Rhetorically Constructing Immigrants in French and US History Textbooks
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Xerox University Microfilms
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Anthropoetics V, 1
Anthropoetics V, 1 Anthropoetics V, no. 1 Spring / Summer 1999 ISSN 1083-7264 Table of Contents 1. Erik Eisel - "In the Beginning was the Word...": The Question of the Origin of Language in Goethe's Faust 2. William Mishler - The Question of the Origin of Language in René Girard, Eric Gans, and Kenneth Burke 3. Herbert Plutschow - An Anthropological Perspective on the Japanese Tea Ceremony 4. Eric Gans - The Little Bang: The Early Origin of Language 5. Benchmarks Eric Gans / [email protected] Last updated 7/23/99 http://steadr/anthropoetics/0501/ [5/10/2000 10:29:48 AM] Eisel Anthropoetics 5, no. 1 (Spring/Summer 1999) "In the Beginning was the Word...": The Question of the Origin of Language in Goethe's Faust Erik M. Eisel Department of Germanic Languages University of California, Los Angeles Los Angeles CA 90095-1539 [email protected] Beginning with the Age of Goethe, the history of the question of the origin of language follows from the general questions, "What is man?" "What is culture?" and "What is language?"(1) The Berlin Academy of Sciences conjectured in its Preisfrage of 1769 whether human beings, "abandoned to their natural faculties," are capable of inventing language. In response, the first sentence of Johann Gottfried Herder's winning "Essay on the Origin of Language" gives the starting point for new anthropological thinking in the eighteenth century, changing the history of this question: "Already as an animal the human being has language."(2) As Helmut Mueller-Sievers, the author of Self-Generation: Biology, Philosophy, and Literature Around 1800, points out, Herder's rhetorical procedure is an attempt to deny both empirical and divine origins of language while unifying his philosophical project within the domain of language: The quest for a satisfactory explanation for the origin and status of language at the end of the eighteenth century is, historically and structurally, related to the debate about the origin of living beings. -
LAURA LEVINE Furniture | Kitchen | Bath | Closet | Lighting | Accessories | Art
LAURA LEVINE Furniture | Kitchen | Bath | Closet | Lighting | Accessories | Art ARTIST Laura Levine TITLE Tina Weymouth and Grandmaster Flash, NYC, 1981 MEDIUM Silver gelatin photographic print. Signed, titled, numbered in ink on the front and stamped on the back. Later printing from Laura Levine’s personal archive. DIMENSIONS 21” x 26” | Framed | Edition 7 of 50 16” x 20” | Unframed BIOGRAPHY Levine’s career as a music photographer enabled her to work with everyone from Björk to James Brown for magazines such as Rolling Stone and the New York Rocker (where she was Chief Photographer/Photo Editor). Levine’s intimate photographic portraits of artists from the punk, early hip-hop, New Wave, No Wave, and early downtown New York City music scene have been previously exhibited at New York’s Museum of Modern Art (MoMA), Steven Kasher Gallery, and are in the permanent collections of the Rock & Roll Hall of Fame and Museum, the Museum of Fine Arts (Houston), and the Smithsonian Institution’s National Portrait Gallery. PRICE $2,800 | Framed $2,500 | Unframed DZINE Gallery | 128 Utah Street, San Francisco, CA 94103 | www.dzineliving.com/gallery | 415.674.9430 Furniture | Kitchen | Bath | Closet | Lighting | Accessories | Art ARTIST Laura Levine TITLE Joey Ramone, NYC, 1982 MEDIUM Silver gelatin photographic print. Signed, titled, numbered in ink on the front and stamped on the back. Later printing from Laura Levine’s personal archive. DIMENSIONS 21” x 26” | Framed | Edition 4 of 50 16” x 20” | Unframed BIOGRAPHY Levine’s career as a music photographer enabled her to work with everyone from Björk to James Brown for magazines such as Rolling Stone and the New York Rocker (where she was Chief Photographer/Photo Editor). -
TOTE Criticism: Speech Communication: Unions
DOCUMENT RESUME ED 199 609 CS 205 688 TITLE Rhetoric and Public Address: Abstracts of Doctoral Dissertations Pliblished in "Dissertation Abstracts International," January through June 1980 (Vol. (10 Nos. 7 through 12). INSTITUTION ERIC Clearinghouse.on Reading and Communication Skills, Urbana, Ill. 0_ PUB DATE 80 TOTE 13p.: Pages may be marginally legible. EDRS PRICE MF01/PC01 Plus Postage). DESCRIPTORS Annotated Bibliographies,: Churches; *Communication Research: Connected Discourse; Content Analysis; *Discourse Analysis: *Doctoral Dissertations: Organizational Communication: *Persuasive Discourse: Political Science; Politics; *Public Speaking: Religibus Organizations: *Rhetoric; *Rhetorical Criticism: Speech Communication: Unions; Womens Studies ABSTRACT This collection of abstracts is-part of a continuing . 'series'providing information on recent doctorgl dissertations.The'20 titles deal with-A variety oftopics, including the following: (1) the campaign communication during the Carter-Pordtelevision debates: (2) apprehensiveness and performance inpublic speaking; (3)a history and criticism 9f-the Vietnam antivar;movement:((4). a case study of institutional rhetoric and radical :Change (thecontemporary Roman Catholic Church in America):(5) synthesizing methodologies' used,:in the study of political communication during the 1976United States presidential election campaign:(6) the audience effects of (7) rhetorical vision and black social reality: 4 apoliogetic discourse: (8),a case study of organizational apologia. (theAmerican Federation of Labor, 1945-1956): and rhetorical analysesof the speeches/discourses of (9) Dorothy bay for the Catholic Worker movement, (10) British Conservative Party leader MargaretThatcher., (11) Charles Betts Galloway,(12) Carl Schurz,(13) Cleveland mayoral Candidate Arnold Pinkney,(14) Richard Nixon on Vietnam, (15) United States Senator Wayne Morse on Vietnam, (16) Supreme Court Justice Wilgam 0. Douglas on the First Amendment, (17)'U. -
The Five Key Terms of Dramatism
INTRODUCTION: THE FIVE KEY TERMS OF DRAMATISM WHAT is involved, when we say what people are doing and why they are doing it? An answer to that question is the subject of this book. The book is concerned with the basic forms of thought which, in ac- cordance with the nature of the world as all men necessarily experience it, are exemplified in the attributing of motives. These forms of thought can be embodied profoundly or trivially, truthfully or falsely. They are equally present in systematically elaborated metaphysical structures, in legal judgments, in poetry and fiction, in political and scientific works, in news and in bits of gossip offered at random. We shall use five terms as generating principle of our investigation. They are: Act, Scene, Agent, Agency, Purpose. In a rounded state- ment about motives, you must have some word that names the act (names what took place, in thought or deed), and another that names the scene (the background of the act, the situation in which it oc- curred) ; also, you must indicate what person or kind of person {agent) performed the act, what means or instruments he used {agency), and the purpose. Men may violently disagree about the purposes behind a given act, or about the character of the person who did it, or how he did it, or in what kind of situation he acted; or they may even insist upon totally different words to name the act itself. But be that as it may, any complete statement about motives will offer some kind of an- swers to these five questions: what was done (act), when or where it was done (scene), who did it (agent), how he did it (agency), and why (purpose). -
Copyright by Arthur Alvin Vanderveen, Jr. 2002
Copyright by Arthur Alvin VanderVeen, Jr. 2002 The Dissertation Committee for Arthur Alvin VanderVeen, Jr. certifies that this is the approved version of the following dissertation: Other Minds, Other Worlds: Pragmatism, Hermeneutics, and Constructive Modernism, 1890-1942 Committee: _________________________________ Warwick Wadlington, Co-Supervisor _________________________________ Phillip Barrish, Co-Supervisor _________________________________ Katherine Arens _________________________________ Evan Carton _________________________________ Brian Bremen Other Minds, Other Worlds: Pragmatism, Hermeneutics, and Constructive Modernism, 1890-1942 by Arthur Alvin VanderVeen Jr., B.A., M.Div., M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2002 “The more we see, the more we think; while the more we think, the more we see in our immediate experience, and the greater grows the detail, and the more significant the articulateness of our perception.” William James Acknowledgments For their support, I would like to acknowledge the University of Texas at Austin Graduate School for a University Fellowship, the John F. Kennedy Library Foundation for an Ernest Hemingway Research Grant, and the Mellon Foundation for a Summer Seminar Grant. I cannot claim that this support speeded the completion of this project, but it did allow me to pursue my research interests more broadly and deeply than I would otherwise have been able. I extend my sincerest thanks to Warwick Wadlington, whose appreciation for the particularity and fullness of the world has taught me to avoid simple binaries and remain open to the disturbing details that lead to new insights. -
Occult Invention: the Rebirth of Rhetorical Heuresis
OCCULT INVENTION: THE REBIRTH OF RHETORICAL HEURESIS IN EARLY MODERN BRITISH LITERATURE FROM CHAPMAN TO SWIFT by MICHAEL CHARLES MCCANN A DISSERTATION Presented to the Comparative Literature Program and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2011 DISSERTATION APPROVAL PAGE Student: Michael Charles McCann Title: Occult Invention: The Rebirth of Rhetorical Heuresis in Early Modern British Literature from Chapman to Swift This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Comparative Literature Program by: Dianne Dugaw Co-Chairperson John T. Gage Co-Chairperson Kenneth Calhoon Member Steven Shankman Member Jeffrey Librett Outside Member and Kimberly Andrews Espy Vice President for Research and Innovation/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2011. ii © 2011 Michael Charles McCann iii DISSERTATION ABSTRACT Michael C. McCann Doctor of Philosophy Comparative Literature Program September 2011 Title: Occult Invention: The Rebirth of Rhetorical Heuresis in Early Modern British Literature from Chapman to Swift Approved: _______________________________________________ Dianne Dugaw Approved: _______________________________________________ John T. Gage The twentieth-century project of American rhetorician Kenneth Burke, grounded in a magic-based theory of language, reveals a path to the origins of what I am going to call occult invention. The occult, which I define as a symbol set of natural terms derived from supernatural terms, employs a method of heuresis based on a metaphor-like process I call analogic extension. -
REVELATORY VERNACULAR RHETORIC on the INTERNET By
PASSAGES DIVINELY LIT: REVELATORY VERNACULAR RHETORIC ON THE INTERNET By ROBERT GLENN HOWARD A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 2001 ii "Passages Divinely Lit: Revelatory Vernacular Rhetoric on the Internet," a dissertation prepared by Robert Glenn Howard in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of English. This dissertation has been approved and accepted by: Dr. Daniel Wojcik, Chair of the Examining Committee Date Committee in charge: Dr. Daniel Wojcik, Chair Dr. James Crosswhite Dr. David Frank Dr. John Gage Dr. Sharon Sherman Accepted by: Dean of the Graduate School iii © 2001 Robert Glenn Howard iv An Abstract of the Dissertation of Robert Glenn Howard for the degree of Doctor of Philosophy in the Department of English to be taken August 2001 Title: PASSAGES DIVINELY LIT: REVELATORY VERNACULAR RHETORIC ON THE INTERNET Approved: Dr. Daniel Wojcik Since the advent of the public World-Wide-Web in 1992, networked computer communication has rapidly become integral to the daily lives of many North Americans. Many researchers in the humanities and social sciences debate the potential power and nature of the effects of these new forms of communication. Some scholars see dangers in the changing forms of "media literacy," but others see the Internet engendering new levels of democratic debate at grassroots and personal levels. However, much of this research still lacks the basic methodological rigor necessary to make reasonable claims about actual individual human communicative behavior on the Internet. -
Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales
University of Kentucky UKnowledge Folklore Anthropology 7-5-2002 Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales Jack Zipes Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Zipes, Jack, "Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales" (2002). Folklore. 15. https://uknowledge.uky.edu/upk_folklore/15 Breaking the Magic Spell Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright O 1979 by Jack Zipes Published 2002 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. - Editorial and Sales Ofices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Library of Congress Cataloging-in-Publication Data Zipes, Jack Breaking the magic spell. 1. Tales, European-History and criticism. 2. Literature and society. I. Title ISBN-10: 0-8131-9030-4 (paper) ISBN-13: 978-0-8131-9030-3 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
A Facilitator's Guide to Using the PBS Program
A Facilitator’s Guide to Using the PBS Program ©2009 WNED/Buffalo•Toronto Credits and Acknowledgements Television Program Credits Facilitator Guide Credits Host DONALD FAISON Executive Project Director PAMELA JOHNSON , Ph.D. Producer/Director TOM SIMON Managing Editor ALAN NOWICKI Lead Writer - Coordinator ANN K. LUPO Writers JAMIE BERNANKE TOM SIMON Contributing Writers MARIA MOZZETTIXSTOCK MARCIANNE SPIESS KUKODA Editor DAVEVELAZQUEZ ROBERT SPINO Content Contributors JAN SUDA Segment Producers DAWNV. BROWN BETSY HALVORSEN DAVID PONTILLO BETH CRITOPH KATE BECK Executive Producer JOHN GRANT Graphic Design CAROL HAMMER Education & Outreach JOHN CRAIG , Ph.D. NAN SCHWEIGER For WNED WNED Communications DARWIN MCPHERSON SUZANNE KASHUBA Production Executive DAVID ROTTERMAN Reviewers KATE BECK , Consumer Credit Counseling of Buffalo Production Coordinator KEVIN RUSH DIANE BESSEL , UnitedWay of Buffalo & Erie County JENNY BRADBURY , PBSTeachers Production Manager PHILTEIBEL LAURA LEVINE ,The Jump$tart Coalition for Personal Financial Literacy Post Production CHRISTOPHERTHOMAS MARTHA NUCHERENO , Cheektowaga High School Promotion GWEN MYSIAK Special Thanks ERIE COMMUNITY COLLEGE Outreach & Web PAMELA JOHNSON , Ph.D. KALEIDA HEALTH NANCY HAMMOND Television Program Financial Experts National Advisory Board PETER BIELAGUS, Financial Advisor LORETTA ABRAMS, HSBC North America BETH KOBLINER, Financial Expert and Author BETH KOBLINER, Financial Expert and Author LAURA LEVINE ,The Jump$tart Coalition RON LIEBER, The New York Times BEN LEVY, Young Money -
The Observer This Weekend
26 | NEWS | WORLD * * * * 17.07.11 Laura Levine’s images of Madonna, in 1982; Chrissie Hynde and Iggy Pop, in 1987; and Michael Hutchence, in 1986. ‘I wanted to get away from all the artifice,’ she says. Courtesy of Steven Kasher Gallery, New York Unseen archive of the biggest 80s stars downtown galleries after working as tures from that shoot are well known, but New York gallery shows rare vintage prints of chief photographer and photo editor not the one in show. She was a pleasure of underground newspaper New York to work with and had a real sense of self Chrissie Hynde, Michael Stipe and Madonna Rocker . She also published in the Village even then. I set that picture up by asking Voice , Sounds and Rolling Stone . her to scream.” “My photo sessions would be very The show also includes an evocative The photographic show, titled Musi- relaxed,” said Levine. “Most of the sub- picture of Tina Weymouth of Talking by Vanessa (orpe cians , is being mounted by the Steven jectsJects I didn’t know beforehand, although Heads and hip-hop artist and DJ Grand- Arts and Media Correspondent Kasher Gallery and came about almost some became friends. The REM photo I master Flash. Marking the birth of hip- by accident after Kasher worked with took in Athens, Georgia, at a point where hop as a popular genre, it was taken in A revealing archive of unseen photo- Levine on another show chronicling the they were very good friends. It was one New York in 1981 in front of a wall of graphs of music stars taken more than same era. -
Pentadic Ratios in Burke's Theory of Dramatism Dramatism Kenneth Burke
Ross 1 Pentadic Ratios in Burke’s Theory of Dramatism Dramatism Kenneth Burke (1945) introduced his theory of “dramatism” in his book A Grammar of Motives, saying,“[I]t invites one to consider the matter of motives in a perspective that, being developed from the analysis of drama, treats language and thought primarily as modes of action” (p. xxii). Burke (1978) later explains that the term “dramatism” stems from the idea that language is viewed “primarily as a mode of action rather than as a mode of knowledge, though the two emphases are by no means mutually exclusive” (p. 330). His belief that humans are symbol-users and that symbolic action is both public and unavoidable (Burke, 1978; Kneupper, 1979) led to the creation of dramatism. Dramatistic theory takes into account the nature of language and symbolism. The theory expands on ideas of “identification,” guilt, tropes and figures, and Burke’s “pentad” of terms for analysis, in addition to much more throughout his work. Burke’s theories emerged as a fusion of Freudian psychology and Marxist ideologies (Smith, 2009). Dramatism acts as a method and meta-method, in that the questions raised by a dramatistic inquiry question both the action and analyze the effect of the explanation of action (Overington, 1977). Dramatism, therefore, is a “logic of inquiry” for examining rhetoric, with a fundamental emphasis on motive: “the language of motives, motives in language, language as motive” (Overington, 1977, p. 133). The various aspects of dramatism offer ways to view the world generally and analyze public discourse and action specifically.