Report 2020 Corporate Social Responsibility
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Anthropology (Ant) 101 Introduction to Anthropology General Elective S1 902 102 Intro to Cultural Anthropology Anth 220; Society & Culture S1 901N
MORTON COLLEGE CATALOG YEAR: 2019–2020 NIU CATALOG: 2021–2022 DATE: JULY 2021 CALENDAR: SEMESTER AA/AS DEGREES: 62 HRS PAGE 1 of 8 EFFECTIVE FOR COURSES TAKEN FALL 2021, SPRING 2022, AND SUMMER 2022 COMMUNITY COLLEGE COURSE NUMBER/TITLE NIU EQUIVALENT IAI CODE ANTHROPOLOGY (ANT) 101 INTRODUCTION TO ANTHROPOLOGY GENERAL ELECTIVE S1 902 102 INTRO TO CULTURAL ANTHROPOLOGY ANTH 220; SOCIETY & CULTURE S1 901N ART (ART) STUDENTS RECEIVING ART STUDIO (ARTS ELECTIVE) CREDIT FOR COMMUNITY COLLEGE COURSES ARE ENCOURAGED TO SUBMIT A PORTFOLIO OF THEIR WORK FOR POSSIBLE COURSE CREDIT. PLACEMENT IN MAJOR STUDIO CLASSES, EXCEPT FOR CORE COURSES, IS BY PORTFOLIO. CONTACT SCHOOL OF ART FOR INFORMATION ON PPLICATION AND DATES FOR PORTFOLIO SUBMISSION. 101 TWO-DIMENSIONAL FUNDAMENTALS ART 102; CREATIVITY & CRITICAL ANALYSIS 102 THREE-DIMENSIONAL FUNDAMENTALS ART 103; CREATIVITY & CRITICAL ANALYSIS 103 DRAWING I ART 100; CREATIVITY & CRITICAL ANALYSIS 104 DRAWING II ART 101; CREATIVITY & CRITICAL ANALYSIS 105 PAINTING I ARTS ELECTIVE 107 WATERCOLOR ARTS ELECTIVE 111 SCULPTURE I GENERAL ELECTIVE 113 CERAMICS I ARTS ELECTIVE 115 PHOTOGRAPHY I ARTS ELECTIVE 116 PHOTOGRAPHY II GENERAL ELECTIVE 117 DIGITAL PHOTOGRAPHY GENERAL ELECTIVE 120 ART APPRECIATION ARTH 282; CREATIVITY & F2 900 CRITICAL ANALYSIS 125 ART HISTORY SURVEY I ARTH ELECTIVE; CREATIVITY F2 901 & CRITICAL ANALYSIS 126 ART HISTORY SURVEY II ARTH 292; CREATIVITY & F2 902 CRITICAL ANALYSIS 127 ART HISTORY SURVEY III CREATIVITY & CRITICAL F2 902 ANALYSIS ELECTIVE 203 FIGURE DRAWING I ARTS 200 204 FIGURE DRAWING II ARTS ELECTIVE 205 PAINTING II ARTS ELECTIVE 211 SCULPTURE II ARTS 261 213 CERAMICS II ARTS ELECTIVE 217 TRIBAL ART CREATIVITY & CRITICAL F2 903N ANALYSIS ELECTIVE NOTE: ART HISTORY MAJORS W/217 CONTACT SCHOOL OF ART FOR POSSIBLE ART CREDIT. -
GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Pepper Removal Amendment May Reduce Land Donations
INDEX- What's going on around the islands Arts & Leisure 5B At Large 5A Business Briefs 7C Calendar 4B Classifieds 7C Commentary 6A Pioneers Island Guide Crossword 8Q Environment Hard-working Supplement Police Beat 2A Recreation 3C Prestons an offers helpful Remember When 4A Island Inn fixture information Insert 1961-1991 Still first c on Sanibel 1 and Captiva VOL. 30, NO. 8 TUESDAY, FEB. 19, 1991 THREE SECTIONS, 40 PAGES 50 CENTS Islander arrested on grand theft, forgery charges By Louise Henigman Islander staff writer In what's being called the biggest arrest on Sanibel since a 1985 murder, island resident Constance Methvin "Connie" Heldenbrand of Anchor Drive was charged Thursday, Feb. 14, with stealing more than $100,000 from her Sanibel employer, Dr. Rob Simmons. According to the arrest report, Heldenbrand, 42, stole the money from Simmons and office partner Dr. Ernest J. Gesiotto while she worked as their office manager and bookkeeper. She reportedly forged her name on their business checks and then deposited the funds into her personal banking account. Simmons told police that when he confronted Heldenbrand about the thefts, she admitted that she had committed the crimes over a period of about 1 1/2 years, which is the length of time she was employed there. Simmons reported this to the police Feb. 8. A police investigation revealed well in excess of 10 business checks of Simmons that had been made payable to cash, with Simmons' signature forged on them. They were endorsed "For Deposit Only" to the personal account of Heldenbrand and her husband. -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
The Big Draw International Festival: Drawn to Life Saturday, October 5, 2019
PRESS RELEASE The Walt Disney Family Museum Celebrates The Big Draw International Festival: Drawn to Life Saturday, October 5, 2019 San Francisco, October 1, 2019—The Walt Disney Family Museum is delighted to once again host The Big Draw, the world’s largest drawing festival. This annual, museum-wide community event will take place on OctoBer 5 and celeBrates Walt Disney’s contriButions to visual arts. In connection with this year’s “Drawn to Life” theme, experience special drawing sessions exploring nature- inspired art, create a care card for someone who needs a smile, learn how to draw Mickey Mouse, and more. Don’t miss film screenings of Disneynature’s Chimpanzee (2012) and Disney-Pixar’s Inside Out (2015), then connect back to stories told in our main galleries and in our special exhiBition, Mickey Mouse: From Walt to the World. This year, we are proud to partner with The Jane Goodall Institute’s Roots and Shoots. Founded by Goodall in 1991, Roots and Shoots is a youth service program for young people of all ages, whose mission is to foster respect and compassion for all living things, to promote understanding of all cultures and Beliefs, and to inspire each individual to take action to make the world a Better place for people, other animals, and the environment. In partnership with Caltrain and SamTrans, The Walt Disney Family Museum is pleased to offer free general admission to riders and employees, upon showing their Caltrain/SamTrans ticket or employee ID to the museum’s Ticket Desk. Riders and employees will also receive 15% off in the Museum Store. -
Star Wars: Rise of the Resistance Makes Galactic Debut at Walt Disney World Resort
Star Wars: Rise of the Resistance Makes Galactic Debut at Walt Disney World Resort Groundbreaking new attraction brings guests into a battle between the Resistance and First Order beginning Dec. 5 at Disney’s Hollywood Studios and Jan. 17, 2020, at Disneyland Park LAKE BUENA VISTA, Fla. (Dec. 4, 2019) – This is the Disney attraction you’re looking for. Star Wars: Rise of the Resistance makes its public debut Dec. 5, 2019, inside Star Wars: Galaxy’s Edge at Disney’s Hollywood Studios in Florida, and at Disneyland Park in California on Jan. 17, 2020. After years of anticipation for this groundbreaking new attraction, guests will now become heroes of the Resistance in a climactic battle with the First Order. During a special dedication ceremony Wednesday night inside Star Wars: Galaxy’s Edge at Disney’s Hollywood Studios, Disney Parks, Experiences and Products Chairman Bob Chapek lauded the attraction’s immersive storytelling and technological innovation. “Star Wars: Rise of the Resistance sets a new standard for what a theme park experience can be,” Chapek said. “Tonight, we’re welcoming the world to experience the Star Wars galaxy like never before, with the opening of the most ambitious, immersive, advanced, action-packed attraction we’ve ever created.” Star Wars: Rise of the Resistance is one of the most ambitious attractions ever created for a Disney park. The thrilling action takes place in massive sets that give guests the feeling of stepping inside a Star Warsfilm as they elude the clutches of Kylo Ren and the First Order in a mad dash through a Star Destroyer. -
Virtual Live Auction 5 Pm on Sunday, September 20
Virtual Live Auction 5 pm on Sunday, September 20 Auctioneer: Nick Nicholson Host: Bryan Batt 1. Join Seth Rudetsky as a Special Guest on Stars in the House Your name will be added to the roster of entertainment luminaries when you join Seth Rudetsky as a special guest on an episode of Stars in the House. Created with his husband, James Wesley, in response to the coronavirus pandemic, Stars in the House brings together music, community and education. Benefiting The Actors Fund, the daily livestream features remote performances from stars in their homes, conversing with Rudetsky and Wesley in between songs. The incredible 800 guests so far have included everyone from Annette Benning to Jon Hamm to Phillipa Soo. Don’t miss the opportunity to join for an episode and make your smashing debut as a special guest on Stars in the House. Opening bid: $500 2. Virtual Meeting with the Legendary Bernadette Peters There are few leading ladies as notably creative and compassionate as Bernadette Peters. The two-time Tony Award winner made her Broadway debut in 1967’s The Girl in the Freudian Slip. In the decades since, she’s created some of musical theater’s most memorable roles including Dot in Sunday in the Park with George and The Witch in Into the Woods. She’s a member of the Broadway Cares/Equity Fights AIDS Board of Trustees who has created memorable performances in stunning Broadway revivals, notably Annie Get Your Gun, Gypsy, Follies and, most recently, Hello Dolly!. Today, you can win a virtual meet-and-greet with this legend. -
Hulu Live Tv Full Guide
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Mickey Mouse Funhouse,' a Whimsical Animated Series for Preschoolers Starring Mickey Mouse and His Pals, Slated to Debut in 2021
Oct. 1, 2020 OH BOY! PRODUCTION HAS BEGUN ON DISNEY JUNIOR'S 'MICKEY MOUSE FUNHOUSE,' A WHIMSICAL ANIMATED SERIES FOR PRESCHOOLERS STARRING MICKEY MOUSE AND HIS PALS, SLATED TO DEBUT IN 2021 Production has begun on Disney Junior's "Mickey Mouse Funhouse," a whimsical animated series for preschoolers and their families featuring Disney's #1 star, Mickey Mouse, and his pals—Minnie, Donald, Daisy, Goofy and Pluto. Slated to debut in 2021, the series introduces Funny, an enchanted talking playhouse who leads the Sensational Six on imaginative adventures. The announcement was made today by Joe D'Ambrosia, senior vice president, Original Programming, and general manager, Disney Junior. Disney Junior* Photo available here. D'Ambrosia said, "Preschoolers around the world love Mickey Mouse and friends, and we are eager to showcase these beloved characters as they are transported to magical new destinations in each episode, encouraging kids to expand their own worlds using their imaginations. We can't wait for our young audience to meet Funny, who is a dynamic and playful addition to the treasured world of Mickey Mouse." Geared to kids ages 2-7 and their families, "Mickey Mouse Funhouse" will feature two 11- minute stories with a midway dance break separating the two. The series will demonstrate imaginative play, encourage wish fulfillment and impart age-appropriate social and emotional lessons about friendship, creativity and ingenuity. Phil Weinstein is executive producer, Thomas Hart is co-executive producer and supervising story editor, and Mark Drop is story editor, all from the Emmy® Award- nominated "Mickey and the Roadster Racers." Emmy Award-winner Alan Bodner ("Rapunzel's Tangled Adventure") serves as art director. -
Case Studies
Case studies November 2006 Buyouts Chorion New investment - UK - Media In May 2006, 3i and funds completed the This strong relationship with Waheed Alli acquisition of Chorion, a UK-based coupled with 3i’s in-depth media sector intellectual property owning, brand creation knowledge, through deals such as and management business, in a €198 Sparrowhawk Media and Pinewood million public to private transaction. Shepperton, secured the investment opportunity. Chorion, previously listed on AIM, generates revenue by charging royalties on The investment in Chorion represented an toy merchandising, book publishing and TV. opportunity to acquire a portfolio of high-quality It operates on a global basis, with a brands which have a proven track record of portfolio which includes well recognised publishing success and which are ripe for classic children’s brands such as Noddy, further development. Chorion has an excellent Famous Five, and the Mr Men, as well as platform from which to expand into new the works of crime writers such as Agatha geographic markets, and a proven Christie (Miss Marple and Poirot) and management team which is well placed to Georges Simenon (Maigret). capitalise on this opportunity with the strategic support and financial backing of 3i. 3i worked exclusively with Chorion’s Chairman Waheed Alli and the incumbent management team, responsible for almost trebling the value of the business since 2002, for nearly a year before the deal completed. Buyouts Azzurri Communications Realisation - UK - Technology During the six years that 3i was invested Azzurri made 15 strategic acquisitions and, combined with strong organic growth, a business with revenues of £115 million (for the year to June 2006) was built as a result. -
Vodafone Greece Corporate Responsibility Report 2006-2007
Corporate Responsibility Report April 2006 - March 2007 Vodafone Greece Corporate Responsibility Report 2006-2007 Contents Letter from the Chairman of the Board of Directors and Chief Executive 3 Introductory Note 4 About Vodafone Greece and the Vodafone Group 6 Managing Corporate Responsibility 8 Environment 18 Mobile Phones - Masts - Health - Network Deployment 32 Access to Communications 38 Customers 44 Supply Chain 50 Employees 52 Social Investment 58 Odjectives - Results - New Commitments Table 66 Main Figures in Table Form 76 Website Index 77 Abbreviations 78 GRI Relevant Requirements Table 80 GRI Report Application Level 85 Vodafone Greece Corporate Responsibility Report 2006-2007 2 Vodafone Greece Corporate Responsibility Report 2006-2007 Letter from the Chairman of the Board of Directors and Chief Executive At Vodafone Greece we are taking consistent steps to reduce our impact on the environment, given that one of our business principles is a commitment to sustainable business practices and environmental protection. Energy savings, use of renewable energy sources and recycling are not just theory for us, but ongoing strategic investments and an everyday practice for our 2,600 employees, and are coupled with a specific methodology and measurable results. Since 1993, when Vodafone Greece began its operations, we have been systematically investing in cooling/heating and lighting energy saving programs, as well as photovoltaic systems to provide power to our base stations. Over the last three years, our energy program prevented the emission of 22,830 tons of carbon dioxide, a quantity that equals the annual energy consumption of approximately 4,000 Greek households. At the same time, we have been investing in recycling mobile phones, accessories, batteries and paper. -
Becoming Legendary: Slate Financing and Hollywood Studio Partnership in Contemporary Filmmaking
Kimberly Owczarski Becoming Legendary: Slate Financing and Hollywood Studio Partnership in Contemporary Filmmaking In June 2005, Warner Bros. Pictures announced Are Marshall (2006), and Trick ‘r’ Treat (2006)2— a multi-film co-financing and co-production not a single one grossed more than $75 million agreement with Legendary Pictures, a new total worldwide at the box office. In 2007, though, company backed by $500 million in private 300 was a surprise hit at the box office and secured equity funding from corporate investors including Legendary’s footing in Hollywood (see Table 1 divisions of Bank of America and AIG.1 Slate for a breakdown of Legendary’s performance at financing, which involves an investment in a the box office). Since then, Legendary has been a specified number of studio films ranging from a partner on several high-profile Warner Bros. films mere handful to dozens of pictures, was hardly a including The Dark Knight, Inception, Watchmen, new phenomenon in Hollywood as several studios Clash of the Titans, and The Hangoverand its sequel. had these types of deals in place by 2005. But In an interview with the Wall Street Journal, the sheer size of the Legendary deal—twenty five Legendary founder Thomas Tull likened his films—was certainly ambitious for a nascent firm. company’s involvement in film production to The first film released as part of this deal wasBatman an entrepreneurial endeavor, stating: “We treat Begins (2005), a rebooting of Warner Bros.’ film each film like a start-up.”3 Tull’s equation of franchise. Although Batman Begins had a strong filmmaking with Wall Street investment is performance at the box office ($205 million in particularly apt, as each film poses the potential domestic theaters and $167 million in international for a great windfall or loss just as investing in a theaters), it was not until two years later that the new business enterprise does for stockholders.