“THE MYSTERIOUS LONELY SAINT”: REPRESENTATIONS AND PERCEPTIONS OF THE DOKSEONG IMAGES IN KOREA
Authors: Dr. Beatrix Mecsi: Art Historian (Ph.D. University of London, SOAS), Research fellow at the Institute of Art History, Eötvös Loránd University, Budapest (ELTE), Department of Korean Studies Eötvös Loránd University, Budapest (ELTE), Associate Professor of the TKBF Buddhist University, Budapest Prof. David A. Mason: Professor of Kyung Hee University, Seoul, Korea Specialist on Korea’s religious culture and tourism; author of the first comprehensive book on the Korean Mountain spirit ( Sanshin ) in both English and Korean Abstract The Dokseong or “Lonely Saint” is a popular and frequently worshipped deity in South Korea, whose representations can almost always be found in Korean Buddhist temples. However, this identity and characteristics of this figure remain obscure and little understood by both Buddhist believers and scholars of Korean culture. His iconic representations are usually placed together with the popular Korean Shamanist/Daoist deities the Sanshin [Mountain spirit] and the Chilseong [Seven Stars] and possibly other non Buddhist representations in a special shrine for non Buddhist deities within temple complexes, usually above and behind or next to the Main Halls. He may sometimes, however, be found in his own shrine. Dokseong is regarded as a somewhat Shamanistic deity and supplicated for real world benefits in the Korean Shamanic fashion, but is generally accepted as more of a Buddhist figure than the others enshrined with him, creating a surprising mystery and controversy about his historical origins and religious identity. In an original attempt to resolve this quandary, this study investigates the iconography of this lonely saint, and finds that some aspects suggest that his origin goes back to one of the foremost Buddhist saints ( arhats in Sanskrit), Pindola Bharadvaja , a mythical figure widely held by Northeast Asian Buddhists to be one of the sixteen original and primary disciples of Śākyamuni Buddha. Aspects of this figure’s mythology help explain his Shamanistic status and function in Korean temples. This study analyses these images together with the written sources in order to shed light on the origins of the representation of the Korean “Lonely Saint” and to place them into a wider context, and to rediscover his functional identity. This is the first known academic paper to do so, and should be of benefit to all who research East Asian Buddhist arts and Korean religious culture. Introduction: The Mysterious “Lonely Saint”: Dokseong Images in Korea