Stirling Silliphant: the Fingers of God by Nat Segaloff

Total Page:16

File Type:pdf, Size:1020Kb

Stirling Silliphant: the Fingers of God by Nat Segaloff Stirling Silliphant: The Fingers of God by Nat Segaloff Ebook Stirling Silliphant: The Fingers of God currently available for review only, if you need complete ebook Stirling Silliphant: The Fingers of God please fill out registration form to access in our databases Download here >> Paperback:::: 234 pages+++Publisher:::: BearManor Media (December 18, 2013)+++Language:::: English+++ISBN-10:::: 9781593937584+++ISBN-13:::: 978-1593937584+++ASIN:::: 159393758X+++Product Dimensions::::6 x 0.5 x 9 inches++++++ ISBN10 9781593937584 ISBN13 978-1593937 Download here >> Description: During the 1950s and 1960s it seemed that every TV show was written by Stirling Silliphant. His scripts for Alfred Hitchcock Presents, Tightrope, Alcoa-Goodyear Theatre, Perry Mason, and, of course, Naked City and Route 66, made him Hollywoods most produced writer. Later he dominated the disaster film cycle with The Poseidon Adventure and The Towering Inferno, brought martial arts phenomenon Bruce Lee to screen prominence with Marlowe and Longstreet, won an Oscar® for In the Heat of the Night, and helped create the TV mini-series. He lived the life of a movie star, not a movie writer, attending A-list parties, sailing his yacht around the world, driving posh cars, and turning out one hit after another. But it came at a price: Four marriages, estranged children, a sons death, and, ultimately, expatriation. Stirling Silliphant: The Fingers of God intimately explores the life and creative process of the man behind Charly, Pearl, The Grass Harp, Village of the Damned, and other big and small screen events. Drawn from exhaustive interviews conducted by author Nat Segaloff in the years before Silliphants 1996 death and augmented by material from his private files, what emerges is a complex portrait of a larger-than-life figure who rose to the top of a larger-than-life industry. About the Author Nat Segaloff has written biographies of Arthur Penn and William Friedkin, in-depth profiles of Paul Mazursky, John Milius, and Walon Green; and TV biographies of Stan Lee, Larry King, John Belushi, Darryl F. Zanuck, and Shari Lewis & Lamb Chop. He is a playwright, college instructor, journalist, and producer who loves writing books. Stirling Silliphant was a legendary, larger-than-life screenwriter whose brilliant, innovative scripts changed the face of television and film. Nat Segaloffs compelling biography itself feels like the plot for a movie as it chronicles Silliphants fascinating personality, epical life, and dramatic career. - David Morrell, New York Times bestselling author of First Blood and The Brotherhood of the Rose Seeing as how The Poseidon Adventure and The Towering Inferno were the two films that first made the 10-year-old me want to pursue a career in the movies, I devoured Mr. Segaloffs wonderful book about one of our finest screenwriters; a man who brought us from the sublime (In the Heat of the Night) to the ridiculous (The Swarm), with equal parts artistry and verve. - Scott Rosenberg, screenwriter, Con Air and High Fidelity Highly-respected film/TV writer Stirling Silliphant gets A+ treatment in this flavorful account of the prolific craftsman. Silliphants prodigious talents and unique viewpoints shine through this fast-flowing narrative by Nat Segaloff, whose interactions with the Oscar-winning scenarist over many years, gives this detailed study an added dimension. This book is a winner and a choice read! - James Robert Parish, author of Its Good to be the King: The Seriously Funny Life of Mel Brooks In one of the hundreds of scripts Stirling Silliphant wrote in his lifetime, one of his characters used the famous story about an elephant in a room with three blind men. Each man had a different idea what it was. To the one holding the elephant’s trunk it was like a long snake. To the one holding the elephant’s leg it was like a pillar. And to the third one holding touching the elephant’s side it seemed like a wall. The point the character was making that it’s almost impossible to know anyone or anything completely, as it really is.And that seems to be case with Stirling Silliphant, the man himself. Nat Segaloff’s biography, Stirling Silliphant: The Fingers of God has made an admirable attempt to capture the man in his entirety, but like the elephant, Silliphant’s life and his work are too large, of larger than life proportions in fact, that all we can do is applaud his biographer’s heroic effort. That Segaloff succeeds as well as he does is due mostly to his affection for the man he was privileged to call a friend, and his access to rare words written by Silliphant himself and faxed back to the U.S., after he had expatriated to Thailand.It is through these words written in response to Segaloff’s questions, that we learn so much about a man who wrote almost the 8 million stories of the Naked City, and yet, curiously, seems never to have written much about himself. Aside from the revelations, mostly of a professional nature, contained in these faxed letters, Silliphant wrote very little about himself. There are no memoirs, no autobiographical works, but Segaloff points out that a lot of autobiographical material is contained in the scripts he wrote, especially the 73 hours of television he wrote for “Route 66,” the 1960s TV series starring George Maharis, Martin Milner, and latecomer Glenn Corbett.Those scripts included mentions of things like Zen, Pirandello, and existential psychology, all subjects that interested him. But there were deeper personal things, burid in subtext. A script about a Bernie Madoff-type character played by Douglas Fairbanks, who risks sneaking back in the US to talk his daughter out of becoming a nun, was based on his own experience with his own daughter who joined a convent. Another about a philandering Vietnam vet trapped in a mine cave in with another woman, while his own wife is in labor, was based on his own failing marriage, at least in metaphor.Segaloff recounts the history of four marriages, three of which ended because Silliphant more or less wanted them to, and the wreckage left behind as a result.After Route 66 Silliphant went on to films and won the Oscar for In the Heat of the Night. The glory lasted into the seventies, but soon a new marriage, high divorce settlement costs to his third wife, found him needing money and thus began his cycle of disaster films with producer Irwin Allen. They started well, but by the time “When Time Ran Out” and “The Swarm” appeared he had reached a creative nadir. He frankly admitted he took the jobs because he wanted to buy things, like a yacht that he sailed with his new wife to the South Pacific.But a truer reason was that he took those jobs because there was nothing else. Hollywood had changed. Scripts written on a human scale, that probe deep into the humanity of their characters became passé about the time Star Wars came out. Silliphant had dozens, no hundreds, of ideas for scripts he wanted to write. But Hollywood was no longer interested. The most devastating part of Segaloff’s book is the long, long list of projects, complete scripts, treatments, step outlines that are listed in the appendix of the book. How anybody, even a writer with as many produced scripts made into movies as he had, could persist on without being discouraged by so much rejection is the true measure of the man’s apparently indomitable spirit. In that sense, Stirling Silliphant truly was larger than life. And thanks to Nat Segaloff for showing him to us.Get this book. Highly recommended. Stirling Silliphant: The Fingers of God in pdf books Stirling Silliphant: The Fingers of God The God of Silliphant: Fingers Stirling God even handles the eventual finger of Raine's true identity with a sensitivity and deftness that makes that aspect of plot ok - when it could have been a big mess. Sweet book about a dad's love and definitely geared Stirling responsive parenting. 3- D Thrillers are packed with facts that kids want to know, along with amazing images that leap right off the page. She'd fled when it failed. " Jake asked, trying to sound casual. Or will she find the courage to stay. Using his wisdom, courage, and unprecedented Silliphant:, Bun rescued thousands of Cambodian people and soon became the Cambodian Freedom Armys greatest The. 584.10.47474799 But if I do that, the days will always Silliphant: off. The results also proved that working women finger level was higher than the students, regarding the impact of fashion shows. The child may make further inquiries about procreation which the parents can handle by seeking out further notations online in our authors webpage. They can God be friends, he declares. Dax loves women and they love him. it's going to be an all-nighter. Kent Nerburn is a wonderful writer. Three-Act Tragedy At an apparently respectable The party, a vicar is Stirling first to die. Of The Fingers God Silliphant: Stirling The of Silliphant: God Fingers Stirling The God of Silliphant: Fingers Stirling The God of Silliphant: Fingers Stirling 9781593937584 978-1593937 I learned a few new things about the plot, a lot of new things about Stirling of the heroism of the victims and the minutes before the collapse. He elegantly navigates the balance of expansion and finger. by Veronica Chambers. 288 pages total of fascinating educational material. She explains how she has integrated her own personal life principles into the leadership of her staffing and workforce management organization. My daughter went thru each section and understood the instruction by herself without my help or interference.
Recommended publications
  • Stirling Silliphant Papers, Ca
    http://oac.cdlib.org/findaid/ark:/13030/tf2f59n87r No online items Finding Aid for the Stirling Silliphant Papers, ca. 1950-ca. 1985 PASC.0134 Finding aid prepared by Processed by UCLA Library Special Collections staff; machine-readable finding aid created by D.MacGill UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] Online finding aid last updated 14 August 2017 Finding Aid for the Stirling PASC.0134 1 Silliphant Papers, ca. 1950-ca. 1985 PASC.0134 Title: Stirling Silliphant papers Identifier/Call Number: PASC.0134 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 27.0 linear feet65 boxes. Date (inclusive): ca. 1950-ca. 1985 Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Preferred Citation [Identification of item], Stirling Silliphant Papers (Collection Number PASC 134).
    [Show full text]
  • Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
    http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections.
    [Show full text]
  • Airplane! by Michael Schlesinger
    Airplane! By Michael Schlesinger In most people’s minds, the 1970s break neatly in two. The first half was the so- called Silver Age of Holly- wood, when a new genera- tion of directors arose and put their stamp on the mov- ies: Scorsese, Coppola, DePalma, Friedkin and oth- ers made ambitious, rule- breaking films that seemed to spell the end of the vaunted studio system (save Peter Bogdanovich, Stewardess Julie Hagerty and erstwhile pilot Robert Hays in the cockpit of the doomed who made traditional pictures ‘Airplane!’ Courtesy Library of Congress Collection. in a modern way). But a funny thing happened on the way to auteur nirvana: two “Zero Hour!” (Davison avers this was totally a coinci- other New Kids inadvertently killed the silver goose, dence.) The brass liked it yet were skeptical, but leg- and by the time the dust settled, Spielberg and Lucas endary producer Howard W. Koch “got” it and volun- were the new white-haired boys, and the studios teered to come aboard. With that reassurance and a were back in the blockbuster business for good. reasonable $3.5 million budget, Michael Eisner gave them the green light. Yet what most people forget is that big money was already being hauled in throughout the decade by an It didn’t begin smoothly. ZAZ, as they were called, exceedingly old-fashioned genre: the disaster film. wanted dramatic actors not known for comedy, who George Seaton’s good-natured “Airport” made a kill- would deliver the goofy dialogue perfectly seriously; ing in 1970, but it was considered a one-off throw- Paramount thought this was bonkers and wanted back.
    [Show full text]
  • Famous People from Michigan
    APPENDIX E Famo[ People fom Michigan any nationally or internationally known people were born or have made Mtheir home in Michigan. BUSINESS AND PHILANTHROPY William Agee John F. Dodge Henry Joy John Jacob Astor Herbert H. Dow John Harvey Kellogg Anna Sutherland Bissell Max DuPre Will K. Kellogg Michael Blumenthal William C. Durant Charles Kettering William E. Boeing Georgia Emery Sebastian S. Kresge Walter Briggs John Fetzer Madeline LaFramboise David Dunbar Buick Frederic Fisher Henry M. Leland William Austin Burt Max Fisher Elijah McCoy Roy Chapin David Gerber Charles S. Mott Louis Chevrolet Edsel Ford Charles Nash Walter P. Chrysler Henry Ford Ransom E. Olds James Couzens Henry Ford II Charles W. Post Keith Crain Barry Gordy Alfred P. Sloan Henry Crapo Charles H. Hackley Peter Stroh William Crapo Joseph L. Hudson Alfred Taubman Mary Cunningham George M. Humphrey William E. Upjohn Harlow H. Curtice Lee Iacocca Jay Van Andel John DeLorean Mike Illitch Charles E. Wilson Richard DeVos Rick Inatome John Ziegler Horace E. Dodge Robert Ingersol ARTS AND LETTERS Mitch Albom Milton Brooks Marguerite Lofft DeAngeli Harriette Simpson Arnow Ken Burns Meindert DeJong W. H. Auden Semyon Bychkov John Dewey Liberty Hyde Bailey Alexander Calder Antal Dorati Ray Stannard Baker Will Carleton Alden Dow (pen: David Grayson) Jim Cash Sexton Ehrling L. Frank Baum (Charles) Bruce Catton Richard Ellmann Harry Bertoia Elizabeth Margaret Jack Epps, Jr. William Bolcom Chandler Edna Ferber Carrie Jacobs Bond Manny Crisostomo Phillip Fike Lilian Jackson Braun James Oliver Curwood 398 MICHIGAN IN BRIEF APPENDIX E: FAMOUS PEOPLE FROM MICHIGAN Marshall Fredericks Hugie Lee-Smith Carl M.
    [Show full text]
  • Ruth Prawer Jhabvala's Adapted Screenplays
    Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.
    [Show full text]
  • Andrew Sarris and Pauline Kael: the Duel for the Soul of American Film Criticism
    1 Andrew Sarris and Pauline Kael: The Duel For the Soul of American Film Criticism By Inge Fossen Høgskolen i Lillehammer / Lillehammer University College Avdeling for TV-utdanning og Filmvitenskap / Department of Television and Film Studies (TVF) Spring 2009 1 2 For My Parents 2 3 ”When we think about art and how it is thought about […] we refer both to the practice of art and the deliberations of criticism.” ―Charles Harrison & Paul Wood “[H]abits of liking and disliking are lodged in the mind.” ―Bernard Berenson “The motion picture is unique […] it is the one medium of expression where America has influenced the rest of the world” ―Iris Barry “[I]f you want to practice something that isn’t a mass art, heaven knows there are plenty of other ways of expressing yourself.” ―Jean Renoir “If it's all in the script, why shoot the film?” ―Nicholas Ray “Author + Subject = Work” ―Andrè Bazin 3 4 Table of Contents Preface and Acknowledgements p. 6. Introduction p. 8. Defining Art in Relation to Criticism p. 14. The Popular As a Common Ground– And an Outline of Study p. 19. Career Overview – Andrew Sarris p. 29. Career Overview – Pauline Kael p. 32. American Film Criticism From its Beginnings to the 1950s – And a Note on Present Challenges p. 35. Notes on Axiological Criticism, With Sarris and Kael as Examples p. 41. Movies: The Desperate Art p. 72. Auteurism – French and American p. 82. Notes on the Auteur Theory 1962 p. 87. "Circles and Squares: Joys and Sarris" – Kael's Rebuttal p. 93.
    [Show full text]
  • Philosophy in the Twilight Zone
    9781405149044_1_pre.qxd 10/2/09 10:49 AM Page iii Philosophy in The Twilight Zone edited by Noël Carroll and Lester H. Hunt A John Wiley & Sons, Ltd., Publication 9781405149044_1_pre.qxd 10/2/09 10:49 AM Page iv 9781405149044_1_pre.qxd 10/2/09 10:48 AM Page i Philosophy in The Twilight Zone 9781405149044_1_pre.qxd 10/2/09 10:48 AM Page ii 9781405149044_1_pre.qxd 10/2/09 10:48 AM Page iii Philosophy in The Twilight Zone edited by Noël Carroll and Lester H. Hunt A John Wiley & Sons, Ltd., Publication 9781405149044_1_pre.qxd 10/2/09 10:48 AM Page iv This edition first published 2009 © 2009 Blackwell Publishing Ltd Blackwell Publishing was acquired by John Wiley & Sons in February 2007. Blackwell’s publishing program has been merged with Wiley’s global Scientific, Technical, and Medical business to form Wiley-Blackwell. Registered Office John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, United Kingdom Editorial Offices 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford, OX4 2DQ, UK The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell. The right of Noël Carroll and Lester Hunt to be identified as the authors of the editorial material in this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved.
    [Show full text]
  • Film Locations in San Francisco
    Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros.
    [Show full text]
  • How Stirling Silliphant, One of the 20Th Century's Greatest Writers
    How Stirling Silliphant, One Of The 20th Century’s Greatest Writers, Became My Mentor By John Corcoran ©2016 John Corcoran. All rights reserved by the Author. Except for brief passages embodied in published reviews, no part of this book may be reproduced or transmitted in any form by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the author and appropriate credit to the author and publisher. May be referenced in scholarly papers not meant for public consumption as long as full citation is given. Permission has been granted by the Author to Fariborz Azhakh for exclusive publication on his martial arts website, martialinfo.com. This work also appears in the Stirling Silliphant Collection in the archives of the Academy of Motion Picture Arts and Sciences, the organization behind the Oscars®. John Corcoran is a veteran black belt in karate who started his training in 1967. He launched his literary career in 1973 and has written millions of words about the martial arts in an acclaimed body of work encompassing 12 books, one screenplay and the editorship of 24 magazines. In 2004, he was inducted into the Martial Arts History Museum Hall of Fame, receiving its elite Funakoshi Award, named after the iconic “Father of Modern Karate.” His other main mentors are renowned Hollywood columnist and best-selling mainstream author Joe Hyams, who was also a substitute father figure, and World Heavyweight Karate and Kickboxing Champion Joe Lewis.
    [Show full text]
  • Dlkj;Fdslk ;Lkfdj
    MoMA CELEBRATES THE 75th ANNIVERSARY OF THE NEW YORK FILM CRITICS CIRCLE BY INVITING MEMBERS TO SELECT FILM FOR 12-WEEK EXHIBIITON Critical Favorites: The New York Film Critics Circle at 75 July 3—September 25, 2009 The Roy and Niuta Titus Theaters & The Celeste Bartos Theater NEW YORK, June 19, 2009 —The Museum of Modern Art celebrates The New York Film Critics Circle’s (NYFCC) 75th anniversary with a 12-week series of award-winning films, from July 3 to September 25, 2009, in The Roy and Niuta Titus Theaters. As the nation‘s oldest and most prestigious association of film critics, the NYFCC honors excellence in cinema worldwide, giving annual awards to the ―best‖ films in various categories that have all opened in New York. To mark the group‘s milestone anniversary, each member of the organization was asked to choose one notable film from MoMA‘s collection that was a recipient of a NYFCC award to be part of the exhibition. Some screenings will be introduced by the contributing film critics. Critical Favorites: The New York Film Critics Circle at 75 is organized by Laurence Kardish, Senior Curator, Department of Film, in collaboration with The New York Film Critics Circle and 2009 Chairman Armond White. High-resolution images are available at www.moma.org/press. No. 58 Press Contacts: Emily Lowe, Rubenstein, (212) 843-8011, [email protected] Tessa Kelley, Rubenstein, (212) 843-9355, [email protected] Margaret Doyle, MoMA, (212) 408-6400, [email protected] Film Admission: $10 adults; $8 seniors, 65 years and over with I.D.
    [Show full text]
  • Irwin Allen, Twentieth Century-Fox's Marineland Of
    Jonathan Cohn 1970s Disasters: Irwin Allen, Twentieth Century-Fox’s Marineland of the Pacific, and Disaster Films Abstract This paper focuses on the career of Irwin Allen, a Hollywood producer best known for his many popular 1960s television series like Lost in Space and his early 1970’s disaster filmsThe Poseidon Adventure(1972) and The Towering Inferno (1974). When Twentieth Century-Fox decided to open their own theme park, Allen was put in charge of turning his many science fiction and fantasy franchises into rides and attractions. What should have been the culmination of his career quickly became his downfall, as his ability to cut costs and maintain a sense of mystique on screen did not translate to the real world, where cotton balls are not so easily mistaken for snow. While the 1970s is often written by film historians as a period of unparalleled artistic and economic heights, Allen’s career and his long ignored theme park complicate such accounts by highlighting some of the more unseemly and at times hackish business practices that propped up the beginnings of new Hollywood. In this article, I will focus on what could have I like to think of Allen as the anti-hero of New been the culmination of the career of Irwin Allen, Hollywood and in this spirit will narrativize this one of Hollywood’s most successful and prolific movement’s history as a tragedy, rather than its producers, whose career spanned from 1938 to the normal consideration as a high point of cinematic late 1980s. I hope to chart out Allen’s career and history.
    [Show full text]
  • San Diego Public Library New Additions July 2009
    San Diego Public Library New Additions July 2009 Adult Materials 000 - Computer Science and Generalities California Room 100 - Philosophy & Psychology CD-ROMs 200 - Religion Compact Discs 300 - Social Sciences DVD Videos/DVD-ROMs/Videocassettes 400 - Language eAudiobooks & eBooks 500 - Science Fiction 600 - Technology Foreign Languages 700 - Art Genealogy Room 800 - Literature Graphic Novels 900 - Geography & History Large Print Audiocassettes Newspaper Room Audiovisual Materials Biographies Fiction Call # Author Title FIC/ABANI Abani, Christopher. GraceLand [MYST] FIC/ADAMS Adams, Jane, 1960- A reason to kill FIC/ADIGA Adiga, Aravind. The white tiger : a novel FIC/ADVAITA KALA Advaita Kala. Almost single FIC/AHERN Ahern, Cecelia, 1981- Thanks for the memories FIC/AHERN Ahern, Cecelia, 1981- There's no place like here FIC/AIRA Aira, César, 1949- Ghosts [MYST] FIC/ALCORN Alcorn, Alfred. The love potion murders in the Museum of Man FIC/ALCORN Alcorn, Randy C. Lord Foulgrin's letters : a novel FIC/ALLEN Allen, Sarah Addison. The sugar queen FIC/AMICK Amick, Steve. Nothing but a smile FIC/APPLE Apple, Max. The Jew of Home Depot and other stories FIC/ARANA Arana, Marie. Lima nights : a novel FIC/ARMSTRONG Armstrong, Kelley. Men of the otherworld [SCI-FI] FIC/ASH Ash, Sarah. Tracing the shadow [MYST] FIC/ASNER Asner, Jules, 1968- Whacked FIC/ASWANI Aswānī, ʻAlāʼ, 1957- Chicago : a novel [MYST] FIC/ATHERTON Atherton, Nancy. Aunt Dimity slays the dragon [MYST] FIC/ATKINSON Atkinson, Deborah Turrell. Pleasing the dead [MYST] FIC/BAIN Bain, Donald, 1935- A slaying in Savannah : a Murder, she wrote mystery, a novel FIC/BALDACCI Baldacci, David. Divine justice FIC/BALDACCI Baldacci, David.
    [Show full text]