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A Synonym to Conservation of Intangible Cultural Heritage: Folkland, International Centre for Folklore and Culture, Heading for Its 30Th Anniversary
A Synonym to Conservation of Intangible Cultural Heritage: Folkland, International Centre for Folklore and Culture, Heading for Its 30th Anniversary V. Jayarajan Folkland, International Centre for Folklore and Culture Folkland, International Centre for Folklore and Culture is an institution that was first registered on December 20, 1989 under the Societies Registration Act of 1860, vide No. 406/89. Over the last 16 years, it has passed through various stages of growth, especially in the fields of performance, production, documentation, and research, besides the preservation of folk art and culture. Since its inception in 1989, Folkland has passed through various phases of growth into a cultural organization with a global presence. As stated above, Folkland has delved deep into the fields of stage performance, production, documentation, and research, besides the preservation of folk art and culture. It has strived hard and treads the untrodden path with a clear motto of preservation and inculcation of old folk and cultural values in our society. Folkland has a veritable collection of folk songs, folk art forms, riddles, fables, myths, etc. that are on the verge of extinction. This collection has been recorded and archived well for scholastic endeavors and posterity. As such, Folkland defines itself as follows: 1. An international center for folklore and culture. 2. A cultural organization with clearly defined objectives and targets for research and the promotion of folk arts. Folkland has branched out and reached far and wide into almost every nook and corner of the world. The center has been credited with organizing many a festival on folk arts or workshop on folklore, culture, linguistics, etc. -
Folk Dances of India: Mohiniyattam
Folk Dances of India: Mohiniyattam India is one of the world’s oldest civilizations globally, and it encompasses a kaleidoscopic variety and rich cultural heritage. We have strengthened our socio-economic hold in the world ever since Independence. However, our classical heritage is something to be cherished since the very beginning of civilization. One of India’s famous classical dances that represent the historical enchantress avatar of the Hindu god Vishnu was developed in Kerala called Mohiniyattam.4 According to the mythological text, Vishnu took Mohini’s form to distract the demon Bhasmasura, while the gods took the elixir of immortality from the churning of the celestial oceans and thus saved the world from destruction.2 The Mohini myth forms the heart of every Mohiniyattam performance as it stands for good prevailing over evil.2 The earliest mention of this word can be found in the 16th- century text Vyavaharamala. The dance was systematized in the 18th century but later ridiculed as a Devdasi prostitution system during the British Raj, where it faced many bans.2 The socio-political conflict ultimately led to the revival and reconstruction of Mohiniyattam by the people of Kerala, particularly the poet Vallathol Narayana Menon. Since then, Mohiniyattam has not only been the focus of academic study but has also been integrated across India into the curricula of other art schools and universities.1 Like most classical dances, its roots come from the ancient Hindu Sanskrit performance arts namedNatya Shastra. It follows the delicate, eros-filled and feminineLasya style performed by a woman after extensive training. -
Particulars of Some Temples of Kerala Contents Particulars of Some
Particulars of some temples of Kerala Contents Particulars of some temples of Kerala .............................................. 1 Introduction ............................................................................................... 9 Temples of Kerala ................................................................................. 10 Temples of Kerala- an over view .................................................... 16 1. Achan Koil Dharma Sastha ...................................................... 23 2. Alathiyur Perumthiri(Hanuman) koil ................................. 24 3. Randu Moorthi temple of Alathur......................................... 27 4. Ambalappuzha Krishnan temple ........................................... 28 5. Amedha Saptha Mathruka Temple ....................................... 31 6. Ananteswar temple of Manjeswar ........................................ 35 7. Anchumana temple , Padivattam, Edapalli....................... 36 8. Aranmula Parthasarathy Temple ......................................... 38 9. Arathil Bhagawathi temple ..................................................... 41 10. Arpuda Narayana temple, Thirukodithaanam ................. 45 11. Aryankavu Dharma Sastha ...................................................... 47 12. Athingal Bhairavi temple ......................................................... 48 13. Attukkal BHagawathy Kshethram, Trivandrum ............. 50 14. Ayilur Akhileswaran (Shiva) and Sri Krishna temples ........................................................................................................... -
Location Accessibility Contact
Panchayat/ Municipality/ Parakkadavu Panchayat Corporation LOCATION District Ernakulam Nearest Town/ Royal Motors – 700 m Landmark/ Junction Nearest Bus statio Moozhikulam Bus Stop – 750 m Nearest Railway Angamaly Railway Station – 9.8 Km statio Aluva Railway Station – 15.2 Km ACCESSIBILITY Nearest Airport Cochin International Airport – 12 Km Nepathya Centre for Excellence in Koodiyattam Nepathya Koothambalam Moozhikulam-Ambalamuri Road Kurumassery, Aluva Ernakulam – 683579 CONTACT Phone 1: +91-9447209421 Phone 2: +91-7034243436 Email: [email protected] DATES FREQUENCY DURATION TIME April – May (to be advised) Annual 4-5 Days ABOUT THE FESTIVAL (Legend/History/Myth) Gurusmarana is a popular Koodiyattam Festival organized in memory of late Moozhikkulam Kochukuttan Chakyar by the Nepathya Centre for Excellence in Koodiyattam. Also known as the Moozhikulam Kochukuttan Chakyar Koodiyattam Festival, the event is a tribute to the Koodiyattam maestro. A prodigy who performed the entire Ramayana Prabandha within 123 days, he was instrumental in staging the complete version of ‘Ashcharyachoodamani’. He developed a distinctive style of presenting Purusharthavarnam and Prabandhakoothu on a strong traditional foothold. Koodiyattam or Kuttiyattam is a classical theatrical art form indigenous to Kerala and conferred heritage status by UNESCO. International Above 1000 RELEVANCE- NO. OF PEOPLE (Local / National / International) PARTICIPATED EVENTS/PROGRAMS DESCRIPTION (How festival is celebrated) The Sanskrit theatrical art form is presented by eminent artists who have excelled in the classical representation of Memorial Talk mythical stories. Legendary tales associated with Hindu Padakam mythology are presented. Padakam, Nangiarkoothu, Nangiarkoothu Chakyarkoothu, Koodiyattam and Mizhavu Melam are held Chakyarkoothu as part of the Moozhikulam Kochukuttan Chakyar Koodiyattam Koodiyattam Festival. A commemorative talk is held on a Mizhavu Melam topic relevant to the art form. -
Arts of Kerala - a Deeper Exploration of Our Classical Art Forms
Arts of Kerala - a deeper exploration of our classical art forms Culture, especially classical performing arts of Kerala, is the raison d’etre for Neelambari. The beautiful one of its kind Koothambalam that is central to the facility, its location in the cultural capital of Kerala surrounded by a rich tradition and legendary artistes, and the deep rooted passion of its promoters for the cultural treasure of Kerala all combine to make Neelambari the idea stopover for an enchanting acquaintance with the classical arts of Kerala. The arts of Kerala package is for the aesthetically inclined, who would like to scratch beneath the surface of the rich classical tradition of Kerala, and by extension India. Duration: 5 nights Number of pax: 10 - 16 Day 1 Check in to Neelambari. No specific activity is scheduled on this date. An introduction to the facility will be provided with emphasis to its traditional performance theater (Koothambalam) and series of murals done in classical Kerala style. Day 2 Koodiyattam: This Sanskrit theatre is one of the oldest extant art forms in the world and was recognized by UNESCO as an Intangible Heritage of Humanity. Despite its ancient roots, Koodiyattam is surprisingly contemporary in its approach to theater, sensibility to characters and gender parity. The area around Neelambari is a haven for this classical art form, with prestigious institutions and acclaimed artistes making it their base. We will get introduced to the art form in a three four process - we will start with a multimedia presentation that summarizes the genesis and sensibilities of the art form. -
The Heart of Kerala!
Welcome to the Heart of Kerala! http://www.neelambari.co.in w: +91 9400 525150 [email protected] f: http://www.facebook.com/NeelambariKerala Overview Neelambari is a luxurious resort on the banks of Karuvannur puzha (river). It is constructed in authentic Kerala style and evokes grandeur and tradition. The central building consists of a classical performance arena (Koothambalam) and a traditional courtyard (Nalukettu). The cottages are luxurious with their own private balconies, spacious and clean bathrooms and well appointed bedrooms (each unit has a space of more than 75 sqm). Neelambari is situated in a very serene atmosphere right on the bank of a river, in a quiet, verdant village in central Kerala. There are several natural and historical attractions in the vicinity. Despite its rural charm, the facility is well connected, being less than an hour drive from Cochin International Airport. It is also easily accessible by rail and road and the nearest city is Thrissur, just 13 kms away. The facility offers authentic Ayurveda treatment, Yoga lessons, nature and village tourism, kayak and traditional boat trips in the river as well as traditional cultural performances in its Koothambalam. http://www.neelambari.co.in w: +91 9400 525150 [email protected] f: http://www.facebook.com/NeelambariKerala Our location Neelambari is located in Arattupuzha, a serene little village in the outskirts of Thrissur City. Thrissur has a rightful claim as the cultural capital of Kerala for more reasons than one. A host of prestigious institutions that assiduously preserve and nurture the cultural traditions of Kerala such as the Kerala Sangeetha Nataka Academy, Kerala Sahitya Academy, Kerala Lalitha Kala Academy, Kerala Kalamandalam, Unnayi Warrier Kalanilayam are located in Thrissur. -
Kathakali, a Dance Form, Native to Kerala in South India Literally Means `Story Play’
MID TERM SAMPLE PAPER ENGLISH CLASS VII TIME: 3 HOURS SESSION 2019 – 20. MM:80. SECTION –A READING 20 MARKS. A:1. Read the given passage and answer the questions that follow. 10 marks. Kathakali, a dance form, native to Kerala in South India literally means `story play’. It is a classical dance drama, colourful and dramatic in content and character. This art form is about 300 years old. Most of its elements and choreography have been influenced by a 9th century art form of Kerala called Koodiyattam, recently recognized by the UNESCO as a heritage art form. Surprisingly for a dance drama form, the Kathakali dancers do not speak a word. A group of narrators recite the story in the form of a song, and the dancers interpret the narrative live with hand gestures called mudras combined with facial expressions and eye movements. There are at least 700 mudras combined in 24 different ways. The best dancers can move the eye balls in 17 ways. There are eight ways to move the eyebrows and eight for the eyelids. It is surprising how they manage it. Till recently Kathakali was danced only by men, men also enacted a female role with elegance and charm. The dancers take up to four to five hours before the play to paint their lips, eyebrows and eyelashes, all characters have their prescribed make – up. The colours used suggest the temperament and the mood of the characters – green for good, red for valour and ferocity, black for evil and primitiveness, yellow for wonder and white for purity. -
Department of Sanskrit
DEPARTMENT OF SANSKRIT Dr. K. I. Treesa Asst. Professor In Sanskrit PERFORMING ARTS • KOODIYATTAM • CHAKYAR KOOTHU • NANGIAR KOOTHU • KRISHNANATTAM KOODIYATTAM Koodiyattam, also transliterated as Kutiyattam, is a traditional performing artform in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of Koothu, a Malayalam performing art which is as old as Sangam era. It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity. Koodiyattam (Kutiyattam), meaning "combined acting" in Malayalam, combines Sanskrit theatre performance with elements of traditional Koothu. It is traditionally performed in temple theatres known as Koothambalams. It is the only surviving art form that uses drama from ancient Sanskrit theatre. It has a documented history of a thousand years in Kerala, but its origins are unknown. Koodiyattam and Chakyar Koothu were among the dramatized dance worship services in the temples of ancient India, particularly Kerala. Both Koodiyattam and Chakyar Koothu originated from ancient south Indian artform Koothu which is mentioned several times in ancient Sangam literature, and the epigraphs of the subsequent Pallava, Pandiyan, Chera, and Chola periods. Inscriptions related to Koothu can be seen in temples at Tanjore, Tiruvidaimaruthur, Vedaranyam, Tiruvarur, and Omampuliyur. They were treated as an integral part of worship services, alongside the singing of Tevaram and Prabandam hymns. MIZHAVU Traditionally, the main musical instru ments used in Koodi yattam are mizhavu, kuzhitalam, edakka, k urumkuzhal, and sankhu. Mizhavu, the most prominent of these is a percussion instrument that is played by a person of the Ambalavas Nambiar caste, accom panied by Nangyaramma playing the kuzhithalam (a type of cymbal). -
The Changing Contours of Women and Dance in India (A Historical Twilight on Tradition and Transition)
2012 2nd International Conference on Social Science and Humanity IPEDR vol.31 (2012) © (2012) IACSIT Press, Singapore The Changing Contours of Women and Dance in India (A Historical Twilight on Tradition and Transition) ∗ Prabhu Kumari Vanama PG Dept of Historical Studies, Bharathi Women’s College, Chennai, India Abstract. A sweeping look at the magnificence of the Indian women through the forms, characteristics, challenges and changes occurred and are still occurring in traditional dance, forms the theoretical and pictorial substance of this study. At one level, it is a historical compendium of classical dance, an exploration of its’ moods and majesty, an ode to its sublime aesthetics and at another level, it is a stunning scholarly portrayal of a pluralistic society teeming with feminine cultural vitality. Keywords: Women, Bharathanatyam,, Kathak, Kuchipudi, Manipuri, Mohiniattam, Odissi. 1. Introduction According to Natyashastra or the treatise of Classical Dance “The Body should catch up to the tune, the hands must explain the meaning, the eyes must speak the emotion, and the feet must beat the time-measure” [1]. Bharatha’s Natyashastra which is popularly styled as Panchama Veda [2] speaks about 108 dance postures which constitute the basic structure of any classical dance and women whose mind as well as physic that is best suitable for this dance divine, naturally inclined towards dance from the inception of this universe. Women of India succeeded in developing an individual style which is a blend of the typical features of many Paramparas with the distinct stamp of their individuality. Basically, there are two types of dancing – Theatrical Dancing and then Social Dancing. -
Ashtadasha Vadyam's and Temple Arts of Kerala
www.ijcrt.org © 2020 IJCRT | Volume 8, Issue 8 August 2020 | ISSN: 2320-2882 Ashtadasha Vadyam’s and Temple Arts of Kerala Manoj Manikkoth PhD research scholar Vels University Abstract: Kerala – The God’s Own Country – is filled with the presence of music, dance, musical instruments, temple arts and temple rituals. The history of various traditional art forms rests in the soil of Kerala. About eighteen musical instruments are known as ‘Kshetra Vadyam’. It includes ‘Deva vadyam’ and ‘Asura Vadyam’ from which the distinct place for ‘Chenda’ can be acknowledged by observing where it is present. It might be ‘Chenda’s resonance that make the seventeen ‘Ashtadasha Vadyam’s to below the ‘Chenda’. Some of the musical instruments which are being used for Pooja rituals in temples are also being used for some classical dance forms in Kerala. The study of such musical instruments and the classical dance forms associated to it are the foundation of this journal. Some musical instruments are used only outside the temple and some are used inside the temple only. ‘Sopana Sangeetham’ is one of the popular among ‘Kshetra Sangeetham’. Only one musical instrument is used in ‘Sopana Sangeetham’ ie Idakka. Idakka is a musical instrument which is inevitable in ‘Mohiniyattam’ concert. Idakka is only used in ‘Kathakali’ when female role is presented. The ‘Chenda’ is an inevitable musical instrument in ‘Kathakali’. Altogether, five musical instruments in ‘Pakkamaelam” are used when ‘Kathakali’ is staged from which four are ‘Kshetra Vadyam’s, ‘Chenda’, ‘Idakka’, ‘Madhalam’, ‘Chengila’ and the one which is excluded in Kshetra Vadyam’s is ‘Ilathalam’. -
Annual Report 2017-2018
ANNUAL REPORT 2017-2018 REVIVAL OF THE LESSER KNOWN ART FORMS OF KERALA A CSR INITIATIVE OF DORF KETAL MESSAGE FROM THE HEAD-CSR Dorf ketal believes in giving back particu- larly to the communities most significant to the company's success. Our CSR team works with the NGOs of repute to achieve our objectives by implementing a meaning- ful, well-managed corporate social respon- sibility program, Dorf ketal enhances value creation in the societies in which it oper- ates. Dorf ketal not only meets the respon- sible care requirements regarding health, safety, security and environment as set by the International council of chemical asso- ciations, on a global basis but also imple- mented the integrated management system (IMS) for its sustainable growth and high standard management. Folkland is implementing the goal of sus- tainable development through traditional art forms. As a happy family our team con- tinuous its endeavours towards the empow- erment of women and we look forward to transforming lives of performing artists by providing them with sustainable and respectable livelihood. SHRI.SANTOSH JAGDHANE AGM-Corporate Social Responsibility Dorf Ketal Chemicals India Pvt.Ltd. 02 A WORD FROM THE CHAIRMAN We are happy and proud to present the Annual report of 2017-18. Folkland is deeply indebted to Dorf Ketal,for their humble generosity that helped us realize our dream of sustainable development through art implying creation of an organic, growth-oriented process where the art forms and the artistic communities are encouraged to evolve and flow, even while retaining the traditional elements of their art intact.With this gesture,we were able to create difference in the lives of thousands of artists by creating opportunity for sustainable devel- opment through art training programs. -
Pre-Voc (Level-C)
Breathing Practices CLASS-VIII 9 Notes CLASSICAL DANCES Indian classical dances traditionally are expression of love, devotion or bhakti through gestures, body movements synchronized with music and words or composition. They are kind of expressive drama-dance form of religious performance art. Classical dances of India are foundation of Natya Shastra and attributed to ancient Bharat Muni. Rasa of bhave in expression, gestures, acting techniques, basic steps, standing postures are key features of Indian classical dances. These dances often depict spiritual ideas, virtues and the essence of scriptures. Bharatanatyam, Kathak, Odissi, Mohiniyattam and few more are given status of Indian classical dances. Hand Mudras, postures, gestures, foot work in musical rhythm are special characters of classical dances. In this lesson you will get aware of these dances. OBJECTIVES After studying this lesson, you will be able to : • define classical dance; • identify classical dances from different states of India; and • describe briefly the basic aspects of different dances. OBE-Bharatiya Jnana Parampara 119 Breathing Practices CLASS-VIII 9.1 CLASSICAL DANCE The term classical has come from a Sanskrit word "Shastriya". It Notes means the ancient Shastra-based performing arts. The classical dance demonstrates the story or any other musical composition in dance form. It emphasizes the grace and accuracy of movements and gestures and poses. It strongly expresses the calmness and harmony in life.It requires devotion and regular practice and strong and active body. The classical dances express Navarasas meaning nine bhava or emotions. These are as follows- 1. Sringara is love, pleasure and delight. 2. Hasya means comic and laugh.