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LCOM182 Lent & Eastertide
LITURGICAL CHORAL AND ORGAN MUSIC Lent, Holy Week, and Eastertide 2018 GRACE CATHEDRAL 2 LITURGICAL CHORAL AND ORGAN MUSIC GRACE CATHEDRAL SAN FRANCISCO LENT, HOLY WEEK, AND EASTERTIDE 2018 11 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LÆTARE Introit: Psalm 32:1-6 – Samuel Wesley Service: Collegium Regale – Herbert Howells Psalm 107 – Thomas Attwood Walmisley O pray for the peace of Jerusalem - Howells Drop, drop, slow tears – Robert Graham Hymns: 686, 489, 473 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Benjamin Bachmann Psalm 107 – Lawrence Thain Canticles: Evening Service in A – Herbert Sumsion Anthem: God so loved the world – John Stainer Hymns: 577, 160 15 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: Thomas Tomkins Psalm 126 – George M. Garrett Canticles: Third Service – Philip Moore Anthem: Salvator mundi – John Blow Hymns: 678, 474 18 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LENT 5 Introit: Psalm 126 – George M. Garrett Service: Missa Brevis – Giovanni Pierluigi da Palestrina Psalm 51 – T. Tertius Noble Anthem: Salvator mundi – John Blow Motet: The crown of roses – Pyotr Ilyich Tchaikovsky Hymns: 471, 443, 439 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Thomas Tomkins Psalm 51 – Jeffrey Smith Canticles: Short Service – Orlando Gibbons Anthem: Aus tiefer Not – Felix Mendelssohn Hymns: 141, 151 3 22 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: William Byrd Psalm 103 – H. Walford Davies Canticles: Fauxbourdons – Thomas -
A Service of Lessons and Carols for Advent
A SERVICE OF LESSONS AND CAROLS FOR ADVENT SUNDAY , NOVEMBER 30, 2014 5:OO PM INTRODUCTION : FROM ADVENT TO CHRISTMAS TO NOW “God is love, and those who abide in love but “to do justice, love mercy, and walk humbly abide in God, and God abides in them. We love with God.” because God first loved us. The commandment Isaiah sees that the nation of Israel will be we have from God is this: those who love God able to realize God’s redemption—to break the must love their brothers and sisters also.” grip of sin, violence, and murder—only through great suffering endured by an innocent servant (to These words, from the First Letter of many readers the nation of Israel itself). This John, state a central tenet of our faith, and sum servant will become the receptacle for all up in a few words much of the message of the violence, an atoning human scapegoat. Bible. The story of the Bible is the story of the Advent of Christ, the gradual unfolding of our Isaiah envisions redemption for Israel understanding of God’s message of love and through suffering that is God’s will (Isa. 53:10). redemption. The readings tonight were chosen to With the coming of the Christ, it becomes clear illuminate this process. that redemption is for all humankind, and that the servant —Jesus—suffers not because of God’s will Cain murders Abel in a time when there for suffering, but because a world wedded to were no recorded rules against murder, when the violence will have it no other way (Sixth Lesson). -
Sun 7Th Mar 2021 to Sat 3Rd Apr 2021
SUNDAY 7 MARCH 0945 THE CATHEDRAL EUCHARIST ONLINE ONLY SUNDAY 14 0945 THE CATHEDRAL EUCHARIST NAVE ALTAR THIRD SUNDAY Missa in honorem sacratissimi cordis Henrik Andriessen Hymns Lent Prose, 395, 547 FOURTH SUNDAY Missa simplex Katherine Dienes-Williams Hymns 499 (omit vv3-9), 238, OF LENT Prevent us, O Lord Alan Ridout Psalm 19. 7-end OF LENT God so loved the world (Crucifixion) John Stainer 535 (133ii), 507 Preacher: The Venerable Stuart Beake Laetare Sunday Preacher: The Revd Canon Chris Hollingshurst Prelude in B minor (BWV 544) Johann Sebastian Bach Mothering Sunday Regina Pacis (Symphony No 1) Guy Weitz 1800 EVENSONG NAVE MONDAY 8 Evening service Sancti Ioannis Cantabrigiensis Philip Moore Hymns 163 (omit v 2), 109 Edward King, Lo, the full final sacrifice Gerald Finzi Responses: Ebdon Bishop of Lincoln, 1910 In manus tuas Jeanne Demessieux Psalm 107. 1-9 Felix, Bishop, Apostle to the East Angles, 647 Geoffrey Studdert Kennedy, MONDAY 15 1730 EVENSONG NAVE Priest, Poet, 1929 Magnificat Secundi toni Philippe de Monte Responses: Harris Nunc Dimittis Secundi toni plainsong Ubi caritas Philip Moore TUESDAY 9 1930 LENT TALK III: THE KINGDOM, THE POWER AND THE GLORY ONLINE ONLY The Very Revd Dianna Gwilliams For further details, please email [email protected] TUESDAY 16 0800 MORNING PRAYER PRESBYTERY 0830 HOLY COMMUNION 1730 EVENSONG NAVE WEDNESDAY 10 Short Evening service Thomas Weelkes Responses: Byrd Nolo mortem peccatoris Thomas Morley 1930 LENT TALK IV: THE KINGDOM, THE POWER AND THE GLORY ONLINE ONLY THURSDAY 11 The Very Revd Dianna Gwilliams For further details, please email [email protected] FRIDAY 12 WEDNESDAY 17 0900 MORNING PRAYER PRESBYTERY Patrick, Bishop, Missionary, 0930 HOLY COMMUNION SATURDAY 13 Patron of Ireland, c.460 THURSDAY 18 0900 MORNING PRAYER PRESBYTERY Cyril, Bishop of Jerusalem, 0930 HOLY COMMUNION Teacher of the Faith, 386 1730 FIRST EVENSONG OF JOSEPH OF NAZARETH NAVE Evening service in E minor Pelham Humphrey Responses: Byrd The Cherry Tree Carol traditional, arr. -
The Byrd Edition & English Madrigalists
T74 (2020) THE BYRD EDITION and THE ENGLISH MADRIGALISTS (including the INVITATION Series) William Byrd 1543 — 1623 STAINER & BELL ORDERING INFORMATION This catalogue contains titles in print at the date of its preparation and provides details of volumes in The Byrd Edition, The English Madrigalists and the Invitation Series. A brief description of contents is given and full lists of contents may be obtained by quoting the CON or ASK sheet number given. Many items by William Byrd and composers included in The English Madrigalists are available as separate items and full details can be found in our Choral Catalogue (T60) and our Early Music Catalogue (T71). Items not available either separately or in a small anthology may be obtained through our ‘Made-to-Order’ Service. Our Archive Department will be pleased to help with enquiries and requests. Alternatively, Adobe Acrobat PDF files of individual titles from The Byrd Edition and The English Madrigalists are now available through the secure Stainer & Bell online shop. Please see pages 5 and 13 for full details. Other catalogues containing our library series which will be of interest are: T69 Musica Britannica T75 Early English Church Music T108 Purcell Society Edition Prices, shown in £ sterling, are recommended retail prices exclusive of carriage and are applicable from 1st January 2020. Prices and carriage charges are subject to change without notice. In case of difficulty titles can be supplied directly by the publisher if prepaid by cheque, debit or credit card or by sending an official requisition. Card payments (Visa, Mastercard, Maestro or Visa Debit) are accepted for orders of £5.00 or over and can be made via our secure online ordering system on our website (www.stainer.co.uk) or by letter, telephone, email or fax. -
The Anthems of Thomas Ford (Ca. 1580-1648). Fang-Lan Lin Hsieh Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1989 The Anthems of Thomas Ford (Ca. 1580-1648). Fang-lan Lin Hsieh Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Hsieh, Fang-lan Lin, "The Anthems of Thomas Ford (Ca. 1580-1648)." (1989). LSU Historical Dissertations and Theses. 4722. https://digitalcommons.lsu.edu/gradschool_disstheses/4722 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
GCSE, AS and a Level Music Difficulty Levels Booklet
GCSE, AS and A level Music Difficulty Levels Booklet Pearson Edexcel Level 1/Level 2 GCSE (9 - 1) in Music (1MU0) Pearson Edexcel Level 3 Advanced Subsidiary GCE in Music (8MU0) Pearson Edexcel Level 3 Advanced GCE in Music (9MU0) First teaching from September 2016 First certification from 2017 (AS) 2018 (GCSE and A level) Issue 1 Contents Introduction 1 Difficulty Levels 3 Piano 3 Violin 48 Cello 71 Flute 90 Oboe 125 Cla rinet 146 Saxophone 179 Trumpet 217 Voic e 240 Voic e (popula r) 301 Guitar (c lassic al) 313 Guitar (popula r) 330 Elec tronic keyboa rd 338 Drum kit 344 Bass Guitar 354 Percussion 358 Introduction This guide relates to the Pearson Edexcel Level 1/Level 2 GCSE (9-1) in Music (1MU0), Pearson Edexcel Level 3 Advanced Subsidiary GCE in Music (8MU0) and Pearson Edexcel Level 3 Advanced GCE in Music (9MU0) qualifications for first teaching from 2016. This guide must be read and used in conjunction with the relevant specifications. The music listed in this guide is designed to help students, teachers, moderators and examiners accurately judge the difficulty level of music submitted for the Performing components of the Pearson Edexcel GCSE, AS and A level Music qualifications. Examples of solo pieces are provided for the most commonly presented instruments across the full range of levels. Using these difficult y levels For GCSE, teachers will need to use the book to determine the difficulty level(s) of piece(s) performed and apply these when marking performances. For AS and A Level, this book can be used as a guide to assist in choosing pieces to perform, as performances are externally marked. -
Musica Britannica
T69 (2021) MUSICA BRITANNICA A NATIONAL COLLECTION OF MUSIC Vauxhall Pleasure Gardens c.1750 Stainer & Bell Ltd, Victoria House, 23 Gruneisen Road, London N3 ILS England Telephone : +44 (0) 20 8343 3303 email: [email protected] www.stainer.co.uk MUSICA BRITANNICA A NATIONAL COLLECTION OF MUSIC Musica Britannica, founded in 1951 as a national record of the British contribution to music, is today recognised as one of the world’s outstanding library collections, with an unrivalled range and authority making it an indispensable resource both for performers and scholars. This catalogue provides a full listing of volumes with a brief description of contents. Full lists of contents can be obtained by quoting the CON or ASK sheet number given. Where performing material is shown as available for rental full details are given in our Rental Catalogue (T66) which may be obtained by contacting our Hire Library Manager. This catalogue is also available online at www.stainer.co.uk. Many of the Chamber Music volumes have performing parts available separately and you will find these listed in the section at the end of this catalogue. This section also lists other offprints and popular performing editions available for sale. If you do not see what you require listed in this section we can also offer authorised photocopies of any individual items published in the series through our ‘Made- to-Order’ service. Our Archive Department will be pleased to help with enquiries and requests. In addition, choirs now have the opportunity to purchase individual choral titles from selected volumes of the series as Adobe Acrobat PDF files via the Stainer & Bell website. -
Mozart Requiem: 1OO Voices
MOZART REQUIEM: 1OO VOICES Lyn Williams Festive Alleluia Lyn Williams OAM is the founder and artistic director of Sydney Children's Choir and the national children's choir, Gondwana Voices. Under her leadership, the Gondwana Choirs organisation has grown to include twenty three ensembles, including the Gondwana Indigenous Children’s Choir. She has conducted most major professional choirs and orchestras in Australia, and has been music director and conductor for a number of major events, including the 2006 Melbourne Commonwealth Games. Lyn is a Churchill Fellow and as a composer won the 2009 APRA–Australian Music Centre Vocal/Choral Work of the Year for her work A Flock of Stars. In 2015, Lyn was named one of The Australian Financial Review and Westpac’s 100 Women of Influence in the category of Culture. What to listen for Alleluia (or Hallelujah) comes from Hebrew and means ‘praise God.’ Lyn Williams composed this joyful processional work for Sydney Children's Choir. Inspired by medieval dance tunes, it alternates between two sections, with the parts at times singing in canon (that is, singing the same melody but starting one after the other). Anonymous Gaudete from Piae Cantiones 1582 The Piae Cantiones was a collection of medieval songs published in Sweden in 1582. They were unknown in England until three hundred years later, when a number of them were set to new words and published as Christmas carols. They included Good Christian Men, Rejoice, and Good King Wenceslas. Gaudete is also a Christmas carol. The words appear in the Piae cantiones, but the tune commonly used was probably composed in the sixteenth century. -
Service Scheme October 2018
Service Scheme October 2018 Regular Authorised services 1 Monday 08:30 Morning Prayer 12:30 Holy Communion 17:30 Choral Evensong The First Service Philip Moore Responses: Stephen Cleobury Hear my prayer Adrian Batten Psalms: 6, 7, 8 2 Tuesday 08:30 Morning Prayer 12:30 Holy Communion 17:30 Choral Evensong Basil Harwood in A flat Responses: Humphrey Clucas O hearken thou Edward Elgar Psalms: 12, 13, 14 3 Wednesday 08:30 Morning Prayer : 12:30 Holy Communion 17:30 Said Evening Prayer 4 Thursday 08:30 Morning Prayer 12:30 Holy Communion Francis of Assisi, Friar, 13:10 Organ Recital Founder of the Friars Minor, 1226 Friedhelm Flamme (Germany) 17:30 Choral Evensong Responses: Thomas Ebdon The Short Service William Byrd Hymn: 263 *(4, 5, 6) Hear, O Lord John Amner Psalms: 22, 23 5 Friday 08:30 Morning Prayer 12:30 Holy Communion 17:30 Choral Evensong Herbert Sumsion in D Responses: Harrison Oxley Ave verum Arthur Wills Psalms: 27, 28, 29 6 Saturday 09:30 Holy Communion 16:15 Choral Evensong Responses: Richard Lloyd William Tyndale, Hugh Blair in B minor Psalms: 32, 33, 34 Translator of the Scriptures, Reformation Blessed be the God and father S S Wesley Hymn: 199 Martyr, 1536 7 Sunday 08:00 Holy Communion 11:00 The Cathedral Eucharist: Hymns on service sheet The Nineteenth Harvest Festival Preacher: The Very Revd Dr Tim Stratford Sunday After Missa Brevis Lennox Berkeley ` Trinity Fear not, O land Edward Elgar 15:30 Choral Evensong Responses: Richard Lloyd Hymns: 414, 413 Herbert Howells in G Psalm: 37 Welcome, Sweet and Sacred Feast Gerald -
Where Corals Lie a Journey Through Songs by SIR EDWARD ELGAR
Where Corals Lie A Journey through Songs by SIR EDWARD ELGAR JULIA SITKOVETSKY CHRISTOPHER GLYNN soprano piano Photograph by Rosa Burley / Courtesy of Arthur Reynolds, The Elgar Society Edward Elgar, 1898, on the porch of The Mount, the school at which he taught violin for thirteen years Sir Edward Elgar (1857 – 1934) Where Corals Lie: A Journey through Songs Sea Pictures, Op. 37 (1897 – 99) 20:02 Version for Soprano and Piano 1 I Sea Slumber Song. Andantino – Tranquillo – Tempo I – Molto tranquillo 4:37 2 II In Haven (Capri). Allegretto 1:44 3 III Sabbath Morning at Sea. Moderato – Più mosso – Tempo I – Poco meno mosso – Tranquillo – Come prima – Grandioso 5:01 4 IV Where Corals Lie. Allegretto, ma non troppo 3:31 5 V The Swimmer. Allegro di molto – Largamente – Poco meno mosso – Tempo I – Largamente 5:10 3 From ‘Sieben Lieder’ (1887 – 94) 13:30 6 7 The Shepherd’s Song (1892), Op. 16 No. 1. Allegretto 2:43 7 1 Like to the damask rose (1891). Allegro 3:07 8 2 Queen Mary’s Song (‘The Lute Song’) (1887, rev. 1889). Moderato – Più lento 3:24 9 3 A Song of Autumn (c. 1892). Poco allegretto 2:42 10 6 Rondel (1894), Op. 16 No. 3. Allegretto scherzando 1:32 Two Songs, Op. 60 (1909 – 10) 4:58 Folk-Songs (Eastern Europe, ‘Leyrisch-Turasp’) Paraphrased by ‘Pietro d’Alba’ and Edward Elgar 11 1 The Torch. To Yvonne. Allegro con fuoco – Poco meno mosso – Tempo I – Meno mosso – Come prima 1:42 12 2 The River. -
Good King Wenceslas
Good King Wenceslas !1 GoodWords: John Mason Neale, King 1853; Music: “Tempus Wenceslas Adest Floridum,” a 13th Century spring carol G D G C D G C G D Em C G Good King Wenceslas looked out, At Saint Agnes’ fou-oun-tain.” C D G On the Feast of Stephen, G D G C D G D G C D “Bring me flesh and bring me wine, When the snow lay round a-bout, C D G C D G Bring me pine-logs hither. Deep and crisp and even. G D G C D G Em Thou and I shall see him dine, Brightly shown the moon that night, C D G C D G When we bear them thither.” Though the frost was cruel, G Em G C D G D Page and monarch, forth they went, When a poor man came in sight, C D G G C G D Em C G Forth they went together; Gathering winter fu - u - el. G C D G D Through the rude wind’s wild lament, G D G C D G C G D Em C G “Hither page and stand by me, And the bitter we- a- ther. C D G If thou knows’t it telling. G D G C D G D G C D “Sire, the night is darker now, Yonder peasant, who is he, C D G C D G And the wind grows stronger; Where and what his dwelling?” G D G C D G Em Fails my heart, I know not how; “Sire, he lives a good league hence, C D G C D G I can go no longer.” Underneath the mountain, G Em G C D G D “Mark my footsteps my good page, Right against the forest fence, C D G Tread thou in them boldly; !2 G C D G D C D G Thou shalt find the winter’s rage, Which the saint had printed. -
An Evening of Carols
The South Dakota School of Mines and Technology presents the thirty-third annual Holiday Cathedral Choral Concert Concert Choir University Choir Master Chorale directed by James D. Feiszli An evening of carols Cathedral of Our Lady of Perpetual Help, Rapid City, SD December 5 & 6, 2015, 7:30pm Carols evolved from folkdance traditions. Sung at winter and spring solstice celebrations, carols existed before pre- Christian times. The early church overlaid pre-Christian celebrations with Christian holidays (“holy-days”), but the elements of boisterous joy and dance remained in the songs that became popular with the uneducated populace of Western Europe. Since the general populace did not speak, read, or write Latin, macaronic carols (songs using both Latin and the local language) arose. Nativity plays in the Middle Ages frequently used carols to teach biblical doctrine to the illiterate. This development is partially responsible for the spread of the carol through Europe. As Europe emerged from the Middle Ages and Renaissance, the influence of the Church waned – particularly after the Reformation and the secularism of the Enlightenment. Holiday celebrations became associated with other ancient traditions which, in turn, led to a re-birth of carols as Christian musicians and clergy sought to reclaim the awe and joy of the Christmas season. The four-part hymn-like carols of the nineteenth century became what most of us think about when we hear the term. Tonight we present an entire concert of carols both old and modern from Europe and the U.S. I – Candlelight Carols Jesus Christ the Apple Tree ……………….….. Elizabeth Poston Infant Holy, Infant Lowly ………………………… David Willcocks Carol of the Drum ………………..…………… Katherine K.