Working with Audio/Video
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Actas V Seminario Internacional Sobre Arte Público En Latinoamérica, 2017
Intervenciones estético-políticas en el arte público latinoamericano TERESA ESPANTOSO RODRÍGUEZ CAROLINA VANEGAS CARRASCO ANA MARÍA TORRES ARROYO editoras V Seminario Internacional sobre Arte Público en Latinoamérica: Intervenciones estético-políticas en el arte público latinoamericano Editorial de la Facultad de Filosofía y Letras ISBN 978-987-4019-89-9 © Facultad de Filosofía y Letras (UBA) 2017 Subsecretaría de Publicaciones Puan 480 - Ciudad Autónoma de Buenos Aires - República Argentina Tel.: 4432-0606 int. 167 - [email protected] www.filo.uba.ar V Seminario Internacional sobre Arte Público en Latinoamérica: Intervenciones estético-políticas en el arte público latinoamericano TERESA ESPANTOSO RODRÍGUEZ CAROLINA VANEGAS CARRASCO ANA MARÍA TORRES ARROYO editoras UNIVERSIDAD FACULTAD DE FILOSOFÍA Y LETRAS IBEROAMERICANA DE LA UNIVERSIDAD DE BUENOS AIRES CIUDAD DE MÉXICO DECANA SUBSECRETARIA DE RECTOR Graciela Morgade RELACIONES David Fernández Dávalos INSTITUCIONALES E VICEDECANO INTERNACIONALES VICERRECTOR ACADÉMICO Américo Cristófalo Silvana Campanini Alejandro Guevara Sanginés SECRETARIO GENERAL SUBSECRETARIO DIRECTOR DE LA DIVISIÓN Jorge Gugliotta DE PUBLICACIONES DE HUMANIDADES Y Matías Cordo COMUNICACIÓN SECRETARIA ACADÉMICA CONSEJO EDITOR Carlos Mendoza Álvarez Sofía Thisted Virginia Manzano Flora Hilert DIRECTOR DEL SECRETARIA DE HACIENDA Marcelo Topuzian DEPARTAMENTO DE ARTE Y ADMINISTRACIÓN María Marta García Negroni Luis Javier Cuesta Marcela Lamelza Fernando Rodríguez Gustavo Daujotas SECRETARIA DE EXTENSIÓN Hernán Inverso UNIVERSITARIA Y BIENESTAR Raúl Illescas ESTUDIANTIL Matías Verdecchia Ivanna Petz Jimena Pautasso Grisel Azcuy SECRETARIA DE INVESTIGACIÓN Silvia Gattafoni Cecilia Pérez de Micou Rosa Gómez Rosa Graciela Palmas SECRETARIO DE POSGRADO Sergio Castelo Alberto Damiani Ayelén Suárez SUBSECRETARIA DE BIBLIOTECAS DIRECTORA DE IMPRENTA María Rosa Mostaccio Rosa Gómez SUBSECRETARIO DIRECTOR DEL INSTITUTO DE TRANSFERENCIA DE TEORÍA E HISTORIA DEL Y DESARROLLO ARTE “JULIO E. -
Saracon Manual
Ultra High-QualitySar Audio-File And acSample-Rate Conversionon Software Manual Please see page two for version of this manual. Weiss Engineering Ltd. Florastrasse 42, 8610 Uster, Switzerland Phone: +41 44 940 20 06, Fax: +41 44 940 22 14 Email: [email protected], Websites: www.weiss.ch or www.weiss-highend.com 2 This is the manual for Saracon on Windows: c Weiss Engineering LTD. August 20, 2020 Typeset with LATEX 2". Author: Uli Franke Acknowledgements: Daniel Weiss, Rolf Anderegg, Andor Bariska, Andreas Balaskas, Alan Silverman, Kent Poon, Helge Sten, Bob Boyd, all the beta-testers and all other persons involved. Saracon Version: 01 . 61 - 37 Manual Revision: 00.03 Legal Statement The software (Saracon) and this document are copyrighted. All algorithms, coefficients, code segments etc. are intellectual property of Weiss Engineering ltd.. Neither disassembly nor re-usage or any similar is allowed in any way. Contravention will be punished by law. Information in this document is provided solely to enable the user to use the Saracon software from Weiss Engineering ltd.. There are no express or implied copyright licenses granted hereunder to design or program any similar software based on the information in this document. Weiss Engineering ltd. does not convey any license under its patent rights nor the rights of others. Weiss Engineering ltd. reserves the right to make changes without further notice to any products herein. Weiss Engineering ltd. makes no warranty, representation or guarantee regarding the suitability of its products for any particular purpose, nor does Weiss Engineering ltd. assume any liability arising out of the application or use of any part of this software or manual, and specifically disclaims any and all liability, including without limitation consequential or incidental damages. -
Realaudio and Realvideo Content Creation Guide
RealAudioâ and RealVideoâ Content Creation Guide Version 5.0 RealNetworks, Inc. Contents Contents Introduction......................................................................................................................... 1 Streaming and Real-Time Delivery................................................................................... 1 Performance Range .......................................................................................................... 1 Content Sources ............................................................................................................... 2 Web Page Creation and Publishing................................................................................... 2 Basic Steps to Adding Streaming Media to Your Web Site ............................................... 3 Using this Guide .............................................................................................................. 4 Overview ............................................................................................................................. 6 RealAudio and RealVideo Clips ....................................................................................... 6 Components of RealSystem 5.0 ........................................................................................ 6 RealAudio and RealVideo Files and Metafiles .................................................................. 8 Delivering a RealAudio or RealVideo Clip ...................................................................... -
Metadefender Core V4.12.2
MetaDefender Core v4.12.2 © 2018 OPSWAT, Inc. All rights reserved. OPSWAT®, MetadefenderTM and the OPSWAT logo are trademarks of OPSWAT, Inc. All other trademarks, trade names, service marks, service names, and images mentioned and/or used herein belong to their respective owners. Table of Contents About This Guide 13 Key Features of Metadefender Core 14 1. Quick Start with Metadefender Core 15 1.1. Installation 15 Operating system invariant initial steps 15 Basic setup 16 1.1.1. Configuration wizard 16 1.2. License Activation 21 1.3. Scan Files with Metadefender Core 21 2. Installing or Upgrading Metadefender Core 22 2.1. Recommended System Requirements 22 System Requirements For Server 22 Browser Requirements for the Metadefender Core Management Console 24 2.2. Installing Metadefender 25 Installation 25 Installation notes 25 2.2.1. Installing Metadefender Core using command line 26 2.2.2. Installing Metadefender Core using the Install Wizard 27 2.3. Upgrading MetaDefender Core 27 Upgrading from MetaDefender Core 3.x 27 Upgrading from MetaDefender Core 4.x 28 2.4. Metadefender Core Licensing 28 2.4.1. Activating Metadefender Licenses 28 2.4.2. Checking Your Metadefender Core License 35 2.5. Performance and Load Estimation 36 What to know before reading the results: Some factors that affect performance 36 How test results are calculated 37 Test Reports 37 Performance Report - Multi-Scanning On Linux 37 Performance Report - Multi-Scanning On Windows 41 2.6. Special installation options 46 Use RAMDISK for the tempdirectory 46 3. Configuring Metadefender Core 50 3.1. Management Console 50 3.2. -
Encoding H.264 Video for Streaming and Progressive Download
W4: KEY ENCODING SKILLS, TECHNOLOGIES TECHNIQUES STREAMING MEDIA EAST - 2019 Jan Ozer www.streaminglearningcenter.com [email protected]/ 276-235-8542 @janozer Agenda • Introduction • Lesson 5: How to build encoding • Lesson 1: Delivering to Computers, ladder with objective quality metrics Mobile, OTT, and Smart TVs • Lesson 6: Current status of CMAF • Lesson 2: Codec review • Lesson 7: Delivering with dynamic • Lesson 3: Delivering HEVC over and static packaging HLS • Lesson 4: Per-title encoding Lesson 1: Delivering to Computers, Mobile, OTT, and Smart TVs • Computers • Mobile • OTT • Smart TVs Choosing an ABR Format for Computers • Can be DASH or HLS • Factors • Off-the-shelf player vendor (JW Player, Bitmovin, THEOPlayer, etc.) • Encoding/transcoding vendor Choosing an ABR Format for iOS • Native support (playback in the browser) • HTTP Live Streaming • Playback via an app • Any, including DASH, Smooth, HDS or RTMP Dynamic Streaming iOS Media Support Native App Codecs H.264 (High, Level 4.2), HEVC Any (Main10, Level 5 high) ABR formats HLS Any DRM FairPlay Any Captions CEA-608/708, WebVTT, IMSC1 Any HDR HDR10, DolbyVision ? http://bit.ly/hls_spec_2017 iOS Encoding Ladders H.264 HEVC http://bit.ly/hls_spec_2017 HEVC Hardware Support - iOS 3 % bit.ly/mobile_HEVC http://bit.ly/glob_med_2019 Android: Codec and ABR Format Support Codecs ABR VP8 (2.3+) • Multiple codecs and ABR H.264 (3+) HLS (3+) technologies • Serious cautions about HLS • DASH now close to 97% • HEVC VP9 (4.4+) DASH 4.4+ Via MSE • Main Profile Level 3 – mobile HEVC (5+) -
Codec Is a Portmanteau of Either
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
Video Compression Tools Video Compression Tools
Video Compression Tools Video Compression Tools Douglas Dixon Manifest Technology® LLC May 2005 www.manifest-tech.com 5/2005 Copyright 2001-2005 Douglas Dixon, All Rights Reserved - www.manifest-tech.com Page 1 Video Compression Tools Automated Video Processing Tools Video Compression and Conversion • Video Processing Canopus – Video compression and conversion ProCoder – Automated batch processing • Processing Steps Discreet cleaner – Select source files – Define video and audio pre-processing – Define target formats and compression – Select target locations and filters Sorenson – Convert, compress, output Squeeze 5/2005 Copyright 2001-2005 Douglas Dixon, All Rights Reserved - www.manifest-tech.com Page 2 1 Video Compression Tools Video Compression Tools Video Editing to Compression Tools • Consumer Video Editors – Automated, w/ DVD – $50 - $150 • Format-Specific – Clips: Capture, organize, export – Downloads – Apple iMovie, Windows Movie Maker – QuickTime Player Pro, $29 – Adobe Premiere Elements – Win Media Encoder – Sony Vegas Movie Studio – RealProducer, Plus $199 – Pinnacle Studio – Roxio VideoWave, Ulead VideoStudio • Video Processing – Batch compression • Professional Video Editors – $500 - $600 – Compositing, motion, effects – Sorenson Squeeze – Projects – $300 - $1700 – Canopus ProCoder – Apple Final Cut Pro – Discreet cleaner – Adobe Premiere Pro, Sony Vegas – Avid Xpress, Pinnacle Edition – Ulead MediaStudio Pro 5/2005 Copyright 2001-2005 Douglas Dixon, All Rights Reserved - www.manifest-tech.com Page 3 Video Compression Tools QuickTime Player Pro 5/2005 Copyright 2001-2005 Douglas Dixon, All Rights Reserved - www.manifest-tech.com Page 4 2 Video Compression Tools Windows Media Encoder 5/2005 Copyright 2001-2005 Douglas Dixon, All Rights Reserved - www.manifest-tech.com Page 5 Video Compression Tools Automated Video Processing Individuals and Workgroups • Sorenson Squeeze – Squeeze 4 (4.1) - Aug. -
Ultimate Resource Guide for Authors
Ultimate Resource Guide for Authors Advertising ❖ Google Adwords: adwords.google.com ❖ Google Adsense: adsense.google.com ❖ Facebook: facebook.com/business ❖ Bing: bingads.microsoft.com ❖ Yahoo: advertising.yahoo.com ❖ AOL: advertising.aol.com Affiliate Sales ❖ Clickbank: clickbank.com ❖ Commission Junction: cj.com ❖ JV Zoo: jvzoo.com Amazon ❖ Author Central: authorcentral.amazon.com ❖ Associates (affiliate): affiliate-program.amazon.com ❖ Advantage (sell books directly): advantage.amazon.com ❖ Seller Central: sellercentral.amazon.com ❖ Kindle Direct Publishing: kdp.amazon.com ❖ Customer Support for Authors: authorcentral.amazon.com/gp/help/contact-us ❖ Kindle Pay-Per-Click Advertising Overview: kdp.amazon.com/en_US/help/topic/G201499010 Copyright © 2016-2018 by Stephanie Chandler 1 NonfictionAuthorsAssociation.com Blog Directories ❖ Technorati: technorati.com ❖ Blog Catalog: blogcatalog.com ❖ Networked Blogs: networkedblogs.com Book Awards ❖ Nonfiction Book Awards: nonfictionauthorsassociation.com/nonfiction-book-awards ❖ Ben Franklin Book Awards: ibpabenjaminfranklinawards.com ❖ Global Ebook Awards: globalebookawards.com ❖ Foreword Book of the Year: forewordreviews.com/services/book- awards/botya ❖ Nautilus Book Awards: nautilusbookawards.com ❖ The Eric Hoffer Awards: hofferaward.com Book Clubs ❖ From Left to Write: fromlefttowrite.com ❖ Book Club Reading List: bookclubreading.com/submit-your-book/ ❖ Meetup: meetup.com Book Marketing ❖ Book Review Targeter (Amazon reviewer software): bit.ly/bookreviewtargeter ❖ NetGalley (book review -
Case 1:13-Cv-00990-GMS Document 25 Filed 04/01/14 Page 1 of 15
Case 1:13-cv-00990-GMS Document 25 Filed 04/01/14 Page 1 of 15 PageID #: <pageID> IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF DELAWARE ) VIDEOSHARE, LLC, ) ) Plaintiff/Counterclaim Defendant, ) ) v. ) Civil Action No. 13-990 GMS ) GOOGLE INC. and YOUTUBE LLC, ) ) Defendants/Counterclaim Plaintiffs. ) ) VIDEOSHARE, LLC, ) ) Plaintiff, ) ) V. ) Civil Action No. 13-991-GMS ) VIDDLER, INC. ) ) Defendant. ) ) VIDEOSHARE, LLC, ) ) Plaintiff, ) ) V. ) Civil Action No. 13-992-GMS ) VIMEO,LLC ) ) Defendant. ) MEMORANDUM I. INTRODUCTION On June 4, 2013, the plaintiff VideoShare, LLC ("VideoShare") filed actions against Google Inc. ("Google"), YouTube, LLC ("YouTube"), Viddler, Inc. ("Viddler"), and Vimeo, Case 1:13-cv-00990-GMS Document 25 Filed 04/01/14 Page 2 of 15 PageID #: <pageID> LLC ("Vimeo") (collectively, "the defendants") alleging infringement of U.S. Patent No. 8,438,608 ("the '608 patent"). 1 On June 26, 2013, VideoShare filed amended complaints against Google and YouTube, (Google, D.I. 7), and against Viddler, (Viddler, D.I. 10), asserting infringement of U.S. Patent No. 8,464,302 ("the '302 patent"). Presently before the court are the defendants' Motions to Transfer to the District of Massachusetts pursuant to 28 U.S.C. § 1404(a) and Stay Pending Disposition of the Transfer Motions. (Google, D.I. 13; Viddler, D.I. 15; Vimeo, D.I. 10.) For the reasons that follow, the court will deny the defendants' motions. II. BACKGROUND Video Share is a Delaware limited liability company with its principal place of business in Chestnut Hill, Massachusetts. (Google, D.I. 7, ii 4.) Google is a Delaware corporation with its principal place of business in Mountain View, California. -
Privacy of Streaming Apps and Devices
2021 PRIVACY OF STREAMING APPS AND DEVICES: WATCHING TV THAT WATCHES US Common Sense is the nation's leading nonprofit organization dedicated to improving the lives of kids and families by providing the trustworthy information, education, and independent voice they need to thrive in the 21st century. www.commonsense.org Common Sense is grateful for the generous support and underwriting that funded this report from the Michael and Susan Dell Foundation, the Bill and Melinda Gates Foundation, and the Chan Zuckerberg Initative. CREDITS Authors: Girard Kelly, Common Sense Media Jeff Graham, Common Sense Media Jill Bronfman, Common Sense Media Steve Garton, Common Sense Media Data analysis: Girard Kelly, Common Sense Media Jeff Graham, Common Sense Media Copy editor: Jennifer Robb Designer: Jeff Graham, Common Sense Media Suggested citation: Kelly, G., Graham, J., Bronfman, J., & Garton, S. (2021). Privacy of Streaming Apps and Devices: Watching TV that Watches Us. San Francisco, CA: Common Sense Media This work is licensed under a Creative Commons Attribution 4.0 International Public .License TABLE OF CONTENTS Privacy of streaming apps and devices 1 What are streaming services? ......................................... 1 Apps we rated ............................................... 1 How do streaming services make money? ............................... 2 How we rate privacy ........................................... 2 What we found .............................................. 6 Compare privacy ratings ........................................ -
Dune HD Duo 4K Is a New Premium Full-Sized 4K Network Media Player
Dune HD Duo 4K is a new premium full-sized 4K network media player, based on the famous SMP8758 Hi-End chip from Sigma Designs, with professional-grade picture quality, audiophile-grade hardware, advanced media playback features, advanced connectivity and integration options, Smart Home support. The new model is equipped with two hot swap 3.5” SATA HDD racks each supporting up to 10TB+ HDD, three USB ports, SD card slot, 1Gbit Ethernet, 802.11ac Dual Band 2T2R Wi-Fi, built-in DVB-T/T2/C tuner (for non-US version), built-in Z-Wave controller. Additionally, Duo 4K has a variety of advanced audiophile features, including the famous ESS SABRE32 Reference DAC (ES9018K2M), XLR balanced stereo audio output, S/PDIF audio input. ESS SABRE32 Reference DAC (ES9018K2M), XLR outputs Decoding 4K and converting SD/HD to 4K VXP professional-grade video processing engine Two hot swap 3.5” SATA HDD racks, Wi-Fi 802.11ac, 1Gbit Ethernet Full Blu-ray menu navigation Built-in Movies Collections Management True 24p output, 3D video, HD audio, Hi-End music DVB-T/T2/C tuner, Smart Home, Z-Wave Specifications Dune HD Duo 4K Media processor Sigma Designs SMP8758 (ARM) RAM 2 GB Flash 8 GB 3xUSB host, SD card slot, HDMI output, optical S/PDIF audio output, coaxial S/PDIF audio output, composite video output, RCA stereo audio output, XLR balanced stereo audio Connectors output, coaxial S/PDIF audio input, external IR port, Ethernet (10/100/1000Mbit), two external Wi-Fi antennas, DVB-T/T2/C RF input/output, 100V-240V AC input Internal storage Two internal HDD racks -
Before You Begin Producing
Producing with Camtasia Before You Begin Producing Before you begin to produce your video you need to decide how it will be shared; web based, CD, DVD. Once you have decided how you are going to share your video you need to decide which file format would be the best for that particular mode of delivery. The file formats you can save with in Camtasia include: AVI, Macromedia Flash (SWF), Windows Media (WMV), QickTime, Macromedia Flash (FLV), RealMedia (RM), Camtasia for RealPlayer (CAMV), and GIF animation. Click on Show more file formats to view all these options. AVI video file: AVI is recommended for CD delivery requiring the highest video quality. Once you produce your completed AVI files, use Pack and Show to bundle the Camtasia Player and Codec for easy delivery on CD‐ROM. It can also be edited by using Camtasia or other video editing programs. This is the type of format the original video will save as after recording with Camtasia. Macromedia Flash (SWF) movie file: An SWF file format can be used for videos that are 3‐5 minutes. This file format is good for using if you want to put your video on the internet and it is supported by most browsers. You will need the Flash plug‐in to view this video. Windows Media (WMV) streaming media file: A WMV file format creates smaller file sizes and works well for longer videos. It does not have to be downloaded and plays in Microsoft Windows Media Player. It is a streaming video file format. This type of file must be stored on a Windows Media streaming server.