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Here Is No Doubt 2020 Has Been One of the Most Challenging Years for People on This Planet
26-28 november 2020 I S L E O F S K Y E www.seall.co.uk seall festival of small halls 2020 | Page 2 Page 3 | wwww.seall.co.uk/small-halls/tickets WE ARE the SEALL Festival of Small Halls, a premier winter festival celebrating community, culture and traditional music on Skye WE BRING big music to small halls and some of the most iconic places on the Isles of Skye and Raasay WE WON the 2019 MG Alba Scottish Traditional Music Award for best community project for our 2018 inaugural festival WE CELEBRATE our unique Island culture around Scotland’s National Day with concerts and a St Andrew’s Night Big Cèilidh WE SHOWCASE Scotland’s best traditional musicians in some of the most remote and beautiful rural locations in the UK WE DELIVER an amazing programme of concerts, workshops and sessions to communities and visitors WE ARE SEALL One of Scotland’s leading rural performing arts promoters WE LOOK FORWARD TO WELCOMING YOU seall festival of small halls 2020 | Page 4 A FEW WORDS ABOUT 2020 By engaging some of Scotland’s most remote rural On Saturday 28 November, the highly popular Small Halls Big communities in a winter celebration of the traditional music Cèilidh will take place live-streamed from the Sligachan Hotel in and heritage of the Highlands and Islands, the SEALL Festival of honour of Scotland’s national day. This year’s event is also part of Small Halls focuses on the importance of the community hall as a the philanthropic St Andrew’s Fair Saturday Festival and will raise space in which to gather and unite. -
BBC Trust’S Editorial Standards Committee
SERVICE REVIEW OF RADIOS 3 AND 4 SUBMISSION FROM BBC AUDIENCE COUNCIL FOR SCOTLAND RADIO 3 Classical music repertoire Radio 3’s Service Licence states that the network “should produce regular special events on significant themes across a wide range of music and arts topics. The great composers should regularly be represented on Radio 3, but there should also be a range of less familiar music in order to introduce listeners to new works." There was discussion at the focus group on the range of repertoire available on the Radio 3. Two main points emerged. Broadening awareness Listeners place a high value on the network’s ability to broaden their awareness of the extent of the classical music repertoire. “One of its functions is to be like a public library of music.” This applied to other genres, such as jazz and world music, as well. Radio 3’s role in relation to the mainstream repertoire is not to support it, but to challenge it. “You’re always learning... but it’s never condescending, and you’re never preached at.” “There is lots of assumed knowledge [of music], but there are other places for people who don’t have that, like Classic FM” “It’s not targeted at a particular age... it’s targeted at people who want to be stimulated or challenged” (West of Scotland, early 20s) For some loyal listeners, the range of repertoire was thought to have narrowed in the last ten years or so: coverage of new music was said to be less extensive now. Connecting between genres The role of extending listeners’ awareness applied between genres as well as within them. -
Various Artists Various Artists the Elizabethan
fR376 PAGES 52-71 (17 Pgs)_Layout 1 28/08/2014 17:00 Page 7 f 58 VARIOUS ARTISTS The Rough Guide To The Music Of Palestine World Music Network RGNET1314 What a pertinent release. With the Israel / Gaza conflict experiencing a particularly bloody recapitulation, the World Music Net- work continue their fantastic series of Rough Guides with the Rough Guide To The Music Of Palestine, focusing on the often over- looked culture of the troubled region. One might expect this album to be chock-full of Palestine’s particular brand of Levantine classical music and Egyptian- inspired orchestral works that are seemingly ever-present in the Arabic world, but, while some great examples of these are included, they sit amongst a diverse line-up that includes hip-hop, punk, pop, reggae and a fair amount of jazz. Full credit should be given to compilers Nili Belkind and Nadeem Karkabi for managing to squeeze in so many styles without any sounding out of place or Photo: Judith Burrows the album feeling too muddled. With such a range of genres, it’s quite difficult to choose particular highlights, although Sanaa Mous- sa’s indie-acoustic tribute to Ottoman-period Palestinian songsters on Wea’younha and the driving modern jazz of Michel Sajrawy’s Tojann stand out in particular. As with most Rough Guide releases, The The Elizabethan Nancy Kerr Music Of Palestine comes with a bonus album – Reflections Of Palestine by buzuk player THE ELIZABETHAN overtly ‘Elizabethan’-inflected pieces Ramzi Aburedwan. Mixing Arabic classical (Askew’s lively medley of pavane and ground music with jazz, tango and French elements, SESSION bass and Hardy’s lament for Shakespeare’s this bonus is an appropriate and complimen- The Elizabethan Session Quercus QRCD001 Hermia) easily transcend any potential tary addition to the Rough Guide. -
01539 725133
Sep - Dec 2017 breweryarts.co.uk | 01539 725133 NEW! Sound of the Sirens - Thu 7 Dec 01 Sep - Dec 2017 Box Office: 01539 725133 For full listings and to book online: breweryarts.co.uk WELCOME TO A NEW! SEASON AT THE BREWERY Welcome to The Brewery, NEW Website South Lakeland’s home of culture and entertainment! We are pleased to announce that we are currently developing a new Not only is this autumn our website which is scheduled to go biggest season, we’ve worked live early in the autumn. hard to bring you an exciting The new site will provide visitors with a smooth selection of brand new bands, booking process and up-to-date information artists and shows and we’ll be about everything going on at the Brewery and telling you a bit more about it will also be fully compatible with mobile them in this brochure. devices, phones and tablets. Stay tuned for announcements… exciting times! Take a look at all the great stuff coming up! We’re very excited NEW Work and are sure you will be too! For the autumn, we have commissioned three pieces of dance as part of a new dance project. Entitled Journey, the event will take over all of The Brewery’s main spaces for a day in September during which visitors can experience a broad range of styles from clogging to popping! See page 15 for details! Follow us on twitter: @BACKendal | facebook: facebook.com/breweryartscentre Welcome 02 NEW Classes NEW Menu The Brewery is known Our Head Chef Mark for its inspiring and Robson has been busy diverse classes and sourcing the best local workshops for young ingredients to add a new people and adults. -
L O L F Al3l O U N
June 2017 – January 2018 Mehefin 2017 – Ionawr 2018 lolfaL3 lounge BELLA HARDY 31.10.17 CERDDORIAETHMUSIC Gwrando’r Gwreiddiau ROOTS UNEARTHED CHWARAEONJAZZ LIVE SPORT Tuesday 27 June / Dydd Mawrth 27 Mehefin, 8pm Enjoy the relaxed and informal surroundings of our L3 Lounge, which offers an intimate experience and a welcoming bar. Dewch i fwynhau awyrgylch hamddennol braf Lolfa L3, sy’n cynnig profiad mwy agosatoch a bar croesawgar. Enjoy a pint of Carling, Worthington’s, Brains and Stowford Press Cider on draught for only £3 per pint. Available on selected performances only, from 7pm until the bars close. Look out for RACHEL NEWTON BAND the highlighted performances in this brochure. Winner of the BBC Radio 2 Folk Awards 2017 Musician Of The Year, Scottish singer and harpist Cewch fwynhau peint o Carling, Worthington’s, Brains a Stowford Rachel Newton (The Furrow Collective, The Emily Portman Trio, The Shee), has released three solo Press Cider ar y tap am £3 y peint. Dim ond i rai sioeau y mae’r albums featuring her own compositions including 2016’s critically acclaimed,Here’s My Heart Come cynnig hwn ar gael, o saith o’r gloch yr hwyr tan amser cau’r bar. Take It. Rachel also plays fiddle and viola alongside her stunning new 5-piece band; Sarah Hayes Mae’r sioeau wedi’u hamlygu yn y llyfryn hwn. (keys and vocals), Michael Owers (trombones), Lauren MacColl (fiddle/viola) and Mattie Foulds (drums), who perform songs in English and Scottish Gaelic, alongside original instrumental compositions. Hynt is a national scheme that works with theatres and art centres across Wales to make things clear and consistent in fair ticketing policy Y gantores a’r delynores o’r Alban Rachel Newton (The Furrow Collective, The Emily Portman Trio, and accessibility. -
Seeking Stability at Sustainable Cost: Principles for a New U.S
Seeking Stability at Sustainable Cost: Principles for a New U.S. Strategy in the Middle East Report of the Task Force on Managing Disorder in the Middle East April 2017 Aaron Lobel Task Force Co-Chairs Founder and President, America Abroad Media Ambassador Eric Edelman Former U.S. Ambassador to Turkey Mary Beth Long Former Assistant Secretary of Defense for International Security Jake Sullivan Affairs Former Director of Policy Planning, U.S. State Department Former National Security Advisor to the Vice President Alan Makovsky Former Senior Professional Staff Member, House Foreign Affairs Committee Task Force Members Ray Takeyh Ambassador Morton Abramowitz Former Senior Advisor on Iran, U.S. State Department Former U.S. Ambassador to Turkey General Charles Wald (ret., USAF) Henri Barkey Former Deputy Commander, U.S. European Command Director, Middle East Program, Woodrow Wilson International Center Former Commander, U.S. Central Command Air Forces Hal Brands Amberin Zaman Henry A. Kissinger Distinguished Professor of Global Affairs at the Columnist, Al-Monitor; Woodrow Wilson Center Johns Hopkins University School of Advanced International Studies Svante Cornell Staff Director, Central Asia-Caucasus Institute and Silk Road Studies Program Blaise Misztal Director of National Security Ambassador Ryan Crocker Former U.S. Ambassador to Afghanistan, Iraq, Syria, and Lebanon Nicholas Danforth Senior Policy Analyst Ambassador Robert Ford Former Ambassador to Syria Jessica Michek Policy Analyst John Hannah Former Assistant for National Security Affairs to the Vice President Ambassador James Jeffrey Former Ambassador to Turkey and Iraq DISCLAIMER The findings and recommendations expressed herein do not necessarily represent the views or opinions of the Bipartisan Policy Center’s founders or its board of directors. -
The Art of Kendo
University of St Andrews The StAndard Staff Magazine, Issue 11, June 2007 The art of kendo Catering for retirement St Andrews in Malawi Cultivating the curriculum Scotland’s first university The StAndard Editorial Board Chair: Stephen Magee is Vice-Principal (External Contents Relations) and Director of Admissions. Joe Carson is a Lecturer in the Department of French, Page 1: Welcome Disabilities Officer in the School of Modern Languages, Warden of University Hall and the Senior Warden of the University. Pages 2-14: PEOPLE Jim Douglas is Assistant Facilities Manager in the Pages 15-18: TOWN Estates Department and line manager for cleaning supervisors, janitors, mailroom staff and the out of Page 19-23: OPINION hours service. Pages 24-33: GOWN John Haldane is Professor of Philosophy and Director of the Centre for Ethics, Philosophy and Public Affairs. Pages 34-40: NEWS Chris Lusk is Director of Student Services covering disability, counselling, welfare, student development, orientation and equal opportunities. Jim Naismith teaches students in Chemistry and Biology and carries out research in the Centre for Biomolecular Sciences. The StAndard is financed by the Niall Scott is Director of Corporate Communications. University and edited by the Press Office under direction of an independent Editorial Board comprising staff from every corner of the institution. The Editorial Board welcomes suggestions, letters, articles, news and photography Dawn Waddell is Secretary for the School of Art from staff, students and members of the History. wider St Andrews community. Please contact us at [email protected] or via the Press Office, St Katharine’s West, The Scores, Sandy Wilkie works as Staff Development Manager St Andrews KY16 9AX, Fife within Human Resources, co-ordinating the work Tel: (01334) 462529. -
Commissioning Brief 2020 FACTUAL (Including Arts) Proposals for Specific Ideas
RADIO COMMISSIONING FRAMEWORK Commissioning Brief 2020 FACTUAL (including arts) Proposals for specific ideas Production of factual programmes Commissions mainly for broadcast from April 2021 to March 2022 Proteus 2021-2022 Round 1 Version 1 18.06.2020 LL 1 of 36 CONTENTS ............................................................................................................................................. 1 SECTION A: ABOUT RADIO 4 ............................................................................................. 3 SECTION B: TIMETABLE ........................................................................................................ 4 SECTION C: THE COMMISSIONING PROCESS ..................................................... 5 STAGE 1: SHORT PROPOSAL ....................................................................................... 5 STAGE 2: FULL PROPOSAL .......................................................................................... 7 STAGE 3: CONDITIONAL COMMISSION ..................................................................... 9 SECTION D: EDITORIAL OPPORTUNITIES ................................................................ 11 Version 1 18.06.2020 LL 2 of 36 SECTION A: ABOUT RADIO 4 Radio 4 Radio 4 is unique in the breadth and quality of its informative, educational and entertaining programming. Every day, on air and online, Radio 4 has more original content than any other broadcaster in the world. Its authoritative news and current affairs journalism is complemented by programmes exploring -
Poetry Please Myfanwy Marshall and Gemma Dye the Opportunities
POETRY PLEASE MYFANWY MARSHALL AND GEMMA DYE THE OPPORTUNITIES A range of accessible poems, with fairly easy to identify thematic links Opportunities for creative teaching and preparation from Y7 Familiar assessment demands for teachers, unlike parts of the new Language papers THE CHALLENGES Context – students often shoehorn in (sometimes irrelevant) context in a way that feels like they are writing by numbers. Effects – students don’t pause to think about their personal response before they begin to analyse. They lack confidence in their own ability to read a poem or to engage with its content/ themes. Terminology – students are driven by their desire to feature-spot, more than to engage with the reasons behind the techniques and methods ‘FOUND’ POETRY Creative and fun for students Encourages them to think about the impact of individual word choices as well as overall tone and effect of language Makes phrases memorable/ recognisable Students make links between certain poems almost without realising. Start considering themes and ideas that will be prominent in the poems INTRO TO YOUR ANTHOLOGY Read up to 4 of the poems in your cluster You only need to read them to look for words and phrases you like rather than for their meaning within the poem. • Powerful phrases • Interesting phrases • Exciting words • Images Write them down on your note pad and be ready to share/ explain why you chose those words or phrases. YOUR THEME IS POWER AND/OR CONFLICT. USE YOUR WORDS AND PHRASES IN YOUR OWN PIECE OF WRITING. IT COULD BE A POEM OR A PIECE OF PROSE. -
The Kosovo Report
THE KOSOVO REPORT CONFLICT v INTERNATIONAL RESPONSE v LESSONS LEARNED v THE INDEPENDENT INTERNATIONAL COMMISSION ON KOSOVO 1 1 TABLE OF CONTENTS Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford Executive Summary • 1 It furthers the University’s objective of excellence in research, scholarship, Address by former President Nelson Mandela • 14 and education by publishing worldwide in Oxford New York Map of Kosovo • 18 Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Introduction • 19 Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Singapore Taipei Tokyo Toronto Warsaw PART I: WHAT HAPPENED? with associated companies in Berlin Ibadan Preface • 29 Oxford is a registered trade mark of Oxford University Press in the uk and in certain other countries 1. The Origins of the Kosovo Crisis • 33 Published in the United States 2. Internal Armed Conflict: February 1998–March 1999 •67 by Oxford University Press Inc., New York 3. International War Supervenes: March 1999–June 1999 • 85 © Oxford University Press 2000 4. Kosovo under United Nations Rule • 99 The moral rights of the author have been asserted Database right Oxford University Press (maker) PART II: ANALYSIS First published 2000 5. The Diplomatic Dimension • 131 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, 6. International Law and Humanitarian Intervention • 163 without the prior permission in writing of Oxford University Press, 7. Humanitarian Organizations and the Role of Media • 201 or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organisation. -
Inside... Exchanging Ideas on Europe the Cinema of the EU
Exchanging Ideas on Europe NEWS UACES Issue 72 Summer 2012 UACES COLLABORATIVE RESEARCH NETWORKS Read about the latest UACES CRN events. PAGES 6-7 UACES ELECTION RESULTS Meet the new UACES committee members. PAGE 12 REPORTING EUROPE PRIZE Find out who was awarded this year’s prize at the award ceremony in London. PAGE 14 European Crisis, European Solidarity Tim Haughton reports on the 2012 JCMS Annual Review lecture by Erik Jones (pictured). PAGE 5 ASK ARCHIMEDES Can Europe maximise its potential by The Cinema of the EU: European Identity harnessing the value of its knowledge and Universality economy? PAGE 15 Brussels, 10 May 2012 Mariana Liz, King’s College London Aiming to offer an institutional perspective on contemporary European cinema, this presentation, part of the UACES Arena Seminar series, was centred on the EU’s major initiative in support of the audiovisual sector, the MEDIA Programme. The event provided a timely discussion on European fi lm and identity as ‘Creative Europe’, a new programme for the cultural sector, is being fi nalised and identifi cation with the European integration project weakens in the face of an economic and political crisis. UACES Annual Running since 1991, MEDIA supports a series of initiatives in the pre- and post- General Meeting production of fi lms, with the largest share of its budget (currently at €755 million) being allocated to distribution. Although the impact of MEDIA was briefl y addressed, the 17:00 - 17:45 seminar’s main focus was on the programme’s communication. After an overview of the Sunday 2nd September history of European identity in the EU – from the Declaration signed in 1973 to the failed constitution and the signing of the Lisbon Treaty in 2007 – the presentation analysed fi ve Passau, Germany clips produced by the European Commission to promote MEDIA. -
The Media and UN "Peacekeeping"Since the Gulf War
Vol. XVII No. 1, Spring 1997 The Media and UN "Peacekeeping"Since the Gulf War by Stephen Badsey Stephen Badsey is a Senior Lecturer in the Department of War Studies at the Royal Military Academy Sandhurst, and a Senior Research Fellow of the Institute for the Study of War and Society at DeMontfort University. INTRODUCTION 1 The changes in United Nations (UN) "peacekeeping" operations within the last five years have been both dramatic and multifaceted. This article attempts to show that the media (particularly those of the United States, which are dominant within, and may under most circumstances be taken as virtually identical to, the international media) have in all their aspects become, and remain, critical elements in determining the success or failure of these operations. It points to three principal areas of current practice regarding the media which have contributed to the failure or partial failure of recent UN "peacekeeping" missions. One of these is a failure of understanding of the media exhibited by the government and military forces of the United States, as the result of doctrine established before the end of the Cold War. Another is the failure of the UN or its constituent members to respond effectively to anti-peacekeeper propaganda, especially that promulgated by political authorities in target countries for "peacekeeping," and including their ability to exploit the international media for propaganda purposes. The third is the failure of the UN to develop "peacekeeping" doctrine which takes the value of the media into account. The article calls for advances in international relations theory in this field as an aid to further understanding.