Shri Jagannath Sanskrit Vishvavidyalaya, Puri
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ODISHA REVIEW VOL. LXXI NO. 5 DECEMBER - 2014 MADHUSUDAN PADHI, I.A.S. Commissioner-cum-Secretary RANJIT KUMAR MOHANTY, O.A.S, ( SAG) Director DR. LENIN MOHANTY Editor Editorial Assistance Production Assistance Bibhu Chandra Mishra Debasis Pattnaik Bikram Maharana Sadhana Mishra Cover Design & Illustration D.T.P. & Design Manas Ranjan Nayak Hemanta Kumar Sahoo Photo Raju Singh Manoranjan Mohanty The Odisha Review aims at disseminating knowledge and information concerning Odisha’s socio-economic development, art and culture. Views, records, statistics and information published in the Odisha Review are not necessarily those of the Government of Odisha. Published by Information & Public Relations Department, Government of Odisha, Bhubaneswar - 751001 and Printed at Odisha Government Press, Cuttack - 753010. For subscription and trade inquiry, please contact : Manager, Publications, Information & Public Relations Department, Loksampark Bhawan, Bhubaneswar - 751001. Five Rupees / Copy E-mail : [email protected] Visit : http://odisha.gov.in Contact : 9937057528(M) CONTENTS Shrikshetra, Matha and its Impact Subhashree Mishra ... 1 Good Governance ... 3 India International Trade Fair - 2014 : An Overview Smita Kar ... 7 Mo Kahani' - The Memoir of Kunja Behari Dash : A Portrait Gallery of Pre-modern Rural Odisha Dr. Shruti Das ... 10 Protection of Fragile Ozone Layer of Earth Dr. Manas Ranjan Senapati ... 17 Child Labour : A Social Evil Dr. Bijoylaxmi Das ... 19 Reflections on Mahatma Gandhi's Life and Vision Dr. Brahmananda Satapathy ... 24 Christmas in Eternal Solitude Sonril Mohanty ... 27 Dr. B.R. Ambedkar : The Messiah of Downtrodden Rabindra Kumar Behuria ... 28 Untouchable - An Antediluvian Aspersion on Indian Social Stratification Dr. Narayan Panda ... 31 Kalinga, Kalinga and Kalinga Bijoyini Mohanty .. -
Registration-2017 Admission Batch
SHRI JAGANNATH SANSKRIT VISHVAVIDYALAYA, PURI REGISTER FOR REGISTRATION-SLIP Page 1 of 335 COURSE : UPASHASTRI ADMISSION BATCH : 2017 Dept./COLLEGE CODE/NAME : ( 01AN ) JADUNATH SANSKRIT COLLEGE,ANGUL SlNo. NAME OF THE CANDIDATE NAME OF THE FATHER REGISTRATION No. PHOTO SL 001 ABHIJIT NAIK BIDYADHAR NAIK U01AN001/17 002 AJAYA KUMAR GOCHHAYAT ANIRUDDHA GOCHHAYAT U01AN002/17 003 ANAMIKA SAHU PABITRA SAHU U01AN003/17 004 ANITA PRADHAN SARAT PRADHAN U01AN004/17 005 ARCHANA BHUTIA GOUTAM BHUTIA U01AN005/17 006 ARPITA BHOI ANANDA BHOI U01AN006/17 007 ASHOK KUMAR DEHURY KHAGESWAR DEHURY U01AN007/17 008 BADAL SAHU KUMUD CHANDRA SAHU U01AN008/17 009 BAISHNAB BISWAL SUBASH CHANDRA BISWAL U01AN009/17 010 BALARAM BEHERA BHAGABAN BEHERA U01AN010/17 011 BASANTI NAIK TIRTHA NAIK U01AN011/17 012 BHANUMATI MAHALIK PRAMOD MAHALIK U01AN012/17 013 BIJAY KUMAR MOHANTA TARAKANTA MOHANTA U01AN013/17 014 BINOD PRADHAN BIJAN PRADHAN U01AN014/17 015 BISWAJITA SAHU BRAJABANDHU SAHU U01AN015/17 016 CHINMAYEE SAHU CHANDRA SHEKHAR SAHU U01AN016/17 017 CHITTARANJAN MOHANTA BHAGIRATHI MOHANTA U01AN017/17 018 DIPAK GHADEI BIJAY GHADEI U01AN018/17 019 DIPAK NAIK TRINATH NAIK U01AN019/17 020 DIPUN GHADEI BHARAT GHADEI U01AN020/17 021 JANMEJAY MOHANTA BHAGIRATHI MOHANTA U01AN021/17 022 JAYANT PRADHAN JITEN PRADHAN U01AN022/17 023 JYOTSNA SAHU RAMESH CHANDRA SAHU U01AN023/17 024 KANHEI BEHERA RANJAN BEHERA U01AN024/17 025 KANHU MURMU DEMAKA MURMU U01AN025/17 026 LAILARANI DAS NABAGHANA DAS U01AN026/17 027 LAMBODHAR MOHANTA AKSHAY MOHANTA U01AN027/17 028 LOPAMUDRA NAYAK GOLEKH -
E:\ANNUAL REPORT-2019.Pmd
ESTD-1949 (1949-2019) 70th Anniversary Day 17th April, 2019 Tinkonia Bagicha - 753001 1 HOMAGE TO CHIEF PATRON Late Narendra Kumar Mitra FOUNDER MEMBERS Late (Dr.) Haridas Gupta Late Satyanarayan Gupta Late Preety Mallik Smt. Ila Gupta REMEMBRANCE (OUR SENIOR ASSOCIATES) 1. Late Sushil Ch. Gupta 12. Late Subrata Gupta 2. Late Nirupama Mitra 13. Late Robin Kundu 3. Late Sovana Basu 14. Late Nemailal Bose 4. Late Nanibala Roy Choudhury 15. Late Pranab Kumar Mitra 5. Late Ram Chandra Kar 16. Late Jishnu Roy 6. Late Narendra Ch. Mohapatra 17. Late Amal Krishna Roy(Adv.) 7. Late Sarat Kumar Mitra 18. Late Tripty Mitra 8. Late Subodh Ch. Ghose 19. Late Surya Narayan Acharya 9. Late Sunil Kumar Sen 20. Late Tarun Kumar Mitra 10. Late Renendra Ku. Mitra 21. Late Debal Kumar Mitra 11. Late Sanat Ku. Mitra LIST OF THE PAST LIFE TIME DEDICATED AWARDEE YEAR NAME OF THE AWARDEE DESIGNATION 2009 SMT. ILA GUPTA FOUNDER MEMBER 2010 LATE PRITY MALLIK(POSTHUMOUS) FOUNDER MEMBER 2011 LATE SATYA NARAYAN GUPTA FOUNDER MEMBER 2011 LATE (DR.) HARIDAS GUPTA FOUNDER MEMBER 2 EXECUTIVE COMMITTEE OF THE LIBRARY President : Sri Prafulla Ch. Pattanayak Vice-President : Sri Tarak Nath Sur Secretary : Sri Sandip Kumar Mitra Treasurer : Sri Debraj Mitra MEMBERS 1. Sri Pratap Ch. Das 7. Sri Prasun Kumar Das 2. Sri Sunil Kumar Gupta 8. Smt. Anushree Dasgupta 3. Sri Shyamal Kumar Mitra 9. Sri Indranil Mitra 4. Sri Dilip Kumar Mitra 10. Smt. Barnali Ghosh 5. Smt. Tanushree Ghose 11. Sri Santanu Mitra 6. Sri Swapan Kumar Dasgupta 12. Sri Dipanjan Mitra LIST OF THE CHIEF GUEST WHO GRACED THE OCCASION IN THE PAST 1950 : Sri Lalit Kumar Das Gupta, Advocate 1951 : Sri Lingaraj Mishra, M.P. -
Causelistgenerate Report
WEEKLY DAILY THE HIGH COURT OF ORISSA,CUTTACK LIST OF BUSINESS FOR MONDAY THE 6TH SEPTEMBER 2021 CHIEF JUSTICE'S COURT (2ND FLOOR) AT 10:30 AM THE CHIEF JUSTICE AND MR. JUSTICE B. P. ROUTRAY This Bench will function through hybrid arrangement ( virtual/ physical mode). ( Learned counsel desirous to appearing through Virtual Mode shall intimate the name, item number, case details etc. to the Court Master through Mobile No.8763760499 between 8.00 P.M. to 10.00 P.M. on the previous date of the hearing of the case. ) Learned advocates are requested to submit the memos for urgent listing of matters first to the D.R.(Judicial), and only where the D.R.(Judicial) has communicated that the request has been declined or the date given is not convenient for some reasons, should the matters be mentioned orally before the bench of the Chief Justice or such bench assigned for the purpose. For the oral mentioning before the division bench in Chief Justice’s court through virtual mode and physical mode, learned advocates will first obtain from the court master between 9.30 a.m. and 10.15 a.m. on all working days, over phone no.8763760499, a Mentioning Matter (MM) number. In matters other than fresh admission matters, the learned advocates will furnish to the court master on e-mail id- [email protected] proof of intimation of the mentioning to learned counsel for the opposite parties. When the court of the Chief Justice assembles, the mentioning matters for virtual mentioning will be called out serial wise. -
Four Major Modern Oriya Novelists
Orissa Review * November - 2008 Four Major Modern Oriya Novelists Jitendra Narayan Patnaik While the first major event in the hundred-and- Panigrahi also wrote five novels, four of them twenty-year old history of the Oriya novel is the having been published in the nineteen-thirties and publication of Fakir Mohan Senapati's Cha Mana nineteen-forties. His first novel, Matira Manisha, Atha Guntha in 1897, its full potential as a published in 1931, is considered a modern classic legitimate literary form was realized during and in Oriya language. Its film version, directed by after the nineteen-thirties when Gandhian and Mrinal Sen, was a great success and won a Marxist ideologies as well as the politics of number of national awards. The plot revolves resistance against colonial power and a pervasive round the family of Shama Pradhan, a rural farmer sense of social reform in the wake of exposure to and his two sons, Baraju and Chakadi. At the modern educational system led to a renewed time of his death, Shama Pradhan entrusts Baraju vision of social and historical forces that found with the responsibility of looking after his younger felicity of expression in the new fictional form of son Chakadi and entreats him to prevent partition the prose narrative. The four novelists discussed of land and the house between the two brothers. in this paper began writing in the nineteen-thirties Baraju is a peace-loving person who commands and nineteen-forties and while three of them--- respect from the villagers for his idealistic way of Kanhu Charan Mohanty, Gopinath Mohanty and life. -
(DLNA) of the Cyclone Fani in Odisha
讼µĝ uµ Photographs: United Nations Children’s Fund (UNICEF) and Odisha State Disaster Management Authority (OSDMA) Publishing support including editing and designing: Lucid Solutions, www.lucidsolutionsonline.com Contents Foreword v Acknowledgements vii Executive Summary xi SOCIAL SECTORS 1. Housing, Land, and Settlements 3 2. Education and Child Protection 20 3. Health, Nutrition, and Food Security 28 4. Cultural Heritage and Tourism 38 PRODUCTIVE SECTORS 5. Agriculture, Fisheries, and Livestock 53 INFRASTRUCTURE SECTORS 6. Power 81 7. Telecommunications 86 8. Roads 91 9. Water, Sanitation, and Hygiene 99 10. Public Buildings 109 11. Water Resources 114 CROSS CUTTING SECTORS 12. Employment, Livelihoods, and Social Protection 119 13. Gender and Social Inclusion 133 14. Environment 143 15. Disaster Risk Reduction 149 Contents HUMAN IMPACT AND MACROECONOMIC IMPACT 16. Human Impact Assessment 159 17. Macroeconomic Impact Assessment 174 RECOVERY STRATEGY 18. Recovery Strategy 187 ANNEXES Annexes to Chapters 195 Abbreviations and Acronyms 229 DLNA Sector Teams and Contributors 232 iv NAVEEN PATNAIK STATE SECRETARIAT CHIEF MINISTER, ODISHA BHUBANESWAR FOREWORD Odisha faced Extremely Severe Cyclone ‘FANI’ in 3rd May this year. FANI was one of the rarest of rare summer cyclones, the fi rst one to hit in 43 years and one of the only three cyclones to hit Odisha in the last 150 years. It caused havoc in Puri and Khurda districts and left marks of extensive damage to life and property of more than 1.65 crore people in 12 districts it passed through. As Odisha has already set global benchmark in handling disasters by leveraging technology, strengthening institutional capacities and building resilient measures, it was fully prepared to face all possible eventualities in the face of this calamity of national magnitude. -
Minutes of the Meeting of the Expert Committee Held on 14Th, 15Th,17Th and 18Th October, 2013 Under the Performing Arts Grants Scheme (PAGS)
No.F.10-01/2012-P.Arts (Pt.) Ministry of Culture P. Arts Section Minutes of the Meeting of the Expert Committee held on 14th, 15th,17th and 18th October, 2013 under the Performing Arts Grants Scheme (PAGS). The Expert Committee for the Performing Arts Grants Scheme (PAGS) met on 14th, 15th ,17thand 18th October, 2013 to consider renewal of salary grants to existing grantees and decide on the fresh applications received for salary and production grants under the Scheme, including review of certain past cases, as recommended in the earlier meeting. The meeting was chaired by Smt. Arvind Manjit Singh, Joint Secretary (Culture). A list of Expert members present in the meeting is annexed. 2. On the opening day of the meeting ie. 14th October, inaugurating the meeting, Sh. Sanjeev Mittal, Joint Secretary, introduced himself to the members of Expert Committee and while welcoming the members of the committee informed that the Ministry was putting its best efforts to promote, develop and protect culture of the country. As regards the Performing Arts Grants Scheme(earlier known as the Scheme of Financial Assistance to Professional Groups and Individuals Engaged for Specified Performing Arts Projects; Salary & Production Grants), it was apprised that despite severe financial constraints invoked by the Deptt. Of Expenditure the Ministry had ensured a provision of Rs.48 crores for the Repertory/Production Grants during the current financial year which was in fact higher than the last year’s budgetary provision. 3. Smt. Meena Balimane Sharma, Director, in her capacity as the Member-Secretary of the Expert Committee, thereafter, briefed the members about the salient features of various provisions of the relevant Scheme under which the proposals in question were required to be examined by them before giving their recommendations. -
UNIVERSITY of DELHI B.Com
B.Com. Semester Course UNIVERSITY OF DELHI B.Com. Semester I Nov. /Dec. Examination 2011 Semester II April/May Examination 2012 Semester III Nov. /Dec. Examination 2012 Semester IV April/May Examination 2013 Semester V Nov. /Dec. Examination 2013 Semester VI April/May Examination 2014 B.Com. Syllabus as per revised course structure to be effective from Academic Year 2011-12 and onwards Department of Commerce, 1 Delhi School of Economics, University of Delhi, Delhi-110007 B.Com. Semester Course SCHEME OF EXAMINATIONS FOR B.COM. 1. Examinations shall be conducted at the end of each Semester as per the Academic Calendar notified by the University of Delhi 2. The system of evaluation shall be as follows: 2.1 Each course will carry 100 marks, of which 25 marks shall be reserved for internal assessment based on a combination of tutorials, classroom participation, project work, seminar, term papers, tests, and attendance. 2.2 The remaining 75 marks in each paper shall be awarded on the basis of a written examination at the end of each semester. The duration of written exanimation for each paper shall be three hours. 3. Examinations for courses shall ordinarily be conducted only in the respective odd and even Semesters as per the Scheme of Examinations. Regular as well as ex-students shall be permitted to appear/reappear/improve in courses of odd Semesters only at the end of odd Semester and courses of even Semesters only at the end of even Semesters. 4. PASS PERCENTAGE AND PROMOTION CRITERIA As per university rules. 5. REAPPEARANCE IN PASSED PAPERS As per university rules. -
A Coup D'œil at the Life and Literature of Guruprasad Mohanty
World Wide Journal of Multidisciplinary Research and Development WWJMRD 2018; 4(2): 252-261 www.wwjmrd.com International Journal A Coup D'œil At the Life and Literature of Peer Reviewed Journal Refereed Journal Guruprasad Mohanty Indexed Journal UGC Approved Journal Impact Factor MJIF: 4.25 Santosh Kumar Nayak E-ISSN: 2454-6615 Santosh Kumar Nayak Abstract Assistant Professor and Head Guruprasad Mohanty is the literary genius of Odia literature to whom we can never forget while (O.E.S. - I) P.G. Department dealing with its modern age or Post-independence literature. He has his serious deals in his poetry of Odia Language and with the real aspects and the naked truths of the so called age. He has studied both man and woman of Literature Government the age very closely and has depicted that concept on the societal problems and declines of the ethics College, Koraput, Odisha, and values etcetera. He was a college teacher by profession. Here, attempts have been made to India. discover the three vertices of his personality: first, his personality as a man with family, society and other human qualities, second, his personality as a teacher and thirdly as a poet or a man of literature. However, the paper tries to unveil his literary contributions and to identify them in short. Key-words: Post-Independence, Modernism, Post Modernism, Third World. 1. Introduction Only a few people have earned that much of prestige in national level what Guruprasad has earned in his little time and attempts. One can find his noble literary contributions well with little investment of time and labour. -
February 2017 Vol 18
Vol.18 No. 2 February - 2017 LOOKING BACK, LOOKING AHEAD The year gone by—2016— culture festivals in remote places was historic for Bhavan brought the finest of performances Bengaluru Kendra for several to a new and awed audience. reasons. Eleven states across Both projects, under the the country were brought under umbrella of Infosys Foundation, its ambit for holding traditional marked the beginning of a new arts events, economically weak and exciting journey for Bhavan, artistes and rare and fading arts testings its limits of organizational given prominence. skills and reach. It was a huge If this served the cause of arts learning curve, the planning and and artistes, two outstation mega execution of the projects involving [email protected] 1 choice of arts, artistes, Someshwara temple in March, networking, coordination, logistics was a runaway success, drawing and technical support. thousands of audiences every day. 2016 was a game-changer The maiden attempt of the for traditional performing and fine Bengaluru Kendra in putting up arts, the year itself beginning with such a huge event in a remote a vibrant nature painting exhibition location opened up uncharted by differently-abled artist Anu terrain in its organizational skills. Jain. Anu has no legs and only rudimentary elbows. One of the aims of Bhavan is to take art to the people, an Her world, expected to be objective that was well met in the gray and bleak, was instead monthly cultural programmes held colourful and full of life, as seen in at the Indian Institute of World her paintings. Culture, Bengaluru. -
Eminent Literary Luminaries of Orissa
ORISSA REFERENCE ANNUAL - 2004 EMINENT LITERARY LUMINARIES OF ORISSA JAYADEVA Jayadeva lived in the twelfth century and is well-known author of the musical epic Sri Geeta Govinda. He hailed from Kenduli village in the Prachi Valley between Bhubaneswar and Puri. He spent most of his life at Puri and composed the songs of Sri Geeta Govinda as musical offerings to Lord Jagannath. Padmavati his beloved wife, danced to the songs sang and choreographed by Jayadeva. The composition was probably performed first on the twin occasions of the dedication on the Srimandir and the coronation of Kamarnava as the crown prince in 1142 AD, during the reign of Chodaganga Deva, the founder of the great Ganga Empire in the east coast of India, Jayadeva, a great scholar and composer was a devotee first and a poet next. His Sri Geeta Govinda is a glorification of the essence of Jagannath Chetana or Jagannath Consciousness–the path of simple surrender, which later Sri Chaitanya popularized as the Gopi Bhava or the Radha Bhava. Gitagovinda has become the main prop of Odissi dance. It also has an enormous influence on the patta paintings of Raghurajpur. As a beautiful, ornate kavya, Gitagovinda received appreciation at home and abroad. Its sonorous diction and rhythmic musical excellence have created a unique place for it in world literature. Gitagovinda consists of twelve cantos or sargas including twenty- four songs and seventy- two slokas. It is designed to be sung in definite ragas and talas. It has been rightly observed that a narrative thread runs through the songs, lending it a dramatic structure. -
Chronological Accounts of Odishan History
ODISHA REFERENCE ANNUAL - 2014 CHRONOLOGICAL ACCOUNTS OF ODISHAN HISTORY 261 B.C. - The Great Kalinga War took place 177 B.C. - Coronation of King Kharavela 600 A.D. - Sasanka, King of Gauda Desa conquered Utkal 639 - Hiuen-Tsang visited Kalinga, Kangoda, Kosala and Odra 736 - Kshemankara Deva established the kingdom of Tosali in Udra country with capital at Guhesvara Pataka (Jajpur) 885 - Mahabhavagupta Janmejaya-I established the Somavamsi rule in Western Orissa with the capital at Suvarnapura (Sonepur) 1078 - Choda Ganga Dev, the Founder of Ganga Dynasty in Kalinga, became the king of Utkala by defeating the last Somavamsi king Karnadeva. 1115 - Construction of Sri Jagannath Temple began at Puri 1147-1156 - Kamarnava - VII ruled Kalinga 1156 – 1170 - Raghav Dev ruled Kalinga 1170 – 1194 - Raj Raj Dev-II ruled Kalinga 1190 – 1198 - Ananga Bhima Dev-II ruled Kalinga 1198 – 1211 - Raj Raj Dev-III ruled Kalinga 1211-1238 - Ananga Bhima Dev-III ruled Kalinga 1234 – 1245 - Langula Narasingh Dev built Sun Temple at Konark 1264 – 1278 - Bhanu Dev-I ruled Kalinga 1278 - Chandrika Devi, daughter of Ananga Bhima Dev-III built Ananta Basudev Temple at Bhubaneswar. 1278 – 1305 - Narasingh Dev-II ruled Kalinga 1306 – 1328 - Bhanu Dev-II ruled Kalinga 1328 – 1352 - Narasingh Dev-III ruled Kalinga 1352 – 1378 - Bhanu Dev-III ruled Kalinga 1378 – 1414 - Narasingh Dev-IV ruled Kalinga 1414 – 1434 - Bhanu Dev-IV ruled Kalinga 1435 – 1467 - Kapilendra Dev, Founder of Orissan Empire - The era “Kapilabda” started from the day of his coronation - Founder of Suryavamsi Dynasty - Sarala Das wrote Oriya Mahabharat during this period 1464 - Kapilendra Dev conquered from Ganges in North to Trichinapalli in South and hold the title Gajapati Gaudeshwar Nabakoti Karnat Kalabargeshwar.