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Classic Albums: the Berlin/Germany Edition
Course Title Classic Albums: The Berlin/Germany Edition Course Number REMU-UT 9817 D01 Spring 2019 Syllabus last updated on: 23-Dec-2018 Lecturer Contact Information Course Details Wednesdays, 6:15pm to 7:30pm (14 weeks) Location NYU Berlin Academic Center, Room BLAC 101 Prerequisites No pre-requisites Units earned 2 credits Course Description A classic album is one that has been deemed by many —or even just a select influential few — as a standard bearer within or without its genre. In this class—a companion to the Classic Albums class offered in New York—we will look and listen at a selection of classic albums recorded in Berlin, or recorded in Germany more broadly, and how the city/country shaped them – from David Bowie's famous Berlin trilogy from 1977 – 79 to Ricardo Villalobos' minimal house masterpiece Alcachofa. We will deconstruct the music and production of these albums, putting them in full social and political context and exploring the range of reasons why they have garnered classic status. Artists, producers and engineers involved in the making of these albums will be invited to discuss their seminal works with the students. Along the way we will also consider the history of German electronic music. We will particularly look at how electronic music developed in Germany before the advent of house and techno in the late 1980s as well as the arrival of Techno, a new musical movement, and new technology in Berlin and Germany in the turbulent years after the Fall of the Berlin Wall in 1989, up to the present. -
An Oral History of Berlin Minimal Techno
Menu Search Red Bull Music Academy Daily An Oral History of Berlin Minimal Techno A look back at the stripped-down subgenre that defined the German capital from 1998-2008 September 7, 2018 By Joshua Glazer In 1998, the rave scene that gripped Germany after reunification was at its apex. What had started in the literal underground spaces of post-GDR Berlin after the fall of the Wall had gone mainstream, with millions of young people celebrating the colorful culture of electronic dance music all across the country. But the techno utopia envisioned by many as the new millenium approached was already starting to come undone. The trend was swiftly co-opted – ironically, by some of the same capitalist forces that had defeated the communist system a decade earlier. The bubble soon burst, and many of those truly dedicated to the music were forced to rebuild. The result was something that was the opposite of rave’s over-the- top excess, a movement that idealized a minimalist aesthetic in sound, visuals and fashion. It was a lifestyle that resisted the unbridled exuberance of rave in favor of something more sustainable – and sustain it did, with tracks that filled whole sides of vinyl and parties that went on for days at a time. Berlin became the center for this new creative community, drawing in techno practitioners and aficionados from around the world who came for the party and stayed for the ease of living made possible by cheap rents and easy access to artist visas. “Minimal” became the buzzword around this scene, and while overindulgences were aplenty in freewheeling afterhours, the “arm, aber sexy” (poor but sexy) slogan coined by then-mayor Klaus Wowereit could not have been a more accurate appraisal of Berlin’s appeal. -
Queens' College Record 2009
QUEENS’ COLLEGE RECORD • 2009 Queens’ College Record 2009 The Queens’ College Record 2009 Table of Contents 2 The Fellowship (March 2009) The Sporting Record 38 Captains of the Clubs 4 From the President 38 Reports from the Sports Clubs The Society The Student Record 5 The Fellows in 2008 44 The Students 2008 9 Retirement of Professor John Tiley 44 Admissions 9 Book Review 45 Director of Music 10 Thomae Smithi Academia 45 Dancer in Residence 10 Douglas Parmée, Fellow 1947–2008 46 Around the World and Back: A Hawk-Eye View 11 The Very Revd Professor Henry Chadwick 47 On the Hunt for the Cave of Euripides Fellow 1946–59, Honorary Fellow 1959–2008 48 Five Weeks in Japan 13 Richard Hickox, Honorary Fellow 1996–2008 49 Does Anyone Know the Way to Mongolia? 50 South Korea – As Diverse as its Kimchi 14 The Staff 51 Losing the Granola 52 Streetbite 2008 The Buildings 52 Distinctions and Awards 15 The Fabric 2008 54 Reports from the Clubs and Societies 16 The Chapel The Academic Record 62 Learning to Find Our Way Through Economic Turmoil 18 The Libraries 64 War in Academia 19 Newly-Identified Miniatures from the Old Library The Development Record 23 The Gardens 66 Donors to Queens’ 2008 The Historical Record The Alumni Record 24 1209 And All That 69 Alumni Association AGM 26 A Bohemian Mystery 69 News of Members 29 Robert Plumptre – 18th-Century President of Queens’ 80 The 2002 Matriculation Year and Servant of the House of Yorke 81 Deaths 33 Abraham v Abraham 82 Obituaries 37 Head of the River 1968 88 Forthcoming Alumni Events The front cover photograph shows the Martyrdom of St Lucy from a miniature attributed to Pacino di Bonaguida, from the Old Library. -
Clouds Above Berlin
Arts HOusE, ANTONY HamiltON & MElaNIE LANE PRESENT ANTONY HamILTON & MELanIE LanE C l O u d s AbOve Berlin Black Project 1 has been supported by Tilted Fawn explores the relationship Lucy Guerin Inc. and the Tanja Liedtke Foundation between sound, objects and the body. ARTS HOUSE Tilted Fawn has been supported by Programm A visual sound installation constructed NORTH MELBOURNE TOWN HALL Kultur, Looping and Lucy Guerin Inc. with an orchestra of tape machines, objects WEd 7 – SUN 11 MAR 2012 Clouds Above Berlin has been supported by and choreography propels a lone dancer Post-show Q&A: Thu 8 the City of Melbourne through Arts House through landscapes that are at times stark, Image: courtesy Antony Hamilton Projects melancholic, dark and mythical. DURATION: 90 minutes, including Melanie Lane 15 minute interval “…the choreography, light, sound ABOUT BLacK PROJECT 1 and visuals come together as an The concept for Black Project 1 initially CAST/CREATIVE expressive totality, which impresses came as a response to a previous work I had created called Blazeblue Oneline. In Tilted Fawn with its dynamism and produces Choreography/Concept/Performer: that work I was attempting to transform an an evening of thrills.” Melanie Lane environment through physical actions such tanzpresse.de (on Melanie Lane’s Tilted Fawn) as graffiti, leaving unique visual artefacts in Sound Composition and Installation: the space. Chris Clark “…an hypnotic mass of overlapping Artistic Collaboration: Morgan Belenguer motion which blurred the lines In Black Project 1 I wanted to move Dramaturgy: Bart van der Eynde between the organic and the away from the influence of sub-cultural Costume/Props: Melanie Lane mechanical…technically sophisticated iconography to arrive at something Lighting Design: Max Stelzl and visually complex.” more subjectively spacious, less easily categorised, and driven by the Black Project 1 RealTime (on Antony Hamilton’s The Counting) subconscious. -
Favorable IRS Ruling to Move Swimming Pool Project Into High Gear
Favorable IRS ruling to move swimming pool project into high gear Prospects for the Cass City While final closing of the authorities have said another never collected. yet available. municipal swimming pool estate could take from six to update will be needed before The deadlock with the IRS. took a giant step forward last nine months, Keating indi- construction can begin, was revealed to the public in He said it is unclear how week when Robert H, Keating cated funds can start flowing How the village will make a story detailing problems long all of this will take, but announced that the Stevens to the village to begin work on up the difference in the estate with the estate settlement in he added that it's entirely estate, which will fund the the pool. gift and actual cost is still to the June 5 edition of the possible construction of the lion's share of construction, The ruling comes following be decided, although it's Chronicle. pool can begin yet this year. has been declared non-tax- several meetings with IRS likely voters will be asked to Subsequently, State Sen. "The project still must be able. officials in Detroit and ends approve a special millage Alvin J. DeGrow and U.S. cleared with state authorities the possibility that the estate request in order to complete Rep. J. Bob Traxler (D-Bay and obviously bidders need Keating' received word time to consider the project Wednesday, July 2, from could have been hit for over the project. City), exerted pressure on $58,000 in interest and penal- before making a bid," he Internal Revenue Service The pool has been on village IRS authorities to grant the said. -
Gestreamt Alle Konzerte Werden Auch Vom 28
XX › AUSBLICK II . W WEIMARER FRÜHJAHRSTAGE FÜR R EIM EIMARE ZEITGENÖSSISCHE MUSIK 2022 W A RER F FRÜHJ BIS AI RÜHJ AHRSTAGE 26. 29. M 2022 A HRST FÜR A E GE ZEITGENÖSSISCH F ÜR ÜR WEITERE NFORMATIONEN ZEITGENÖSSISCHE US K › F I M I PROGRAMM WWW VIA NOVA EV DE . - - . M USIK 2021 21.-25. Mai 2021 gestreamt Alle Konzerte werden auch vom 28. bis 31. Mai auf unserem Youtube-Kanal gestreamt › AUSBLICK WEIMARER FRÜHJAHRSTAGE FÜR ZEITGENÖSSISCHE MUSIK 2022 26. BIS 29. MAI 2022 › FÜR WEITERE INFORMATIONEN WWW.VIA-NOVA-EV.DE 22. Weimarer Frühjahrstage für zeitgenössische Musik Begrüßung 2 Programm 7 Freitag, 21. Mai 2021 | 19:00h | mon ami (Großer Saal) MIET+ Sonnabend, 22. Mai 2021 | 19:00h | mon ami (Großer Saal) Asian Art Ensemble Sonnabend, 22. Mai 2021 | 21:00h | mon ami (Großer Saal) Preisträgerkonzert für Akusmatik VERSCHOBEN auf September Sonntag, 23. Mai 2021 | 19:00h | mon ami (Großer Saal) Asian Art Ensemble – ensemble via nova – MIET+ Sonntag, 23. Mai 2021 | 21:00h | mon ami (Großer Saal) ensemble via nova Montag, 24. Mai 2021 l 19:00h | mon ami (Großer Saal) Preisträgerkonzert Solokomposition Moritz Schneidewendt – Maria Löschner – Wu Wei Plan B - Das andere Festival Förderer & Partner 14 Kompositionswettbewerbe 15 Finalisten 16 Interpreten 23 Komponisten 32 Veranstalter 53 22 Jahre Weimarer Frühjahrstage 2154 Impressum & Bildnachweis 2860 BEGRÜSSUNG Johannes K. Hildebrandt Intendant Liebe Festivalgäste, 2 es war klar, dass uns auch in diesem Jahr die Pandemie weiter beschäftigt. Dennoch war die Hoffnung da, dass wir wieder ein größeres Publikum live erreichen können. Jetzt, wo ich dieses Grußwort schreibe, weiß ich noch nicht, wie die Situation zu Pfingsten sein wird. -
October 2011
Samstag 22.10.2011 Start 24 Uhr Klubnacht Berghain OKTOBER 2011 The Black Dog LIVE soma Surgeon dynamic tension Xhin stroboscopic artefacts Ryan Elliott ostgut ton Boris ostgut ton Samstag 01.10.2011 Start 24 Uhr Klubnacht Berghain > Henrik Schwarz LIVE TR-101 LIVE DVS1 Ben Klock Sigha Fiedel Panorama Bar – Pokerflat is back... Panorama Bar > Innervisions Âme LIVE Dixon Osunlade Marcus Worgull Freitag 14.10.2011 Start 24 Uhr RA X Dan Berkson & James What LIVE Steve Bug Alex Niggeman Clé SONNTAGS: Henrik Schwarz LIVE Prins Thomas Panorama Bar SUNDAY IS UPON YOU: Marco Carola m_nus Markus Meinhardt upon you nd_baumecker Gerd Janson Dixon X secret artist Ribn LIVE mild pitch Marco Resmann upon you Fabiano & Gunnar Stiller upon you Danny Howells dig deeper Jef K silver network Solomun diynamic Sonntag 02.10.2011 Start 22 Uhr Smegma The Black Dog war immer schon ein Wesen mit zwei Gesichtern. Auf ihren Platten sind sie Kantine > Boris Innen + Aussen Dj-TEAm Raufen + Saufen Dj-TEAm Khan Samstag 08.10.2011 Start 24 Uhr Klubnacht Zehn Jahre Resident Advisor, die Internetplattform für alle Partynerds, Clubkultur-Turteltäub- bekannt für ihre Subtilität, ihren emotionalen wie intellektuellen Reichtum, der zwischen UK chen, Discogs-Referendare und sonstige Tagediebe. Das Konzept ihrer weltweit ausgetra- Electronica und klassischen Ambient changiert, als Live Act im Club liefern sie aber puri- Freitag 07.10.2011 Start 24 Uhr Berghain – Prologue Nacht genen Feierlichkeiten ist so einfach wie bestechend: ein geheim gehaltener Künstler, nennen stischen -
Tillery, Esoulate — — Im Anschluss: PATTERNS of SOUND PRES
№ 3 Die Fotos stellt uns farbsucht.de zur Verfügung. Vielen Dank :) Die Fotos stellt uns farbsucht.de zur Verfügung. Vielen Dank :) Die Fotos stellt uns farbsucht.de zur Verfügung. Vielen Dank :) Die Fotos stellt uns farbsucht.de zur Verfügung. Vielen Dank :) Die Fotos stellt uns farbsucht.de zur Verfügung. Vielen Dank :) Die Fotos stellt uns farbsucht.de zur Verfügung. Vielen Dank :) Fr 19:30 bzw. 24:00 02. LIVELYRIX POETRY SLAM 11. +PATTERNS OF SOUND Martin Geier, Josefine Berkholz, Rebekka Lenz, u.v.m. Music by: DJ Rukey, E-Mantra, Mongoose & Meehal u.a. Sa 23:00 03. MINDCOOKIES 11. MEETS SYNTAX Roman Flügel, Paul Birken LIVE, Lars-Christian Müller, Steve K, Georg Bigalke Fr 23:00 09. C:\SCHEMA_F >CYAN.EXE Ruby my Dear, Ashtar-DXD, Detest LIVE, 11. Rote Rakete, Das Zirkuskind Sa 23:00 10. VORNE LANG, 11. HINTEN KURZ Acid Pauli, Nu, Subʞutan, Vincent Neumann Fr 23:00 16. CARIBBEAN NICE UP! 11. GETS MAD AGAIN! Herbalize It, DJ Beatzeps, Mr. Dagga, Chabwera Banda, Sencha, Pablo Gunzales Sa 23:00 17. DREIKOMMANULL Paul Woolford, Kleinschmager Audio, Mentell, 11. Nikolas Sternberg, Daniel Sailer, Rekorder Di 23:00 20. 9 JAHRE IT’S YOURS! Dub Phizix, MC Strategy, Conscious:mind, Audite, 11. J.SN, Booga, Porpoise, Dubstep Newcomer Wettbewerb Gewinner Fr 23:00 23. STYLE WILD Dudley Perkins aka Declaime, Georgia Anne Muldrow, 11. DJ Romes, Spitainment & Resistant Mindz Allstars Sa 23:00 24. AUDIOINVASION 11. AFTERHSHOW Dürerstuben, Daniel Stefanik, Philipp Matalla, Dilivius Lenni, Feenstaub Fr 21:00 (Einlass) / 22:00 Start Konzert 30. ANALOGSOUL 11. ALBUM RELEASE Klinke auf Cinch, Petula, Micronaut, DJ Rukey Sa SA. -
24 June – 3 July | State Theatre Centre of WA
STATE 24 June – 3 July | State Theatre Centre of WA Artistic Director: Aurélien Scannella Air and Other Invisible Forces Choreographer: Graeme Murphy Creative Associate: Janet Vernon Staging Directors: Bradley Chatfield & Catherine Goss Set Designer: Gerard Manion Costume Designer: Akira Isogawa Lighting Designer: Damien Cooper Composer: Giya Kancheli Slow Haunt Choreographer: Melanie Lane Costume Designer: Akira Isogawa Lighting Designer: Damien Cooper Composer: Chris Clark Graeme Murphy Choreographer – Air and Other Invisible Forces Graeme Murphy was born in Melbourne and studied at The Australian Ballet School. He has danced with The Australian Ballet, Sadler’s Wells Ballet (London) and Ballets Félix Blaska (France). In 1976 he was appointed Artistic Director of Sydney Dance Company (then known as The Dance Company NSW), a position he held until 2007. During his 31-year tenure, he created more than 50 works, including 30 full-length productions. Murphy received an AM (Member of the Order of Australia) in 1982 for his Services to Dance and three honorary doctorates – Hon. D. Lit. Tas (1990), Hon. D. Phil. Qld (1992) and Hon. D. Lit. UNSW (1999). He was honoured at the Inaugural Sydney Opera House Honours in 1993 and named a National Living Treasure in 1999 by the National Trust of Australia. He has received a Helpmann Award for Best Choreography, Body of Work – a Retrospective (2001); the prestigious James Cassius Award (2002); the Green Room Award for Concept and Realisation, Swan Lake (2003); a Centenary Medal (2003); named Cultural Leader of the Year by the Australian Business Arts Foundation, receiving the Dame Elisabeth Murdoch Award (2004) and was listed among Australia’s 50 Most Glamorous Exports at a special celebration hosted by the Australian Government and Austrade (2005). -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Nightdance Melanie Lane
Presented by Arts House Nightdance A Melanie Lane Image: Jody Hutchinson H S 7.30pm, Thu 24 – Sat 26 Aug 2pm, Sat 26 Aug 3pm, Sun 27 Aug 60 mins 2 artshouse.com.au Creative Team Artist Statement Choreographer/Director: Nightdance is a project that has I am drawn to these spaces because Melanie Lane Co-Creation/Performance: evolved after having realised that they are full of bodies that are Lilian Steiner, Gregory my dancing body had spent much of performing, dancing and watching Lorenzutti, Melanie Lane its history jiving in clubs at night, each other. Realms where we Guest Artists/Coaches: Holly Durant, Benjamin and that I had shared this experience simultaneously become an actor and Hancock, Lily Paskas, Ryan with so many other bodies, both audience. A primal ritual that has Ritchie, Lauren Runge, friends and strangers. I became been cultivated across a global Sidney Saayman Costume: interested in this collective spirit culture and has potential to speak Melanie Lane and the social spaces that are about the very human longing for Costume (Guest Artists): designed to stimulate our emotions connection, seduction and Benjamin Hancock, Ryan Ritchie, Sidney Saayman and senses. transformation. Sound Design & Composition: Chris Clark Nightdance speaks about the The forms of entertainment that are Lighting Designer & Production Manager: experiential consumption and spatial alive in these spaces reflect our Ben ‘Bosco’ Shaw practices that are shared in night human desires and fantasies, and Technical Advisor: club environments and the potential the entertainers themselves are Robin Fox Producer: for temporary identities to manifest, masterfully armed with the tools and Freya Waterson beyond what we know of ourselves. -
Mi 09. – So 27.08.2017 1
INTERNATIONALES SOMMERFESTIVAL 09.-27.08.2017 KAMPNAGEL.DE MIT SICHERHEIT UNSICHER MI 09. – SO 27.08.2017 MI 09. – SO 27.08.2017 JETZT WÄHLEN: LIEBE GÄSTE, an dieser Stelle haben wir in den vergangenen Jahren ge- schrieben über: Grenzüberschreitung, Widerstand und En- tertainment in Zeiten von Krieg und Terror. 2017 ist an- + THEATER ders, weil das Noise-Level noch mal gestiegen ist. Und wir ein Festival sind, das sich weniger mit dem Drama der Vergangenheit und mehr mit dem Theater der Gegen- + TANZ wart auseinandersetzt. Das ist beleuchtet von digitalem Stroboskoplicht, die Augen tun weh und der Kopf brennt. Was tun? Wie reagieren auf eine Welt, in der politische + MUSIK Realität und mediale Fiktion verschwimmen? Wenn Politik zur großen Aufmerksamkeits-Show mit einfachen Slogans + FILM wird, und der Präsident der USA mit digitaler Hilfe direkt aus dem Trash TV-Format „The Apprentice“ ins Oval Office kommt, um die Demokratie mit Twitter-Feeds zu + PERFORMANCE penetrieren – was heißt das für die Kunst? Wir gehen da erstmal selbstbewusst ran und sagen: Das Spiel mit der Realität ist besser bei uns in der Kunst + BILDENDE KUNST als in der Politik aufgehoben. Und je lauter die Realität uns anbrüllt, desto bunter und vielfältiger werden wir, set- zen auf Differenzierung und variieren die Perspektiven, + THEORIE Formen, Ästhetiken, Lautstärken und Orte. Damit diese flirrende Stimmen-Vielfalt einen Song ergibt, der die Mas- sen zum Tanzen bringt, ist das Festival Programm dicht komponiert – und so sehen die Motive und Verbindungen der einzelnen Teile aus: Unser Spiel mit dem Jetzt beginnt im Superwahljahr mit einer Kampagne um unseren Spitzenkandidaten Juan Dominguez (siehe Cover), der als Künstler drei Wochen lang das Festival und den Garten mit klandestinen Perfor- terfeingeist Mariano Pensotti und befragt die Ideale der mance-Aktionen (S.