Portfolio Cover

Total Page:16

File Type:pdf, Size:1020Kb

Portfolio Cover Alexander Tate Portfolio City of Ipswich Transport Plan Transport City of Ipswich Figure 3: iGO Elements Scope Ipswich Community Plan i2031 iGO is a strategic transport plan for Ipswich that considers all modes of land Integrated Transport & transport. Movement Theme iGO is aimed at the citywide level with a longer term (20+ iGO is a high level aspirational document that provides Public year) focus. It includes the following elements: overarching direction and guidance for the formulation of Transport more detailed planning activities in the future. It is not ● Land use / transport integration (including urban form aimed at the individual property level, will not provide Active & density); answers to specific locality issues and does not deal Transport with immediate / short term operational matters on the ● Public transport (trains, buses and taxis); existing transport network. ● Active travel (pedestrians and cyclists); ● Road network (highways, arterials, and local streets); It should be noted that Council does not operate the public transport network. Nor does Council have the ● Freight; financial capacity, resources and expertise to implement ● Parking; many of the outcomes of iGO by itself. As such, for iGO to be a success, it will require partnerships with the ● Travel demand management; and Australian and Queensland Government to provide quality ● Transport economics & investment; public transport, roads, walking and cycling facilities. Road Network Thus Council will use iGO as its blueprint to assist with advocating for funding of major transport projects and securing improved train and bus services to promote travel behaviour change. Parking Land Use and Transport City of Ipswich Integration IPSWICH CITY COUNCIL Transport Plan PO Box 191 Ipswich Freight Queensland 4305 Australia www.ipswich.qld.gov.au Travel Demand Management Connecting SEQ 2031 Economics June 2016 14 iGO: Moving Ipswich Forward. City of Ipswich Transport Plan 15 CyclistsCyclists FigureFigure 15: 15: Categories Categories of of Cyclists Cyclists and and their their Characteristics Characteristics LessLess than than 1% 1% of of trips trips are are currently currently made made by by bicycle bicycle inin Ipswich. Ipswich. SimilarSimilar toto pedestrians,pedestrians, therethere areare generallygenerally acceptedaccepted PrimaryPrimary school school children children distancesdistances that that cyclists cyclists can can travel travel in in a agiven given timeframe. timeframe. CognitiveCognitive skills skills not not developed, developed, little little SecondarySecondary school school children children AtAt a acomfortable comfortable cycling cycling speed speed of of 15km/hour, 15km/hour, a atrip trip of of knowledgeknowledge of of road road rules, rules, require require SkillSkill varies,varies, developingdeveloping 5km5km becomes becomes an an easy easy 20 20 minute minute bicycle bicycle ride ride for for most most supervision.supervision. UsesUses off-roadoff-road path, path, confidence.confidence. GenerallyGenerally use use people.people. Having Having said said this, this, there there is isalso also a awide wide range range of of footpathfootpath oror veryvery lowlow volumevolume on-roadon-road facilities facilities or or off-road off-road abilityability between between cyclists cyclists and and the the needs needs of of different different types types residentialresidential street. street. pathspaths where where available. available. ofof cyclist cyclist vary vary considerably. considerably. Figure Figure 15 15 summarises summarises different different categoriescategories of of cyclists, cyclists, their their characteristics characteristics and and desired desired ridingriding environment. environment. RecreationalRecreational Experience, age and skills vary greatly. Desire TheThe National National Cycling Cycling Participation Participation Survey Survey undertaken undertaken by by Experience, age and skills vary greatly. Desire off-road paths and quiet local streets. Avoid heavily thethe Australian Australian Bicycle Bicycle Council Council in in 2011 2011 found found that that 20% 20% of of off-road paths and quiet local streets. Avoid heavily trafficked routes. More experienced riders will prefer IpswichIpswich residents residents ride ride a abicycle bicycle during during a atypical typical week week and and trafficked routes. More experienced riders will prefer to use road system for long journeys. 28%28% of of Ipswich Ipswich residents residents ride ride in in a atypical typical month. month. Of Of those those to use road system for long journeys. whowho ride ride regularly, regularly, 84% 84% of of cyclists cyclists ride ride for for recreation, recreation, 7% 7% rideride to to commute commute and and 6% 6% for for education education purposes. purposes. TheThe Queensland Queensland Cycle Cycle Strategy Strategy identifies identifies that that the the top top CommuterCommuter sixsix things things people people consider consider important important when when choosing choosing a a VaryVary in in age, age, skill skill and and fitness, fitness, some some highly highly transporttransport mode mode are are the the same same between between a cyclistsa cyclists and and driver, driver, skilledskilled and and able able to to handle handle a avariety variety of of asas shown shown in in Table Table 12. 12. Therefore Therefore current current bicycle bicycle uptake uptake in in traffictraffic conditions. conditions. Some Some prefer prefer paths paths or or IpswichIpswich is isconsidered considered to to be be impacted impacted on on by by factors factors such such lowlow stress stress roads roads and and are are willing willing to to take take asas trip trip lengths lengths greater greater than than the the ‘cycle ‘cycle catchment’, catchment’, safety, safety, longerlonger to to get get to to destination. destination. Others Others want want climate,climate, topography, topography, inadequate inadequate infrastructure, infrastructure, barriers, barriers, a aquick quick trip trip regardless regardless of of traffic traffic conditions. conditions. easeease of of private private vehicle vehicle use use and and parking parking supply. supply. PrimarilyPrimarily require require space space to to ride ride and and smooth smooth ridingriding surface, surface, to to maintain maintain speed. speed. SportingSporting OftenOften inin groups,groups, twotwo abreastabreast occupyingoccupying leftleft lane,lane, with with needs needs similar similar “ When“ When I seeI see an an adult adult on on a abicycle, bicycle, I doI do toto commuters.commuters. TravelTravel notnot despair despair for for the the human human race.” race.” longlong distances distances in in training training TouringTouring UtilityUtility onon arterials. arterials. May May include include LongLong distancedistance journeys,journeys, RideRide for for specific specific purposes purposes (shopping), (shopping), short short length length H.H. G. G. Wells Wells challenging terrain in maymay be be heavily heavily equipped, equipped, trips,trips, routes routes unpredictable. unpredictable. Not Not on on highly highly trafficked trafficked AuthorAuthor challenging terrain in outerouter urbanurban oror ruralrural somesome travelling travelling in in groups. groups. roads.roads. Needs Needs include include comprehensive, comprehensive, low low stress stress areas.areas. Generally Generally do do not not OftenOften route route is issimilar similar to to routesroutes and and appropriate appropriate end end of of trip trip facilities. facilities. rideride off-road off-road because because of of thatthat of of other other tourists. tourists. highhigh speed speed and and conflict conflict withwith other other users. users. Source:Source: Austroads Austroads (2014), (2014), Guide Guide to to Traffic Traffic Management Management Part Part 4: 4: Network Network Management Management 6969 iGO: iGO: Moving Moving Ipswich Ipswich Forward Forward 7070 Client : Ipswich City Council As senior designer on Ipswich City Council’s Transport Plan, otherwise known as iGO. I worked closely with marketing, editorial and various internal stakeholders with responsibilities for all aspects of design and print. From initial brief to finished art, re-touching photographs, undertaking all pre-press, print and digital production management. CASTLE HILL Picture Your Story! (BLACKSTONE HILL) Let your imagination fly with Storybird TRAIL CARE DAY Use your own words to unlock the story inside some beautiful illustrations, and • Join trail building professional create your online storybook! Peter Wilson from Trailworx to work on new trail features For young people, • Be part of a new Trail 10 years and above. Alliance and help shape the future of MTB trails in Ipswich Cool prizes to be won. Book in now! • BBQ lunch will be provided Tuesday, 30 June 2015 Redbank Plains Library Moreton Avenue 9.30 am - 11.00 am Thursday, 2 July 2015 Community Training Room Ipswich Central Library 40 South Street, Ipswich 2.00 pm - 3.30 pm Saturday, 20 June FREE HANDS-ON SESSION 9.00 am - 1.00 pm, BOOKINGS ESSENTIAL 7B Mary Street, Blackstone Ipswich Central Library (07) 3810 6815 Redbank Plains Library (07) 3810 6887 Meet at the Quarry, entry from Mary Street near the railway tracks. or book online www.library.ipswich.qld.gov.au/events NEVER MISS YOUR BIN DAY AGAIN! Download the new Ipswich Bin App to find out when your rubbish bin gets collected and if it’s your recycling or green waste week. 36 To download, please visit www.ipswich.qld.gov.au/ipswichbinapp
Recommended publications
  • Manic Street Preachers Tornano Con Un Nuovo Disco, Intitolato Futurology, in Uscita L'8 Manic Street Preachers Luglio 2014
    LUNEDì 28 APRILE 2014 A soli nove mesi di distanza dall'acclamato Rewind The Film (top 5 nel Regno Unito), undicesimo album da studio della band, i Manic Street Preachers tornano con un nuovo disco, intitolato Futurology, in uscita l'8 Manic Street Preachers luglio 2014. Futurology, il nuovo album, in uscita l'8 luglio. Registrati ai leggendari Hansa Studios di Berlino e al Faster, lo studio dei In concerto in Italia il 2 giugno 2014 al RocK In Manics a Cardiff, i tredici brani che compongono l'album vedono la band Idro di Bologna gallese in forma smagliante, addirittura esplosiva. Uno stacco netto rispetto al disco precedente, ma sempre all'insegna di uno stile inconfondibile. LA REDAZIONE Il primo singolo estratto è "Walk Me To The Bridge", dalle chiare influenze europee. In una recente conversazione con John Doran di Quietus, Nicky Wire ha parlato del testo del brano, che ha cominciato a prendere forma qualche anno fa. "Qualcuno penserà che la canzone contenga tanti riferimenti a Richey Edwards, ma in realtà parla del ponte di Øresund che collega la Svezia alla Danimarca. Tanto tempo fa, quando [email protected] attraversavamo quel ponte, stavo perdendo entusiasmo per le cose e SPETTACOLINEWS.IT pensavo di lasciare la band (il "fatal friend"). 'Walk Me To The Bridge' parla dei ponti che ti consentono di vivere un'esperienza extracorporea quando lasci un luogo per raggiungerne un altro". Secondo James Dean Bradfield, il brano è "una canzone ideale per i viaggi in auto, dal sapore squisitamente europeo e carica di tensione emotiva, con sintetizzatori in stile primi Simple Minds e un assolo di chitarra Ebow alla 'Heroes'".
    [Show full text]
  • The Daily Egyptian, February 22, 1979
    Southern Illinois University Carbondale OpenSIUC February 1979 Daily Egyptian 1979 2-22-1979 The aiD ly Egyptian, February 22, 1979 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_February1979 Volume 60, Issue 106 Recommended Citation , . "The aiD ly Egyptian, February 22, 1979." (Feb 1979). This Article is brought to you for free and open access by the Daily Egyptian 1979 at OpenSIUC. It has been accepted for inclusion in February 1979 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. yus 'Daily 13gyptian 'Bode "- Thursday fe~ru"":, 22. 1979 Vol 60 No. 106 Southern Illinois University ('as says aCl'MilatiGII mea.. ,_ SIV diploma will g.t you a job willi .., company your aDl''' is prf'Sidf'Dt 01. ""If"'f~ ,,,,- n's' PrPparing for "·flInHd.y', ".art-Exi" coneert lipts, wltile KeaD, Ban.. '" Phy•• ' pram iroa­ lahove" warl.n ... a "cherry picker" 10 worker, slands rroady to lend a ltand. AddiDl'GII, sUPf'"ise the raising '" &he m ...1 "Uice work who Ita. Itud... Uldlts and ,ound for H.art COlI­ which holds lite light, nrrllllDding lite ,lage. c.rlI for two yean, was a'"-& 111ft' ., ill lhe air. Joln... y Adding.... lrighU, ""art's "rigg.r," hanp .ltic.... ay be GIIe reuGII he laY' he ca.', gf't life fl"Olll die ceili.,1Ift1lriD1 cables lItat Itold up tile iIIs ....ace. ISlaff PIlote by Pilil Ballkester) Accreditation team eyes new systelD IWUI,JI 1o 1J(·(·P/~I By Doaua Kukel system so the team could form a single A sell-study report.
    [Show full text]
  • Manic Street Preachers Pubblicano "Futurology"
    LUNEDì 7 LUGLIO 2014 A quasi un anno di distanza dall'acclamato "Rewind The Film" (top 5 nel Regno Unito), undicesimo album da studio della band, i Manic Street Preachers tornano con un nuovo disco, intitolato "Futurology", in uscita Manic Street Preachers l'8 luglio 2014, prodotto dal gruppo insieme a Loz Williams e Alex Silva pubblicano "Futurology" (The Holy Bible) e registrato ai leggendari Hansa Studios di Berlino e al Faster di Cardiff, lo studio dei Manics. Il nuovo album, in uscita domani 8 luglio I brani che compongono l'album, già recensito positivamente dalle riviste inglesi, vedono la band gallese in forma smagliante, addirittura esplosiva ma sempre all'insegna di uno stile inconfondibile. Il cd viene LA REDAZIONE pubblicato in digitale e versione fisica, quest'ultima si potrà trovare in vendita in formato standard (13 brani ed un libretto di 12 pagine) e deluxe (il cd standard + 1 cd con le versioni demo di tutte le 13 canzoni, oltre a 3 bonus tracks: "Blistered Mirrors" - "Empty Motorcade" - "The Last Time I Saw Paris" ed un libretto composto da 24 pagine). Il primo singolo estratto è "Walk Me To The Bridge". "Un brano carico di [email protected] tensione emotiva, con sintetizzatori in stile primi Simple Minds" dice SPETTACOLINEWS.IT Nicky Wire e parlando del testo racconta: "Qualcuno penserà che la canzone contenga tanti riferimenti a Richey Edwards, ma in realtà parla del ponte di Øresund che collega la Svezia alla Danimarca. Tanto tempo fa, quando attraversavamo quel ponte, stavo perdendo entusiasmo per le cose e pensavo di lasciare la band (il "fatal friend").
    [Show full text]
  • Rhagair / Foreword
    Charity Number: 232672 Rhagair / Foreword Ar ran Canolfan Cymry Llundain mae hi’n fraint i’ch croesawu i Ŵyl Lenyddiaeth gyntaf Cymry Llundain. Mae’n benllanw misoedd o waith paratoi ac yn ddechrau ar rhywbeth arbennig iawn ar Grays Inn Road. Mae rhaglen yr ŵyl yn gyfoethog, amrywiol ac unigryw. Hyderaf y byddwch wedi eich plesio gan yr arlwy gyda chyfleoedd i ystyried, trafod, dadlau, ac yn fwy na dim i fwynhau. Mae’r ŵyl yn adlewyrchiad o amcanion ehangach Canolfan Cymry Llundain. Mae teitl dydd Sadwrn ‘From Wales, Bloomsbury and beyond’ yn amlygu pa mor unigryw yw ein lleoliad. Gyntaf oll, rydym yn gartref balch i Gymry Llundain. Rydym hefyd yn ganolfan gymunedol sydd â rôl bwysig yn lleol. Awn ymhellach nag unrhyw linell ddaearyddol hefyd. Mae ein drysau yn agored i bawb sydd am fwynhau a gwerthfawrogi ein cartref beth bynnag fo’u cefndir, ffydd neu hil. Mae gennym gynlluniau uchelgeisiol ar gyfer ein Canolfan ac mae digwyddiadau fel Gŵyl Lenyddiaeth Cymry Llundain yn hanfodol i gynaladwyedd y cynlluniau yma. Mae hwn yn gam diwylliannol a strategol bwysig i ni. Diolch am ymuno ar y daith. Mae hydref prysur iawn o’n blaenau yn y Ganolfan. Mae manylion y digwyddiadau yn y rhaglen hon ac ar ein gwefan. Mae modd cefnogi ein gwaith trwy danysgrifio i’r Ganolfan neu drwy roi arian i’n helusen gwerth-chweil. Byddwch yn rhan o rywbeth gwych ac unigryw. Edrychwn ymlaen i rannu gyda chi yng Ngŵyl Lenyddiaeth gyntaf Cymry Llundain – digwyddiad wirioneddol gofiadwy! On behalf of the London Welsh Centre it is an honour to welcome you to the inaugural London Welsh Literature Festival.
    [Show full text]
  • Nr Kat EAN Code Artist Title Nośnik Liczba Nośników Data Premiery Repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl
    nr kat EAN code artist title nośnik liczba nośników data premiery repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl Longplay 33 1/3 2 2018-04-27 HEAVYMETAL/HARDROCK 19075816432 190758164328 '77 Bright Gloom CD Longplay 1 2018-04-27 HEAVYMETAL/HARDROCK 9985848 5051099858480 '77 Nothing's Gonna Stop Us CD Longplay 1 2015-10-30 HEAVYMETAL/HARDROCK 88697636262 886976362621 *NSYNC The Collection CD Longplay 1 2010-02-01 POP 88875025882 888750258823 *NSYNC The Essential *NSYNC CD Longplay 2 2014-11-11 POP 19075906532 190759065327 00 Fleming, John & Aly & Fila Future Sound of Egypt 550 CD Longplay 2 2018-11-09 DISCO/DANCE 88875143462 888751434622 12 Cellisten der Berliner Philharmoniker, Die Hora Cero CD Longplay 1 2016-06-10 CLASSICAL 88697919802 886979198029 2CELLOS 2CELLOS CD Longplay 1 2011-07-04 CLASSICAL 88843087812 888430878129 2CELLOS Celloverse CD Longplay 1 2015-01-27 CLASSICAL 88875052342 888750523426 2CELLOS Celloverse CD Longplay 2 2015-01-27 CLASSICAL 88725409442 887254094425 2CELLOS In2ition CD Longplay 1 2013-01-08 CLASSICAL 19075869722 190758697222 2CELLOS Let There Be Cello CD Longplay 1 2018-10-19 CLASSICAL 88883745419 888837454193 2CELLOS Live at Arena Zagreb DVD Video Longplay 1 2013-11-05 CLASSICAL 88985349122 889853491223 2CELLOS Score CD Longplay 1 2017-03-17 CLASSICAL 88985461102 889854611026 2CELLOS Score (Deluxe Edition) CD Longplay 2 2017-08-25 CLASSICAL 19075818232 190758182322 4 Times Baroque Caught in Italian Virtuosity CD Longplay 1 2018-03-09 CLASSICAL 88985330932 889853309320 9ELECTRIC The Damaged Ones
    [Show full text]
  • Media Pack Final December E
    Music Coverage At a Glance The Skinny has a wide ranging music policy, Our Readers always on the look out for the newest emerg- listen to music every day The Lovely Bones 98% cHVRcHES are a bona fide Scottish synth-pop phenomenon – as they ing stars alongside supporting the acts that prepare to release debut album The Bones Of What You Believe, we Interview: Bram E. Gieben talk gear-packing Tetris, growing up in public, and expelling half-truths Photography: Eoin Carey o call CHVRCHES’ rise to fame meteoric is to presence – it is a process that is still ongoing. have a special place in our hearts. Tunderestimate – in an age of instant one-hit “This is the first band where the vocals have been rate Music as the most-read wonders, it might have seemed tempting to dis- my sole thing,” she explains. “It was a learning 91% miss them on the basis of the hype that followed curve, figuring out what the possibilities were the internet-only release of Lies back in May last with the live set, and becoming comfortable with year. Now, as the band prepare to release their not really giving a shit what other people think first album The Bones of What You Believe, coming about your performance. Because a lot of people section off the back of an extensive bout of touring which have a lot of opinions. I’m just trying to figure it saw them hone their sound and performance out, and I guess there was that aspect of ‘growing with gigs across Europe, the US and Asia, the up in public’ to an extent.” world is finally going to be in a position to judge “That’s something that we’ve all gone them on their merits.
    [Show full text]
  • THE PHOTOGRAPHIC EYE Learning to See with a Camera
    REVISED EDITION THE PHOTOGRAPHIC EYE Learning to See with a Camera Michael F. O'Brien & Norman Sibley THE PHOTOGRAPHIC EYE Learning to See with a Camera Michael E O'Brien & Norman Sibley Davis Publications, Inc., Worcester, Massachusetts Copyright 1995 Davis Publications, Inc. Worcester, Massachusetts U.S.A. To the photography students of Seoul American High School, past, present and future. No part of this work may be repro- duced or transmitted in any form or by any means, electronic or mechan- ical, including photocopying and re- cording, or by any information storage or retrieval system without the prior written permission of the copyright owner, unless such copy- ing is expressly permitted by federal copyright law. Davis is not autho- rized to grant permission for further uses of copyrighted selections or im- ages reprinted in this text without the permission of their owners. Permis- sion must be obtained from the indi- vidual copyright owners as identified herein. Address requests for permis- sion to make copies of Davis mate- rial to Permissions, Davis Publi- cations, Inc., 50 Portland Street, Worcester, MA 01608. Editor: Claire Mowbray Golding Design: Greta D. Sibley Printed in the United States of America Library of Congress Catalog Card Student photograph by Gregory Conrad. Number: 93-74644 ISBN: 0-87192-283-5 1098 765 Cover: Student photograph by Leah Gendler. 4 The Photographic Eye Contents 7 Introduction Part 1 Getting Started 11 Chapter 1 From Blurs to Big Business History • Photographic Careers Part 2 Elements of Composition 35 Chapter 2 Tools Manual or Automatic? • The Camera, Inside & Out • Exercises: Testing the Shutter & Aperture • Loading Film 51 Chapter 3 What is Composition? Snapshots vs.
    [Show full text]
  • Passages Westward
    Passages Westward Edited by Maria Lähteenmäki & Hanna Snellman Studia Fennica Ethnologica Artikkelin nimi Studia Fennica Ethnologica 9 1 T F L S (SKS) was founded in 1831 and has, from the very beginning, engaged in publishing operations. It nowadays publishes literature in the elds of ethnology and folkloristics, linguistics, literary research and cultural history. e rst volume of the Studia Fennica series appeared in 1933. Since 1992, the series has been divided into three thematic subseries: Ethnologica, Folkloristica and Linguistica. Two additional subseries were formed in 2002, Historica and Litteraria. e subseries Anthropologica was formed in 2007. In addition to its publishing activities, the Finnish Literature Society maintains research activities and infrastructures, an archive containing folklore and literary collections, a research library and promotes Finnish literature abroad. Studia Fennica Editorial board Anna-Leena Siikala Markku Haakana Pauli Kettunen Leena Kirstinä Teppo Korhonen Johanna Ilmakunnas .. E O SKS P.O. Box 259 FI-00171 Helsinki www.nlit. Artikkelin nimi Passages Westward Edited by Maria Lähteenmäki & Hanna Snellman Finnish Literature Society • Helsinki 3 Studia Fennica Ethnologica 9 The publication has undergone a peer review. © 2006 Maria Lähteenmäki, Hanna Snellman and SKS License CC-BY-NC-ND 4.0 International A digital edition of a printed book first published in 2006 by the Finnish Literature Society. Cover Design: Timo Numminen EPUB: Tero Salmén ISBN 978-951-858-065-5 (Print) ISBN 978-951-858-067-9 (PDF) ISBN 978-951-858-066-2 (EPUB) ISSN 0085-6835 (Studia Fennica) ISSN 1235-1954 (Studia Fennica Ethnlogica) DOI: http://dx.doi.org/10.21435/sfe.9 This work is licensed under a Creative Commons CC-BY-NC-ND 4.0 International License.
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • MUSIC REPORT 04 the DIGITAL MARKET TAKES SHAPE in 2005 04 Digital Music Expands Worldwide
    IFPI:06 DIGITAL MUSIC REPORT 04 THE DIGITAL MARKET TAKES SHAPE IN 2005 04 Digital music expands worldwide 07 GETTING MUSIC TO CONSUMERS IN MORE WAYS 07 Distribution channels diversify 07 Video boosts digital music 08 The record company investment 09 The marketing opportunity 09 Digital-only labels emerge 09 The new digital intermediaries 10 MOBILE MUSIC SHOWS ITS POTENTIAL 10 Mobile music spreads globally 11 From ringtones to ‘real music’ 11 Music drives 3G 12 The handset market 12 The future of mobile music 14 IN THE PIPELINE: LEGITIMATE P2P, DIGITAL RADIO & PODCASTING 14 Legitimate P2P 14 Digital Radio 14 Podcasting 15 MUSIC CONSUMPTION IS CHANGING 15 New IFPI research spotlights the consumer 15 Digital music versus the CD 15 The power of portability 16 CONFRONTING THE CHALLENGES 16 Internet piracy: the biggest obstacle 16 Digital stream ripping: the next big challenge 17 The call to ISPs 18 COURTS IMPROVE THE LANDSCAPE 18 Courts rule against illegal P2P 18 Shutting down ‘piracy havens’ 20 CONTAINING ILLEGAL FILE-SHARING 20 Deterrence: legal actions against file-sharers 20 Education 21 Is the fight against piracy working? 21 Changing attitudes 22 DRM & INTEROPERABILITY: THE KEYS TO FUTURE GROWTH 22 The challenge for DRM 22 Interoperability: a key priority 23 WHAT DIGITAL MUSIC OFFERS THE CONSUMER DIGITAL MUSIC REPORT 2006 PAGE 02 MUSIC – A KEY DRIVER OF THE DIGITAL ECONOMY A new wave of digital commerce, from mobile to broadband, is rolling out worldwide – and music is driving it. At the same time the industry is helping “Music is not only the most transform the experience of the music fan.
    [Show full text]
  • Graphics and Media Production Course Code: Msm-503 Author: Mr
    Graphics & Media Production MSM-503 SUBJECT: GRAPHICS AND MEDIA PRODUCTION COURSE CODE: MSM-503 AUTHOR: MR. ABHISHEK SAINI LESSON NO.: 1 VETTER: MR. AROHIT GOYAT CONCEPT AND PHILOSOPHY OF GRAPHICS AND PRODUCTION STRUCTURE 1.0 Learning Objectives 1.1 Introduction 1.2 Graphics 1.1.1 Application of Graphics 1.1.2 Visual Arts 1.1.3 Communication Art 1.1.4 Graphic Arts and Production 1.1.5 Functions of Graphic Communication 1.1.6 Print Production 1.2 Check Your Progress 1.3 Summary 1.4 Keywords 1.5 Self-AssessmentTest 1.6 Answers to Check Your Progress 1.7 References/Suggested Readings 1.0 LEARNING OBJECTIVES After going through this lesson, you will be able to: Define theConcept of Graphic Communication. Acquaint about Print Production aspects. Determine the concept of Conventional Printing Technologies. Identify different printing like Relief Printing, Offset Printing, Gravure Printing, Screen Printing, Non-Impact Printing, Inkjet Printing, Electrophotography Printing and Thermography Printing. 1.1 INTRODUCTION DDE, GJUS&T, Hisar 1 | Graphics & Media Production MSM-503 Graphics and art means different things to different people. In Indian philosophy, art is satyam, shivamand sundaram. Satyam truth, shivam is that which does good to all and sunderam is beauty. Art touches us every day and everywhere-at home, at school and on the street. Art is both the process and the product of man’s creativity, it is an experience. All of these concept can be expressed in a single statement: Science is rational objective analysis; art is emotional subjective synthesis. A graphic is an image or visual representation of an object.
    [Show full text]
  • Digital Music Report 2012 Expanding Choice
    Digital Music Report 2012 Expanding Choice. Going Global Digital Music Report 2012 Contents Introduction 3 Focus on France 20 n Plácido Domingo, chairman, IFPI n Hadopi: “Positive impact for years to come” n Frances Moore, chief executive, IFPI n The independent’s view: Innovation and “meaningful sanctions” Artist voices 5 Focus on the US 21 Digital Music: Expanding Choice. n ISP agreement and strong digital growth Going Global 6 n Executive Summary Focus on South Korea 22 n Global digital growth rate accelerates n A continuing success n The global top selling digital singles of 2011 n Access or ownership? You choose Developing a legitimate business in China 23 n Global expansion n Major record companies license Baidu n Progress against piracy n Intermediaries have a key role Protecting content online: Intermediaries step up 24 The business models of digital music 10 n Search engines should link to legal music n Downloads break through borders n Advertising: Cutting the funds to piracy n Digital album demand alive and kicking n Payment providers act on illegal sites n The rise of subscription n Hosting providers: A key partner n Subscription reaches new consumers n Bundling music – a route to the mass market Self-Help: Anti-piracy enforcement n Internet radio continued to expand and education 26 n Music video meets strong consumer demand n Tackling the pre-release hackers n Public education: a long term commitment The art of digital marketing 14 n A Guide to Music, Film, TV and the Internet Piracy: Improved cooperation from Digital Music
    [Show full text]