Juillet/Août 2008
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John Zorn Artax David Cross Gourds + More J Discorder
John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request. -
VAGRANT RECORDS the Lndie to Watch
VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
Aafjufj Fpjpw^-Itkalfcic BILLY Rtiabrir/ HIATUS ^ ^Mrc ^ ^International
THAT MSAZlNf FKOm CUR UM.* ftR AAfJUfJ fPJpw^-iTKAlfCIC BILLY rtiABrir/ HIATUS ^ ^mrc ^ ^international 06 I 22 Ex-Centric Sound System / Velvet 06 I 23 Cinematic Orchestra DJ Serious 06 I 24 The New Deal / Q DJ Ramasutra 06 I 26 Bullfrog featuring Kid Koala Soulive 06 I 30 Trilok Gurtu / Zony Mash / Sex Mob PERFORMANCE WORKS SRflNUILLE ISLRND 06 ! 24 Cinematic Orchestra BULLFROG 06 1 25 Soulive 06 127 Metalwood ^ L'" x**' ''- ^H 06 1 28 Q 06 1 29 Broken Sound Barrier featuring TRILOK GURTU Graham Haynes + Eyvind Kang 06 130 Kevin Breit "Sisters Euclid" Heinekeri M9NTEYINA ABSOLUT ^TELUS- JAZZ HOTLINE 872-5200 TICKETMASTER 280-4444 WWW.JAZZVANCOUVER.COM PROGRAM GUIDES AT ALL LOWER MAINLAND STARBUCKS, TELUS STORES, HMV STORES THE VANCOUVER SUN tBC$.radiQ)W£ CKET OUTLETS BCTV Music TO THE BEAT OF ^ du Maurier JAZZ 66 WATER STREET VANCOUVER CANADA Events at a glance: \YJUNE4- ^guerilla pres ERIK TRUFFAZ (Blue Note) s Blue Note signed, Parisian-based trumpe t player Doors 9PM/$15/$12 ir —, Sophia Books, Black S — Boomtown, Bassix and Highlife guerilla & SOPHIA Bk,w-> FANTASTIC PLASTIC MACHINE plus TIM 'LOVE' LEE fMfrTrW) editrrrrrrp: Lyndsay Sung gay girls rock the party by elvira b p. 10 "what the hell did i get myself DERRICK CARTER© inSOe drums are an instrument, billy martin by sarka k p. 11 into!!! je-sus chrisssttf!" mirah sings songs, by adam handz p. 12 ad rep/acid kidd: atlas strategic: wieners or wankers? by lyndsay s. p. 13 Maren Hancock Y JUNE 10 - SPECTRUM ENT pres bleepin' nerds! autechre by robert robot p. -
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr. -
Cyclic Defrost Issue 8
ISSUE 8 CDITORIAL CONTENTS Welcome to issue 8 and the end of our second year. It has been a 4 COVER DESIGNER: MARK GOWING upward curve since Sonar last year, and Cyclic Defrost is back at Sonar by Bim Ricketson this year and continuing to build connections with Europe. Good Australian electronic music has been starting to spread more broadly 6 PURDY overseas and the next couple of months sees the number of Australian by Sebastian Chan PO Box a2073 acts overseas growing substantially. Sydney South 10 CITY CITYCITY This issue’s cover art is by Sydney-based graphic designer Mark NSW 1235 Australia by Bob Baker Fish Gowing, whose logos and other work should be familiar to a lot of We welcome your contributions 11 ANTHONY PATERAS Sydney locals. Inside you’ll find interviews with the old guard – Kevin and contact: by Bob Baker Fish Purdy, Coldcut, Tortoise’s Jeff Parker, as well as the spring chickens – [email protected] Perth’s IDM youngster Pablo Dali, Melbourne post-rockers City City www.cyclicdefrost.com 14 PABLO DALI by melinda Taylor City, Lali Puna and Anthony Pateras. After the continual hectoring ISSUE 9 DEADLINE: AUGUST 12, 2004 about MP3 politics in previous issues, one of our writers, Vaughan 16 COLDCUT Healey finally got hold of an iPod for a fortnight and went about trying Publisher & Editor-in-Chief by Clark Nova to learn the art of iPod krumping, and Degrassi gives solid holiday tips. Sebastian Chan 18 LALI PUNA By the time you’ve waded through those in this 44 page bumper issue, Art Director & Co-Editor by Peter Hollo you’ll come to the treasure chest of reviews and this issue’s sleeve Dale Harrison 20 TORTOISE design look at embossing. -
Subtle 7Inch
Print Edition with ISSUE V Limited Subtle 7inch With Free........................ Mp3-Compilation SUBTLE Dday One Strange Famous Karhu with Dday One, Asup, Bleubird & others DJ Scientist FbcFabric & Reindeer LSD II deadmagazine deadon 1 Gratifikationsgrößen Der Ruhm in Zeiten des Internets ist ein stillerer geworden, und die Freude über ihn scheint durch ihre Mess- barkeit an Klicks, Hits und Gästebuchkommentaren oft gar nicht zu ihrem Recht zu kommen. Woran lässt er sich denn nun festmachen, der Ruhm? Von wem will ich ihn entgegennehmen? Vielen eröffneten die neuen Netz- werke endlich das lang ersehnte Publikum, während das Publikum, jeder für sich vor dem eigenen Bildschirm, endlich eigene Hypes um die kurzzeitigen Superstars kreiren kann. Die Vermutung darüber, wer den eben im Stillen erstellten Text gelesen, die mühsam zusammengepuzzlte Bildergalerie betrachtet, das nächtelang zu einem glücklichen Ende produzierte Lied gehört haben könnte, findet schier kein Ende in einer Welt, die man wirklich zu beinflussen können glaubt. Doch eben dieser Einfluss ist es, der das, was man früher als „Geniegedanken“ hegte und pflegte, komplett neu definierte, der die Helden auf eine recht mittelmäßige Konfektionsgröße schrumpfen ließ. Doch wenn mein Held mir zu ähnlich ist, wozu brauche ich ihn dann überhaupt noch? Die fiebrige Rekonstruktion von Individualität hat unzählige Doppelwesen ge- schaffen, die nun ihre ureigenen Idole zu sein scheinen und einander dabei doch so offensichtlich gleichen. Die Möglichkeit, überall solche Vergleiche zu ziehen, -
The Aspirations of Freestyle
The Aspirations of Freestyle by Damon Ellis Supervisor Dr Rob Conkie Photo courtesy of Michael Fromholtz 1 STATEMENT OF AUTHORSHIP I certify that this is my own work and that the use of material from other sources has been properly and fully acknowledged in the text. Damon Ellis 25 October 2013 2 ABSTRACT The primary aim of this thesis is to appreciate and make a space for freestyle rap in critical discourse, where it has been marginalised in favour of more visible aspects of rap-music and hip-hop. In making a space for freestyle this thesis has two parts. Part one contextu- alises, defines and considers freestyle as a marginalised art-form that can be viewed as both central to hip-hop and an essential part of new creative fusions and sub-genres. In order to appreciate freestyle, it is vital for critics to revisit how freestyle specifically relates to concepts of orality, and expression without writing. It is also important for hip-hop schol- ars to understand that the definition of freestyle is changing radically – from improvised to a kind of pre-written verse. Part one frames part two - a critical edition of selected freestyle verses from local Melbourne based rap-artists – at a point where generally American creative product, commercial activities and agonistic practices dominate the conversation. Part two is a counterpoint to this dominant conversation, the local ciphers in the Melbourne under- ground are upheld as a non-agonistic, openly collaborative verbal-arts movement. Four MCs or rappers have had their freestyles (improvised raps) recorded, transcribed and se- lected for in depth analysis, annotation, for the purposes of explication. -
2007 SXSW Festival
2/22/2018 SXSW 2007 Band Lineup Released About Us Live Sessions Interviews Best Albums of 2012 Subscribe Tickets HearYa - Indie Music Blog Indie Music Blog, Live Sessions, and Daily MP3 Downloads. SXSW 2007 Band Lineup Released by oz on February 12, 2007 http://www.facebook.com/plugins/like.php?href=http%3A%2F%2Fwww.hearya.co Finally…we can start planning SXSW. The list of bands was released a week ago, but I was in Tahoe and couldn’t post it. Thanks to DoneWaiting.com for reformatting the list (it’s a lot of bands) and for the party updates. Our SXSW strategy planning will be much easier thanks to their coverage. Aa (Brooklyn NY); AA Sound System (Edmonton AB); A Band of Bees (Ventnor UK); Aberdeen City (Boston MA); The A-Bones (Brooklyn NY); About (Amsterdam THE NETHERLANDS); A Cursive Memory (Los Angeles CA); Peter Adams And The Nocturnal Collective (Cincinnati OH); Pierre Aderne (Rio de Janeiro BRAZIL); Aesop Rock (Brooklyn NY); A Fine Frenzy (Los Angeles CA); After Forever (Reuver THE NETHERLANDS); Afterhours (Milano ITALY); Against Me! (Gainesville FL); Airbourne (Melbourne AUSTRALIA); Air Traffic (Bournemouth UK); Akimbo (Seattle WA); Tetuzi Akiyama (Tokyo JAPAN); Alabama Thunderpussy (Richmond VA); Alamo Race Track (Amsterdam THE NETHERLANDS); The Alarm Clocks (Cleveland OH); Allison (Mexico D.F. MEXICO); All the Saints (Atlanta GA); All Time Low (Baltimore MD); ALOKE (New York NY); Alternative Champs (Charlotte NC); AM (New Orleans LA); Amber Pacific (Seattle WA); Scott Amendola (Berkeley CA); American Flamewhip (Winnipeg MB); American -
Aesop Rock Boom Bip with Sole, Demune, Ancient Mith, Demune Jahbitat & Others & Otem Rellik II Deadmagazine Deadon 1 Deadon
08/2007/ISSUE III XNDL inklusive Audio88 Kool Keith CD-Compilation Free The Robots .......................... Project Mooncircle Aesop Rock Boom Bip with Sole, Demune, Ancient Mith, Demune Jahbitat & others & Otem Rellik II deadmagazine deadon 1 deadon „Ich war dabei. Ich war sein wohl die lächerlichste Antwort auf diese späte wütend. Ich war macht- Erkenntnis wäre. Ich entschied mich somit voerst für blinde Wut, um dann später erhobenen Hauptes behaup- los und schrecklich ten zu können: „Ich war dabei. Ich war wütend. Ich war deprimiert.“ machtlos und schrecklich deprimiert.“ Was bleibt? Endlose Diskussionen über Internet- Tage, die die Welt verändern, zeichnen Tauschbörsen, die „Daseinsberechtigung“ von Major- sich wohl vor Allem dadurch aus, dass labels und die gefühlte Fairness eines angeblich so viel sie nicht existieren. Sollten ein paar der offeneren Umgangs mit Kunst. Seit Jahren schwelen die derzeit kursierenden Negativ-Prognosen immerselben Argumente vor sich hin. Von Zeit zu Zeit über die Plattenindustrie im Großen wie schafft es eine markante Stimme, ihnen mehr Aufmerk- im Kleinen wahr werden, wird es uns im samkeit zu garantieren – ihre eigentliche Kraft jedoch nachhinein wahrscheinlich wieder ein- scheint verloren gegangen zu sein. Wirklich dämlich mal schwer fallen, einen solchen Anker- sehen dabei nur DRM-Hardliner der Plattenindustrie und tag festzulegen. Mein Teil der Geschichte die ignoranten Pseudo-Idealisten unter den Downloadern begann mit dem Tag, an dem ich sowohl aus und man beginnt sich zu fragen, welche Position meine Musik, als auch die einiger Freun- überhaupt noch haltbar ist und ob man nicht lieber, de und Bekannter auf einer mir fremden anstatt hier zu diskutieren, auf das Konzert einer Band russischen Seite zum kostenpflichtigen gegangen wäre, deren Namen man noch nie vorher Download gefunden habe. -
714.01 [Cover] Mothernew3
NewMusic ® CMJ 25 SUPER FURRY ANIMALS Report REVIEWED: LIFESAVAS, IMA ROBOT, VUSI MAHLASELA, CMJ SPOTLIGHT PORCUPINE TREE... PLUS MORE! Issue No. 822 • July 14, 2003 • www.cmj.com DANGER! HIGH VOLTA CMJ The Mars Volta Gets Ready To Say What Words Never Can CMJ RETAIL To Infinity And Beyonce STATION PROFILE Hearing Voices: Maine’s WERU MUSIC NEWS Cat Claws The Lips RADIO 200:RADIOHEAD LOCKED AT NO. 1 • SUPER FURRY ANIMALS MOST ADDED 7/14/2003 Issue No. 822 • Vol 76 • No. 7 COVER STORY 8 Escape From Mars While Mars Volta’s debut LP, De-Loused In The Comatorium, wrings arrhythmic chaos, intricate prog-rock and shrill harmonies, Mars Volta itself was wrought with bereavement after the loss of keyboardist and partner-in-arms Jeremy Ward, who died mid-tour. Guitarist Omar Rodriguez- Lopez checks in with CMJ to discuss the redemptive qualities of playing music; something the group will need as the remaining members attempt to pick up the pieces and carry on. DEPARTMENTS 4 The Week In Industry News or not, the Animal’s sixth record is sure to The RIAA unleashes its lawyers on the unsus- blow listeners away with its surreal, epic pop. 8 pecting public; Major League Baseball hits a grand slam with Clear Channel. 24 Tours Liz Phair shakes up Tour Of The Week, 5 The Week In Music News Beautiful Mistake leads the Vital Five, and The Flaming Lips get into a Cat-fight; Open Hand, Lonesome Organist, Stephan Spiritualized finds Grace with Sanctuary and Smith and more land in the news! Blur’s Modern Life Is Rubbish receives CMJ’s “Silver Salute.” 25 Loud Rock Reviews of Fu Manchu, Nightrage and Figure 6 Essential/Reviews Four; Iron Maiden track listing revealed; new Lifesavas, Ima Robot, Revolution Smile, Fred Ill Niño lineup announced; Zakk Wylde com- Avril, Vusi Mahlasela, Porcupine Tree, Diffuser ments on new Ozzy album; Nuclear Assault’s and Ohgr. -
Schedule A: Aria Licensing - Copyright Owners
SCHEDULE A: ARIA LICENSING - COPYRIGHT OWNERS BEGGARS GROUP MEDIA LIMITED www.beggars.com BINNABURRA FILM CO PTY LTD Address withheld BLACK MARKET MUSIC www.blackmarketmusic.com.au COLOSSAL RECORDS OF AUSTRALIA PTY LTD Address withheld COMPASS BROS RECORDS PTY LTD www.compassbros.com.au COOKING VINYL AUSTRALIA www.cookingvinylaustralia.com CREATE CONTROL PTY LTD www.create-control.com DEX AUDIO PTY LTD T/A NEW MARKET MUSIC www.newmarketmusic.com EMI MUSIC (AUSTRALIA) PTY LTD www.emimusic.com.au EXIST RECORDINGS www.existrecordings.com HEAD RECORDS* www.headrecords.com HEAVEN MUSIC AUSTRALIA PTY LTD Address withheld INERTIA PTY LTD www.inertia-music.com KOBALT MUSIC PUBLISHING www.kobaltmusic.com LEONIE MACPHERSON Address withheld LIBERATION MUSIC PTY LTD www.liberation.com.au LIOR ATTAR www.lior.com.au MIDNIGHT RECORDS PTY LTD Address withheld MODERN MUSIC PTY LTD www.modernmusic.com.au NLV Records www.nlvrecords.com. ORIGIN RECORDINGS PTY LTD www.originmusic.com.au PRO AGENCY GMBH www.pro-agency.net PUBLIC OPINION * Address withheld RED REBEL MUSIC www.redrebelmusic.com REGENCY MEDIA PTY LTD T/A SHOCK www.shockrecords.com.au ENTERTAINMENT* REMOTE CONTROL RECORDS PTY LTD www.remotecontrolrecords.com.au Updated December 2020 RUBBER MUSIC PTY LTD T/A RUBBER RECORDS www.rubberrecords.com RUFUS RECORDS www.rufusrecords.com.au SAMPLES 'N' SECONDS RECORDS PTY LTD www.gotye.com SONY MUSIC ENTERTAINMENT (AUSTRALIA) LTD www.sonymusic.com.au SOUNDPROOF AUSTRALIA PTY LTD Address withheld TRUSTEE FOR THE GEORGI FAMILY TRUST Address withheld TWO SHOES PTY LTD Address withheld UNDERCOVER MUSIC PTY LTD www.undercovermusic.com.au UNIFIED MUSIC GROUP PTY LTD www.unifiedmusicgroup.com UNIVERSAL MUSIC AUSTRALIA LIMITED www.umusic.com.au WARNER MUSIC AUSTRALIA PTY LTD www.warnermusic.com.au XELON www.xelonentertainment.com Updated December 2020 * Labels controlled by this Licensor are excluded from the grant of rights in relation to Music Videos (only sound recording rights are granted).