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2007 January SIDDHI and SIDDHA
SRI RAMANA JYOTHI JANUARY TO DECEMBER - 2007 January SIDDHI AND SIDDHA : The power to subvert natural law through tapa is known as siddhi. When a tapasvin acquires siddhi , he comes to be known as siddha. Any human being can become a siddha if he can overpower the urge to respond to sensory stimuli. Once a siddha, a human being can do whatever he wills. According to Tantra , only men have the biology to ignite tapa and acquire siddhi. Only human male has control over his reproductive organs. Plants, animals and women shed their seed during pollution, heat and menstruation whether they want to or not. Hence they cannot retain rasa. Unfettered by the cycle of nature, a man can restrain his sexual urges, retain rasa , ignite tapa and acquire siddhi. – Devdutt Pattanaik SUBLIMATE DESIRES : Forced subjugation of desires can prove dangerous. In subduing desires, we allow them to make our subconscious mind home to unfulfilled desires. This, in turn, leads to mental distractions. The Lord says in the Gita , “Abstinence from food can keep sensual objects at bay, but not the desire or attachment to them.” The Ashwagosha says: “Your celibacy is of no avail if you are adulterous in mind”… Lure of senses increases with every additional consumption of sense-objects. Desire is like an internal chain reaction, which keeps repeating without a break. Fulfillment of one desire leads to many others. In fact, we do not consume objects of pleasure; rather it is the sense-objects that consume us… The solution to the problem is neither subjugation of desires nor free low of desires… It is normal human tendency to forego an inferior object when given a superior object. -
Shri Adishakti Puja
Shri Adishakti Puja Date : 1st August 1982 Place : Cheltenham Type : Puja Speech : English Language CONTENTS I Transcript English 02 - 04 Hindi - Marathi - II Translation English - Hindi - Marathi - ORIGINAL TRANSCRIPT ENGLISH TALK [Informally, before the speech/puja to some persons] Shri Mataji: Just help him, one person can't do it, somebody else. Marcus, Nick, anyone, just help him out, it's too much for one person, just help him, please. Alan, go and tell Bai to bring My handkerchief from My… I've got My pur– No, no, it's all right, it's here, with My purse have you brought it? Yes, it's here. Don't worry, don't worry! Man: Here's Your purse Mother. Shri Mataji: Have the Americans come, those who have done the Puja, have they come? Are they here? Man: Yes. Shri Mataji: Oh, they are here. Then it's all right. And, in these new centers, have you started with Puja anywhere? No, yours [speaks to a specific country/leader, maybe India – ed.] is all right, I'm asking about England. Gavin: Any centers in Britain, where there are new people…?]… Shri Mataji: Cheltenham, for example, where is Alan, ask him. A man speaks: He's just gone out for now.] Gavin: Any centers in Britain any new people here, right now? Shri Mataji: If you have introduced them to puja I don't mind, but if they have never been introduced to puja then you have to be careful. From their good point of view. I am sorry I had to say this, because yesterday the load was too much, you know I couldn't speak even and, lifting the Kundalini was like raising hundred donkeys on your head, it was too much. -
Jagdish Prasad Sunil Kumar
+91-9811192425 Jagdish Prasad Sunil Kumar https://www.indiamart.com/jpskmusicalstore/ Founded in 1965, Jagdish Prasad Sunil Kumar is the foremost manufacturer, wholesaler and supplier of Tabla Musical Instruments, Naal Drums and Shruti Box. About Us Founded in 1965, Jagdish Prasad Sunil Kumar is the foremost manufacturer, wholesaler and supplier of Tabla Musical Instruments, Harmonium Musical Instrument, Dhol Musical Instrument, Dholak Musical Instrument, Swarmandal Musical Instruments, Santur Musical Instruments, Tanpura Musical Instruments, Khanjari Musical Instruments, Electronic Banjos, Pakhawaj Drums, Djembe Drums, Khol Drums, Naal Drums and Shruti Box. Our products are extremely well-liked owing to their top features and nominal prices. These products are made by professional’s team employing the advanced techniques and best quality material, which is bought from trustworthy sellers of market. Professionals manufacture these products as per universal industry parameters. Being a customer’s centric organization, professionals also make these products according our client’s requirements and necessities. Due to huge distribution network, fair business polices and quality-centric approach, we have gained trust of our patrons. Apart from, we work under the leadership of our mentor Ashish Verma. Under his supervision our firm has attained heights of success. We also provide many facilities to the patrons to put their demands forward and get them solve timely and as per their requirements. For more information, please visit https://www.indiamart.com/jpskmusicalstore/profile.html -
YOGA INFLUENCE YOGA INFLUENCE English Version of YOGAPRABHAVA Discourse by Saint Gulabrao Maharaj on ‘Patanjala Yogasutra’
YOGA INFLUENCE YOGA INFLUENCE English Version of YOGAPRABHAVA Discourse by Saint Gulabrao Maharaj on ‘Patanjala Yogasutra’ Translated By Vasant Joshi Published by Vasant Joshi YOGA INFLUENCE YOGA INFLUENCE English Version of YOGAPRABHAVA Discourse by Saint Gulabrao Maharaj on ‘Patanjala Yogasutra’ * Self Published by: Vasant Joshi English Translator: Vasant Joshi © B-8, Sarasnagar, Siddhivinayak Society, Shukrawar Peth, Pune 411021. Mobile.: +91-9422024655 | Email : [email protected] * All rights reserved with English Translator No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical including photocopying recording or by any information storage and retrieval system, without permission in writing from the English Translator. * Typesetting and Formatting Books and Beyond Mrs Ujwala Marne New Ahire Gaon, Warje, Pune. Mobile. : +91-8805412827 / 7058084127 | Email: [email protected] * Preface by : Dr. Vijay Bhatkar, Chief Mentor, Multiversity. * Cover Design by : Aadity Ingawale * First Edition : 26th January 2021 YOGA INFLUENCE DEDICATED TO THE MEMORY OF G My Brother My Sister Late Prabhakar Joshi Late Sudha Natu yG y YOGA INFLUENCE INDEX Subject Page No. Part I Preface - Dr. Vijay Bhatkar I Prologue of English Translator - Vasant Joshi IV Acquaintance - Dr. K. M. Ghatate VI Autobiography of Saint Gulabrao Maharaj XLII Introduction - Rajeshwar Tripurwar LI Swami Bechiranand - Rajeshwar Tripurwar LVI Tribute - Vasant Joshi LIX Part II Chapter I : Introduction 4 to 37 Aphorism 1 to 22 Chapter II : God Meditation 38 to 163 Aphorism 23 to 33 Chpter III : Study 164 to 300 Aphorism 34 to 39 Chapter IV : Fruit of Yoga Study 301 to 357 Aphorism 40 to 44 Pious Behaviour Indication 358 to 362 Steps Perfection 363 to 370 Part III Appendix : Glossary of Technical Terms 373 to 395 References 396 G YOGA INFLUENCE PART I YOGA INFLUENCE INDEX Subject Page No. -
Few Translation of Works of Tamil Sidhas, Saints and Poets Contents
Few translation of works of Tamil Sidhas, Saints and Poets I belong to Kerala but I did study Tamil Language with great interest.Here is translation of random religious works That I have done Contents Few translation of works of Tamil Sidhas, Saints and Poets ................. 1 1.Thiruvalluvar’s Thirukkual ...................................................................... 7 2.Vaan chirappu .................................................................................... 9 3.Neethar Perumai .............................................................................. 11 4.Aran Valiyuruthal ............................................................................. 13 5.Yil Vazhkai ........................................................................................ 15 6. Vaazhkkai thunai nalam .................................................................. 18 7.Makkat peru ..................................................................................... 20 8.Anbudamai ....................................................................................... 21 9.Virunthombal ................................................................................... 23 10.Iniyavai kooral ............................................................................... 25 11.Chei nandri arithal ......................................................................... 28 12.Naduvu nilamai- ............................................................................. 29 13.Adakkamudamai ........................................................................... -
INDIA Transcript of Flavia Agnes Intervie
GLOBAL FEMINISMS: COMPARATIVE CASE STUDIES OF WOMEN’S ACTIVISM AND SCHOLARSHIP SITE: INDIA Transcript of Flavia Agnes Interviewer: Madhushree Datta Location: Mumbai, Maharashtra, India Date: 16-17 August, 2003 Language of Interview: English SPARROW Sound & Picture Archives for Research on Women B-32, Jeet Nagar, J.P. Road, Versova, Mumbai-400061 Tel: 2824 5958, 2826 8575 & 2632 8143 E-mail: [email protected] Website: www.sparrowonline.org Acknowledgments Global Feminisms: Comparative Case Studies of Women’s Activism and Scholarship was housed at the Institute for Research on Women and Gender at the University of Michigan (UM) in Ann Arbor, Michigan. The project was co-directed by Abigail Stewart, Jayati Lal and Kristin McGuire. The China site was housed at the China Women’s University in Beijing, China and directed by Wang Jinling and Zhang Jian, in collaboration with UM faculty member Wang Zheng. The India site was housed at the Sound and Picture Archives for Research on Women (SPARROW) in Mumbai, India and directed by C.S. Lakshmi, in collaboration with UM faculty members Jayati Lal and Abigail Stewart. The Poland site was housed at Fundacja Kobiet eFKa (Women’s Foundation eFKa) in Krakow, Poland and directed by Slawka Walczewska, in collaboration with UM faculty member Magdalena Zaborowska. The U.S. site was housed at the Institute for Research on Women and Gender at the University of Michigan in Ann Arbor, Michigan and directed by UM faculty member Elizabeth Cole. Graduate student interns on the project included Nicola Curtin, Kim Dorazio, Jana Haritatos, Helen Ho, Julianna Lee, Sumiao Li, Zakiya Luna, Leslie Marsh, Sridevi Nair, Justyna Pas, Rosa Peralta, Desdamona Rios and Ying Zhang. -
“Re-Rigging” the Vedas: Examining the Effects of Changing Education and Purity Standards and Political Influence on the Contemporary Hindu Priesthood
“Re-Rigging” the Vedas: Examining the Effects of Changing Education and Purity Standards and Political Influence on the Contemporary Hindu Priesthood Christine Shanaberger Religious Studies RST 490 David McMahan, advisor Submitted: May 4, 2006 Graduated: May 13, 2006 1 Introduction In the academic study of religion, we are often given impressions about a tradition that are textually accurate, but do not directly correspond with its practice amongst its devotees. Hinduism is one such tradition where scholarly work has been predominately textual and quite removed from practices “on the ground.” While most scholars recognize that many indigenous Hindu practices do not conform to the Brahmanical standards described in ancient Hindu texts, there has only recently been a movement to study the “popular,” non-Brahmanical traditions, let alone to look at the Brahmanical practice and its variance with ancient conventions. I have personally experienced this inconsistency between textual and popular Hinduism. After spending a semester in India, I quickly realized that my background in the study of Hinduism was, indeed, merely a background. I found myself re-learning aspects of the tradition and theology that I thought I had already understood and redefining the meaning of many practices as I learned of their practical application. Most importantly, I discovered that Hindu practices and beliefs are so diverse that I could never anticipate who would believe or practice in what way. I met many “modernized” Indians who both ignored and retained many orthodox elements of their traditions, priests who were unaware of even the most basic elements of Hindu mythology, and devotees who had no qualms engaging in both orthodox Brahmin and quite unorthodox non-Brahmin religious practices. -
The Indian Wedding for Dummies Indiansamourai 27-03-2014 Http
The Indian Wedding for Dummies The "Indian wedding" (I should say the Hindu wedding to be exact) has made the subject of numerous books, movies, visits to India. In short it’s an institution. I will try here to understand something to it! The Indian wedding for Dummies - 1. The arranged marriage Arranged marriage: and why not?! Let's make the distinction between arranged marriage and forced marriage. If I can de-dramatize arranged marriages (read below), it is impossible to do the same with forced marriages which are still widely practiced in India: 40% of women do not have a word in the choice of the husband, less than 20% of women (over 25) knew their husbands before the fateful day and worse, almost 50% of women have married before the legal age of 18 (source http://www.thehindu.com/news/national/many-women-have-no-say-in- marriage/article5801893.ece ). Which means that there are still thousands of people (Hindus) who, each year, follow the tradition and find out whom they are going spend the rest of their lives with only when they are already married: SURPRISE! As per the custom to groom arrives first, and his view is hidden with a bed sheet, which is removed once the bride is brought in by her maternal uncle and cousins and the consent of the parents exchanged. The bed sheet is simply a less sexy version (but more promising ;)) of the veil used in Catholic marriages, originally to hide the face of the bride (source http://www.le- mariage.com/traditions/ )). -
HINDU WEDDING by Dipti Desai All Images Provided by Dipti Desai Copyright 2006
2 HINDU WEDDING By Dipti Desai All images provided by Dipti Desai Copyright 2006 Published by Henna Page Publications, a division of TapDancing Lizard LLC 4237 Klein Ave. Stow, Ohio 44224 USA All rights reserved. Printed in the United States of America No part of this book may be used or reproduced in any manner without written permission except in the case of brief quotations embodied in critical articles or reviews. Henna artists may freely use these patterns as inspiration for their own hand-drawn henna work. Library of Congress Cataloging in-Publication Data Dipti Desai Hindu Wedding Henna Traditions Weddings Hindu Traditions Copyright © 2006 Dipti Desai Tapdancinglizard.com This book is provided to you free by The Henna Page and Mehandi.com 3 Hindu Wedding © 2006 Dipti Desai Terms of use: you must agree to these terms to download, print, and use this book. All rights reserved. Terms of use for personal use: You may not sell, offer for sale, exchange or otherwise transfer this publication without the express written permission of the publisher. You may make one (1) printed copy of this publication for your personal use. You may use the patterns as inspiration for hand rendered ephemeral body decoration. You may not sell, lend, give away or otherwise transfer this copy to any other person for any reason without the express written permission of the publisher. You may make one (1) electronic copy of this publication for archival purposes. Except for the one (1) permitted print copies and the one (1) archival copy, you may not make any other copy of this publication in whole or in part in any form without the express written permission of the publisher. -
Hindu Music in Bangkok: the Om Uma Devi Shiva Band
Volume 22, 2021 – Journal of Urban Culture Research Hindu Music In Bangkok: The Om Uma Devi Shiva Band Kumkom Pornprasit+ (Thailand) Abstract This research focuses on the Om Uma Devi Shiva, a Hindu band in Bangkok, which was founded by a group of acquainted Hindu Indian musicians living in Thailand. The band of seven musicians earns a living by performing ritual music in Bangkok and other provinces. Ram Kumar acts as the band’s manager, instructor and song composer. The instruments utilized in the band are the dholak drum, tabla drum, harmonium and cymbals. The members of Om Uma Devi Shiva band learned their musical knowledge from their ancestors along with music gurus in India. In order to pass on this knowledge to future generations they have set up music courses for both Indian and Thai youths. The Om Uma Devi Shiva band is an example of how to maintain and present one’s original cultural identity in a new social context. Keywords: Hindu Music, Om Uma Devi Shiva Band, Hindu Indian, Bangkok Music + Kumkom Pornprasit, Professor, Faculty of Fine and Applied Arts, Chulalongkorn University, Thailand. email: [email protected]. Received 6/3/21 – Revised 6/5/21 – Accepted 6/6/21 Volume 22, 2021 – Journal of Urban Culture Research Hindu Music In Bangkok… | 218 Introduction Bangkok is a metropolitan area in which people of different ethnic groups live together, weaving together their diverse ways of life. Hindu Indians, considered an important ethnic minority in Bangkok, came to settle in Bangkok during the late 18 century A.D. to early 19 century A.D. -
Page-2 -Obituary.Qxd (Page 2)
THURSDAY, MARCH 12, 2020 (PAGE 2) DAILY EXCELSIOR, JAMMU OBITUARIES MISCELLANEOUS D/L LOST I, Ranjit Kumar S/o Balraj R/o Rakh Hoshari Tehsil and Distt Kathua have lost my driving licence Bearing No. JK-0819960034039. I have applied for the issuance of duplicate of the same. Objections if any may be conveyed to RTO Kathua within one week. REMEMBRANCE Dear Mother, CHANGE OF NAME One year has passed when you I, Sarbjit Kaur Sudan, Spouse left us in grief and tears. But your of Satvir Singh resident of Ajit memory will always remain a Colony Camp Gole Gujral fresh in our hearts. Jammu have changed my name from Sarbjit Kaur Sudan May your soul rest in peace. to Sarbjeet Kour vide Affidavit GRIEF STRICKEN Smt. Laxmi Shorie Koul (Bhabi) W/o Lt. Sh T.N Koul No. BV403605 dated 28/9/19 Koul, Pandita & Raina Pariwar of Danter Anantnag (Kmr) before District Court Jammu. 9419147393/9897701573 CREMATION FIFTH DAY 10TH DAY WITH PROFOUND GRIEF AND SOR- With profound grief and sorrow, we inform ROW, WE INFORM THE SAD AND With profound grief and sor- the sad demise of our beloved Father UNTIMELY DEMISE OF SH SURESH row we inform the sad demise Sh. Tara Chand Thakur, Mukdam R/o CHANDER GUPTA S/O LATE SH PRABH KRIYA/ UTHALA of our beloved Smt. & Sh. Jankpur Dachhan A/p Bantalab, Jammu. DAYAL GUPTA R/O AKHNOOR. With profound grief & sorrow Ved Parkash & Ram Pyari CREMATION WILL TAKE PLACE AT HARI 10th Day will be performed on 14th of R/o 171, Kalli Janni, Jammu. -
Why I Became a Hindu
Why I became a Hindu Parama Karuna Devi published by Jagannatha Vallabha Vedic Research Center Copyright © 2018 Parama Karuna Devi All rights reserved Title ID: 8916295 ISBN-13: 978-1724611147 ISBN-10: 1724611143 published by: Jagannatha Vallabha Vedic Research Center Website: www.jagannathavallabha.com Anyone wishing to submit questions, observations, objections or further information, useful in improving the contents of this book, is welcome to contact the author: E-mail: [email protected] phone: +91 (India) 94373 00906 Please note: direct contact data such as email and phone numbers may change due to events of force majeure, so please keep an eye on the updated information on the website. Table of contents Preface 7 My work 9 My experience 12 Why Hinduism is better 18 Fundamental teachings of Hinduism 21 A definition of Hinduism 29 The problem of castes 31 The importance of Bhakti 34 The need for a Guru 39 Can someone become a Hindu? 43 Historical examples 45 Hinduism in the world 52 Conversions in modern times 56 Individuals who embraced Hindu beliefs 61 Hindu revival 68 Dayananda Saraswati and Arya Samaj 73 Shraddhananda Swami 75 Sarla Bedi 75 Pandurang Shastri Athavale 75 Chattampi Swamikal 76 Narayana Guru 77 Navajyothi Sree Karunakara Guru 78 Swami Bhoomananda Tirtha 79 Ramakrishna Paramahamsa 79 Sarada Devi 80 Golap Ma 81 Rama Tirtha Swami 81 Niranjanananda Swami 81 Vireshwarananda Swami 82 Rudrananda Swami 82 Swahananda Swami 82 Narayanananda Swami 83 Vivekananda Swami and Ramakrishna Math 83 Sister Nivedita