DOCSLIB.ORG

City Theatrical Designer Interview with Michelle Poley

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
City Theatrical Designer Interview with Michelle Poley An Interview with MICHELLE POLEY PROFESSIONAL PROFILE: Michelle is a five-time Emmy nominated, Name: Michelle Poley three-time Emmy Award winning Profession: Lighting Designer lighting designer. Michelle was CNN Experience: 34 years Washington’s Director of Lighting, Location: Alexandria, Virginia creating the first design group outside Website: www.lightcue.com of Atlanta. For 20 years, she managed Recent Shows: CBS Democratic Debate in the daily programing and designed Charleston, SC; CNN Debate CNN’s largest productions around the in Detroit, MI; Studio 11 D CNN world, creating designs for Presidential Washington; Superbowl LIV Fox Debates, town halls, and special event Sports in Miami Beach, FL programming. THE INTERVIEW: 1999, and that was when I was offered I attended Middle Tennessee State a job. I had been doing a lot of work with University and studied photojournalism. City Theatrical (CTI): Thank you for legendary television lighting designer I went through high school and college, joining us, Michelle. We are very Bob Dickenson. One of his partners, Ted and realized my career/studies and excited to learn more about you, Wells, was my boss in Nashville. They theatre hobby flipped… and I started your career, and your new venture, had a contract to improve the look of the working out of college at Opryland USA, a LightCue. So first, when did you start network, and Larry King was looking for theme park where I worked as the Master your new business, and how did you an LD. So I went up for an interview, and Electrician for the theatre part in 1985. It transition to entrepreneurship from they offered me the job. was a “show park”; we even had a real your role at CNN? live show boat. In that role, I managed CTI: How did you get started in 18 lighting folks, and there were a total of Michelle Poley (MP): October 2019, lighting? Is it something you always 350 technicians working on live shows. officially, was when LightCue became wanted to do? the woman-owned design firm that it is CTI: How did you go from working on today. I had just decided to retire from my MP: I’m originally from Madison, live shows for themed entertainment role as Director of Lighting at CNN after Wisconsin. As a kid, we moved to to television work? almost 20 years. Nashville. I started working full time as a photo journalist at 15 years old in MP: Opryland Productions, which When I first started at CNN, I was only Lebanon, Tennessee, right outside of became TNN, The Nashville Network, supposed to be in Washington for three Nashville. It was also around then that I had started doing network TV award years. Viacom had acquired TNN in found community theatre. shows, specials for ABC and CBS, “How do we create lighting that the camera sensors will respond to? Being light on your feet, understanding how the technologies work, and making it work for you.” CBS Democratic Debate in Charleston, South Carolina (February 2020) Page 1 of 4 among others. Lots and lots of syndicated shows and programming for TNN. Lots of production work would be produced in the “The difference between my theatre and theme park, and I would be on set helping them on these shows. TV work has been breaking out of that fourth wall, and treating the room with A position opened up at the Nashville network. They had five LDs on staff there, light to let the viewer visualize what you and I would join them. I had applied for the job, and Bob Hope’s NBC Christmas want them to see or not.” Special came to Nashville, in one of our theme park’s theatres. Ted Wells, head CTI: How would you describe your or studio, or set up a town hall event. of lighting for TNN, made sure I was on lighting design aesthetic? The next could be a special event, or that production. I was mortified the first just handling the various hours of studio day when I overslept the call… but I MP: Painting a picture. Treating the programming, that originate from DC. eventually saved myself, when the show’s visuals as a 360-degree experience, With Larry King, for example, a lot of our lighting console had died – the guts of especially with TV work. In theatre, you work was done in the studio, but certain technical theatre – and I was able to fix don’t break the fourth wall. The difference times required travel. UN week in New it. That helped me became known for the between my theatre and TV work has York, for example, there was an interview technical stuff I do as part of my lighting been breaking out of that fourth wall, with the President of Iran, and then we design. But for the next 10 years at TNN, and treating the room with light to let the went out to Los Angeles, for an interview I was reminded of missing that call. viewer visualize what you want them to with Tom Cruise for The Last Samurai. Or see or not. sometimes, as world events unfold, we’d From there, I worked on television travel to cover events at a movements projects for CMT and TNN. Viacom CTI: What was it like creating the notice, like Pope John Paul’s funeral in bought CBS, and CBS had owned those first design group outside of Atlanta Rome. Travel meant working with local cable networks. The networks were as CNN Washington’s Director Of grip companies and setting up TV for the re-formulated by Viacom, and many of Lighting? six different networks that CNN provides us went freelance. I was working on TV services and production. programming in 1999; the last show I did MP: CNN lighting department never had as staff was the Country Music Awards in an office outside of Atlanta, and now, CTI: With 34 years of experience October 1999 as the conventional lighting in Washington, there is a lighting staff lighting, you’ve worked on some director, with Andy O’Reilly, the moving of four, and they’re able to cover very incredible projects for CNN and light lighting director. Bob Dickenson interesting projects. One day, you might beyond. What would you say are some was the designer. I went freelance for be doing a special interview, with the of the most interesting project you the same production companies a week White House or a world leader. The next have worked on? later, as was the case for many of us in day, you could be covering breaking news the 90’s. either with a live anchor on the street MP: As somebody who loves technology, “skunk-work” projects have been some of the most interesting projects for me, but in addition to normal TV and theater operations, I did quite a bit of venue system design work. At TNN, I helped manage new venue construction like the Ryman Auditorium renovation, and systems / lighting designer to the Wild Horse Saloon Image copyright CNN (2019) Page 2 of 4 “Developing solutions for people has been some of my most interesting Magic The Gathering Mythic Championship IV - Wizards of the Coast - in association with Lighthouse Design Group (2019) work.” entertainment venue in Nashville, that and his team at Clickspring to create a DNA… but we do so much more, and we were built with Television in mind. classic header that modernized the look always keep our eye on the technical. of the show, but also paid attention to At CNN, we built a bus, the Election the past debates we’ve done. We tried to Part of our group, LightCue labs, Express. We had multi-feed satellite make cleaner lines this time. develops technology, parts and transmission on it and featured some of programing solutions, like a timing light the first LED lighting. I was lucky enough With the angled structure, we created system for CBS news’ Presidential to be included in the design team for that linear lines in the back, and created small Debate, with both video and lighting project. points up in the grid. All of the blue is little indications. We also do product ACL dots, to carry the layers further out. consultation / testing for Vitec and other We experimented with and built so many The design doesn’t end at the star drop; worldwide companies. wonderful things at CNN. For example, the idea is to keep the look going. the photojournalists needed special rigs CTI: What do you see for the future of to be able to do live reports. We would And that’s one character. Then you have LightCue? build them and figure out ways to hook up the venue – and Detroit’s Fox Theatre, for the gear. We partnered very closely with example, is a true playground to light with MP: Given the current pandemic, I the engineering teams or photojournalist its Byzantine interior design. think we’re all looking for different teams to accomplish this. A good example opportunities. My calendar was fully is on the White House north lawn, where CNN is there of course for a presidential booked with election and sporting work, everybody was going towards LEDs, but debate, but it’s also in Michigan. Our and now that calendar has cleared. the networks were experiencing issues, story was, here we are in Michigan, and they were difficult to control. So we for a Democratic debate. Candidates We’re looking for opportunities these prototyped and designed a waterproof are talking about people’s lives, what days in other places by partnering with touchscreen lighting control systems concerns them, not only in the state, but manufacturers to do product testing and used to control waterproof LED fixtures.
Load more

Recommended publications
  • Tunnelvision a Publication for Alumni of Student Media at Vanderbilt University ALUMNI UPDATES GALORE! H Student Media Alumni Updates Begin on Page 3…
    Issue 10 H Fall 2008 HAVE A BLOG? We would like to include your blog in the BLOG ROLL of future issues. Learn more at the end of the Alumni Updates … page 8. tunnelvision A publication for alumni of student media at Vanderbilt University ALUMNI UPDATES GALORE! H Student Media Alumni updates begin on page 3… TUNNEL NEWS INTRODUCING… The Vanderbilt Political Review Nonpartisan political discus- sion is the focus of The Vanderbilt Political Review, a new VSC publi- cation that launched in the fall. Jadzia Butler, a junior in Arts and Science, started the politi- cal journal to feature academic Butler during an appearance on MSNBC. essays written by students, fac- ulty and alumni. Alumni con- tributors have included Sen. Lamar Alexander (B.A., 1962) and Willie Geist (B.A., 1997), co-host of “Morning Joe” on MSNBC. Butler invites alumni to send questions, comments and submissions to vanderbiltpoliti- [email protected]. Olney speaks with a few members of The Vanderbilt Hustler sports staff in the Student Media Newsroom during a recent visit to campus. Vanderbilt Fashion Quarterly Students with a passion for fashion have a new outlet for expressing their interest in style Olney visits different campus and design. Vanderbilt Fashion Quarterly is a new publication by Tim Ghianni, Journalist-in-Residence for Vanderbilt Student Communications started by Lauren Elizabeth Junge, a sophomore in Arts and Vanderbilt’s increasing student diversity, “I knew when I was 15 that I wanted to ham sandwiches in the basement of Sarratt. Science who plans to create a its tolerance and outreach have made Buster be a sportswriter,” says Olney.
    [Show full text]
  • Meredith Corp
    MEREDITH CORP FORM 10-K (Annual Report) Filed 9/26/1994 For Period Ending 6/30/1994 Address 1716 LOCUST ST DES MOINES, Iowa 50309 Telephone 515-284-3000 CIK 0000065011 Industry Printing & Publishing Sector Services Fiscal Year 06/30 UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D. C. 20549 Form 10-K ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended June 30, 1994 Commission file number 1-5128 Meredith Corporation (Exact name of registrant as specified in its charter) Iowa 42-0410230 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 1716 Locust Street, Des Moines, Iowa 50309-3023 (Address of principal executive offices) (ZIP Code) Registrant's telephone number, including area code: 515 - 284-3000 Securities registered pursuant to Section 12 (b) of the Act: Title of each class Name of each exchange on which registered Common Stock, par value $1 New York Stock Exchange Securities registered pursuant to Section 12 (g) of the Act: Title of class - Class B Stock, par value $1 Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15 (d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes [X] No [ ] Indicate by check mark if disclosure of delinquent filers pursuant to Item 405 of Regulation S-K is not contained herein, and will not be contained, to the best of registrant's knowledge, in definitive proxy or information statements incorporated by reference in Part III of this Form 10-K or any amendment to this Form 10-K.
    [Show full text]
  • Joint Statement of Sumner M. Redstone Chairman and Chief Executive Officer Viacom Inc
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Indiana University Bloomington Maurer School of Law Federal Communications Law Journal Volume 52 | Issue 3 Article 3 5-2000 Joint Statement of Sumner M. Redstone Chairman and Chief Executive Officer Viacom Inc. and Mel Karmazin President and Chief Executive Officer of CBS Corp. Summer M. Redstone Viacom Mel Karmazin CBS Follow this and additional works at: http://www.repository.law.indiana.edu/fclj Part of the Antitrust and Trade Regulation Commons, and the Communications Law Commons Recommended Citation Redstone, Summer M. and Karmazin, Mel (2000) "Joint Statement of Sumner M. Redstone Chairman and Chief Executive Officer Viacom Inc. and Mel Karmazin President and Chief Executive Officer of CBS Corp.," Federal Communications Law Journal: Vol. 52: Iss. 3, Article 3. Available at: http://www.repository.law.indiana.edu/fclj/vol52/iss3/3 This Article is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Federal Communications Law Journal by an authorized administrator of Digital Repository @ Maurer Law. For more information, please contact [email protected]. Joint Statement of Sumner M. Redstone Chairman and Chief Executive Officer Viacom Inc. and Mel Karmazin President and Chief Executive Officer of CBS Corp.* Viacom CBS I. INTRODUCTION ............................................................................. 499 II. DEPARTMENT OF JUSTICE REVIEW .............................................. 503 III. FEDERAL COMMUNICATIONS COMMISSION REVIEW ................... 507 I. INTRODUCTION On September 6, 1999, Viacom Inc. and CBS Corporation agreed to combine the two companies in a merger of equals. Sumner Redstone will lead the new company, to be called Viacom, in his continued role as Chairman and Chief Executive Officer, as well as majority shareholder.
    [Show full text]
  • Vertical Integration and Program Access in the Cable Television Industry
    Federal Communications Law Journal Volume 47 Issue 3 Article 2 4-1995 Vertical Integration and Program Access in the Cable Television Industry David Waterman Indiana University Follow this and additional works at: https://www.repository.law.indiana.edu/fclj Part of the Antitrust and Trade Regulation Commons, and the Communications Law Commons Recommended Citation Waterman, David (1995) "Vertical Integration and Program Access in the Cable Television Industry," Federal Communications Law Journal: Vol. 47 : Iss. 3 , Article 2. Available at: https://www.repository.law.indiana.edu/fclj/vol47/iss3/2 This Article is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Federal Communications Law Journal by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact [email protected]. Vertical Integration and Program Access in the Cable Television Industryt David Waterman* INTRODUCTION . ................................... 511 I. THE EMPIRICAL STATE OF VERTICAL OWNERSHIP IN CABLE 515 H1. THE ECONOMIC THEORY OF VERTICAL FORECLOSURE AND THE ROLE OF INTEGRATION .......... ............ 517 m. THE EMPIRICAL RECORD ........................ -520 A. Foreclosure or Efficiency? ................... 520 B. Vertical Integrationand Exclusive Dealing in Cable 522 C. Vertical Integrationand Input Price Differentials in Cable ................................ 524 1. The Available Evidence ................... 524 2. Monopsony Power ....................... 526 D. Summary ................................ 528 IV. POLICY ANALYSIS ............................ 528 A. Overall Conclusions ........................ 528 B. FCC ProgramAccess Rulings to Date ........... 529 C. A Concluding Remark ....................... 531 INTRODUCTION Effective competition for local monopoly cable systems would seem to offer a natural solution to nagging problems widely attributed to the cable industry, such as high prices and poor service.
    [Show full text]
  • Joint Statement of Sumner M. Redstone Chairman and Chief Executive Officer Viacom Inc
    Federal Communications Law Journal Volume 52 Issue 3 Article 3 5-2000 Joint Statement of Sumner M. Redstone Chairman and Chief Executive Officer Viacom Inc. and Mel Karmazin esidentPr and Chief Executive Officer of CBS Corp. Summer M. Redstone Viacom Mel Karmazin CBS Follow this and additional works at: https://www.repository.law.indiana.edu/fclj Part of the Antitrust and Trade Regulation Commons, and the Communications Law Commons Recommended Citation Redstone, Summer M. and Karmazin, Mel (2000) "Joint Statement of Sumner M. Redstone Chairman and Chief Executive Officer Viacom Inc. and Mel Karmazin esidentPr and Chief Executive Officer of CBS Corp.," Federal Communications Law Journal: Vol. 52 : Iss. 3 , Article 3. Available at: https://www.repository.law.indiana.edu/fclj/vol52/iss3/3 This Article is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Federal Communications Law Journal by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact [email protected]. Joint Statement of Sumner M. Redstone Chairman and Chief Executive Officer Viacom Inc. and Mel Karmazin President and Chief Executive Officer of CBS Corp.* Viacom CBS I. INTRODUCTION ............................................................................. 499 II. DEPARTMENT OF JUSTICE REVIEW .............................................. 503 III. FEDERAL COMMUNICATIONS COMMISSION REVIEW ................... 507 I. INTRODUCTION On September 6, 1999, Viacom Inc. and CBS Corporation agreed to combine the two companies in a merger of equals. Sumner Redstone will lead the new company, to be called Viacom, in his continued role as Chairman and Chief Executive Officer, as well as majority shareholder.
    [Show full text]
  • Kosher Country: Success and Survival on Nashville's Music Row V
    Kosher Country: Success and Survival on Nashville's Music Row V Stacy Harris uring the last few years, Nashville's country music in- dustry has been mourning a larger number of its citizens Dthan usual. These losses included two, Norma Gerson ("makeup artist to the stars") and Rainbow Room owner/- erstwhile "Hee Haw" bit-player David "Skull" Schulman ("the mayor of Printers' Alley"), that underscore the little-known range and diversity of roles Jews have played in Nashville and country- music history. According to Karen B. Fine, Nashville's Jewish music indus- try population numbers "about 60 or 70."1 Few would characterize this minority as a vocal one. Indeed, when Life staff writer Charles Hirshberg wrote about the relationship between Jews and country music in the Forward, he titled the article "Nashville's Jewish Newcomers Assert Themselves (Softly)."2 Likening the reluctance of Jewish country-music industry participants to medieval Marranos who, Hirshberg believed, kept "their Jewishness private to protect their livelihoods," Hirshberg's observations of five years ago seem equally as dire in 1999.3 There would well be a justification for this. Country music's heritage is rooted in traditions of a Protestant-Christian America. Six years ago, this author wrote, "Most country artists have re- corded at least one album of sacred songs; indeed it is almost expected."4 112 SOUTHERN JEWISH HISTORY Nonetheless change may be imminent. With many more new artists and a younger listener base, this expectation no longer exists. While it still looks good for a country singer to have a press kit containing biographical information noting that the subject's earliest memories are of "hymns or more fervent gospel songs" and of his/her own performances in church, whether true or not, such references are increasingly less mandatory.
    [Show full text]
  • When Leisure Becomes Work in Modern Roller Derby
    Wayne State University Wayne State University Dissertations January 2019 Turning Passion Into Profit: When Leisure Becomes Work In Modern Roller Derby Amanda Nicole Draft Wayne State University, [email protected] Follow this and additional works at: https://digitalcommons.wayne.edu/oa_dissertations Part of the Organizational Behavior and Theory Commons, Sociology Commons, and the Women's Studies Commons Recommended Citation Draft, Amanda Nicole, "Turning Passion Into Profit: When Leisure Becomes Work In Modern Roller Derby" (2019). Wayne State University Dissertations. 2202. https://digitalcommons.wayne.edu/oa_dissertations/2202 This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. TURNING PASSION INTO PROFIT: WHEN LEISURE BECOMES WORK IN MODERN ROLLER DERBY by AMANDA DRAFT DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2019 SOCIOLOGY Approved By: ________________________________________ Advisor Date ________________________________________ ________________________________________ ________________________________________ DEDICATION For past, present, and future roller derby enthusiasts. This work is for us, about us, by us. ii ACKNOWLEDGMENTS My deepest thanks first go to my advisor, Heather Dillaway, and the members of my dissertation committee: Krista Brumley, Sara Flory, and Heidi Gottfried. Thank you for bearing with me as I struggled to keep myself on track to complete this mountain of work and for reminding me that a dissertation does not have to be perfect, it just has to be done! Thank you for believing in my work and for pushing me to think of how my findings mattered to the world outside of derby, because sometimes I forget that there is such a world.
    [Show full text]
  • Seriousness and Women's Roller Derby
    Leisure Studies in a Global Era Series Editors: Karl Spracklen, Professor of Leisure Studies, Leeds Metropolitan University, UK Karen Fox, Professor of Leisure Studies, University of Alberta, Canada In this book series, we defend leisure as a meaningful, theoretical, framing concept; and critical studies of leisure as a worthwhile intellectual and pedagogical activity. This is what makes this book series distinctive: we want to enhance the discipline of leisure studies and open it up to a richer range of ideas; and, conversely, we want sociology, cultural geographies and other social sciences and humanities to open up to engaging with critical and rigorous arguments from leisure studies. Getting beyond concerns about the grand project of leisure, we will use the series to demonstrate that leisure theory is central to understanding wider debates about identity, postmodernity and globalization in contemporary societies across the world. The series combines the search for local, qualitatively rich accounts of everyday leisure with the international reach of debates in politics, leisure and social and cultural theory. In doing this, we will show that critical studies of leisure can and should continue to play a central role in understanding society. The scope will be global, striving to be truly international and truly diverse in the range of authors and topics. Titles include: Brett Lashua, Karl Spracklen, and Stephen Wagg (editors) SOUNDS AND THE CITY Popular Music, Place and Globalization Oliver Smith CONTEMPORARY ADULTHOOD AND THE NIGHT-TIME ECONOMY Karl Spracklen WHITENESS AND LEISURE Robert A. Stebbins CAREERS IN SERIOUS LEISURE From Dabbler to Devotee in Search of Fulfilment Robert A.
    [Show full text]
  • DELAWARE 73-0664379 (State Or Other Jurisdiction of (I.R.S. Employer Identification Number) Incorporation Or Organization)
    1 - -------------------------------------------------------------------------------- - -------------------------------------------------------------------------------- UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 ------------------ FORM 10-K (MARK ONE) [X] ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(D) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE FISCAL YEAR ENDED DECEMBER 31, 1998 OR [ ] TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(D) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM ____________ TO ____________ COMMISSION FILE NO. 1-13079 GAYLORD ENTERTAINMENT COMPANY (Exact name of registrant as specified in its charter) DELAWARE 73-0664379 (State or other jurisdiction of (I.R.S. employer identification number) incorporation or organization) ONE GAYLORD DRIVE, NASHVILLE, TENNESSEE 37214 (Address of principal executive offices) (Zip Code) (Registrant's telephone number, including area code) (615) 316-6000 Securities registered pursuant to Section 12(b) of the Act: COMMON STOCK -- $.01 PAR VALUE NEW YORK STOCK EXCHANGE (Title of Class) (Name of exchange on which registered) Securities registered pursuant to Section 12(g) of the Act: NONE (Title of Class) Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. [X] Yes [ ] No Indicate by check mark if disclosure of delinquent filers pursuant to Item 405 of Regulation S-K is not contained herein, and will not be contained, to the best of registrant's knowledge, in definitive proxy or information statements incorporated by reference in Part III of this Form 10-K or any amendment to this Form 10-K.
    [Show full text]
  • An Economic Analysis of the Prime Time Access Rule
    BEFORE THE FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 In re: Review of the Prime Time Access Rule, Section 73.658 (k) of the Commission’s } MM Docket No. 94-123 Rules AN ECONOMIC ANALYSIS OF THE PRIME TIME ACCESS RULE March 7, 1995 ECONOMISTS INCORPORATED WASHINGTON, D.C. CONTENTS I. Introduction……………………………...……………………………………………1 II. Is ABC, CBS or NBC Dominant Today? A. No single network dominates any market...........................................................5 B. Factors facilitating the growth of competing video distributors ................................................................................................7 1. Cable penetration ....................................................................................7 2. Number and strength of independent stations.........................................9 3. Other video outlets................................................................................12 C. Competing video distributors............................................................................13 1. New broadcast networks .......................................................................13 2. New cable networks..............................................................................16 3. First-run syndication .............................................................................17 D. Impact on networks of increased competition ..................................................18 1. Audience shares ....................................................................................18
    [Show full text]
  • 5337 Programminglineup.R16
    Movies HBO Plus (East & West). A perfect complementary choice to what’s on HBO. Scheduled for the broadest appeal, this channel doubles your HBO entertainment options. American Movie Classics is the premiere 24-hour movie network featuring award-winning original productions about the world of American film. With one of the finest, most comprehensive libraries of classic films and a diverse blend of original series and documentaries, AMC offers in-depth information on timeless and contemporary HBO Signature. Discriminating viewers will enjoy HBO’s critically acclaimed, Hollywood classics. award-winning original movies, series and documentaries, plus theatrical films. Cinemax® (East & West). With over 1,600 different movies a year, Cinemax gives viewers the widest variety of movies from its vast inventory with a different movie every night at The Independent Film Channel (IFC). The first network entirely dedicated to capturing and 8pm ET all year long! presenting the irreverent style of independent film, uncut and commercial-free, 24 hours a day. IFC presents the most extensive independent film collection on television like “Trainspotting,” “In the Company of Men,” and “Secrets and Lies,” combined with original series, exclusive ™ live events like the Independent Spirit Awards and the Cannes Film Festival and enhanced new MoreMAX. Doubles your Cinemax film choices with popular, hard-to-find movies. Features media programming. Featured indie celebs include Spike Lee, John Waters and Lili Taylor. daily classics and special premieres of foreign and independent films. The New Encore (East & West). The ultimate, commercial-free movie channel destination The Movie Channel (East & West). For people who just want to have movies, The Movie because it now delivers a great movie every night.
    [Show full text]
  • Television Associations
    DOCUMENT RESUME ED 318 389 IR 014 061 TITLE Satellite Home Viewer Copyright Act. Hearings on H.R. 2848 before the Subcommittee on Courts, Civil Liberties, and the Administration of Justice of the Committee on the Judiciary, House of Representatives, One Hundredth Congress (November 19, 1987 and January 27, 1988). INSTITUTION Congress of the U.S., Washington, D.C. 'louse Committee on the Judiciary. PUB DATE 89 NOTE 751p.; Serial No. 89. Portions contain marginally legible type. AVAILABLE FROM Superintendent of Documents, Congressional Sales Office, U.S. Government Printing Office, Washington, DC 20402. PUB TYPE Legal/Legislative/Regulatory Materials (090) EDRS PRICE MF04/PC31 Plus Postage. DESCRIPTORS *Cable Television; *Communications Satellites; *Copyrights; Federal Legislation; Hearings; *Intellectual Property; *Legal Responsibility; *Policy Formation; Telecommunications IDENTIFIERS Congress 101st ABSTRACT These hearings on the Satellite Home Viewer Copyright Act (H.R. 2849) include:(J.) the text of the bill;(2) prepared statements by expert witnesses (including executives of satellite companies, the Motion Picture Association of Amerira, and cable television associations); (3) transcripts of witneJs testimonies; and (4) additional statements (consisting mostly of letters from telecommunications executives to Congressman Robert W. Kastenmeier) . Appended are legislative materials (Parts 1 and 2 of House of Representatives Report Number 100-887, on the Satellite Home Viewer Copyright Act), additional materials provided by witnesses, and miscellaneous correepondence. ***********A*******************Ak*******************%****************** Reproductions supplied by EDRS are the best that can be made from fJle original document. ****ft***m*R*******g************************************************w*** SATELLITE HOME VIEWER COPYRIGHT ACT HEARINGS BEFORE THE SUBCOMMITTEE ON COURTS, CIVIL LIBERTIES, AND THE ADMINISTRATION OF JUSTICE OF THE COMMITTEE ON THE JUDICIARY HOUSE OF REPRESENTATIVES ONE HUNDREDTH CONGRESS FIRST AND SECOND SESSIONS ON H.R.
    [Show full text]