My Winnipeg Regie: Guy Maddin
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Redalyc.My Winnipeg La Imagen, El Lenguaje, La Memoria
Redalyc Sistema de Información Científica Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Delgado Chiaberto, Joanna; Bonilla García, Santiago My Winnipeg la imagen, el lenguaje, la memoria Revista Mexicana de Estudios Canadienses (nueva época), núm. 19, 2010, pp. 183- 190 Asociación Mexicana de Estudios sobre Canadá, A.C. Culiacán, México Disponible en: http://www.redalyc.org/src/inicio/ArtPdfRed.jsp?iCve=73920853010 Revista Mexicana de Estudios Canadienses (nueva época) ISSN (Versión impresa): 1405-8251 [email protected] Asociación Mexicana de Estudios sobre Canadá, A.C. México ¿Cómo citar? Número completo Más información del artículo Página de la revista www.redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto A la Guy MAddin Guy Maddin es distinguido y apreciado por su original re- creación de la estética del cine mudo y del primer cine sonoro. My Winnipeg Se le ha llamado el David Lynch canadiense por el carácter ex- LA IMAGEN, EL LENGUAJE, LA MEMORIA perimental y surrealista de sus trabajos. Joanna Delgado Chiaberto* y Santiago Bonilla García** This essay offers an analysis about the correspondence be- tween language, memory and image in Canadian filmmaker Guy Maddin’s film, My Winnipeg. It pretends to put on the spotlight the mechanisms, both cinematographic and discursive, that the director uses to evocate the past and to show a personal and unique vision of his native city by means of a filmic experiment. Sabemos que Guy Maddin na- santes de Canadá por sus nume- ció en Winnipeg el 28 de febre- rosas y particulares propuestas ro de 1956; que se tituló como a lo largo de los años. -
ANNUAL REPORT >> July 1, 2011 to June 30, 2012
ANNUAL REPORT >> July 1, 2011 to June 30, 2012 DIY Filmmaking for Women Workshop Participants CONTENTS Board of Directors / 2 Staff / 3 Strategic Development / 4 The Year in Review / 7 Juried Funding & Mentorship Awards / 9 Distribution around the World / 11 The Optical Printer Funders, Partners and Sponsors / 18 in the Production Centre ABOUT THE WINNIPEG FILM GROUP MISSION: The Winnipeg Film Group is an artist-run education, production, exhibition and distribution centre committed to promoting the art of cinema. VISION: The Winnipeg Film Group dares to be the Canadian vanguard in the creation and promotion of diverse cinematic forms, and to ignite a community of artistic exploration. OBJECTS: The Winnipeg Film Group was incorporated in 1974 “to encourage the production of films of a social, artistic and educational nature; to make such films; and to enhance the production and appreciation of film making.” VALUES: . ARTIST-RUN – promoting artistic excellence and achievement . DIVERSITY – reflective of our community . FILM – fostering the use and appreciation of motion picture film as an artistic medium, alongside supporting work in digital approaches . INDEPENDENCE – providing a platform of expression for a wide range of voices and approaches, supporting the filmmaker as an artistic creator . INNOVATION – fostering creativity and new directions and ideas www.gimmesometruth.ca www.winnipegcinematheque.com www.winnipegfilmgroup.com Annual Report – 2011/2012 1 BOARD OF DIRECTORS The Winnipeg Film Group’s board of directors is focused on organizational governance and oversight. As the Winnipeg Film Group is an artist-run centre, the majority of its board is made up of practicing independent filmmakers and curators. -
SISSY BOY SLAP PARTY Panorama/IFB 2005 Kurzfilm SISSY BOY SLAP PARTY SISSY BOY SLAP PARTY Regie: Guy Maddin
SISSY BOY SLAP PARTY Panorama/IFB 2005 Kurzfilm SISSY BOY SLAP PARTY SISSY BOY SLAP PARTY Regie: Guy Maddin Kanada 2004 Länge 6 Min. Format Digi Beta Farbe Stabliste Buch Guy Maddin Kamera Len Peterson Schnitt John Gurdebeke Sounddesign Russ Dyck Guy Maddin Musik Denis Frajerman The Zani Drummers Biografie Production Design Réjean Labrie Geboren am 28.2.1956 in Winnipeg. Früh- Produzenten Jody Shapiro kindliche Showbiz-Prägung nach einem Niv Fichman Huckepack-Ritt auf dem Rücken Bing Crosbys. Danach Ökonomiestudium, An- Produktion stellungen als Bankkassierer und Anstreicher. Rhombus Initiator der Winnipeg Film Group. Verfügt c/o Winnipeg Film Group seit seinen experimentellen Spielfilmen 304-100 Arthur Street TALES FROM THE GIMLI HOSPITAL und CDN-Winnipeg, Manitoba R3B 1H3 ARCHANGEL über eine stetig wachsende SISSY BOY SLAP PARTY Fangemeinde. Weltvertrieb Eine Sechs-Minuten-Studie über all das, was schief gehen kann, wenn Louis Winnipeg Film Group Biography Negin und seine Chippewa Sissy Boys versuchen, die Three Stooges mit 304-100 Arthur Street Born in Winnipeg on 28.2.1956, his fascina- Kenneth Angers Fliederbusch zu schmücken. Ursprünglich als vier Minuten CDN-Winnipeg, Manitoba R3B 1H3 tion for showbiz started in early childhood langer Kurzfilm zur traurigsten Musik der Welt geplant, hat diese längere Tel.: 204-925 34 52 after riding piggy-back on Bing Crosby’s Fax: 204-942 67 99 back. He later studied economics, and sub- Fassung Bestand als zeitloser Blick auf sehr menschliche Probleme. [email protected] sequently held down a succession of jobs, including that of bank clerk and painter and SISSY BOY SLAP PARTY Darsteller decorator. -
The Forbidden Room
© Galen Johnson The Forbidden Room Guy Maddin, Evan Johnson Producer David Christensen, Phoebe Greenberg, Penny Mancuso, A submarine in distress, a lumberjack who mysteriously appears to the Phyllis Laing. Production companies Phi Films (Montreal, crew – wasn’t he just in the dark forests of Holstein-Schleswig rescuing Canada); Buffalo Gal Pictures (Winnipeg, Canada); National the beautiful Margot from the claws of the Red Wolves? A neurosurgeon Film Board of Canada (Montreal, Quebec, Canada). Director who digs deeply into the brain of a manic patient; a murderer who pretends Guy Maddin, Evan Johnson. Screenplay Guy Maddin, Evan to be the victim of his own killings; a traumatised young woman „on the Johnson, Robert Kotyk. Director of photography Stephanie Deutsch-Kolumbianisch Express somewhere between Berlin and Bogota“; Weber-Biron, Ben Kasulke. Production design Galen Johnson. seductive skeletons, zeppelins colliding, and a hot bath that seems to have Set design Brigitte Henry, Chris Lavis, Maciek Szczerbowski. triggered the whole thing. Guy Maddin’s rampant, anarchic film, co-directed Costume Elodie Mard, Yso South, Julie Charland. Sound Simon by Evan Johnson, resembles an apparently chaotic, yet always significant Plouffe, David Rose, John Gurdebeke, Vincent Riendeau, Gavin eroto-claustrophobic nightmare that never seems to want to end, in which Fernandes. Editor John Gurdebeke. the plot, characters and locations constantly flow into one another in truly With Roy Dupuis, Clara Furey, Louis Negin, Céline Bonnier, enigmatic style. The countless fantastic plotlines are structured like the Karine Vanasse, Caroline Dhavernas, Paul Ahmarani, Mathieu intertwined arms of a spiral nebula – all of them inspired by real, imagi- Amalric, Udo Kier, Maria de Medeiros, Charlotte Rampling, nary and photographic memories of films from the silent era now lost, to Geraldine Chaplin. -
32E FESTIVAL INTERNATIONAL DU FILM DE LA ROCHELLE 25 JUIN – 5 JUILLET 2004
32e FESTIVAL INTERNATIONAL DU FILM DE LA ROCHELLE 25 JUIN – 5 JUILLET 2004 PRÉSIDENT Jacques Chavier DÉLÉGUÉE GÉNÉRALE Prune Engler DIRECTION ARTISTIQUE Prune Engler Sylvie Pras assistées de Sophie Mirouze ADMINISTRATION Arnaud Dumatin CHARGÉ DE MISSION LA ROCHELLE Stéphane Le Garff assisté d’Aurélie Morand CHARGÉ DE MISSION CHINE Feng Xu DIRECTION TECHNIQUE Pierre-Jean Bouyer COMPTABILITÉ Monique Savinaud PRESSE matilde incerti assistée de Hervé Dupont PROGRAMMATION VIDÉO en partenariat avec Transat Vidéo Brent Klinkum PUBLICATIONS Anne Berrou Caroline Maleville assistées d’Armelle Bayou MAQUETTE Olivier Dechaud TRADUCTIONS Brent Klinkum SITE INTERNET Nicolas Le Thierry d’Ennequin AFFICHE DU FESTIVAL Stanislas Bouvier PHOTOGRAPHIES Régis d’Audeville HÉBERGEMENT Aurélie Morand STAGIAIRES Clara de Margerie Marion Ducamp Cécile Teuma BUREAU DU FESTIVAL (PARIS) 16 rue Saint-Sabin 75011 Paris Tél. : 01 48 06 16 66 Fax : 01 48 06 15 40 Email : [email protected] Site internet : www.festival-larochelle.org BUREAU DU FESTIVAL (LA ROCHELLE) Tél. et Fax : 05 46 52 28 96 Email : [email protected] Avec la collaboration de toute l’équipe de La Coursive, Scène Nationale La Rochelle L’année dernière à La Rochelle Anja Breien Hommage Serge Bromberg Retour de flamme Régis d’Audeville 2 Photographies Luis Ortega La Caja negra Jacques Baratier Rien voilà l’ordre Djamila Sahraoui Algérie, la vie quand même et Algérie, la vie toujours L’année dernière à La Rochelle Gilles Marchand Qui a tué Bambi ? Nicolas Philibert Hommage, et les -
Programme De Salle
GUY MADDIN LE MAGICIEN DE WINNIPEG 15 OCTOBRE-7 NOVEMBRE 2009 SOMMAIRE • Guy Maddin, le magicien de Winnipeg, p.1 • Nos rêves nous regardent, par Philippe Azoury, p. 3 • Séances présentées par Guy Maddin et Isabella Rossellini, p. 6 • La leçon de… Guy Maddin menée par Antoine Guillot, p. 7 • Représentation de Des trous dans la tête ! à l’ Odéon-Théâtre de l’Europe dans le cadre du Festival d’Automne à Paris, p. 8 • Les longs métrages, p. 10 • Les courts métrages, p. 17 • Index alphabétique des films, p. 22 • Calendrier des séances, p. 23 Couverture Tales From the Gimli Hospital, 1988, DR © Centre Pompidou, Direction de la communication, Conception graphique : Ch. Beneyton - Impression : Iro, Perigny, 2009 GUY MADDIN LE MAGICIEN DE WINNIPEG 15 OCTOBRE - 7 NOVEMBRE 2009 AU CENTRE POMPIDOU CINÉMA 1 ET CINÉMA 2 Rétrospective intégrale en présence de Guy Maddin, les 15, 16 et 17 octobre Cinéaste-artisan, génial bricoleur d’images, Guy Maddin doit surtout être considéré comme un artiste complet à l’insatiable curiosité qui, depuis plus de vingt ans, réinvente l’histoire du cinéma pour écrire la sienne, hors du temps et des modes. Son œuvre, éclairée par les mouvements expressionnistes, formée à l’art de la danse, rythmée par celui du collage, colorée d’un kitsch chatoyant, déploie ses influences à foison. Maddin revient toujours à l’essence de l’art cinématographique, à ses récits mythiques au long cours, en même temps qu’à la façon dont la pellicule imprime et surimprime nos fantasmes fondateurs les plus intimes, avec un talent d’alchimiste. -
Guy Maddin Produced by Vonnie Von Helmolt Film Running Time: 76 Minutes
Domino Film and The Canadian Broadcasting Corporation Present PAGES FROM A VIRGIN’S DIARY a film by Guy Maddin produced by Vonnie Von Helmolt Film running time: 76 minutes For further information, contact: Jeanne Ritter (514) 484-0446 [email protected] DOMINO FILM AND TELEVISION INTERNATIONAL LTD. 4002 Grey Ave., Montréal, QC, H4A 3P1 Canada Tel: (514) 484-0446 • Fax: (514) 484-0468 [email protected] • www.dominofilm.ca PAGES FROM A VIRGIN’S DIARY a film by Guy Maddin produced by Vonnie Von Helmolt Film in association with the Canadian Broadcasting Corporation feature film, black & white, 76 minutes, 2002 SYNOPSIS Guy Maddin’s DRACULA: PAGES FROM A VIRGIN’S DIARY combines avant- garde silent cinema and stunning choreography in this extravagant retelling of Bram Stoker’s original tale. The latest Dracula incarnation is a darkly humorous exploration of dread and desire, repressed sexuality and male jealousy. Based on Mark Godden’s acclaimed Royal Winnipeg Ballet production, DRACULA is shot in dramatic black & white, with splashes of bold colour, and set to the epic music of Gustav Mahler. DOMINO FILM AND TELEVISION INTERNATIONAL LTD. 4002 Grey Ave., Montréal, QC, H4A 3P1 Canada Tel: (514) 484-0446 • Fax: (514) 484-0468 [email protected] • www.dominofilm.ca Guy Maddin Director Guy Maddin’s body of work is as beautiful as it is confounding and delirious. He incorporates the language of past cinema, with which he is most intimately familiar from his countless hours of film viewing, and combines this with a pre-cinematic sensibility learned from the books he voraciously devours. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit „The Otherness of Canadian Cinema: the Surreal in Guy Maddin’s My Winnipeg“ Verfasser Klaus Tscherner angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 190 344 445 Studienrichtung lt. Studienblatt: UF Englisch UF Biologie und Umweltkunde Betreuer: Univ.-Prof. Dr. Waldemar Zacharasiewicz Table of Contents Hypothesis............................................................................................................................................ 3 1. Introduction: what is Canadian film?............................................................................................... 4 2. Canadian cinema as a cinema of otherness...................................................................................... 9 2.1 Atom Egoyan and David Cronenberg .................................................................................... 11 2.2 Canadian Film and its ambiguous relationship to Genre film and Hollywood............................18 2.3 Canadian Film Policies .......................................................................................................... 28 2.3.1 Documentary: the National Film Board of Canada ................................................... .....28 2.3.2 Feature Film.....................................................................................................................33 2.4 The effects of Canadian film policies.................................................................................... -
Production Archive Project Director Casting Start
PRODUCTION ARCHIVE PROJECT DIRECTOR CASTING START DATE END DATE BG 2019 SEANCE (Feature - Buffalo Gal) Simon Barrett Carmen Kotyk 11/20/19 12/19/19 SECRET INGREDIENT (MOW - Hallmark) Tibor Takacs Carmen Kotyk 12/01/19 12/19/19 NOBODY (Feature – Universal) Ilya Naishuller Carmen Kotyk 10/15/19 12/03/19 NEW YEAR, NEW ME (MOW – Hallmark) Lesley Demetriades Jim Heber 10/20/19 11/09/19 TALES FROM THE HOOD 3 (Feature – Rusty Cundieff and Carmen Kotyk 10/07/19 11/01/19 Universal) Darin Scott James Genn; Kelly BURDEN OF TRUTH 3 (TV series – CBC) Makin; Sherry White; Jim Heber 08/07/19 10/27/19 Doug Mitchell HUNTER, HUNTER (Feature – MarVista) Shawn Linden Jim Heber 09/30/19 10/26/19 CHRISTMAS LOVE SONG (MOW – Gary Yates Jim Heber 09/15/19 10/03/19 Hallmark) LOVE AT DAISY HILLS (MOW – MarVista) Sean Garrity Carmen Kotyk 09/16/19 10/04/19 CHRISTMAS AT THE PLAZA (MOW – Ron Oliver Carmen Kotyk 09/08/19 09/23/19 Hallmark) FOREVER CHRISTMAS (MOW – Lifetime) Siobhan Devine Jim Heber 08/12/19 08/30/19 SUDDEN DEATH 2 (Feature – Universal) Dallas Jackson Carmen Kotyk 08/06/19 09/14/19 Benjamin Hayden THE FIRST ENCOUNTER (Feature) Tanya Brunel 07/15/19 08/12/19 Ross TALES FROM THE LOOP (Series – Mark Romanek Carmen Kotyk 03/21/19 07/31/19 Amazon) FLAG DAY (Feature – Buffalo Gal Sean Penn Carmen Kotyk 06/03/19 07/29/19 Pictures) THE CHRISTMAS CLUB (MOW – Jeff Beesley Carmen Kotyk 07/08/19 07/25/19 Hallmark) MY ONE & ONLY (MOW – Hallmark) Gary Yates Jim Heber 07/07/19 07/25/19 TWO TURTLE DOVES (MOW – Hallmark) Lesley Demetriades Jim Heber 06/03/19 06/20/19 CHRISTMAS IN VERMONT (MOW – Jeff Beesley Jim Heber 06/01/19 06/19/19 Lifetime) MERRY & BRIGHT (MOW – Hallmark) Gary Yates Jim Heber 04/29/19 05/17/19 CINEMA OF SLEEP (Feature – Inferno Jeff St. -
Moje Winnipeg (My Winnipeg)
MOJE WINNIPEG (MY WINNIPEG) W KINACH OD 2 PA ŹDZIERNIKA 2009 DYSTRYBUCJA W POLSCE ul. Zamenhofa 1, 00-153 Warszawa tel.: (+4822) 536 92 00, fax: (+4822) 635 20 01 e-mail: [email protected] http://www.gutekfilm.com.pl MOJE WINNIPEG re żyseria Guy Maddin scenariusz Guy Maddin, George Toles zdj ęcia Jody Shapiro monta ż John Gurdebeke dźwi ęk David Rose, David McCallum, Martin Lee, Marvin Polanski kostiumy Meg Mcmillan scenografia Réjean Labie, Alexis Labra Katharina Stieffenhofer Bill McInnis, Chad Giesbrecht John Jennissen wyst ępuj ą Darcy Fehr jako Guy Maddin Ann Savage jako Matka Amy Stewart jako Janet Maddin Louis Negin jako Major Cornish Wesley Cade jako Ross Maddin Jennifer Palichuk jako Althea Cornish producent wykonawczy Michael Burns Producenci: Guy Maddin, Jody Shapiro, Phyllis Laing film wyprodukowany przez MAXIMUM FILMS The Documentary Channel koprodukcja The Canadian Television Fund Manitoba Film and Sound nagrody MFF Toronto 2007 – nagroda dla najlepszego filmu kanadyjskiego Kanada rok produkcji: 2007 czas trwania: 80 min. Jeden z najoryginalniejszych i najbardziej szalonych filmów ubiegłego roku. Pełna ekscentrycznego humoru podró ż do Winnipeg, rodzinnego miasta wielkiego kanadyjskiego re żysera. „Moje Winnipeg” to dokumentalna fantazja Guya Madina, kanadyjskiego twórcy znanego polskiej publiczno ści z festiwalu Era Nowe Horyzonty (w ramach tegorocznej, 9. edycji odbyła si ę retrospektywa jego twórczo ści a re żyser był go ściem festiwalu). Maddin w swoich obrazach zaciera granice między jaw ą a snem. Fascynuj ą go rodzinne miasto Winnipeg, nieme kino, kicz, surrealizm, gotyckie powie ści grozy, historie rodzinne i własne, pełne traum, dzieci ństwo. Ł ącz ąc wszystkie te elementy i dodaj ąc do nich wyj ątkowe poczucie humoru, stworzył niepowtarzalny styl. -
Producer Profiles
Producer Profiles 73 74 Producer Profiles Production Companies Vanessa Loewen Meghan Duffy Animiki See Digital Vanessa Loewen Black Watch Entertainment Meghan Duffy Production Inc. Manager of Production Established in 2010 President 204.688.7259 Established in 2008 Cell: [email protected] [email protected] Black Watch Entertainment is Current Projects: Black and White; Animiki See Digital Production Current Projects: Fit First Season 3; a service production company Cause for a Cure; The Good Cop produces Aboriginal television 1491 specializing in television Past Projects: Winnipeg Direct; The and digital media content Past Projects: Cashing In; Breaking production and creative Taking of Marty; Meghan’s Meal of the including interactive and New Beats; Fit First; Aboriginal Day producing. Meghan Duffy, Morning alternative multiplatform Live; Tiga Talk! president of Black Watch content. They create content Entertainment, has worked on through domestic and shows such as Dragon’s Den, international co-production Entertainment Tonight Canada, treaties and partnerships. CTV Morning Live and Breakfast Animiki See is a leading Television. Meghan Duffy provider of Aboriginal content works as a creative producer for television, the Internet and and television host bringing other alternative content delivery great content to the Canadian network services. television scene. 211- 323 Portage Avenue Tel: 204.899.2599 Winnipeg, MB R3B 2C1 Fax: 204.221.4750 Tel: 204.926.3128 ext 1 Fax: 204.989.2349 TF: 877.733.0999 TTY: 888.371.7659 aninikisee.ca 75 Production Companies Dino Schiavone BlinkWorks Media Lisanne Pajot & James Swirsky Bright Eyes and Ears Films Dino Schiavone Established in 2003 Producers Inc. (BEEF Inc.) Producer / Director 204.293.4164 Established in 1986 Tel: BlinkWorks is an innovative, Current Projects: Indie Game: The [email protected] award-winning production Movie, feature documentary Bright Eyes and Ears Films company that makes feature Past Projects: Grow Dammit!, TV Inc. -
The Year Dolly Parton Was My Mom
Mongrel Media Presents THE YEAR DOLLY PARTON WAS MY MOM A Film by Tara Johns (95min., Canada, 2011) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html GENERAL INFO SYNOPSIS It’s 1976 and Elizabeth is just your average suburban 11-year-old praying for adolescence to arrive when she discovers her whole life has been a lie. With only her imagination to guide her, Elizabeth runs away in search of her true identity. Her adoptive mother Marion is then forced to break out of the carefully constructed “truth” she’s been clinging to and go after her daughter. This leads to a cathartic cross- country trek by a mother searching for a daughter who’s searching for a mother – both of them really searching for themselves…. The Year Dolly Parton Was My Mom is a poignant, sometimes funny, very female, coming of age story that explores the tension between creating identity and finding it within… CHARACTER DESCRIPTIONS Elizabeth Gray Flat as the prairies with no change on the horizon, 11 year-old Elizabeth Alison Gray is officially in developmental distress. Adding to that is the knowledge that she’s already spent more than a decade on this planet and still has not discovered what – if anything – she has to contribute to it.