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Actas V Seminario Internacional Sobre Arte Público En Latinoamérica, 2017

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Actas V Seminario Internacional Sobre Arte Público En Latinoamérica, 2017 Intervenciones estético-políticas en el arte público latinoamericano TERESA ESPANTOSO RODRÍGUEZ CAROLINA VANEGAS CARRASCO ANA MARÍA TORRES ARROYO editoras V Seminario Internacional sobre Arte Público en Latinoamérica: Intervenciones estético-políticas en el arte público latinoamericano Editorial de la Facultad de Filosofía y Letras ISBN 978-987-4019-89-9 © Facultad de Filosofía y Letras (UBA) 2017 Subsecretaría de Publicaciones Puan 480 - Ciudad Autónoma de Buenos Aires - República Argentina Tel.: 4432-0606 int. 167 - [email protected] www.filo.uba.ar V Seminario Internacional sobre Arte Público en Latinoamérica: Intervenciones estético-políticas en el arte público latinoamericano TERESA ESPANTOSO RODRÍGUEZ CAROLINA VANEGAS CARRASCO ANA MARÍA TORRES ARROYO editoras UNIVERSIDAD FACULTAD DE FILOSOFÍA Y LETRAS IBEROAMERICANA DE LA UNIVERSIDAD DE BUENOS AIRES CIUDAD DE MÉXICO DECANA SUBSECRETARIA DE RECTOR Graciela Morgade RELACIONES David Fernández Dávalos INSTITUCIONALES E VICEDECANO INTERNACIONALES VICERRECTOR ACADÉMICO Américo Cristófalo Silvana Campanini Alejandro Guevara Sanginés SECRETARIO GENERAL SUBSECRETARIO DIRECTOR DE LA DIVISIÓN Jorge Gugliotta DE PUBLICACIONES DE HUMANIDADES Y Matías Cordo COMUNICACIÓN SECRETARIA ACADÉMICA CONSEJO EDITOR Carlos Mendoza Álvarez Sofía Thisted Virginia Manzano Flora Hilert DIRECTOR DEL SECRETARIA DE HACIENDA Marcelo Topuzian DEPARTAMENTO DE ARTE Y ADMINISTRACIÓN María Marta García Negroni Luis Javier Cuesta Marcela Lamelza Fernando Rodríguez Gustavo Daujotas SECRETARIA DE EXTENSIÓN Hernán Inverso UNIVERSITARIA Y BIENESTAR Raúl Illescas ESTUDIANTIL Matías Verdecchia Ivanna Petz Jimena Pautasso Grisel Azcuy SECRETARIA DE INVESTIGACIÓN Silvia Gattafoni Cecilia Pérez de Micou Rosa Gómez Rosa Graciela Palmas SECRETARIO DE POSGRADO Sergio Castelo Alberto Damiani Ayelén Suárez SUBSECRETARIA DE BIBLIOTECAS DIRECTORA DE IMPRENTA María Rosa Mostaccio Rosa Gómez SUBSECRETARIO DIRECTOR DEL INSTITUTO DE TRANSFERENCIA DE TEORÍA E HISTORIA DEL Y DESARROLLO ARTE “JULIO E. PAYRÓ” Alejandro Valitutti Ricardo González V Seminario Internacional sobre Arte Público en Latinoamérica : intervenciones estético-políticas en el arte público latinoamericano / Teresa Espantoso Rodríguez ... [et al.]. - 1a ed. - Ciudad Autónoma de Buenos Aires : Editorial de la Facultad de Filosofía y Letras Universidad de Buenos Aires ; México D.F. : Universidad Iberoamericana Ciudad de México, 2017. 484 p. ; 20 x 14 cm. ISBN 978-987-4019-89-9 1. Arte Latinoamericano. I. Espantoso Rodríguez, Teresa CDD 709.8 COMITÉ ORGANIZADOR Teresa Espantoso Rodríguez (Universidad de Buenos Aires, GEAP-Latinoamérica) Carolina Vanegas Carrasco (TAREA-IIPC, Universidad Nacional de San Martín – UBA, GEAP Latinoamérica) Ana María Torres Arroyo (Universidad Iberoamericana, México) COMITÉ CIENTÍFICO Cecilia Belej, José Cirillo, Dina Comisarenco, Gloria Cortés, Javier Cuesta, Agustín Diez, Silvia Dolinko, Marcela Drien, Teresa Espantoso Rodríguez, Patricia Favre, Cesar Floriano dos Santos, Sylvia Furegatti, María Laura González, Ángela Grando, Paulo Knauss, Laura Malosetti, Elio Martucelli, Marta Molina, Fernando Pedro, Raúl E. Piccioni, Isabel Plante, Diana Ribas, Adriana Sandoval, Almerinda da Silva, Ignacio Szmulewicz, Ana Torres, Viviana Usubiaga, Carolina Vanegas Carrasco, Ana Vidal. AVAL ACADÉMICO Universidad de Buenos Aires, Facultad de Filosofía y Letras, Instituto de Teoría e Historia del Arte “Julio E. Payró”, Argentina. Departamento de Arte, Universidad Iberoamericana, México. Instituto de Investigaciones sobre el Patrimonio Cultural (TAREA-IIPC), Universidad Nacional de San Martín, Argentina. Centro de Estudios del Patrimonio, Universidad Adolfo Ibáñez, Chile. V SEMINARIO INTERNACIONAL SOBRE ARTE PÚBLICO EN LATINOAMÉRICA: INTERVENCIONES ESTÉTICO-POLÍTICAS EN EL ARTE PÚBLICO LATINOAMERICANO EDICIÓN Grupo de Estudio sobre Arte Público en Latinoamérica (GEAP-Latinoamérica) COORDINADORA Teresa Espantoso Rodríguez CO-COORDINADORA Carolina Vanegas Carrasco DISEÑO GRÁFICO: Regina Escofet Torres y Milagros Castro REVISIÓN DE TEXTOS Teresa Espantoso Rodríguez Sylvia Furegatti Ana María Torres Arroyo Carolina Vanegas Carrasco. FOTO DE TAPA Sombras en la Calle / Ana Santos, 2004 DISEÑO DE CUBIERTA Milagros Castro Los autores son responsables del contenido de sus trabajos, así como también de la autoría de las imágenes adjuntas en sus ponencias. Se prohíbe la reproducción total o parcial de esta obra, sea cual fuere el medio, sin el consentimiento por escrito del titular de los derechos. Esta publicación se ha realizado con el aporte financiero de: Universidad Iberoamericana de México - Universidad de Buenos Aires, Facultad de Filosofía y Letras - GEAP Latinoamérica. ÍNDICE Presentación 13 y 14 (Anti) Monumentos y (Anti) Memoriales. Prácticas hegemónicas y contra hegemónicas: acciones polí- t i c a s , c e n s u r a s , va n d a l i s m o s y d e s p l a z a m i e n t o s . 17 Sylvia Furegatti (Brasil), Da Visualidade para a Visi- bilidade. Outras perspectivas para a Escultura Pública na cidade contemporânea. 19 Andrea Tavares (Brasil), “O monumento é de papel crepom e não tem porta”. 33 Maria José de Azevedo Marcondes (Brasil), Ruínas: práticas artísticas contemporâneas e poéticas da destruição. 51 Carmen Muñoz Burbano (Colombia), Disputas simbó- licas y espacio público en Santiago de Cali. Los casos del Tríptico franciscano y el Obelisco a los próceres caleños. 67 Hiram Villalobos Audiffred (México), Las compli- caciones por el monumento a Benito Juárez en el Paseo J u á r e z “ E l L l a n o ” d e l a c i u d a d d e O a x a c a . 83 Raúl Piccioni (Argentina), Monumento conmemorativo versus proyecto urbano. Una lucha de intereses. 99 Verónica González Illescas (México), El gaucho y el chinaco como habitantes (des)ubicados dentro de la gran ciudad. 113 José Robert Coitiño (Uruguay), Indios en el espacio público: el monumento a Los últimos charrúas. 129 Patricia Herrera Styles (Chile), Protagonistas y figu- rantes: La escultura pública y la fabricación heroica en Chile (1909-1920). 143 Ubiraelcio da Silva Malheiros (Brasil), Visualidades da Arte Pública em Belém: entre monumentos e outras possibilidades de expressão na rua. 159 Jose Cirillo y Marcela Belo Gonçalves (Brasil), Arte publica: a escultura espontânea como monumento no Es- pírito Santo. 169 Jose Cirillo (Brasil), Papahoo: sobre o kitsch e a inten- cionalidade antimemorial em intervenções urbanas no Es- pírito Santo (BR). 183 João Wesley de Souza (Brasil), O budismo filosófico como fundamento teórico para intervenções artísticas no espaço público. 197 Arte público en las manifestaciones sociales de protesta e intervenciones callejeras. Censura ins- t i t u c i o n a l y c r í t i c a i n s t i t u y e n t e . 209 Luiz Sergio de Oliveira (Brasil), Nos limites da Arte Publica. 211 Samuel Hernández Dominicis (Cuba), Torre de marfil versus compromiso político: el artista como cientista social de nuevo tipo. 225 Edina de Marco (Brasil), A esfera pública –conflitiva- na performance online 111 Vigilía Canto Leitura de Nuno Ramos. 237 Christine Brault (Canadá), Arte de performance y compromiso: la apropiación de un espacio público a tra- vés de la denuncia poética de las problemáticas sociales, con el objetivo de sensibilizar al público y/o potencial- mente a las autoridades políticas o gubernamentales. 249 Gabriela Pelayo (Chile), “Invisibilizadas”. La calle como medio para visibilizar lo invisible. 265 Oscar Mauricio Ardila (Colombia), Abierto, Cerrado y No-Programado. Arte y espacio público en el Festival de Performance de Cali 1997 – 2012. 279 Diana I. Ribas (Argentina), Cumpleaños infelices. Inter- venciones artísticas de resistencia en Bahía Blanca (Argen- tina, 2016). 295 Giovana Aparecida Zimermann (Brasil), Experiências em arte pública latino-americana. 311 Fernando Escobar Neira (Colombia), Representaciones de lo artístico, lo político y lo comunitario en dos interven- ciones en el espacio público de Bogotá y Medellín. 327 Ayelén Vásquez (Argentina), “Carteles de la memoria”: la ciudad de Buenos Aires señalada por la historia. 339 Thiago Bortolozzo da Silva (Brasil), Os tapumes in- visíveis, o contexto urbano de São Paulo como gerador da intervenção artística Empena Cega. 353 El muralismo como propuesta estético-política 369 Daniela Tomeo (Uruguay), Muralismo en instituciones de enseñanza montevideanas en los años treinta. 371 Almerinda da Silva Lopes (Brasil), História, Memória e Ironia no painel “Inconfidência Mineira” de João Câmara Filho (1986). 383 Roxana Cañedo Vela (México), La imagen que habito: ¿Es el Macromural de Palmitas en la ciudad de Pachuca, Hidalgo, una propuesta de pausa a la violencia? Una re- flexión del contexto desde el concepto de la no violencia de Judith Butler. 399 Dina Comisarenco Mirkin (México), Para recuperar las huellas del horror: el caso del ciclo mural Un clamor por → l a j u s t i c i a ( 2 0 0 6 - 2 0 0 9 ) d e R a f a e l C a u d u r o . 411 Magdalena Dardel Coronado (Chile), Claves para una reinterpretación política del Museo a Cielo Abierto de Valparaíso. 429 Natalia Pérez Torres (Colombia), Del graffiti al mura- lismo: transformaciones del arte público bogotano en tiempos de paz. 441 Elio Martucceli Casanova (Perú), La brigada muralis- ta. Una experiencia de muralismo participativo en el Perú. 455 Carmen Pereyra (Argentina), Muralismo y arte públi- c o - e s t a t a l e n l a C i u d a d d e B u e n o s A i r e s . 467 Presentación La historia cultural latinoamericana se enfrenta hoy a pensar los problemas de exclusión, desigualdad
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