Focus Focus Con Proby Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Focus Focus Con Proby mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Focus Con Proby Country: Portugal Released: 1977 Style: Art Rock, Prog Rock MP3 version RAR size: 1831 mb FLAC version RAR size: 1856 mb WMA version RAR size: 1388 mb Rating: 4.6 Votes: 523 Other Formats: ASF MP1 AIFF AU VOX XM WMA Tracklist A1 Wingless A2 Orion A3 Night Flight A4 Eddy A5 Sneezing Bull B1 Brother B2 Tokyo Rose B3 Maximum B4 How Long Credits Acoustic Guitar – Philip Catherine (tracks: A5) Bass – Bert Ruiter Design – Jacques Heere Drums – Steve Smith Engineer – Jan van Vrijaldenhoven, Mike Stavrou Flute – Thijs Van Leer (tracks: A5) Keyboards, Synthesizer – Thijs Van Leer (tracks: A1 to A4, B1 to B4) Lead Guitar – Eef Albers (tracks: A1 to A4, B2), Philip Catherine (tracks: A5, B3, B4) Producer – Yde De Jong Rhythm Guitar – Eef Albers (tracks: B4), Philip Catherine (tracks: A1 to A3, B1) Vocals – P.J. Proby (tracks: A1, A4, B1, B2, B4) Written-By – Bert Ruiter (tracks: B3), Eef Albers (tracks: A2, A3), Philip Catherine (tracks: A5), Roselie Van Leer (tracks: A1, A4, B1, B2, B4), Thijs Van Leer (tracks: A1, A4, B1, B3, B4) Barcode and Other Identifiers Rights Society: STEMRA Other versions Category Artist Title (Format) Label Category Country Year Focus Con Proby* - Focus Con 5C 064-25713 Focus Con Proby (LP, EMI 5C 064-25713 Netherlands 1977 Proby* Album) Focus Con Proby (LP, ST-11721 Focus Harvest ST-11721 Canada 1978 Album) Focus Con Proby* - MH-7299 / Focus Con MH-7299 / Focus Con Proby (LP, Pop Taiwan Unknown 7113508 Proby* 7113508 Album, Uno) Focus Con Proby* - CDM 7 48339 Focus Con CDM 7 48339 Focus Con Proby EMI Europe Unknown 2 Proby* 2 (CD, Album, RE) Focus Con Proby* - Focus Con 2S 068/25713 Focus Con Proby (LP, Sonopresse 2S 068/25713 France 1977 Proby* Album) Related Music albums to Focus Con Proby by Focus Focus - Focus II Focus - Mother Focus Cyril Havermans - Cyril Focus - At The Rainbow Thijs Van Leer - I'm Not In Love Focus - Focus 3 Thijs Van Leer - Introspection Thijs Van Leer - O My Love Focus - Moving Waves Focus - Hamburger Concerto.

Copy Link

Recommended publications

Philip Catherine
PHILIP CATHERINE Sinds de jaren '60 is Philip Catherine één van de vooraanstaande figuren van de Europese jazzscène. Zijn samenwerking met jazzgrootheden zoals Chet Baker, Tom Harrell, NHOP, Stéphane Grappelli, Larry Coryell, Dexter Gordon, Charles Mingus, zijn unieke stijl en klankkleur alsook zijn ongebreidelde inzet voor de muziek zijn van een niet te miskennen invloed geweest op de ontwikkeling van de Europese jazz. Hij is net 18 jaar oud wanneer hij met het Lou Bennett trio op tournee door Europa trekt. In 1971 wordt hij door Jean-Luc Ponty gevraagd om mee te spelen in diens kwintet. Dat jaar verschijnt ook de eerste plaat onder zijn naam ‘Stream ’, gevolgd door de albums " September Man " en " Guitars " in 1974-75. Jazzliefhebbers uit de hele wereld ontdekken een nieuwe ster aan het jazzfirmament: een jonge, virtuoze gitarist die ook een begenadigd componist blijkt te zijn. Thema’s als ‘Homecomings’ en ‘Nairam’ zijn ondertussen beroemd geworden. Philip Catherine heeft meer dan 20 platen uitgebracht onder zijn naam en tevens talrijke opnames met artiesten van alle horizonten, van Chet Baker via Dexter Gordon tot de cultband Focus. De plaat ‘ Transparence ’ uit ’86 werd een bestseller en is tegelijk ook één van Philip’s uitverkoren opnames. Daarop volgen begin jaren ’90 twee schitterende cd’s met trompettist Tom Harrell : Moods Vol.I en II . In ’97 tekent Philip Catherine bij het jazzlabel Dreyfus Records. Zijn eerste cd voor dit platenlabel, “ Philip Catherine- Live ” is meteen ook het eerste live-album uit zijn discografie. De jazzkritiek is uiterst enthusiast. De Cd krijgt o.m. een 4 ½ ster-vermelding in “Down Beat” in de V.S.
[Show full text]
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society.
[Show full text]
Download Villager Autumn 21 .Pdf
NEWS & VIEWS F R E E C O P Y AUTUMN EDITION 20 21 E H T Farncombe Villa er ST JOHN’S PARISH CHURCH g A GREAT VILLAGE SHOW MORE PICTURES WITH PRIZE WINNERS ON PAGE 6 Having missed out last year, it was a welcome relief to be able to church (among them a very popular cake stall!) It was heartening to meet up again to compare notes about our gardens and their varied see so many people enjoying the occasion and catching up with produce. There were some fine specimens on show but also a few friends in a comparatively normal situation. gaps where some flowers, fruit and vegetables had not produced Congratulations to all those who took part and many thanks to the their usual crops – the lack of asters and the problems of tomato organisers for a most enjoyable Show. If you missed this year’s event blight in particular were common topics of conversation. do keep a lookout for news of next August’s Show and start planning This year we had the additional attraction of a variety of stalls in the your entries soon. John Nothing beats a real Log Fire K. SHEPHERD & SON DELIVER RIGHT TO YOUR DOOR CALL: 01483 428 956 or 07860 698 655 The Villager is sponsored by K Shepherd & Son FOR A FREE QUOTE TREE SURGEONS PLEASE CALL 01483 428956 Page 2 The Villager Godalming’s Local Independent Agent Celebrating over 25 years successfully selling! Property to sell in Godalming or the Villages? Simran’s Post Office & Con venience Store ‘Your Local Independent Store’ ‘Here when you need us’ Monday-Saturday 5.30am - 8.00pm Sunday 5.30am - 1.00pm • Local Post Office
[Show full text]
Philip Catherine Interview Par Manuel Hermia Bruxelles, Juin 2013
PHILIP CATHERINE INTERview PAR MANUEL HERMIA BRUXELLES, JUIN 2013 © Wim Van Eesbeek 1 PHILIP CATHERINE FÊTE CETTE ANNÉE SES 70 ANS . EN TOURNÉE AVEC SON NOUVEAU QUARTET , VOUS POURREZ L'ÉCOUTER AU LEFFE JAZZ NIGHTS EN JUILLET ET AU FESTIVAL JAZZ IN 'T PARK EN SEPTEMBRE . UNE INTERVIEW PLEINE DE GÉNÉROSITÉ ! NOUVEAU CD Côté Jardin (Challenge Records - CHR70178 - novembre 2012) > www.philipcatherine.com NOM Catherine Bonjour Philip. J'ai envie de commencer par une PRéNOM Philip question vraiment générale sur ton style. On dit NAISSANCE 1942 toujours que tu es un grand lyrique. Cela a-t-il INSTRUMENTS Guitare été une volonté de ta part de vouloir toujours FORMATION Cours avec José Marly, Jo Van Wetter, rester proche de la mélodie ou est-ce une pro- Mick Goodrick, 9 mois de guitare classique chez Nicolas pension naturelle ? Alfonso, Berklee College of Music D'abord, ce n'est pas quelque chose que je travaille. Sans doute que c'est naturel, mais il est possible que PROJETS ACTUELS Philip Catherine quartet avec Nicola Andrioli, Philippe Aerts et Antoine Pierre, duo avec Nicola je fasse le choix de m'inspirer de musiciens qui sont Andrioli, trio orgue (Fin) avec Mikko Heleva et Mikka, trio lyriques. Ce n'est pas un choix réfléchi. Mes priorités orgue (Esp) avec Phil Wilkinson et Esteve Pi, duo avec étaient plutôt le swing, l'improvisation et la qualité Martin Wind, soliste avec le BJO / De temps en temps : des improvisations pour qu'elles soient mélodiques trio avec Bert Joris et Philippe Aerts, duo avec Bert Van den Brink et duo avec Larry Coryell quand même, je le reconnais.
[Show full text]
Don Airey …………………………………………………………… 40 - 44
1 Los teclistas del rock Indice 1.- Rick Wakeman ………………………………………………………… 2 - 4 2.- Keith Emerson ………………………………………………………… 5 - 8 3.- Jon Lord …………………………………………………………………. 9 - 12 4.- Peter Bardens ………………………………………………………… 13 - 15 5.- Tony Banks ……………………………………………………………. 16 - 20 6.- Richard Wright ………………………………………………………. 21 - 24 7.- Dave Greenslade …………………………………………………… 25 - 31 8.- Thijs Van Leer ……………………………………………………….. 32 - 35 9.- Ray Manzarek ………………………………………………………. 36 - 39 10.- Don Airey …………………………………………………………… 40 - 44 11.- Jordan Rudess ……………………………………………………. 45 - 49 12.- Patrick Moraz …………………………………………………….. 50 - 53 13.- Eddie Jobson ……………………………………………………… 54 - 58 2 Rick Wakeman Cuando Ángel me propuso colaborar con este excelente blog no tenía muy claro sobre que podía basarse mi participación en ZRS. Estuve meditando durante un tiempo hasta que la iluminación llego a mi mente y recordé cuales fueron mis orígenes en la música. Hace ya mucho tiempo, cuando era un adolescente, entre en el mundo del rock de la mano de lo que en aquella época se llamaba “rock sinfónico”. Mi fascinación por este género era total y el instrumento que me imaginaba tocando eran los teclados, con el tiempo comprendí que no tenía capacidad para asumir semejante tarea. Hablar de sintetizadores, órganos, mellotrones, etc, para mí sería un placer pero entiendo que para la mayoría de los mortales podría suponer un gran dolor de cabeza. Por todo ello creo que mi colaboración puede versar sobre los teclistas del rock. RICK WAKEMAN No pretendo contar exhaustivamente la obra y milagros de este genio, eso sería muy largo y tedioso, simplemente daré unas pinceladas sobre su trayectoria basándome en mi experiencia. Rick Wakeman nació en 1,949 en Perivale, Londres, y como era de esperar estudio diversos instrumentos entre ellos el piano, pero el bueno de Rick era un inconformista y no se regía por los cánones clásicos por lo cual fue expulsado del Royal College Music.
[Show full text]
'Helikon' Was Also a Favourite of Zbyszek Seifert's. Both His Quartet
man of the light. THE LIFE AND WORK OF ZBIGNIEW SEIFERT The ‘Helikon’ was also a favourite of Zbyszek Seifert’s. Both his quartet and (later) Stańko’s quintet held their rehearsals there, and that’s where he played his first jazz concerts. It was in this club that he met jazz musicians and fans. As its musicians became more and more popular, the Jazz-Club found it could not seat all the audience and so concerts began to be held in other places. Nonetheless, the first steps on the ensemble’s career path were inextricably linked with that magical place. Jazz-Club “Helikon”. From left: barmaid, NN, Jan Jarczyk, Zbigniew Seifert, Jan Gonciarczyk, Adam Matyszkowicz. Archive of Małgorzata Seifert Jazz-Club “Helikon” membership card. Archive of Małgorzata Seifert 36 The music studies and Jazz Ensembles The Career of the Zbigniew Seifert Quartet The Quartet’s official debut took place in November, 1965, during the th14 Cracow Jazz Festival, the so-called Cracow All Souls Jazz Festival at Krzysztofory, where the jam sessions were held. Andrzej Jaroszewski enthusiastically hailed their performance as foreshadowing the coming of a new generation of jazz musicians, the debut of a modern jazz band. In a brochure entitled “Cracow Jazz Festival – 14th Edition”, Krzysztof Sadowski wrote: On Friday evening the second debutant was Zbigniew Seifert, an alto sax player influenced by John Coltrane and Zbigniew Namysłowski. From the latter, he took the pure intonation and confident presentation of frequently complicated melodic phrases. Especially in the theme of McCoy Tyner’s “Three Flowers” the whole ensemble gave us a sample of solid modern jazz.
[Show full text]
Singles 1970 to 1983
AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD.
[Show full text]
Download (1MB)
University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts.
[Show full text]
2007-08 Undergraduate Course Catalog
Course Catalog UMKC 2007-08 Undergraduate Catalog (1.0) June 12, 2007 2 Contents Course Catalog . 5 Accordion . 5 Accounting . 5 American Studies . 5 Anthropology . 6 Arabic . 7 Architectural Studies . 7 Art and Art History . 7 Art History . 11 Arts and Sciences . 11 Bassoon . 13 Biology . 13 Business Administration . 14 Business Decision Sciences . 14 Business Information Systems . 14 Business Management and Administration . 14 Cello . 15 Chemistry . 15 Chinese . 16 Civil Engineering . 16 Clarinet . 17 Classical and Ancient Studies . 18 Communication Studies . 19 Computer Science . 21 Conservatory . 22 Counseling Psychology and Counselor Education . 28 Criminal Justice and Criminology . 28 Curriculum and Instruction . 29 Dance . 29 Decision Science and Operations Management . 30 Dental Hygiene . 31 Economics . 33 Education . 35 Electrical and Computer Engineering . 35 English . 38 Entrepreneurship . 43 Environmental Science . 44 Environmental Studies . 44 Euphonium . 44 Finance . 44 Flute . 45 Foreign Language . 45 French . 45 Geography . 47 Geology . 48 German . 50 Greek . 51 Guitar . 51 Harp . 51 Harpsichord . 51 Health Administration . 51 Hebrew . 51 History . 52 Horn . 56 Information Technology . 56 Italian . 57 Latin . 57 Life Sciences . 57 Life Sciences - Anatomy . 58 Life Sciences - Biochemistry . 58 Life Sciences - Microbiology . 59 Life Sciences - Physiology . 59 3 CONTENTS Management . 59 Management Information Systems . 60 Marketing . 60 Mathematics . 60 Mechanical Engineering . 62 Military Science . 63 Nursing . 64 Oboe . 67 Organ . 68 PACE - American Studies . 68 PACE - Art and Art History . 68 PACE - Arts and Sciences . 68 PACE - Chemistry . 68 PACE - Communication and Information Technology . 68 PACE - Communication Studies . 69 PACE - Criminal Justice and Criminology . 69 PACE - Economics . 69 PACE - English . 70 PACE - History . 70 PACE - Humanities .
[Show full text]
Focusing on Current's Past
Current Focus Vol. 1, No.1 A student publication of Emmanuel College February 1993 Focusing on Current's Past: A New Beginning by Valerie Greenwood The Current Focus is, by far, not At this time the funding for the funding source, student sub and publication was indeed pos the first newspaper here at paper was provided by student sub scription s, were insufficient and sible, but the people who headed Emmanuel. Several newspapers scriptions. rapidly diminishing. In addi the newspaper were graduating have been published under many The early seventies reflected a time tion to the lack of funds, there and leaving campus. The Focus editors who had different goals. in which the newspaper staff's opin was a lack of determined staff followed in their footsteps and did Former editor, .Mary Goodhue, ions were published although the writers. Publication ceased. not return for two years. wrote her thesis paper on the his staff did not represent the majority The student literary magazine The aim of Focus II, which began tory of Emmanuel College's of Emmanuel's student opinions. made a donation to the Focus in publication in the fall of 1974, was newspapers. Her thesis has pro Ironically, the editors of this time the spring of 1971, and once to inform students about women's vided me with valuable informa period claimed the primary func again a student newspaper was issues. It's goal was "to insure tion for researching this article. tion of the paper was to "inform a facet of Emmanuel College. student news, opinions and ideas The first official student newspa students responsibly through The donated funds provided for would be effectively communi per, the Focus, was published in clearly defined news stories".
[Show full text]
Pop/Rock, Soul, Rap, Reggae, Electronica Etc
POP, ROCK mm. på CD & LP Kulturbibliotekets vinylsamling: Pop/rock, Soul, Rap, Reggae, Electronica etc. 10 000 MANIACS P 2063 In my tribe ........................................................................................................... 1987 10cc P 642 Sheet music ......................................................................................................... 1974 P 156 The original soundtrack ....................................................................................... 1975 P 84 How dare you! ..................................................................................................... 1976 P 175 Deceptive bends .................................................................................................. 1977 P 518 Live and let live .................................................................................................... 1977 P 197 Bloody tourists ..................................................................................................... 1980 801 P 212 Listen now ........................................................................................................... 1975-77 P 124 801 Live ........................................................................................................... 1976 2020-07-28 POP, ROCK mm. på CD & LP Kulturbibliotekets vinylsamling: Pop/rock, Soul, Rap, Reggae, Electronica etc. A CERTAIN RATIO P 2047 To each... ........................................................................................................... 1981 P 1222 Sextet
[Show full text]
EURASIA MAILORDER Prog List 2021/8/2 Updated How to Order
EURASIA MAILORDER Prog List 2021/9/1 updated How to Order 0.720 ALEACION [SAME] (MEX / PRIVATE / 86 / WI) EX/EX USD 61 / EURO52 14 BIS [A IDADE DA LUZ] (BRA / EMI / 82 / WI) EX/EX USD 34 / EURO29 14 BIS [ALEM PARAISO] (BRA / EMI / 82 / WI) EX/EX USD 34 / EURO29 14 BIS [ESPELHO DAS AGUAS] (BRA / EMI / 81 / WI) EX/EX USD 34 / EURO29 14 BIS [II] (BRA / EMI / 80 / WI) EX/EX USD 34 / EURO29 14 BIS [SAME] (BRA / EMI / 79 / ) EX/EX USD 34 / EURO29 14 BIS [SETE] (BRA / EMI / 82 / WI) EX/EX USD 34 / EURO29 1979 IL CONCERTO [V.A.] (ITA / CRAMPS / 79 / 2LP/FOC) EX/EX USD 34 / EURO29 220 VOLT [MIND OVER MUSCLE] (HOL / CBS / 85 / WI) EX/EX USD 25 / EURO21 5 U U'S [SAME] (US / PRIVATE / 86 / WI/WB) M-/EX USD 34 / EURO29 A BARCA DO SOL [PIRATA] (BRA / PRIVATE / 79 / ) EX/EX USD 90 / EURO76 A BARCA DO SOL [SAME] (BRA / CONTINENTAL / 74 / ) EX/EX USD 151 / EURO127 A BOLHA [E PROIBIDO FUMAR] (BRA / POLYDOR / 77 / FOC) EX-/VG+ USD 70 / EURO59 A BOLHA [UM PASSO A FRENTE] (BRA / CONTINENTAL / 73 / FOC) EX/EX USD 288 / EURO242 A THINKING PLAGUE [SAME] (US / ENDEMIC MUSIC / 84 / WI) EX+/EX- USD 79 / EURO67 A. ASPELUND / L.MUGARULA [KARIBU] (FIN / DELTA / 76 / WI) M-/M- USD 34 / EURO29 ABACUS [EVERYTHING YOU NEED] (GER / GREEN TREE RECORDS / 12 / RE) M/M USD 16 / EURO14 ABACUS [SAME] (GER / POLYDOR / 71 / ) EX+/EX- USD 169 / EURO142 ABISSI INFINITI [TUNNEL] (ITA / KNIGHTS / 81 / FOC) EX+/EX USD 225 / EURO189 ABISSI INFINITI [TUNNEL] (ITA / KNIGHTS / 81 / FOC) EX+/EX USD 198 / EURO167 ABUS DANGEREUX [LE QUATRIEME MOUVEMENT] (FRA / AJ RECORD / 80 / ) EX/EX USD
[Show full text]