The Beautiful Jewels
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Lost Horizon and Head Shop at Exile Gallery's Summer Camp Series
GOOGLE MY SITE « Missoni F/W 10-11 (HD) film by Kenneth Anger, 2010 | Main | "Just for Kennedy" exhibit at Maison Franco Litrico in Rome, Part 2. By Glenn Belverio » Subscribe in a reader MONDAY, 02 AUGUST 2010 LOST HORIZON AND HEAD SHOP AT EXILE Enter your email address: GALLERY'S SUMMER CAMP SERIES Delivered by FeedBurner ASVOFF ARCHIVES August 2010 July 2010 June 2010 May 2010 April 2010 March 2010 February 2010 January 2010 December 2009 November 2009 More... Installation view of Head Shop Exile is one of Berlin's most exciting young galleries - founded by Christian Siekmeier in 2008, and now run in partnership with Robin John Berwing, it has offered a steady exhibition schedule since its inception, along with an ambitious 'Summer Camp' program, a series of group shows cum happenings that offer a spirited alternative to the typical art opening. For their latest, Exile invited NY-based artist and publisher (of the cult magazine, Straight To Hell) ,Billy Miller, to put together two concurrent shows. One, titled 'Lost Horizon', is inspired by the iconic novel and film of the same name, explores American Western archetypes through the lens of loss, while the second, 'Head Shop', owes its conceptual roots to legendary bohemian boutiques like London's Granny Takes a Trip, offering a crowded 'selling floor' full of work that explores the rich possibilities of the mind. FASHION FICTION CATEGORIES Architecture & Design Art art_events ASVOFF - A Shaded View On Fashion Film festival automobiles blogs Books Commentary on life AD SPACE commercials Current Affairs dance LINKS FOR LIFE DP_history Links for Life DP_press Installation view of Head Shop DPTV Walking through Head Shop felt like a conceptual carnival, A SHADED VIEW with an overflow of color and unconventional education CHANNEL representations and forms. -
Full Beacher
THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 29, Number 41 Thursday, October 17, 2013 Still a Mystery More Than a Century Later, The Story of Belle Gunness Continues to Lure Visitors to La Porte County by M.D. Cunningham Wanted — A woman who owns a beautifully located and valuable farm in first class condition, wants a good and reliable man as partner in the same. Some little cash is required for which will be furnished first-class security. Triflers need not apply. The lonesome, wandering- spirited Norwegian men who answered that personal ad must have thought the letter sounded like a cozy arrangement, a hap- py compromise of the American Dream ready for the taking. The woman in question, in other correspondence, was not shy when it came to boasting about her cooking, her sincerity Men, women and children fl ocked to La Porte in 1908 to glimpse history unravel. and how she would do anything Photo courtesy of the La Porte County Historical Society Museum. to see that the happiness of these men saw fruition. She painted a picture that com- of Indiana, among others. bined nostalgia for the old country with the majestic The widow, of course, is the woman most locals bounty of this new one. For an unknown number of know as Belle Gunness. With Halloween quickly men, the above ad, or some version thereof, played approaching, talk of her seems to come up more of- a pivotal role in their life. ten. Many accounts brim with juicy bits such as her But rather than launch the promise of that fanta- sword-swallowing father and her tightrope-walking sy, which brought these men to abandon their homes mother. -
Table of Contents
TABLE OF CONTENTS A most exquisite man by Joonas Taul produced by Kerdi Oengo – Animation – Estonia A summer place by Alexandra Matheou produced by Marios Petrondas & Alexandra Matheou – Fiction – Cyprus Au nom de mon père by Justine Louis produced by Joao Vinhas – Fiction – Belgium Beau Monde by Hans Vannetelbosch produced by Bea Catteeuw & Roxanne Sarkozi – Fiction – Belgium Branka by Mate Ugrin produced by Tena Gojić – Fiction – Croatia E6-D7 by Eno Swinnen produced by Brecht Van Elslande – Animation – Belgium Elena by Birutė Sodeikaitė produced by Delphine Schmit & Agnė Adomėnė – Animation – Lituania Gloria by Iza Cracco produced by Annemie Degryse – Animation – Belgium Klingert’s Diving Suit by Artur Wyrzykowski produced by Artur Wyrzykowski & Alicja Grawon-Jaksik– Animation – Poland/Estonia L’effet Carson by Richard Gérard produced by Pierre-Yves Le Cunff – Fiction – Belgium Look by Nuno Amorin produced by Vanessa Ventura & Nuno Amorim – Animation - Portugal Milk by Dusan Zoric & Matija Gluscevic produced by Carna Vucinic – Fiction – Serbia Night Shift by Eddy Schwartz & Yordan Petkov produced by Eddy Schwartz – Fiction – Bulgaria On Track by Valdilen Vierny produced by Kévin Rousseau – Fiction – France Polina by Arthur Lecouturier produced by Isabelle Truc – Fiction – Belgium Shams by Pauline Beugnies produced by Laurence Buelens – Fiction – Belgium Stephanie by Leonardo Van Dijl produced by Ilse Schooneknaep & Roxanne Sarkozi – Fiction – Belgium Tara and the Blue by Pol Ponsarnau produced by Linda Dedkova – Fiction – Germany/Spain -
KARINE LAVAL Born on January 26, 1971 In
KARINE LAVAL Born on January 26, 1971 in Meudon-la-Forêt (Paris, France) 39 Ainslie Street, Brooklyn, New York 11211 (USA) USA: +1 646 266 1554 France: +33 (0)6 77 25 44 52 [email protected] www.karinelaval.com Solo Exhibitions 2013 Altered States, Bonni Benrubi Gallery, New York (USA). 2012 Reverse - John Cage’s Silence Remix, video installation with music and sound performance intervention, New York Center for Art and Media Studies (NYCAMS), New York (USA), March 30th, 2012. 2011 Karine Laval, Peter Marino Architect, New York (USA). Inferno, video installation, NP Contemporary Art Center, New York (USA). Mise en Abyme, Bonni Benrubi Gallery, New York (USA). 2008 Leisure, Tomas Maier Gallery, Miami (USA). New Work by Karine Laval, Crane Kalman Gallery, Brighton (UK). 2007 Leisure, Bonni Benrubi gallery, New York (USA). 2006 The Pool, Crane Kalman Gallery, Brighton (UK). 2005 The Pool, Next Door galleria, Rome (Italy). Histoires d’Eau, M+B Gallery, Los Angeles (USA). The Pool, Lodz Foto Festiwal, Lodz (Poland). Histoires d’Eau, Bonni Benrubi gallery, New York (USA). 2004 The Pool, Mas de la Chapelle, Rencontres Internationales de la Photographie, Arles (France). Parcours Saint Germain, Le Bon Marché, Paris (France). Visual and sound installation. Nattgalleriet, Sorlandet Art Museum, Kristiansand (Norway). Nattgalleriet (The Night Gallery) is a multimedia installation of the series The Pool, projected onto the outside wall of the museum at night. The Pool, French Cultural Center, Oslo (Norway). 2003 The Pool, Cappellini, Paris (France). The Pool, Det 11. Bud, Oslo (Norway). Group Exhibitions 2013 PopRally: Abstract Currents, Museum of Modern Art (MoMA), New York (USA), an interactive video event in conjunction with the exhibitions Inventing Abstraction, 1910-1925 and Abstract Generation: Now in Print. -
Read an Excerpt
Ann Charles ______________________________________________________________ A Bunch of Monkey Malarkey An excerpt … _________________________________________________________ From Chapter One… Chapter One Tippytoe, Louisiana Madam Electra’s Fortune Teller Tent One hour until showtime “I’m thinking about taking up sword swallowing, Electra,” said the bear of a man sitting across my parlor table from me. “Sword swallowing?” My palms hovered over Ol’ Blue, the crystal ball handed down through my family for generations. “Eugene, you just got over your fear of swallowing fire. Why do you want to mess with a good thing?” Eugene had a popular act here at AC Silly Circus’s freakshow division. He started out as “The Giant Man,” making the crowd “oooh” and “ahhh” with his intimidating human size. Then he shapeshifted into his furry werebear self, lit the end of a torch on fire, and swallowed the flames, all without burning himself alive in the process. “Fire is boring these days, not to mention the heartburn is a killer. You wouldn’t believe how many antacid pills I’ve gone through already this week.” “That’s because we’re in Cajun country. You’ve been eating spicy jambalaya and garlic seafood gumbo since we hit the state line. Plus, all those deep-fried boudin balls you keep popping in your mouth like candy can’t be helping your gut. I thought you were off pork, anyway.” His doctor had recently told him that too much pork fat in his diet made him more flammable. “Oh, those aren’t the pork boudin. They’re alligator with rice and peppers mixed in and deep fried to a crispy brown perfection.” He licked his chops at the mention of them. -
THE-MARK-HOTEL-ASVOFF-March-19
March 19, 2014 The Mark Hotel in New York By Glenn Belverio and Diane Pernet Dear Shaded Viewers, One can't imagine a better place to hang up one's mantilla after a long day of fashion film organizing and hosting. The Mark on New York's Upper East Side, just an Akoya pearl's throw from Central Park, is "New York's most boldly lavish hotel." It certainly lives up to that claim. Three nights in a cavernous suite, complete with two bathrooms and a well-appointed living room, with a show-stopping Jean-Georges restaurant only an elevator ride away, is the sort of relaxing respite one needs amidst the hustle and bustle of this often unforgiving city. The Mark is housed, as it has always been, in this beautiful 1927 landmark building. But as is a luxury hotelier's wont, the inside has been transformed with a design aesthetic that is at once soothingly modern and brazenly futuristic. http://ashadedviewonfashion.com/blog/mark-hotel-new-york-glenn-belverio-and-diane-pernet ASVOFF producer-at-large David Herman also stayed at The Mark. Hailing from Paris, it was David's first visit to NYC--and he told me everything lived up to his expectations (!) The Mark's interiors were conceived by renowned French designer Jacques Grange. (His rather impressive client list includes Yves Saint Laurent, Valentino, Karl Lagerfeld and Caroline, Princess of Monaco.) Known for his striking modernity and theatrical flair, Grange has created public spaces for The Mark that engage and delight. Not only did he oversee and design the furnishings, Grange also collaborated with Parisian design gallerist Pierre Passebon to comission a host of objets d'art, furniture and light fixtures, specially created for the hotel by renowned artists and artisans, including Ron Arad, Vladimir Kagan, Mattia Bonetti and Paul Mathieu. -
Nigeria Academy Looks to Spread Ballet Among Lagos Poor
12 Established 1961 Wednesday, July 8, 2020 Lifestyle Features A student of the Leap of Dance Academy, Precious Duru, performs a dance routine in Okelola street in Ajangbadi. Students stretch during rehearsals at the Leap of Dance Academy in Ajangbadi, Lagos.—AFP photos A student of the Leap of Dance Academy, Olamide Olawale, performs a dance routine. Nigeria academy looks to spread ballet among Lagos poor small group of Nigerian girls and boys wearing “We want to make sure to show them that this is leotards and leggings limber up in a spare room not a bad dance—ballet is a very disciplined, forward Aat a run-down primary school with patches of dance that is very important in the growth of a child.” damp on the walls. They launch into pirouettes and Now after several years of training and effort the A student of the Leap of Dance Academy, Olamide arabesques but have to make do without music. Today, dancers have gained more acceptance. And when they Olawale, performs a dance routine. the stereo is not working, because there is no electrici- practice their moves outside around the area they now ty. This is Leap of Dance Academy—a ballet school draw admiring—if sometimes still confused—glances. in a poor district of sprawling megacity Lagos that Ballet has provided an inspiration and window onto aims to bring classical dance to underprivileged chil- unknown cultures for 15-year-old student Olamide dren in Africa’s most populous nation. The school is the Olawole. She has even begun thinking of becoming a brainchild of self-taught ballet aficionado Daniel Ajala, dance teacher herself. -
Of Swallowing Swords Sarah Blaskovich Published: February 18, 2015 7:26 Am
Video: Pregnant Dallas woman enjoys ‘danger’ of swallowing swords Sarah Blaskovich Published: February 18, 2015 7:26 am In front of a live audience, Veronica Hernandez will stick a 14-inch blade down her throat at 9 months pregnant. “It’s hard enough being a pregnant woman who already has gone through morning sickness,” says Hernandez, who goes by the stage name Jai Le Bait. She’ll activate those gag reflexes once more as she slowly puts a sword down her throat at World Sword Swallower’s Day in Grand Prairie on Feb. 28. Could that be dangerous to the baby, I had to wonder? “The human body is awesome,” says the Dallas mom. “This is my one opportunity to show off what my body is capable of doing pregnant. [Let's] just hope my son isn’t born with a pierced ear!” Jai Le Bait is part of a very small fraternity of sword swallowers. In fact, only a few dozen people participate in this style of circus performance art worldwide, and only 15 percent of those are women, says Dan Meyer, president of Sword Swallowers Association International. It isn’t a trick, either: The performers at Ripley’s Believe It or Not on Feb. 28 are actually swallowing swords. Meyer estimates it took him about 13,000 tries over four years before he successfully swallowed his first sword. Gulp! Performers at World Sword Swallower’s Day honor those who have died from their injuries, like Dallas’ Rosemary Puente, who died in 1968 from a 1/4 inch cut at the age of 25, Meyer says. -
Director's 3 0 R
University of South Florida Medical Center VOLUME 6 November 1994 Number 2 Director's 30ru~ H. Worth Boyce, Jx, M. D. - Director and Hugh E Culverhouse - Chair of Esophagology In Memorium: Hugh F. Culverhouse On August 25, 1994 the person most responsible for the services and uses no donated funds for operational expenses. establishment and development of the Center for Swallow- Our patients, their families and others provide donations ing Disorders passed away. Hugh Culverhouse was a friend that are used to support research and educational programs. and gentleman in every sense of the words. He was a re- Before his death Mr. Culverhouse was aware of the success spectful and compliant patient who demonstrated warmth and fiscal independence of our Center and appropriately and affection toward all of us. As a strong proponent for took great pride in his pivotal role in this success. education and respect for the medical profession, he readily The Swallowing Center was opened for its clinical opera- supported many types of academic needs through his lead- tions in May, 1987 and in October, 1988 Mr. Culverhouse ership and benevolence, both in Florida, especially at the University of South Florida, as well as at his Alma Mater, and his family made another major contribution to medi- cine and medical education at the University of South Florida the University of Alabama. College of Medicine by establishing the Hugh F. Culverhouse Hugh Culverhouse was not asked to provide support for Chair for Esophageal Disorders. This Chair is related to the our Center - he asked how he could help when he learned Swallowing Center in that the incumbent for this chair also of the concept for developing the Swallowing Center. -
Coverage of the Market 2014 with 251 Articles En
Coverage of the market 2014 with 251 articles on http://www.filmfestivals.com/blog/cannes_market_dailies Couverture en français avec 54 articles Sur http://www.filmfestivals.com/fr/blog/cannes_market_dailies "HAPPY" video moments from Cannes Film Festival 2014 HAPPPY video moments from Cannes fim Festival and Cannes Market 2014 Le Festival du Film 2014 comme vous ne l'avez jamais vu ... Merci à tous les services et à toutes celles et ceux qui ont bien voulu y participer . Que du BONHEUR !!!!! By Caroline Daumoinx ... 13.11.2014 | Cannes Market Dailies's blog | 'MARACANÁ': The Football Legend' (2014) by Sebastián Bednarik MARACANAZO: THE FOOTBALL LEGEND (MARACANÁ) They say that in Brazil the second most important thing to breathing is futebol (aka 'soccer'). 2014 sees the World Cup of soccer hosted in Brazil for the first time since 1950. It is easy to see by the contagious passion that all 32 competing teams display as they vie to the death in hopes of winning the cup, and the grand scale of work the Brazilians have put into pulling off a successful FIFA competition, just how important this spo... 05.07.2014 | Cannes Market Dailies's blog | Cape Town’s premier dining and lifestyle venue Shimmy Beach Club launched a global pop up tourin Cannes South Africa’s premiere venue hosted The Expendables 3 premiere in Cannes with stunning performances by London’s The Girly Show This year Cape Town’s premier dining and lifestyle venue Shimmy Beach Club launches a global pop up tour with its exclusive grand opening at The Cannes Film Festival on May 18. -
P R O G R a M
DIANE PERNET & LE CENTRE POMPIDOU PRÉSENTENT A SHADED VIEW ON FASHION FILM FESTIVAL INTERNATIONAL DU FILM DE MODE - 8E ÉDITION - DU 2 AU 6 DÉCEMBRE 2015 PROGRAMME EN COLLABORATION AVEC A SHADED VIEW JURY & PRIX ON FASHION FILM Comme chaque année, FESTIVAL INTERNATIONAL DU FILM DE MODE 8 E EDITIOn – DU 2 au 6 DÉCEMBRE 2015 un jury de prescripteurs internationaux des arts et des médias remet des Prix aux meilleurs films. A Shaded View On Fashion Film – le Festival International LISTE DES PRIX LE JURY D’ASVOFF8 du Film de Mode - fondé par la journaliste et icône Diane Pernet – avait déjà marqué les esprits en 2014 en recevant GRAND PRIX PRÉSIDENT DU JURY l'une des figures de la mode belge, le créateur Dries Van Noten. ASVOFF Jean Paul Gaultier - Couturier e Pour sa 8 Edition du 2 au 6 décembre au Centre Pompidou, PARTICIPANTS MEILLEURE DIRECTION ARTISTIQUE la manifestation franchit un cap symbolique supplémentaire Emmanuel Asmar - Avocat d'affaires MEILLEUR ACTEUR/ACTRICE avec l’un des couturiers français les plus emblématiques Dimitri Chamblas - Directeur artistique 3e Scène Opéra de Paris MEILLEUR STYLISME de l'Histoire de la Mode : Jean Paul Gaultier. Lyne Cohen Solal - Journaliste et femme politique Ce dernier présidera le jury de la compétition de courts-métrages MEILLEURE BANDE SONORE Eric Daman - Costume Designer de mode. Il lui sera également dédié une séance Carte Blanche MEILLEUR FILM PUBLICITAIRE Andrew Davis - Creative Director Wonderland + Rollacoaster animée par la journaliste et critique Elisabeth Quin. MEILLEUR TALENT EMERGENT Marc Happel - Costume Director NYC Ballet Dominique Jakob - Jakob+MacFarlane architectes PRIX SPÉCIAUX Stephen Jones - Modiste ASVOFF proposera par ailleurs 80 courts métrages en compétition PRIX BEAUTÉ doté par Shu Uemura Butheina Kazim - CINÉMA Akil incarnant le meilleur des productions de l’année. -
MARIA HASSABI Born in 1973 in Nicosia, Cyprus
MARIA HASSABI Born in 1973 in Nicosia, Cyprus. Lives and works in New York, NY EDUCATION 1994-2003, Alexander Technique with Shelley Senter, Judith Lakin, June Ekman 1994-98, Movement Research, New York 1997, "Pilates Method of Body Conditioning", certificate 1994-96, Merce Cunningham Dance Foundation, New York 1994, BFA, California Institute of the Arts, Valencia, CA 1992, Harvard University, Summer Dance Intensive, Boston, MA WORKS * PLASTIC (2015) Live Installation Hammer Museum, Los Angeles, US / January 31 – March 1, 2015 Stedelijk Museum, The Netherlands / April 16 – 23, 2015 Museum of Modern Art, New York, US / February – March 2016 * PREMIERE (2013) Quintet Festival für Aktionskunst, Bern, Switzerland / December 3, 2014 steirischer herbst, Graz, Austria / September 27,28 2014 River to River Festival, New York, US / June 27,28 2014 NEAT Festival, Nottingham, UK / May 23, 2014 Göteborgs Dans & Teater Festival, Göteborg, Sweden / May 20, 2014 Kunstenfestivaldesarts, Brussels, Belgium / May 3,4,5 2014 XING, Bologna, Italy / April 10, 2014 Premiere: The Kitchen co-presented with Performa as part of Performa 13, New York, US / November 6 – 9, 2013 * Intermission (2013) Live Installation Australian Center for Contemporary Art, Melbourne, Australia / October 10 – November 23, 2014 55th Venice Biennale 2013, as part of “Oo”, the Cyprus and Lithuanian Pavilion, Venice, Italy / May 29 – June 5, 2013 * Counter-relief (Kaai) 2013 & Counter-relief (CCS Bard) (2011) Duet (collaboration with Jimmy Robert) Premiere: Performatik Festival, Kaaitheater,