The Basic Output Waveform and Related Parameters of the Arbitrary Waveform Generator
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Chapter 3: Data Transmission Terminology
Chapter 3: Data Transmission CS420/520 Axel Krings Page 1 Sequence 3 Terminology (1) • Transmitter • Receiver • Medium —Guided medium • e.g. twisted pair, coaxial cable, optical fiber —Unguided medium • e.g. air, seawater, vacuum CS420/520 Axel Krings Page 2 Sequence 3 1 Terminology (2) • Direct link —No intermediate devices • Point-to-point —Direct link —Only 2 devices share link • Multi-point —More than two devices share the link CS420/520 Axel Krings Page 3 Sequence 3 Terminology (3) • Simplex —One direction —One side transmits, the other receives • e.g. Television • Half duplex —Either direction, but only one way at a time • e.g. police radio • Full duplex —Both stations may transmit simultaneously —Medium carries signals in both direction at same time • e.g. telephone CS420/520 Axel Krings Page 4 Sequence 3 2 Frequency, Spectrum and Bandwidth • Time domain concepts —Analog signal • Varies in a smooth way over time —Digital signal • Maintains a constant level then changes to another constant level —Periodic signal • Pattern repeated over time —Aperiodic signal • Pattern not repeated over time CS420/520 Axel Krings Page 5 Sequence 3 Analogue & Digital Signals Amplitude (volts) Time (a) Analog Amplitude (volts) Time (b) Digital CS420/520 Axel Krings Page 6 Sequence 3 Figure 3.1 Analog and Digital Waveforms 3 Periodic A ) s t l o v ( Signals e d u t 0 i l p Time m A –A period = T = 1/f (a) Sine wave A ) s t l o v ( e d u 0 t i l Time p m A –A period = T = 1/f CS420/520 Axel Krings Page 7 (b) Square wave Sequence 3 Figure 3.2 Examples of Periodic Signals Sine Wave • Peak Amplitude (A) —maximum strength of signal, in volts • FreQuency (f) —Rate of change of signal, in Hertz (Hz) or cycles per second —Period (T): time for one repetition, T = 1/f • Phase (f) —Relative position in time • Periodic signal s(t +T) = s(t) • General wave s(t) = Asin(2πft + Φ) CS420/520 Axel Krings Page 8 Sequence 3 4 Periodic Signal: e.g. -
Effect of Moisture Distribution on Velocity and Waveform of Ultrasonic-Wave Propagation in Mortar
materials Article Effect of Moisture Distribution on Velocity and Waveform of Ultrasonic-Wave Propagation in Mortar Shinichiro Okazaki 1,* , Hiroma Iwase 2, Hiroyuki Nakagawa 3, Hidenori Yoshida 1 and Ryosuke Hinei 4 1 Faculty of Engineering and Design, Kagawa University, 2217-20 Hayashi, Takamatsu, Kagawa 761-0396, Japan; [email protected] 2 Chuo Consultants, 2-11-23 Nakono, Nishi-ku, Nagoya, Aichi 451-0042, Japan; [email protected] 3 Shikoku Research Institute Inc., 2109-8 Yashima, Takamatsu, Kagawa 761-0113, Japan; [email protected] 4 Building Engineering Group, Civil Engineering and Construction Department, Shikoku Electric Power Co., Inc., 2-5 Marunouchi, Takamatsu, Kagawa 760-8573, Japan; [email protected] * Correspondence: [email protected] Abstract: Considering that the ultrasonic method is applied for the quality evaluation of concrete, this study experimentally and numerically investigates the effect of inhomogeneity caused by changes in the moisture content of concrete on ultrasonic wave propagation. The experimental results demonstrate that the propagation velocity and amplitude of the ultrasonic wave vary for different moisture content distributions in the specimens. In the analytical study, the characteristics obtained experimentally are reproduced by modeling a system in which the moisture content varies between the surface layer and interior of concrete. Keywords: concrete; ultrasonic; water content; elastic modulus Citation: Okazaki, S.; Iwase, H.; 1. Introduction Nakagawa, H.; Yoshida, H.; Hinei, R. Effect of Moisture Distribution on As many infrastructures deteriorate at an early stage, long-term structure management Velocity and Waveform of is required. If structural deterioration can be detected as early as possible, the scale of Ultrasonic-Wave Propagation in repair can be reduced, decreasing maintenance costs [1]. -
Introduction to Noise Radar and Its Waveforms
sensors Article Introduction to Noise Radar and Its Waveforms Francesco De Palo 1, Gaspare Galati 2 , Gabriele Pavan 2,* , Christoph Wasserzier 3 and Kubilay Savci 4 1 Department of Electronic Engineering, Tor Vergata University of Rome, now with Rheinmetall Italy, 00131 Rome, Italy; [email protected] 2 Department of Electronic Engineering, Tor Vergata University and CNIT-Consortium for Telecommunications, Research Unit of Tor Vergata University of Rome, 00133 Rome, Italy; [email protected] 3 Fraunhofer Institute for High Frequency Physics and Radar Techniques FHR, 53343 Wachtberg, Germany; [email protected] 4 Turkish Naval Research Center Command and Koc University, Istanbul, 34450 Istanbul,˙ Turkey; [email protected] * Correspondence: [email protected] Received: 31 July 2020; Accepted: 7 September 2020; Published: 11 September 2020 Abstract: In the system-level design for both conventional radars and noise radars, a fundamental element is the use of waveforms suited to the particular application. In the military arena, low probability of intercept (LPI) and of exploitation (LPE) by the enemy are required, while in the civil context, the spectrum occupancy is a more and more important requirement, because of the growing request by non-radar applications; hence, a plurality of nearby radars may be obliged to transmit in the same band. All these requirements are satisfied by noise radar technology. After an overview of the main noise radar features and design problems, this paper summarizes recent developments in “tailoring” pseudo-random sequences plus a novel tailoring method aiming for an increase of detection performance whilst enabling to produce a (virtually) unlimited number of noise-like waveforms usable in different applications. -
(12) United States Patent (10) Patent No.: US 7,994,744 B2 Chen (45) Date of Patent: Aug
US007994744B2 (12) United States Patent (10) Patent No.: US 7,994,744 B2 Chen (45) Date of Patent: Aug. 9, 2011 (54) METHOD OF CONTROLLING SPEED OF (56) References Cited BRUSHLESS MOTOR OF CELING FAN AND THE CIRCUIT THEREOF U.S. PATENT DOCUMENTS 4,546,293 A * 10/1985 Peterson et al. ......... 3.18/400.14 5,309,077 A * 5/1994 Choi ............................. 318,799 (75) Inventor: Chien-Hsun Chen, Taichung (TW) 5,748,206 A * 5/1998 Yamane .......................... 34.737 2007/0182350 A1* 8, 2007 Patterson et al. ............. 318,432 (73) Assignee: Rhine Electronic Co., Ltd., Taichung County (TW) * cited by examiner Primary Examiner — Bentsu Ro (*) Notice: Subject to any disclaimer, the term of this (74) Attorney, Agent, or Firm — Browdy and Neimark, patent is extended or adjusted under 35 PLLC U.S.C. 154(b) by 539 days. (57) ABSTRACT The present invention relates to a method and a circuit of (21) Appl. No.: 12/209,037 controlling a speed of a brushless motor of a ceiling fan. The circuit includes a motor PWM duty consumption sampling (22) Filed: Sep. 11, 2008 unit and a motor speed sampling to sense a PWM duty and a speed of the brushless motor. A central processing unit is (65) Prior Publication Data provided to compare the PWM duty and the speed of the brushless motor to a preset maximum PWM duty and a preset US 201O/OO6O224A1 Mar. 11, 2010 maximum speed. When the PWM duty reaches to the preset maximum PWM duty first, the central processing unit sets the (51) Int. -
A Soft-Switched Square-Wave Half-Bridge DC-DC Converter
A Soft-Switched Square-Wave Half-Bridge DC-DC Converter C. R. Sullivan S. R. Sanders From IEEE Transactions on Aerospace and Electronic Systems, vol. 33, no. 2, pp. 456–463. °c 1997 IEEE. Personal use of this material is permitted. However, permission to reprint or republish this material for advertising or promotional purposes or for creating new collective works for resale or redistribution to servers or lists, or to reuse any copyrighted component of this work in other works must be obtained from the IEEE. I. INTRODUCTION This paper introduces a constant-frequency zero-voltage-switched square-wave dc-dc converter Soft-Switched Square-Wave and presents results from experimental half-bridge implementations. The circuit is built with a saturating Half-Bridge DC-DC Converter magnetic element that provides a mechanism to effect both soft switching and control. The square current and voltage waveforms result in low voltage and current stresses on the primary switch devices and on the secondary rectifier diodes, equal to those CHARLES R. SULLIVAN, Member, IEEE in a standard half-bridge pulsewidth modulated SETH R. SANDERS, Member, IEEE (PWM) converter. The primary active switches exhibit University of California zero-voltage switching. The output rectifiers also exhibit zero-voltage switching. (In a center-tapped secondary configuration the rectifier does have small switching losses due to the finite leakage A constant-frequency zero-voltage-switched square-wave inductance between the two secondary windings on dc-dc converter is introduced, and results from experimental the transformer.) The VA rating, and hence physical half-bridge implementations are presented. A nonlinear magnetic size, of the nonlinear reactor is small, a fraction element produces the advantageous square waveforms, and of that of the transformer in an isolated circuit. -
The 1-Bit Instrument: the Fundamentals of 1-Bit Synthesis
BLAKE TROISE The 1-Bit Instrument The Fundamentals of 1-Bit Synthesis, Their Implementational Implications, and Instrumental Possibilities ABSTRACT The 1-bit sonic environment (perhaps most famously musically employed on the ZX Spectrum) is defined by extreme limitation. Yet, belying these restrictions, there is a surprisingly expressive instrumental versatility. This article explores the theory behind the primary, idiosyncratically 1-bit techniques available to the composer-programmer, those that are essential when designing “instruments” in 1-bit environments. These techniques include pulse width modulation for timbral manipulation and means of generating virtual polyph- ony in software, such as the pin pulse and pulse interleaving techniques. These methodologies are considered in respect to their compositional implications and instrumental applications. KEYWORDS chiptune, 1-bit, one-bit, ZX Spectrum, pulse pin method, pulse interleaving, timbre, polyphony, history 2020 18 May on guest by http://online.ucpress.edu/jsmg/article-pdf/1/1/44/378624/jsmg_1_1_44.pdf from Downloaded INTRODUCTION As unquestionably evident from the chipmusic scene, it is an understatement to say that there is a lot one can do with simple square waves. One-bit music, generally considered a subdivision of chipmusic,1 takes this one step further: it is the music of a single square wave. The only operation possible in a -bit environment is the variation of amplitude over time, where amplitude is quantized to two states: high or low, on or off. As such, it may seem in- tuitively impossible to achieve traditionally simple musical operations such as polyphony and dynamic control within a -bit environment. Despite these restrictions, the unique tech- niques and auditory tricks of contemporary -bit practice exploit the limits of human per- ception. -
The Physics of Sound 1
The Physics of Sound 1 The Physics of Sound Sound lies at the very center of speech communication. A sound wave is both the end product of the speech production mechanism and the primary source of raw material used by the listener to recover the speaker's message. Because of the central role played by sound in speech communication, it is important to have a good understanding of how sound is produced, modified, and measured. The purpose of this chapter will be to review some basic principles underlying the physics of sound, with a particular focus on two ideas that play an especially important role in both speech and hearing: the concept of the spectrum and acoustic filtering. The speech production mechanism is a kind of assembly line that operates by generating some relatively simple sounds consisting of various combinations of buzzes, hisses, and pops, and then filtering those sounds by making a number of fine adjustments to the tongue, lips, jaw, soft palate, and other articulators. We will also see that a crucial step at the receiving end occurs when the ear breaks this complex sound into its individual frequency components in much the same way that a prism breaks white light into components of different optical frequencies. Before getting into these ideas it is first necessary to cover the basic principles of vibration and sound propagation. Sound and Vibration A sound wave is an air pressure disturbance that results from vibration. The vibration can come from a tuning fork, a guitar string, the column of air in an organ pipe, the head (or rim) of a snare drum, steam escaping from a radiator, the reed on a clarinet, the diaphragm of a loudspeaker, the vocal cords, or virtually anything that vibrates in a frequency range that is audible to a listener (roughly 20 to 20,000 cycles per second for humans). -
Lab 4: Using the Digital-To-Analog Converter
ECE2049 – Embedded Computing in Engineering Design Lab 4: Using the Digital-to-Analog Converter In this lab, you will gain experience with SPI by using the MSP430 and the MSP4921 DAC to create a simple function generator. Specifically, your function generator will be capable of generating different DC values as well as a square wave, a sawtooth wave, and a triangle wave. Pre-lab Assignment There is no pre-lab for this lab, yay! Instead, you will use some of the topics covered in recent lectures and HW 5. Lab Requirements To implement this lab, you are required to complete each of the following tasks. You do not need to complete the tasks in the order listed. Be sure to answer all questions fully where indicated. As always, if you have conceptual questions about the requirements or about specific C please feel free to as us—we are happy to help! Note: There is no report for this lab! Instead, take notes on the answers to the questions and save screenshots where indicated—have these ready when you ask for a signoff. When you are done, you will submit your code as well as your answers and screenshots online as usual. System Requirements 1. Start this lab by downloading the template on the course website and importing it into CCS—this lab has a slightly different template than previous labs to include the functionality for the DAC. Look over the example code to see how to use the DAC functions. 2. Your function generator will support at least four types of waveforms: DC (a constant voltage), a square wave, sawtooth wave, and a triangle wave, as described in the requirements below. -
Tracking of High-Speed, Non-Smooth and Microscale-Amplitude Wave Trajectories
Tracking of High-speed, Non-smooth and Microscale-amplitude Wave Trajectories Jiradech Kongthon Department of Mechatronics Engineering, Assumption University, Suvarnabhumi Campus, Samuthprakarn, Thailand Keywords: High-speed Tracking, Inversion-based Control, Microscale Positioning, Reduced-order Inverse, Tracking. Abstract: In this article, an inversion-based control approach is proposed and presented for tracking desired trajectories with high-speed (100Hz), non-smooth (triangle and sawtooth waves), and microscale-amplitude (10 micron) wave forms. The interesting challenge is that the tracking involves the trajectories that possess a high frequency, a microscale amplitude, sharp turnarounds at the corners. Two different types of wave trajectories, which are triangle and sawtooth waves, are investigated. The model, or the transfer function of a piezoactuator is obtained experimentally from the frequency response by using a dynamic signal analyzer. Under the inversion-based control scheme and the model obtained, the tracking is simulated in MATLAB. The main contributions of this work are to show that (1) the model and the controller achieve a good tracking performance measured by the root mean square error (RMSE) and the maximum error (Emax), (2) the maximum error occurs at the sharp corner of the trajectories, (3) tracking the sawtooth wave yields larger RMSE and Emax values,compared to tracking the triangle wave, and (4) in terms of robustness to modeling error or unmodeled dynamics, Emax is still less than 10% of the peak to peak amplitude of 20 micron if the increases in the natural frequency and the damping ratio are less than 5% for the triangle trajectory and Emax is still less than 10% of the peak to peak amplitude of 20 micron if the increases in the natural frequency and the damping ratio are less than 3.2 % for the sawtooth trajectory. -
Verified Design Analog Pulse Width Modulation
John Caldwell TI Precision Designs: Verified Design Analog Pulse Width Modulation TI Precision Designs Circuit Description TI Precision Designs are analog solutions created by This circuit utilizes a triangle wave generator and TI’s analog experts. Verified Designs offer the theory, comparator to generate a pulse-width-modulated component selection, simulation, complete PCB (PWM) waveform with a duty cycle that is inversely schematic & layout, bill of materials, and measured proportional to the input voltage. An op amp and performance of useful circuits. Circuit modifications comparator generate a triangular waveform which is that help to meet alternate design goals are also passed to the inverting input of a second comparator. discussed. By passing the input voltage to the non-inverting comparator input, a PWM waveform is produced. Negative feedback of the PWM waveform to an error amplifier is utilized to ensure high accuracy and linearity of the output Design Resources Ask The Analog Experts Design Archive All Design files WEBENCH® Design Center TINA-TI™ SPICE Simulator TI Precision Designs Library OPA2365 Product Folder TLV3502 Product Folder REF3325 Product Folder R4 C1 VCC R3 - VPWM + VIN VREF R1 + ++ + U1A - U2A V R2 C2 CC VTRI C3 R7 - ++ U1B VREF VCC VREF - ++ U2B VCC R6 R5 An IMPORTANT NOTICE at the end of this TI reference design addresses authorized use, intellectual property matters and other important disclaimers and information. TINA-TI is a trademark of Texas Instruments WEBENCH is a registered trademark of Texas Instruments SLAU508-June 2013-Revised June 2013 Analog Pulse Width Modulation 1 Copyright © 2013, Texas Instruments Incorporated www.ti.com 1 Design Summary The design requirements are as follows: Supply voltage: 5 Vdc Input voltage: -2 V to +2 V, dc coupled Output: 5 V, 500 kHz PWM Ideal transfer function: V The design goals and performance are summarized in Table 1. -
Airspace: Seeing Sound Grades
National Aeronautics and Space Administration GRADES K-8 Seeing Sound airspace Aeronautics Research Mission Directorate Museum in a BO SerieXs www.nasa.gov MUSEUM IN A BOX Materials: Seeing Sound In the Box Lesson Overview PVC pipe coupling Large balloon In this lesson, students will use a beam of laser light Duct tape to display a waveform against a flat surface. In doing Super Glue so, they will effectively“see” sound and gain a better understanding of how different frequencies create Mirror squares different sounds. Laser pointer Tripod Tuning fork Objectives Tuning fork activator Students will: 1. Observe the vibrations necessary to create sound. Provided by User Scissors GRADES K-8 Time Requirements: 30 minutes airspace 2 Background The Science of Sound Sound is something most of us take for granted and rarely do we consider the physics involved. It can come from many sources – a voice, machinery, musical instruments, computers – but all are transmitted the same way; through vibration. In the most basic sense, when a sound is created it causes the molecule nearest the source to vibrate. As this molecule is touching another molecule it causes that molecule to vibrate too. This continues, from molecule to molecule, passing the energy on as it goes. This is also why at a rock concert, or even being near a car with a large subwoofer, you can feel the bass notes vibrating inside you. The molecules of your body are vibrating, allowing you to physically feel the music. MUSEUM IN A BOX As with any energy transfer, each time a molecule vibrates or causes another molecule to vibrate, a little energy is lost along the way, which is why sound gets quieter with distance (Fig 1.) and why louder sounds, which cause the molecules to vibrate more, travel farther. -
33600A Series Trueform Waveform Generators Generate Trueform Arbitrary Waveforms with Less Jitter, More Fidelity and Greater Resolution
DATA SHEET 33600A Series Trueform Waveform Generators Generate Trueform arbitrary waveforms with less jitter, more fidelity and greater resolution Revolutionary advances over previous generation DDS 33600A Series waveform generators with exclusive Trueform signal generation technology offer more capability, fidelity and flexibility than previous generation Direct Digital Synthesis (DDS) generators. Use them to accelerate your development Trueform process from start to finish. – 1 GSa/s sampling rate and up to 120 MHz bandwidth Better Signal Integrity – Arbs with sequencing and up to 64 MSa memory – 1 ps jitter, 200x better than DDS generators – 5x lower harmonic distortion than DDS – Compatible with Keysight Technologies, DDS Inc. BenchVue software Over the past two decades, DDS has been the waveform generation technology of choice in function generators and economical arbitrary waveform generators. Reduced Jitter DDS enables waveform generators with great frequency resolution, convenient custom waveforms, and a low price. <1 ps <200 ps As with any technology, DDS has its limitations. Engineers with exacting requirements have had to either work around the compromised performance or spend up to 5 times more for a high-end, point-per-clock waveform generator. Keysight Technologies, Inc. Trueform Trueform technology DDS technology technology offers an alternative that blends the best of DDS and point-per-clock architectures, giving you the benefits of both without the limitations of either. Trueform technology uses an exclusive digital 0.03%