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Boston Symphony Orchestra Concert Programs, Season 19, 1899

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mm PIANOFORTES WERE FOUND WORTHY OF A HIGHER DISTINCTION THAN ALL OTHERS AT THE Philadelphia National Export Exposition, iS99* The Mason & Hamlin Pianos received the very Highest Honors, and were the only pianos to receive such at the Philadelphia National Export Exposition; for in the case of the Mason & Hamlin Pianos the Jury of Awards did not rest by giving the Highest Medal in their power, but, finding these instruments so distinguished by their tone quality and general su- periority as to place them in a class by themselves, the Jury referred them to the Committee of Science and Arts of the Franklin Institute of Philadelphia, specially recommending that an extra exceptional Medal be bestowed. The Pianofortes of no other maker were recog- nized by the Jury of Awards as meriting this signal distinction. A complete stock of these instruments may be seen at the ware rooms of M. Steinert & Sons Co., New England Representatives. Boston Symphony Orchestra* MUSIC HALL, BOSTON, NINETEENTH SEASON. j* j* J> J899-J900. & J- J> WILHELM GERICKE, Conductor. PROGRAMME OF THE SIXTEENTH REHEARSAL and CONCERT WITH HISTORICAL AND DESCRIPTIVE NOTES BY WILLIAM F. APTHORP. & S FRIDAY AFTERNOON, FEBRUARY J 6, AT 2.30 O'CLOCK. SATURDAY EVENING, FEBRUARY 17, AT 8.00 O'CLOCK. PUBLISHED BY C. A. ELLIS, MANAGER. (601) Steinway & Sons, Manufacturers of Grand and Upright PIANOS. Steinway & Sons beg to announce that they have been officially ap. pointed by patents and diplomas, which are displayed for public inspection at their warerooms, manufacturers to His Majesty, NICHOLAS IL, THE CZAR OF RUSSIA. His Majesty, WILLIAM IL, THE EMPEROR OF GERMANY. His Majesty, FRANZ JOSEPH, EMPEROR OF AUSTRIA and KING OF HUNGARY. Her Majesty, VICTORIA, QUEEN OF GREAT BRITAIN. Their Royal Highnesses, THE PRINCE AND PRINCESS OF WALES, and THE DUKE OF EDINBURGH. His Majesty, OSCAR IL, KING OF SWEDEN AND NORWAY. His Majesty, UMBERTO I., THE KING OF ITALY. His Majesty, MOUSAFFER-EL-DIN, THE SHAH OF PERSIA. Her Majesty, THE QUEEN REGENT OF SPAIN. Illustrated catalogues mailed free upon application. STEI/NWAY & SONS, Warerooms, Steinway Hall, = - 109-111 East 14th Street, New York. H. STEINERT & SONS CO., New England Representatives, 162 Boylston Street, Boston. (602) NINETEENTH SEASON, 1899-1900. Sixteenth Rehearsal and Concert* FRIDAY AFTERNOON, FEBRUARY \6t at 2.30 o'clock. SATURDAY EVENING, FEBRUARY *7, at 8.00 o'clock. PROGRAMME. Hector Berlioz - - - - Overture to " King Lear," Op. 4 Felix Mendelssohn-Bartholdy Concerto for Violin, in E minor, Op. 64 I. Allegro molto appassionato (B minor) - - 2-2 II. Andante (C major) ------ 6-8 III. Allegretto non troppo (E minor) - - - 4-4 Allegro molto vivace (E major) - 4-4 u Cesar Franck - - - The Aeolidae," Symphonic Poem (First time In Boston.) Johannes Brahms - - - Symphony No. 2, in D major, Op. 73 I. Allegro non troppo (D major) - 3-4 II. Adagio non troppo (B major) - - - - 4 4 III. Allegretto grazioso, quasi Andantino (G major) 3-4 IV. Allegro con spirito (D major) - - - 2-2 SOLOIST: Miss LEONORA JACKSON. There will he no Public Rehearsal and Concert next week* Patrons unable to remain until the close of the concert are politely requested to leave the hall during a pause in the programme. Ladies in the audience will confer a favour on those occupying; seats behind them if they will remove their hats. (603) L P. HOLLANDER & CO. NEW SILKS. We shall exhibit Monday a choice collection of Printed Crepe Meteore. Printed Foulards. Printed Satin Liberty. Persian and Dentelle Louisines, Fancy Taffetas, etc. Sole American Agents of LE CORSET DE M1LO. St.CI airs1 The Next Public Rehearsal Should be followed by a visit to ST CLAIR'S, Cornet of Temple Place and Washington Street, where Absolutely Fresh Chocolates and Caramels Await you. (604) Overture to " King Lear," Opus 4. Hector Berlioz, (Born at la Cote-Saint-Andre, Isere, France, on Dec. n, 1803; died in Paris on March 9, 1S69.) • This overture was written at Nice and Rome in May, 183 1, and first performed at the Conservatoire in Paris under Habeneck's direction, on December 9, 1832. It was Berlioz's first work on a Shaksperean subject. The following account of how this overture was written is given by Berlioz himself in his Memoires : — And here I am, breathing in the balmy air of Nice to the full extent of my lungs; here are life and joy flying toward me, music kissing me, and the future smilling upon me ; and I stop in Nice a whole month, wandering through the orange-groves, diving in the sea, sleeping on the mountain heaths of Villafranca, looking from those radiant heights at the ships coming, passing by, and silently vanishing in the distance. I live wholly alone, and write the overture to King Lear. I sing. I believe in God. Con- valescence has set in. It is thus that I passed in Nice the happiest twenty days of my life ; O Nizza! But the police of the king of Sardinia came again to disturb my peaceful happiness and to force me to put an end to it. I had at last exchanged a few words with two officers of the Piedmontese garrison at the cafe ; I even played a game of billiards with them one day ; that was enough to inspire the chief of police with grave suspicions on my account. " Evidently this young French musician has not come to Nice to attend the perform- ances of Matilda di Sabran" (the only work that was to be heard there then), "for he never goes to the theatre. He spends whole days on the rocks of Villafranca ... he is expecting a signal from some revolutionary vessel ... he does not dine, at least not at the table cThdte . .so as to avoid insidious conversations with secret agents. We see him secretly leaguing himself with the heads of our regiments ... he is going to enter upon negotiations with them in the name of Young Italy ; it is clear as day, a, most " flagrant case of conspiracy ! great man! profound politician ! Go to, thou art raving mad! 1 am summoned to the police office and put through a formal investigation : " " What are you doing here, sir ? DYSPEPSIA Horsford's Acid Phosphate. It relieves nervous and sick headache, the sense of fulness, distress and pain in the stomach after meals, and prevents acidity of the stomach; makes the process of digestion natural and easy, and creates a good appetite. Taken before retiring, quiets the nerves and induces refreshing sleep. Genuine bears name Horsford's on wrapper. Never sold in bulk. For sale by Druggists. ON$. Shirt Waist Goods* MADRAS and CHEVIOT SHIRT- INGS and WASHABLE SILKS just received from London. <£ <£ & <£ <£ We are now taking orders for future delivery. Entirely new ideas in Shirt Waist styles. Discount on orders for sets 01 SIS* *&* c^* 10* 10* 10* 10* 10* 10* 10* 10* 256 BOYLSTON STREET, BOSTON. GIFTS FOR EVERY OCCASION, Articles for Card Prizes. Jewelry for Personal Adornment Suggestions: Hair Ornaments, Pulley Belts, Chatelaines, Finger Purses, Are in much demand. And the New Japanese Fans are very dainty* The newest things can always be found at A. STOWELL & COMPANY, (INCORPORATED) 24 WINTER STREET, (606) " : "I am getting over the effects of a cruel illness; I compose, dream, thank God for making so beautiful a sun, such a sightly sea, such green mountains." " " You are not a painter ? " No, sir." " But you are to be seen everywhere with an album in your hand, drawing a great " are making plans ? deal ; perhaps you "Yes, I am making plans for an overture to King Lear; that is to say, I have already drawn up the plan, for the design and instrumentation are finished ; I even think that the opening will be formidable." " " How the opening ? Who is this King Lear? " Alas, sir! He is a good old fellow who was king of England." "England!" " Who lived, according to Shakspere, some eighteen hundred years ago, and was weak enough to divide his kingdom between two rascally daughters, who turned him out of doors when he had no more left to give them. You see, there are few kings ." who . " We are not talking of kings ! . What do you understand by the word instrumen- tation ? " It's a musical term." " Always the same pretext ! I know very well, sir, that people don't go about com- posing music in that way, without a pianoforte, with nothing but an album and a pencil, walking up and down the beach ! So please to tell me where you intend going, and your passport will be delivered to you ; you must not stay in Nice any longer." " Then I will go back to Rome, arid continue composing without a pianoforte, with your permission." So it was done. I left Nice the next day, very much against my will, it is true, but with a light heart and full of allegria, thoroughly alive, and thoroughly cured. The slow introduction (Andante non iroppo lento, ma maestoso, in 4-4 time) begins with a stern, powerful phrase in the violas, 'celli, and double- basses, which somehow reminds one of Lear's Go, tell the duke and 's wife, I'd speak with them, Now, presently : bid them come forth and hear me, Or at their chamber door I'll beat the drum, Till it cry sleep to death, CLAYTON JOHNS' NEW WORKS FOR PIANO Songs of Love and Nature. FORTE TEACHERS. Price, $1.00. "Very charming and attractive is the new album o* Carl Stasny. Finger Training, $2.00 ' Songs of Love and Nature,' by Clayton Johns, pub" Carl Faelten. Staff Reader (a lished by Mr.
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  • Ornette Coleman and Harmolodics by Matt Lavelle

    Ornette Coleman and Harmolodics by Matt Lavelle

    Ornette Coleman and Harmolodics by Matt Lavelle A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written and approved under the direction of Dr. Henry Martin ________________________ Newark, New Jersey May 2019 © 2019 Matt Lavelle ALL RIGHTS RESERVED ABSTRACT Ornette Coleman stands as one of the most significant innovators in jazz history. The purpose of my thesis is to show where his innovations came from, how his music functions, and how it impacted other innovators around him. I also delved into the more controversial aspects of his music. At the core of his process was a very personal philosophical and musical theory he invented which he called Harmolodics. Harmolodics was derived from the music of Charlie Parker and Coleman’s need to challenge conventional Western music theory in pursuit of providing direct links between music, nature, and humanity. To build a foundation I research Coleman’s development prior to his famous debut at the Five Spot, focusing on evidence of a direct connection to Charlie Parker. I examine his use of instruments he played other than his primary use of the alto saxophone. His relationships with the piano, guitar, and the musicians that played them are then examined. I then research his use of the bass and drums, and the musicians that played them, so vital to his music. I follow with documentation of the string quartets, woodwind ensembles, and symphonic work, much of which was never recorded.