Uneven and Combined Development: Modernity, Modernism, Revolution NEIL DAVIDSON
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Transnational Resistance Strategies and Subnational Concessions in Namibia's Police Zone, 1919-1962
Graduate Theses, Dissertations, and Problem Reports 2021 “Remov[e] Us From the Bondage of South Africa:” Transnational Resistance Strategies and Subnational Concessions in Namibia's Police Zone, 1919-1962 Michael R. Hogan West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the African History Commons Recommended Citation Hogan, Michael R., "“Remov[e] Us From the Bondage of South Africa:” Transnational Resistance Strategies and Subnational Concessions in Namibia's Police Zone, 1919-1962" (2021). Graduate Theses, Dissertations, and Problem Reports. 8264. https://researchrepository.wvu.edu/etd/8264 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. “Remov[e] Us From the Bondage of South Africa:” Transnational Resistance Strategies and Subnational Concessions in Namibia's Police Zone, 1919-1962 Michael Robert Hogan Dissertation submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy In History Robert M. -
Stalinism and Trotskyism in Vietnam
r Telegram: Defend the DRV-NLF! The following telegram was sent as the u.s. imperialists mined Haiphong harbor and the North Vietnamese coast. At the time Soviet bureaucrats were preparing to receive Nixon in Moscow just as their Chinese counterparts a few months earlier wined and dined him in Peking as he terror-bombed Vietnam. Embassy of the U.S.S.R. Washington, D.C. U.N. Mission of the People's Republic of China New York, N.Y. On behalf of the urgent revolutionary needs of the international working class and in accord with the inevitable aims of our future worker~ government in the United States, we demand that you immediately expand shipment of military supplies of the highest technical quality to the Democratic Republic of Vietnam and that you offer the DRV the fullest all sided assistance including necessary Russian-Chinese joint military collaboration. No other course will serve at this moment of savage imperialist escalation against the DRV and the Indochinese working people whose military victories have totally shattered the myths of the Vietnamization and pacification programs of Kennedy, Johnson and Nixon. signed: Political Bureau, Spartacist League of the U.S. 8 May 1972 copies to: D RV and N LF delegations, Paris -from Workers Vanguard No.9, June 1972 6 n p Stalinism and Trotskyism In• Vietnam ~···· l,~ ~ r SPARTACIST PUBLISHING co. Box 1377, G.P.O. New York, N.Y. 10001, U.S.A . • December 1976 Ho Chi Minh Ta Thu Thau CONTENTS CHAPTER I In Defense of Vietnamese Trotskyism (I:·: • >'~ Stalinism and Trotskyism in Vietnam ................... -
Retrieving Kant's Aesthetics for Art Theory After
8 Retrieving Kant’s Aesthetics for Art Theory After Greenberg Some Remarks on Arthur C. Danto and Thierry de Duve Diarmuid Costello The Fate of Aesthetics in Contemporary Art Theory In art theory since the early 1980s the discourse of aesthetics has been notable by its absence. Th is suggests that the majority of art theorists believe that the historical or conceptual limits of aesthetic theory have been breached by the internal development of art after modernism. But why would art theorists believe this? I n a n s w e r t o t h i s q u e s t i o n I s u g g e s t — I t a k e i t n o n c o n t r o v e r s i a l l y — t h a t the widespread marginalization of aesthetics in postmodern art theory may be attributed to the success of the art critic and theorist Clement Greenberg. In co- opting the discourse of (particularly Kantian) aesthetics to underwrite modernist theory, Greenberg mediated the art world’s sub- sequent rejection of both aesthetics in general and Immanuel Kant’s aes- thetics in par tic u lar. But one need only refl ect on the centrality for postmodern theory of anti- aesthetic fi gures like Marcel Duchamp or of movements (such as surrealism), marginalized in Greenberg’s account of “the best modern art,” to see that for all their antipathy to Greenberg, many postmodernist art theorists continue to operate with a broadly Greenbergian view of aesthetics—which is why, of course, they are forced to reject it. -
The Gordian Knot: Apartheid & the Unmaking of the Liberal World Order, 1960-1970
THE GORDIAN KNOT: APARTHEID & THE UNMAKING OF THE LIBERAL WORLD ORDER, 1960-1970 DISSERTATION Presented in Partial Fulfillment for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Ryan Irwin, B.A., M.A. History ***** The Ohio State University 2010 Dissertation Committee: Professor Peter Hahn Professor Robert McMahon Professor Kevin Boyle Professor Martha van Wyk © 2010 by Ryan Irwin All rights reserved. ABSTRACT This dissertation examines the apartheid debate from an international perspective. Positioned at the methodological intersection of intellectual and diplomatic history, it examines how, where, and why African nationalists, Afrikaner nationalists, and American liberals contested South Africa’s place in the global community in the 1960s. It uses this fight to explore the contradictions of international politics in the decade after second-wave decolonization. The apartheid debate was never at the center of global affairs in this period, but it rallied international opinions in ways that attached particular meanings to concepts of development, order, justice, and freedom. As such, the debate about South Africa provides a microcosm of the larger postcolonial moment, exposing the deep-seated differences between politicians and policymakers in the First and Third Worlds, as well as the paradoxical nature of change in the late twentieth century. This dissertation tells three interlocking stories. First, it charts the rise and fall of African nationalism. For a brief yet important moment in the early and mid-1960s, African nationalists felt genuinely that they could remake global norms in Africa’s image and abolish the ideology of white supremacy through U.N. -
Outline of a Sociological Theory of Art Perception∗
From: Pierre Bordieu The Field of Cultural Production: Essays on Art and Literature ©1984, Columbia University Press Part III: The Pure Gaze: Essays on Art, Chapter 8 Outline of a Sociological Theory of Art Perception∗ PIERRE BOURDIEU 1 Any art perception involves a conscious or unconscious deciphering operation. 1.1 An act of deciphering unrecognized as such, immediate and adequate ‘comprehension’, is possible and effective only in the special case in which the cultural code which makes the act of deciphering possible is immediately and completely mastered by the observer (in the form of cultivated ability or inclination) and merges with the cultural code which has rendered the work perceived possible. Erwin Panofsky observes that in Rogier van der Weyden’s painting The Three Magi we immediately perceive the representation of an apparition’ that of a child in whom we recognize ‘the Infant Jesus’. How do we know that this is an apparition? The halo of golden rays surrounding the child would not in itself be sufficient proof, because it is also found in representations of the nativity in which the Infant Jesus is ‘real’. We come to this conclusion because the child is hovering in mid-air without visible support, and we do so although the representation would scarcely have been different had the child been sitting on a pillow (as in the case of the model which Rogier van der Weyden probably used). But one can think of hundreds of pictures in which human beings, animals or inanimate objects appear to be hovering in mid-air, contrary to the law of gravity, yet without giving the impression of being apparitions. -
Freedom, Law, and the Republic
Scott, Paul Francis (2013) Freedom, law, and the republic. PhD thesis. http://theses.gla.ac.uk/4941/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Freedom, Law, and the Republic Paul Francis Scott LLB, LLM Submitted in fulfilment of the requirements for the Degree of PhD School of Law College of Social Sciences University of Glasgow July 2013 Abstract This thesis considers the question of human freedom through the lens of the revival of republican political theory that has taken place in recent decades. In its first part, it distinguishes between different strands of that revival and argues that one of these presents a variant of human freedom which more adequately captures the human condition than does the ideal of freedom traditionally endorsed by liberal thought. It then considers that question of freedom in relation to very fundamental questions of power, law, and the reasons for which we accept the existence of an organised public power in the first place, arguing that the individual finds himself trapped between, on one hand, threats to his freedom which are horizontal, emanating from private parties, and those which are vertical, arising from the apparatus of public power which exists in order to protect man from man. -
Mr Denis Macshane
House of Commons Committee on Standards and Privileges Mr Denis MacShane Second Report of Session 2012–13 Report and Appendices, together with formal minutes Ordered by the House of Commons to be printed 31 October 2012 HC 635 Published on 2 November 2012 by authority of the House of Commons London: The Stationery Office Limited £0.00 The Committee on Standards and Privileges The Committee on Standards and Privileges is appointed by the House of Commons to oversee the work of the Parliamentary Commissioner for Standards; to examine the arrangements proposed by the Commissioner for the compilation, maintenance and accessibility of the Register of Members’ Interests and any other registers of interest established by the House; to review from time to time the form and content of those registers; to consider any specific complaints made in relation to the registering or declaring of interests referred to it by the Commissioner; to consider any matter relating to the conduct of Members, including specific complaints in relation to alleged breaches in the Code of Conduct which have been drawn to the Committee’s attention by the Commissioner; and to recommend any modifications to the Code of Conduct as may from time to time appear to be necessary. Current membership Rt hon Kevin Barron MP (Labour, Rother Valley) (Chair) Sir Paul Beresford MP (Conservative, Mole Valley) Annette Brooke MP (Liberal Democrat, Mid Dorset and North Poole) Rt hon Tom Clarke MP (Labour, Coatbridge, Chryston and Bellshill) Mr Geoffrey Cox MP (Conservative, Torridge and West Devon) Matthew Hancock MP (Conservative, West Suffolk) Oliver Heald MP (Conservative, North East Hertfordshire) Julie Hilling MP (Labour, Bolton West) Heather Wheeler MP (Conservative, South Derbyshire) Dr Alan Whitehead MP (Labour, Southampton Test) Powers The constitution and powers of the Committee are set out in Standing Order No. -
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A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 2018 Behavioural Models for Identifying Authenticity in the Twitter Feeds of UK Members of Parliament A CONTENT ANALYSIS OF UK MPS’ TWEETS BETWEEN 2011 AND 2012; A LONGITUDINAL STUDY MARK MARGARETTEN Mark Stuart Margaretten Submitted for the degree of Doctor of PhilosoPhy at the University of Sussex June 2018 1 Table of Contents TABLE OF CONTENTS ........................................................................................................................ 1 DECLARATION .................................................................................................................................. 4 ACKNOWLEDGMENTS ...................................................................................................................... 5 FIGURES ........................................................................................................................................... 6 TABLES ............................................................................................................................................ -
The Bolshevil{S and the Chinese Revolution 1919-1927 Chinese Worlds
The Bolshevil{s and the Chinese Revolution 1919-1927 Chinese Worlds Chinese Worlds publishes high-quality scholarship, research monographs, and source collections on Chinese history and society from 1900 into the next century. "Worlds" signals the ethnic, cultural, and political multiformity and regional diversity of China, the cycles of unity and division through which China's modern history has passed, and recent research trends toward regional studies and local issues. It also signals that Chineseness is not contained within territorial borders overseas Chinese communities in all countries and regions are also "Chinese worlds". The editors see them as part of a political, economic, social, and cultural continuum that spans the Chinese mainland, Taiwan, Hong Kong, Macau, South East Asia, and the world. The focus of Chinese Worlds is on modern politics and society and history. It includes both history in its broader sweep and specialist monographs on Chinese politics, anthropology, political economy, sociology, education, and the social science aspects of culture and religions. The Literary Field of New Fourth Artny Twentieth-Century China Communist Resistance along the Edited by Michel Hockx Yangtze and the Huai, 1938-1941 Gregor Benton Chinese Business in Malaysia Accumulation, Ascendance, A Road is Made Accommodation Communism in Shanghai 1920-1927 Edmund Terence Gomez Steve Smith Internal and International Migration The Bolsheviks and the Chinese Chinese Perspectives Revolution 1919-1927 Edited by Frank N Pieke and Hein Mallee -
Rethinking Plato's Theory of Art: Aesthetics and the Timaeus
Rethinking Plato’s Theory of Art: Aesthetics and the Timaeus Omid Tofighian Introduction The Timaeus presents a fascinating account of the cosmos. It includes a creation myth that introduces the figure known as the ‘Demiurge’, who, despite the fact that he is the cause of the sensible world, is reverently attributed with reason, and whose creation – the cosmos – is actually beautiful and good. In this dialogue Plato offers his readers a panorama of the universe. But just what are his intentions for this? Is his approach a precursor to the methods of natural science,1 or does the Timaeus fall under the category of theology? This paper will discuss Plato’s cosmological treatise and certain consequences that can be drawn, that is, how the methods used to analyse the origins and structure of the universe reveal a more existential attitude towards aesthetics. In the Timaeus Plato explores the complexities of mimesis and entertains the possibility that imitation could actually exhibit ideal qualities. These considerations have repercussions for the status of the material world in Plato’s cosmology, but they may also be extended to rethink his theory of art. I wish to analyse a number of salient themes in the Timaeus such as ontology, mythic symbols and the use of rhetoric. I will demonstrate how Plato’s view towards these themes in the Timaeus can be extrapolated to reassess his aesthetics. My critical analysis will provoke the question – ‘What evaluation of art would Plato have offered in accordance with the positions explicated in the Timaeus?’ Upon investigating a number of dialogues, searching specifically for references to art or representation, I realised that certain views I had thought to be exclusive to the Timaeus, or other late dialogues, also featured in works as early as the Ion. -
READING REFERENCES JULY 2017 Library and Research
Council of the European Union General Secretariat READING REFERENCES JULY 2017 Library and Research SUMMER READING SUGGESTIONS Books are surely one of the most important travel companions. So if you hate to be at the seaside (or lakeside or poolside or in fact anywhere) without a book to hand, the Library and Research team recommends some great beach reads. Utopia for realists : and how we can get there / Rutger Bregman. London : Bloomsbury, 2017. 316 p. EN ISBN 9781408890264 Availability Central Library -- Main Collection -- 104304 A noted Dutch journalist and economist proposes an outline for a new worldwide Utopia, with central tenets including a shortened work week, a guaranteed basic income for all, wealth redistribution, and open borders everywhere. Naked diplomacy : power and statecraft in the digital age / Tom Fletcher London : William Collins, 2016. 310 p. EN ISBN 9780008127565 Availability Central Library -- Main Collection -- 103878 Who will be in power in the 21st century? Governments? Big business? Internet titans? And how do we influence the future? In the next 100 years, the world will need to deal with the same amount of social development witnessed in the last 43 centuries - from the rebirth of the city state, the battle for new energy, and disappearing borders, to the desire of the world's people to move to developed nations. Tom Fletcher explores the core principles of a progressive 21st century foreign policy: how to balance interventionism and national interest, use global governance to achieve national objectives and set out an agenda for representative international systems. 02 281 65 25 - [email protected] - JL 02 GH - Mon-Fri. -
Kant, Art, and Art History
Kant, Art, and Art History Moments of Discipline mark a. cheetham University of Toronto published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, uk 40 West 20th Street, New York, ny 10011-4211, usa 10 Stamford Road, Oakleigh, vic 3166, Australia Ruiz de Alarcon ´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org Mark A. Cheetham 2001 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2001 Printed in the United States of America Typeface Concorde 9.75/13 pt. System MagnaType [ag] A catalog record for this book is available from the British Library. Library of Congress Cataloging in Publication Data Cheetham, Mark A. (Mark Arthur), 1954– Kant, Art, and Art History: moments of discipline / Mark A. Cheetham. p. cm. Includes bibliographical references and index. isbn 0-521-80018-8 1. Kant, Immanuel, 1724–1804–Contributions in aesthetics. 2. Aesthetics, Modern. 3. Art–Philosophy. I. Title. b2799.A4 c48 2001 111′.85′092–dc21 00-063029 isbn 0 521 80018 8 hardback Contents Acknowledgments page ix 1 Introduction: Bo(a)rders 1 Why (Not) Kant? 7 Moments and Places of Discipline 11 Plasmatics 24 2 Place and Time: Kant in Rome, c. 1800 38 Kant in Rome 41 The Concurrency of Reception 45 The Politics of Beauty 52 3 The Genealogy of Authority: Kant and Art’s History in the Twentieth Century 67 “Immanent Meaning” and the Historicity of Art: 68 Panofsky and Kant Kant and Cubism Revisited 78 Clement Greenberg’s Strategic Formalism 87 4 The Sublime Is Now (Again): French Theory / International Art 101 Derrida’s Sublime 103 The Sublime Is Now (Again) 114 Scapes 124 The Limits of Pointing 130 Intimations of a Countersublime 136 vii contents 5 Kant’s Skull: Portraits and the Image of Philosophy, c.