DATABASE of the LMV TRAINEES UNDER OSEM FUNDING for the YEAR 2011-12 (10,000 Nos.) CATEGORY SL.NO
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Full Flow and I Started Recovering Fast
JULY 11-17, 2021 HERE . NOW P 3,4 1 2 3 4 5 6 7 8 SUNDAY POST July 11-17, 2021 MIXED BAG Weekly schedule My music teacher Guru Ratan Kumar Pujhari visits me every Sunday so that we can compose and rehearse new Sambalpuri songs. Nature lover I am fond of gardening and needless to say that my garden is my paradise. Since I don’t get much time With husband on other days of the week, I take Folk singer care of my paradise on Sundays. Padmini Dora is a household Teamwork I team up with my name in Western husband Mohit Kumar Swain, an Odisha for her acclaimed artiste, to discuss Sambalpuri strategies for the revival of songs like Sambalpuri music. ‘Kanhu dakidesi nisha rati, ‘Chutkuchuta, Home Mayura chulia’ de-cluttering and ‘E murali’. A tidy and organised home always radiates Dora, often positive energy. Being a homemaker, referred to as I ensure to keep my house clean all the “Teejan Bai the time. of Odisha”, loves to cook Padmini being felicitated traditional mutton curry for Expert cook Sunday sounds boring if I don’t cook traditional her family. mutton curry. Everyone in my family loves the dish. The only exception is my son who loves paneer Do Pyaza. RASHMI REKHA DAS, OP WhatsApp VISUAL DELIGHT LETTERS Dear Sir, 'The Monsoon Chasers'(July 5) was a This Week sheer delight.The collage of monsoon photo- graphs capturing the myriad hues of the rainy season provided the much-needed soothing Only on Sunday POST! touch amidst the prevailing heatwave in the national capital. -
Odissi Dance
ORISSA REFERENCE ANNUAL - 2005 ODISSI DANCE Photo Courtesy : Introduction : KNM Foundation, BBSR Odissi dance got its recognition as a classical dance, after Bharat Natyam, Kathak & Kathakali in the year 1958, although it had a glorious past. The temple like Konark have kept alive this ancient forms of dance in the stone-carved damsels with their unique lusture, posture and gesture. In the temple of Lord Jagannath it is the devadasis, who were performing this dance regularly before Lord Jagannath, the Lord of the Universe. After the introduction of the Gita Govinda, the love theme of Lordess Radha and Lord Krishna, the devadasis performed abhinaya with different Bhavas & Rasas. The Gotipua system of dance was performed by young boys dressed as girls. During the period of Ray Ramananda, the Governor of Raj Mahendri the Gotipua style was kept alive and attained popularity. The different items of the Odissi dance style are Mangalacharan, Batu Nrutya or Sthayi Nrutya, Pallavi, Abhinaya & Mokhya. Starting from Mangalacharan, it ends in Mokhya. The songs are based upon the writings of poets who adored Lordess Radha and Krishna, as their ISTHADEVA & DEVIS, above all KRUSHNA LILA or ŎRASALILAŏ are Banamali, Upendra Bhanja, Kabi Surya Baladev Rath, Gopal Krishna, Jayadev & Vidagdha Kavi Abhimanyu Samant Singhar. ODISSI DANCE RECOGNISED AS ONE OF THE CLASSICAL DANCE FORM Press Comments :±08-04-58 STATESMAN őIt was fit occasion for Mrs. Indrani Rehman to dance on the very day on which the Sangeet Natak Akademy officially recognised Orissi dancing -
Odisha Review
ODISHA REVIEW VOL. LXXI NO. 2-3 SEPTEMBER-OCTOBER - 2014 MADHUSUDAN PADHI, I.A.S. Commissioner-cum-Secretary BHAGABAN NANDA, O.A.S, ( SAG) Special Secretary DR. LENIN MOHANTY Editor Editorial Assistance Production Assistance Bibhu Chandra Mishra Debasis Pattnaik Bikram Maharana Sadhana Mishra Cover Design & Illustration D.T.P. & Design Manas Ranjan Nayak Hemanta Kumar Sahoo Photo Raju Singh Manoranjan Mohanty The Odisha Review aims at disseminating knowledge and information concerning Odisha’s socio-economic development, art and culture. Views, records, statistics and information published in the Odisha Review are not necessarily those of the Government of Odisha. Published by Information & Public Relations Department, Government of Odisha, Bhubaneswar - 751001 and Printed at Odisha Government Press, Cuttack - 753010. For subscription and trade inquiry, please contact : Manager, Publications, Information & Public Relations Department, Loksampark Bhawan, Bhubaneswar - 751001. Five Rupees / Copy E-mail : [email protected] Visit : http://odisha.gov.in Contact : 9937057528(M) CONTENTS Nabakalebar Bhagaban Mahapatra ... 1 Good Governance ... 5 The Concept of Sakti and Its Appearance in Odisha Sanjaya Kumar Mahapatra ... 8 Siva and Shakti Cult in Parlakhemundi : Some Reflections Dr. N.P. Panigrahi ... 11 Durga Temple at Ambapara : A Study on Art and Architecture Dr. Ratnakar Mohapatra ... 20 Perspective of a Teacher as Nation Builder Dr. Manoranjan Pradhan ... 22 A Macroscopic View of Indian Education System Lopamudra Pradhan ... 27 Abhaya Kumar Panda The Immortal Star of Suando Parikshit Mishra ... 42 Consumer is the King Under the Consumer Protection Law Prof. Hrudaya Ballav Das ... 45 Paradigm of Socio-Economic-Cultural Notion in Colonial Odisha : Contemplation of Gopabandhu Das Snigdha Acharya ... 48 Raghunath Panigrahy : The Genius Bhaskar Parichha .. -
Odisha Review Dr
Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive .. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Engineering Assistant (Mechanical)
Recruitment of Non-executives in Pipelines Division (Advertisement No. PL/HR/Estb/2017/1 dated 27.04.2017) Candidates shortlisted for appearing in Written Test on 11.06.2017 WESTERN REGION PIPELINES Sr No. Registration No. -
Orissa High Court Filing Report As on :28/05/2021
ORISSA HIGH COURT FILING REPORT AS ON :28/05/2021 SL FILING NO NAME OF PETNR./APPEL COUNSEL FOR PETNR./APPEL PS CASE/LOWER COURT CASE/DISTRICT 1 ARBP/0000036/2021 ASIT KUMAR NATIA SWAYAMJIT ROUT / / VS VS () SURAT SEKHAR // 2 BLAPL/0003971/2021 SHYAMA MATTAM PRASANTA KUMAR NANDA MACHHKUND /72 /2017 VS VS () STATE OF ODISHA // 3 BLAPL/0003972/2021 MANOJ DIGAL SANJIB KUMAR BHANJADEO PHIRINGIA /57 /2020 VS VS () STATE OF ODISHA // 4 BLAPL/0003973/2021 SUBALA DEHURI DIPENDU SUNDAR RAY OUPADA /24 /2019 VS VS () STATE OF ODISHA // 5 BLAPL/0003974/2021 BASANT KUMAR BARIK UMESH CHANDRA PATNAIK MOHANA /45 /2021 VS VS () STATE OF ODISHA // 6 BLAPL/0003975/2021 MUNNA@DEBARAJ JENA DEBASISH SAHOO PIPLI /105 /2021 VS VS () STATE OF ODISHA // 7 BLAPL/0003976/2021 SURESH HARIJAN BIDYALOK MOHAPATRA JEYPORE TOWN /66 /2021 VS VS () STATE OF ODISHA // 8 BLAPL/0003977/2021 KUNA PRADHAN ASUTOSH TRIPATHY PARJANG /188 /2019 VS VS () STATE OF ODISHA // 9 BLAPL/0003978/2021 MUNA @ SIBARAM SAHU KURESH PRASAD DASH BUGUDA /275 /2017 VS VS () STATE OF ODISHA // 10 BLAPL/0003979/2021 NIRPATI MAJUMDAR RAJIB LOCHAN PATTNAIK CHITRAKONDA /77 /2020 VS VS () STATE OF ODISHA // 11 BLAPL/0003980/2021 BARADA PRASANNA MOHANTY SURYAKANTA DASMOHAPATRA KHANDAPARA /27 /2014 VS VS () STATE OF ODISHA // Page 1/24 ORISSA HIGH COURT FILING REPORT AS ON :28/05/2021 SL FILING NO NAME OF PETNR./APPEL COUNSEL FOR PETNR./APPEL PS CASE/LOWER COURT CASE/DISTRICT 12 BLAPL/0003981/2021 LOKANATHA SAHOO SURYAKANTA DASMOHAPATRA SAHID NAGAR P.S. /97 /2020 VS VS () STATE OF ODISHA // 13 BLAPL/0003982/2021 -
Why I Became a Hindu
Why I became a Hindu Parama Karuna Devi published by Jagannatha Vallabha Vedic Research Center Copyright © 2018 Parama Karuna Devi All rights reserved Title ID: 8916295 ISBN-13: 978-1724611147 ISBN-10: 1724611143 published by: Jagannatha Vallabha Vedic Research Center Website: www.jagannathavallabha.com Anyone wishing to submit questions, observations, objections or further information, useful in improving the contents of this book, is welcome to contact the author: E-mail: [email protected] phone: +91 (India) 94373 00906 Please note: direct contact data such as email and phone numbers may change due to events of force majeure, so please keep an eye on the updated information on the website. Table of contents Preface 7 My work 9 My experience 12 Why Hinduism is better 18 Fundamental teachings of Hinduism 21 A definition of Hinduism 29 The problem of castes 31 The importance of Bhakti 34 The need for a Guru 39 Can someone become a Hindu? 43 Historical examples 45 Hinduism in the world 52 Conversions in modern times 56 Individuals who embraced Hindu beliefs 61 Hindu revival 68 Dayananda Saraswati and Arya Samaj 73 Shraddhananda Swami 75 Sarla Bedi 75 Pandurang Shastri Athavale 75 Chattampi Swamikal 76 Narayana Guru 77 Navajyothi Sree Karunakara Guru 78 Swami Bhoomananda Tirtha 79 Ramakrishna Paramahamsa 79 Sarada Devi 80 Golap Ma 81 Rama Tirtha Swami 81 Niranjanananda Swami 81 Vireshwarananda Swami 82 Rudrananda Swami 82 Swahananda Swami 82 Narayanananda Swami 83 Vivekananda Swami and Ramakrishna Math 83 Sister Nivedita -
Songs of Dawn and Dusk of “Bhakta Kabi” Madhusudan Rao
Odisha Review October - 2012 Songs of Dawn and Dusk of “Bhakta Kabi” Madhusudan Rao Indrajeet Mohanty Madhusudan Rao was one of the most prolific “……….. distressed Odia Language will for ever and elegant writers, of Odia poetry of the Late be indebted to Madhusudan”. th th 19 and Early 20 Centuries. His writings are The poet was born in 1853 on January adorned with purity, beauty and have an 19th (Shree Panchami) at Puri. His Grand-father undercurrent of devotion to the Almighty. One was Marhathi Offices, before the British cannot forget his magnificent poem “Padma” occupation, and his father, (Lotus) which is so chaste and Bhagiratha Rao brought him up natural that one feels the Lotus as he lost his mother, Ambika swaying in the breeze, in the Devi, at the tender age of five. Lake, right in front of us. In He was a brilliant student, who fact one almost gets the fragrance of the Lotus and feel made Puri Zilla School proud. of the tepid morning Sun. If he During his career as a student has been compared with in Cuttack, he be-friended Tennyson and Wordsworth for Pyarimohan Pradhan and his allegories of nature, he is became a devout Brahmo also a painter like Thomas Samajist. As a school teacher Gray, who uses a pen as a brush at Balasore he encountered the to paint pictures. Madhusudan great Fakir Mohan Senapati Rao’s poems are, finally a gift and in Cuttack was a student to the Creator, the Divine of Radhanath Ray. All there Master, Who controls the interactions created in his, Universe. -
Folklore Foundation , Lokaratna ,Volume IV 2011
FOLKLORE FOUNDATION ,LOKARATNA ,VOLUME IV 2011 VOLUME IV 2011 Lokaratna Volume IV tradition of Odisha for a wider readership. Any scholar across the globe interested to contribute on any Lokaratna is the e-journal of the aspect of folklore is welcome. This Folklore Foundation, Orissa, and volume represents the articles on Bhubaneswar. The purpose of the performing arts, gender, culture and journal is to explore the rich cultural education, religious studies. Folklore Foundation President: Sri Sukant Mishra Managing Trustee and Director: Dr M K Mishra Trustee: Sri Sapan K Prusty Trustee: Sri Durga Prasanna Layak Lokaratna is the official journal of the Folklore Foundation, located in Bhubaneswar, Orissa. Lokaratna is a peer-reviewed academic journal in Oriya and English. The objectives of the journal are: To invite writers and scholars to contribute their valuable research papers on any aspect of Odishan Folklore either in English or in Oriya. They should be based on the theory and methodology of folklore research and on empirical studies with substantial field work. To publish seminal articles written by senior scholars on Odia Folklore, making them available from the original sources. To present lives of folklorists, outlining their substantial contribution to Folklore To publish book reviews, field work reports, descriptions of research projects and announcements for seminars and workshops. To present interviews with eminent folklorists in India and abroad. Any new idea that would enrich this folklore research journal is Welcome. -
ASC-CUTTACK.Pdf
ARTS - GENERAL DISTRICT MARKS SL# ROLL NO COLLEGE NAME CANDIDATE'S NAME FATHER'S NAME MOTHER'S NAME SEX NAME SECURED 1 172CA027 CUTTACK ANCHALIKA COLLEGE, REBA SANTOSH DALAI DASARATHI DALAI GITA DALAI M 440 2 160CA029 CUTTACK B D M JR MAHAVIDYALAYA, V NAGAR, NATAKAI PINUBALA ROUT RABINDRANATH ROUT MINATI ROUT F 444 3 160CA010 CUTTACK B D M JR MAHAVIDYALAYA, V NAGAR, NATAKAI PRIYADARSHINI SENAPATI ASWINI KUMAR SENAPATI MAMATA SENAPATI F 436 4 105CA010 CUTTACK BAHUGRAM COLLEGE, BAHUGRAM BHANUMATI SAHOO JADUMANI SAHOO SANJUKTA SAHOO F 464 5 105CA006 CUTTACK BAHUGRAM COLLEGE, BAHUGRAM RAMACHANDRA SAHOO MINAKETAN SAHOO BASANTI SAHOO M 457 6 105CA146 CUTTACK BAHUGRAM COLLEGE, BAHUGRAM MIKITA BISWAL NIRANJAN BISWAL SATYABHAMA BISWAL F 453 7 105CA002 CUTTACK BAHUGRAM COLLEGE, BAHUGRAM SUMITRA MITRA ANUP KUMAR MITRA NAMITA MITRA F 450 8 105CA035 CUTTACK BAHUGRAM COLLEGE, BAHUGRAM JYOSTNARANI MOHANTY RAJENDRA MOHANTY SANJULATA MOHANTY F 439 9 105CA022 CUTTACK BAHUGRAM COLLEGE, BAHUGRAM SUPRAVA SAHOO JACHINDRA KUMAR SAHOO NALINIPRAVA SAHOO F 438 10 162CA040 CUTTACK BAIDESWAR JR MAHAVIDYALAYA, BAIDESWAR KABITARANI BISWAL RABINDRA KUMAR BISWAL SHAILABALA BISWAL F 435 11 162CA053 CUTTACK BAIDESWAR JR MAHAVIDYALAYA, BAIDESWAR NIRANJAN PARIDA KAMADEBA PARIDA SULOCHANA PARIDA M 432 12 162CA066 CUTTACK BAIDESWAR JR MAHAVIDYALAYA, BAIDESWAR NILAMADHAB SAHOO SANTOSH KUMAR SAHOO BISHNUPRIYA SAHOO M 431 13 106CA045 CUTTACK BANKI JR COLLEGE, BANKI SWARNAPRAVA MAHANTY SARAT CHANDRA MAHANTY TUNARANI MAHANTY F 484 14 106CA029 CUTTACK BANKI JR COLLEGE, BANKI GUNANIDHI -
Odia Identity, Language and Regionalism: a Historical Perspective
IAR Journal of Humanities and Social Science ISSN Print : 2708-6259 | ISSN Online : 2708-6267 Frequency: Bi-Monthly Language: Multilingual Origin: KENYA Website : https://www.iarconsortium.org/journal-info/IARJHSS Review Article Odia Identity, Language and Regionalism: A Historical Perspective Article History Abstract: The Odisha had a rich heritage in sphere of culture, religion, politics, and economy. They could maintain the same till they came contact with outsiders. However the Received: 18.12.2020 decay in all aspects started during the British Rule. The main aim of the paper is to Revision: 03.01.2021 understand the historical development of Odia language particularly in the colonial period Accepted: 29.01.2021 which in the later time formed the separate state basing on language. The Odia who could realize at the beginning of the 20th century proved their mettle in forming the Published: 15.02.2021 Odisha province in 1936 and amalgamating Garhjat States in 1948 and 1950. Equally there Author Details are huge literature in defending the Odia language and culture by Odia and non-Odia writers Laxmipriya Palai and activists of the century. Similarly, from the beginning of the 20th century and with the growth of Odia nationalism, the Odias had to struggle for formation of Odisha with the Authors Affiliations amalgamation of Odia speaking tracts from other province and play active role in freedom P.G. Dept. of History, Berhampur University, movement. Berhampur-760007, Odisha, India Keywords: Odia, language, identity, regionalism, amalgamation, movement, culture. Corresponding Author* Laxmipriya Palai How to Cite the Article: INTRODUCTION Laxmipriya Palai (2021); Odia Identity, Language By now, we have enough literature on how there was a systematic and Regionalism: A Historical Perspective .