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Constantin Silvestri COMPLETE PIANO WORKS

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Constantin Silvestri COMPLETE PIANO WORKS PH20028Booklet.Borac.qxp_PH?????_Booklet_Gamben/Handel 20.03.20 10:38 Seite 1 Edition Günter Profil Hänssler Constantin Silvestri COMPLETE PIANO WORKS LUIZA BORAC 2CD PH20028Booklet.Borac.qxp_PH?????_Booklet_Gamben/Handel 20.03.20 10:38 Seite 2 COMPLETE PIANO WORKS LUIZA BORAC DEUTSCH Constantin Silvestri 1913 - 1969 Suite No. 3 Op. 6 No. 1 Complete Piano Works 19. 1. Preludio 1:45 20. 2. Duetto 2:04 CD 1 21. 3. Capriccio 1:21 Suite No. 1 „Children playing“ / „Jeux d’enfants“ / „Copii la joacă“ Op. 3 No. 1 22. 4. Notturno 5:06 1. 1. The Lead Soldiers / Soldats de plomb / Soldații de plumb 1:20 23. 5. Danse sacre 2:25 2. 2. Pastorale / Le petit berger / Ciobănașul 2:02 24 . 6. Bacchanale 3:51 3. 3. Play With Shadows / Ombres chinoises /Joc cu umbre 1:40 4. 4. The Whip / Le Martinet / „Sfîntul Niculae“ 0:46 Dances populaires roumaines de Transylvanie Op. 4 5. 5. Blind Man’s Buff / Colin-maillard / Baba-oarba 1:06 (Collection Béla Bartók), arr. Piano Solo by Luiza Borac – First recording 6. 6. The Sandman / La Marchand de sable / Moș Ene 2:47 25. 1. Celui qui n’a pas de… (Beiuș) 0:50 7. 7. Catch Me If You Can / Pigeon vole / De-a prinselea 1:55 26. 2. Danse (Beiuș) 1:51 27. 3. Mărunțelul (Beiuș) 0:58 Suite No. 2 „Children Playing/ „Jeux d’enfants“ / „Copii la joacă“ Op. 3 No. 2 28. 4. Mărunțelul (Delan) 1:12 8. 1. Hide-and-Seek / Cache-cache / De-a v-ați ascunselea 2:12 29. 5. Mărunțelul (Leleșd) 0:36 9. 2. The Sleeping Doll / La poupée dort / Păpușa adormită 2:17 30 . 6. Guimbarde / Joc din Drâmboaie (Budureasa) 0:53 10. 3. The Puppet / Fantoche / Paiață 1:08 11. 4. Dreaming / Sommeil / În vis 2:27 Sonata quasi una fantasia Op. 19 No. 2 (1940) 12. 5. Grandma’s Crinoline / La crinoline de grand-mère / Cu rochia bunicii 2:32 First recording 13. 6. Goblin / Diablotin / Spiriduș 0:57 31. 1. espressivo 11:01 14. 7. Bugbear / Croque-mitaine / Gogorița 1:09 32. 2. Tempo di valzer 9:10 15. 8. Whirligig / La Toupie / Titirezul 1:26 Total time CD 1: 79:28 Sonatina D major Op. 3 No. 3 16. 1. Con importanza 3:02 17. 2. Meditativo 3:52 18. 3. Con spirito 3:02 2 3 PH20028Booklet.Borac.qxp_PH?????_Booklet_Gamben/Handel 20.03.20 10:38 Seite 4 COMPLETE PIANO WORKS LUIZA BORAC CD 2 Constantin Silvestri (1913-1969) war ein lich in England nieder. Er konzertierte erfolg- Sonata breve a due voci Op. 13 No. 2 (1938) rumänischer Dirigent, Pianist und Komponist. reich mit zahlreichen renommierten internatio- 1. 1. Vivace 5:08 Bereits mit 10 Jahren spielte er öffentlich nalen Klangkörpern und führte das britische 2. 2. Andante cantabile con moto 4:28 Klavier. Mit 16 Jahren erhielt er den George- Bournemouth Orchestra vom eher provin- 3. 3. Scherzo 1:19 Enescu-Preis, überreicht vom Komponisten ziellen Orchester zur Weltberühmtheit. 4. 4. Grave.Tempo giusto 3:51 selbst. Enescu, der Silvestri sehr bewunderte, soll dabei gesagt haben: „Wir wünschen, dass Doch neben der großen Geste als Orchester- Pièces de concert Op. 25 Silvestri all das erfüllen kann, was wir von ihm Dirigent pflegte Silvestri auch das Klavierspiel 5. Nr. 1. Veloce e leggiero (for Magda) 2:54 erwarten. Und das ist sehr viel“. (er war ein glänzender Improvisator) und die 6. Nr. 2. Con gran sensibilità (for Lydia) 7:20 Am Konservatorium in Bukarest studierte Kompositionen für dieses, sein intimstes Instru- 7 . Nr. 3. Recitativo (delicatamente) (for Irina) 5:19 Silvestri Klavier und Komposition. Als Dirigent ment, dem er sehr vertrauliche, subjektiv ge- ă Chants nostalgiques / Études de nuances / Cântece de pustiu Op. 27 (1944) leitete er das Orchestra National Radio, die färbte Gedanken anvertraute. ă 8. Nr. 1. Pensieroso 3:29 Opera National Bucuresti und später die 9. Nr. 2. Espressivo 2:53 Bukarester Philharmonie. Sein Traum war es, Es ist ein großes Verdienst der Pianistin 10. Nr. 3. Misterioso 4:09 die rumänische Uraufführung der Oper Luiza Borac, hier das komplette Klavierwerk „Oedipe“ (Ödipus) von Enescu in Bukarest zu Silvestris der Öffentlichkeit zu präsentieren – Sonata IV Rapsodia in 3 episodi Op. 28 No. 1 dirigieren, ein Traum, der 1958 wahr wurde, auch mit Ersteinspielungen und Bearbeitungen. 11. 1. Grave. Con passione 9:43 und zwar mit großem Erfolg. 12. 2. Lirico, molto sensibile 6:08 Die „Rumänischen Tänze aus Trans- 13. 3. Vivace, virtuosamente 6:10 Silvestri war ein Mensch mit viel Humor, sylvanien“, op. 4 (auf Themen von Béla gleichzeitig jedoch auch sehr ernsthaft und Bartóks Sammlung „Rumänische Volkslieder György Kurtág (*1926) - 2 Piano Pieces – First recording kritisch, ein Nonkonformist, dabei originell, aus dem Komitat Bihor“) ist Silvestris erste 14. 1. ‚In memoriam Làszlò Ferenc‘ (‚cu drag si incă foarte trist prietenului 2:30 komplex interessiert und eine schwierige Komposition für Klavier – eine sehr feine und Constantin-Tufan Stan‘) Saint-André-de-Cubzac, 2010 III 24-27 Natur. Aufgrund politischer Veränderungen in aufrichtige Bearbeitung von Melodien und 15. 2. „…c’astăzi s-a născut…Márta 90 éves!“ 2017 október 1-re (IX12-30) 1:39 Rumänien und Rivalitäten einiger Kollegen Rhythmen osteuropäischer Folklore. Wie für George Enescu (1881-1955) wurden Folgeaufführungen von „Oedipe“ so- George Enescu war auch für Silvestri die 16. Piano Concerto D minor (1 mvt., unfinished) – First CD Recording 12:01 wie auch andere seiner Konzerte in Rumänien rumänische Volksmusik eine wichtige Quelle National Radio Orchestra Bucharest / Rossen Gergov, conductor abrupt abgesagt. Silvestri entschied sich, sein der Inspiration. Silvestri schrieb 2 Versionen Total time CD 2: 79:35 Heimatland zu verlassen und ließ sich schließ- der sechs Tänze, die erste Fassung für Or- 4 5 PH20028Booklet.Borac.qxp_PH?????_Booklet_Gamben/Handel 20.03.20 10:38 Seite 6 COMPLETE PIANO WORKS LUIZA BORAC chester, die zweite für Klavier zu 4 Händen. Bacchanale war der Komponist besonders Die Drei Konzertstücke op. 25 schrieb op. 4 Nr. 6, Guimbarde, als unmittelbare Die hier vorliegende Einspielung ist ein Arran- stolz. Nach einem Konzert mit dem englischen der Komponist im Jahre 1944. Sie sind drei Quelle der Inspiration. gement für Solo-Klavier von Luiza Borac. Pianisten Clive Lythgoe wurde Silvestri nach verschiedenen Pianistinnen gewidmet, die zu dem besten Klavierwerk des 20. Jahrhunderts jener Zeit Studentinnen seiner Freundin, der Pianistin Nach grundlegenden Revisionen in 1957 wur- Die beiden Suiten „Kinderspiele“ op. 3 befragt – er offerierte dem Fragenden die Constanta Erbiceanu, waren. Beginnend mit de die Sonate im selben Jahr von dem Nr. 1 und 2 sind imaginäre Kompositionen Partitur seines Bacchanale. diesen Werken und fortgesetzt mit den unmit- Pianisten György Halmos uraufgeführt. im Stil der kurzen Miniaturen Robert telbar folgenden Meisterstücken „Chants no- Schumanns, z.B. dessen „Kinderszenen“, und Im Jahre 1938 schrieb Silvestri die „Sonata stalgiques“ op. 27 ergründet Silvestri neue Eines der schönsten Werke des bedeutenden auch solchen von Silvestris Kompositionslehrer breve“ für 2 Stimmen op. 13 Nr. 2, die Tiefen des Ausdrucks und der „musika- rumänischen Komponisten George Enescu Mihail Jora (ein Schüler Max Regers), bei dem er 1957 wesentlich überarbeitete. Auf der lischen Sprache“ mit unendlichen Nuancen (1881-1955) ist das (unvollendete) Klavier- Silvestri zunächst in Diatonik geschult wurde, ersten Seite schrieb er „Sonata breve – sie wie auch tragischen Dimensionen. Der ru- konzert in d-Moll aus dem Jahre 1897, ei- die sich dann jedoch allmählich bei ihm in kann mit den folgenden Instrumenten gespielt mänische Musikwissenschaftler C. Buga ne recht frühe Komposition Enescus also. Er einen Hang zur Chromatik wandelte. werden: Klarinette und Fagott oder Klarinette schrieb über die Nostalgischen Gesänge: hat sie in seinen Wiener Studienjahren kompo- und Violoncello oder Violine und Violoncello „Das Werk ist konzipiert in einer Zeit der Trau- niert. Nur einen Satz gibt es von diesem einzi- Die Sonatine op. 3 Nr. 3 stammt aus der- oder Viola und Violoncello ... oder ... über- er, Melancholie und Verzweiflung über das po- gen Klavierkonzert des Komponisten. Er ist im selben Schaffensphase des Komponisten. „In haupt nicht!“ Eine humorvolle, aber bittere litische Regime in Rumänien. Man kann sagen, spätromantischen Stil eines Brahms oder der Sonatine erweist sich Silvestri als Meister Ironie, versteckt hinter dem leidenschaftlichen dass zu dieser Zeit für Silvestri das Klavier das Rachmaninow geschrieben. Auf dem dies-irae- der musikalischen Form und Ganzheit, gekop- Wunsch, dass sie gespielt wird – egal wie. am meisten überzeugende Instrument für die Thema basierend, hat diese Musik eine ganz pelt mit einem spontanen, flüssigen Stil“ Mitteilung seiner innersten Gefühle war.“ eigene unverwechselbare Individualität, wobei (Eugen Pricope, Biograf Silvestris – Über- Die Sonate op. 19 Nr. 2 komponierte die rumänische Folklore und Zigeunermusik setzung sinngemäß). Silvestri im Jahre 1940. Sie wurde ebenfalls Seine letzte Komposition für das Klavier und (die bei Enescu auch in späteren Jahren eine 1957 revidiert – mit geringen Änderungen. gleichzeitig sein wohl bestes Werk für das In- wichtige Rolle spielt) zur Synthese mit den vir- 1933 komponiert, enthält die 3. Suite op. 6 Unter ihrem originalen Titel „Sonata quasi strument ist seine monumentale Sonaten- tuosen Klavierpassagen gebracht wird. Luiza Nr. 1 Stücke von besonderer Originalität, una Fantasia“ und mit ihren zwei Sätzen Rhapsodie in 3 Episoden op. 28 Nr. 1 Borac brachte das „einsätzige“ Klavierkonzert unter ihnen das pizzicatoartige „Capriccio“ von großer Komplexität und Originalität wurde aus dem Jahre 1953. Der Titel steht für deren von Enescu in der Bukarester Radio Hall mit und das erhabene „Notturno“, in dem Sil- das Werk 1946 von Silvestri selbst uraufge- freien improvisatorischen Charakter. Für den dem Nationalen Radio Orchester Rumäniens vestris Vorgaben cantando, dolce, espressivo, führt. Hier erleben wir die erste Einspielung dritten Satz, ein hochvirtuoses Stück mit unter der Leitung des Dirigenten Rossen Ger- flebile, sognando eine höchst poetische Atmos- der Sonate.
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