills, plus use promo code KSQLDB2021 for an additional $200 credit! Claim your promo code in-product Mastering Kafka Streams and ksqlDB Building Real-Time Data Systems by Example Mitch Seymour Beijing Boston Farnham Sebastopol Tokyo Mastering Kafka Streams and ksqlDB by Mitch Seymour Copyright © 2021 Mitch Seymour. All rights reserved. Printed in the United States of America. Published by O’Reilly Media, Inc., 1005 Gravenstein Highway North, Sebastopol, CA 95472. O’Reilly books may be purchased for educational, business, or sales promotional use. Online editions are also available for most titles (http://oreilly.com). For more information, contact our corporate/institutional sales department: 800-998-9938 or [email protected]. Acquisitions Editor: Jessica Haberman Indexer: Ellen Troutman-Zaig Development Editor: Jeff Bleiel Interior Designer: David Futato Production Editor: Daniel Elfanbaum Cover Designer: Karen Montgomery Copyeditor: Kim Cofer Illustrator: Kate Dullea Proofreader: JM Olejarz February 2021: First Edition Revision History for the First Edition 2021-02-04: First Release See http://oreilly.com/catalog/errata.csp?isbn=9781492062493 for release details. -
Kafka Reception in Israel by June Leavitt
Kafka-Atlas Kafka Reception in Israel by June Leavitt Earliest Interpretations of Kafka: Tormented Jew and Zionism It is advisable to consider Prague, before there was a Jewish State, as background for the historical trends that developed in the reception of Kafka in Israel. After Kafka's death in 1924, Felix Weltsch, who grew up with Kafka in Prague, wrote the only full page obituary on him. It appeared in the Prague Zionist newspaper Selbstwehr of which Weltsch was Editor-in- Chief: […] the soul that moved his [Kafka's] writings was Jewish throughout. His torment was Jewish as were his problematics and their consequences … He was deeply interested in everything concerning Palestine and its reconstruction. (Kafka: Exhibition 1883-1924 Catalogue) This understanding of Kafka and his career by a close friend made the claim that his writings were an expression of a Jewish soul tormented by a Jewish problem. By pointing to biographical details of Kafka's life, Weltsch suggested that Kafka's tormenting problem was alleviated by his interest in the burgeoning Zionist movement which sought reconstruction of the Jewish nation in its historic homeland. It is not surprising then that a week after Kafka's death, the first Hebrew translation of a Kafka excerpt would appear in Ha Poel ha Zair, the newspaper of the Young Zionist Workers' party in Mandatory Palestine which was then under British rule. The goal of this party was the restoration of a Jewish homeland and the creation of a new Jew, who would revive Hebrew language, native literature and culture. Among news items about activities of the Zionist Workers' Party, collective farms, the new wave of immigration to Mandatory Palestine and poems in fledgling modern Hebrew, the Kafka fragment appeared. -
Kafka's Realism As Anarchist Modernism
Studies in 20th & 21st Century Literature Volume 35 Issue 2 Article 8 6-1-2011 “Don’t Trust Anybody, Not Even Us”: Kafka’s Realism as Anarchist Modernism Jesse Cohn Purdue University North Central Follow this and additional works at: https://newprairiepress.org/sttcl Part of the German Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Cohn, Jesse (2011) "“Don’t Trust Anybody, Not Even Us”: Kafka’s Realism as Anarchist Modernism," Studies in 20th & 21st Century Literature: Vol. 35: Iss. 2, Article 8. https://doi.org/10.4148/ 2334-4415.1752 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. “Don’t Trust Anybody, Not Even Us”: Kafka’s Realism as Anarchist Modernism Abstract Franz Kafka’s personal interest in and contact with the anarchist movement have been fairly well documented, and many have pointed to affinities between his work and anarchist ideas. At the same time, a growing body of scholarship has documented the influence of anarchist politics on modernist aesthetics per se, primarily in terms of a shared resistance to representation—a project that Kafka appears not to share, or at least one he pursues in a very different way. This essay redescribes the strategies of representation found at work in novels such as The Trial and stories such as “The Refusal” in relation to anarchism, and thereby to contribute to a better understanding both of Kafka’s political engagements and his unique form of narrative realism.