DOCSLIB.ORG

§ If§P$ Pflfffffsfljfjif Hull E&Slr31i Sspbhai Rihsiii&Iuii

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
§ If§P$ Pflfffffsfljfjif Hull E&Slr31i Sspbhai Rihsiii&Iuii 2E£dLJ[H-lnSiJLJ 'SHE :W-; -iJ-f •»'" //!/ &r , -$? si i\\w\K * c; i h^i ) '/' / S; •/ I^MWTKV^ mm § if§P$ PflfffffSfljfjif Hull E&Slr31i SspBHai RiHSiii&iuii "&M%m BK^MiBlfflHB •'••'•'.•.''•••-.:- •' : :.:-i^f-^:^/l,-:,^. • : •,.$tfj&v-: ••..•'^••.•••^•.•'•••- -• ,-•:-:-':• • • ••<:•-.,::.• , .•••>••-..>...•• •••••':••••••• >'v->'''.-V:V^*^V;;-,:-ys;^/v.;. .:r- ': fe'Siv^ . •: .>.•=• ;.,;,r: #;3ftvV;^ MHIIIIS THE RECORD 1927 TEMPLE > BfNTAL-,- V,,'» U3f?Af?y 3223 H. ' jTzr*) Inzri 1 /^•-^N 1 ' SUilral ow jraflrallrallrallra^ Iteff ]W Its] Il-Sjl rTFi)ITU rp^i THE SENIOR CLASS ygl of the ||7u]| Philadelphia Dental College takes pleasure in presenting this Record of 1927 n SIXTY-FIFTH |||j CLASS frSrl 15 School of Dentistry Temple University 1 J r-1 f I jr-i f 111 r~il 11 r~*~t I i i r~i 1 i""" '! 11 j PH I r~~l J nri I rjL. 11 +t»^r IT yjillr~iilrn!lnllr~illi—illi—ill ml SJJJ[E |EJ|j|BJ[|[BJj|a[[|Bl|||El| iljiM!|Oz Q3 nzn ©ebication 3To tfje memory of tbe late Jlenrp Herbert J^oom a£ a mark of re= gpeet for bte tnbaluable teachings anb of tfje btfib esteem in tmjtcb be toag fjelb bj> us! a£ teacber anb •OJ I fctenb alifee tl)tsf bolume is fonblp bebtcateb. Ell THllMllf@IIH] (Ml =ZH3APfnPf^iPI— —— _ - -^rr | Pi 1 [• " V Professor Henry H. Boom, M.D. liL 1864-1926 Professor Boom is gone. The "grim reaper" came, his relentless scythe, from which none of us can hope to escape, fell upon our friend, tallied to be sure of his harvest, then hurried on. We have lost a friend. From the very beginning of our course, Dr. Boom took a personal interest in each of us and tried to make things as easy as possible *for us all. For three years we studied diligently under his guidance, a variety of subjects dealing with chemistry and its allied branches and then one day he was taken from us. His loss is irreparable. What shall we do? Having graduated from the Medical School of the University of Pennsylvania in 1885, Dr. Boom became interested in the science of Physics and Chemistry and continued to do postgraduate and research work along these lines until 1891 when he was given the Chair of Hygiene in the MedicO'Chirurgical College, which post he held until 1893. At the same time he was appointed Associate Professor and later Professor of Chemistry and Toxicology in that institution. It was in this same year, i. e., 1891, that his ability became more widely known and his fame spread so much that he was given the diploma of the Chautauqua Literary and Scientific Circle. The Philadelphia Dental College was at that time in need of an Instructor in Chemistry and it was Dr. Boom who was chosen to teach the subject. He did it in such a manner as he alone could do and so well was it done that he was elevated through the various steps of Assistant, Associate, and finally to the Professor' ship of Chemistry. He was also made Professor of Physics, Metallurgy, Hygiene, Materia Medica and Physiology, and taught in the Medical, Pharmacy and Chiropody Schools of Temple University as well as the Dental School. He was able to do this by the consolidation of the MedicO'Chirurgical College with the University of Pennsyl' vania at which time he severed connections with that institution and devoted his full time to Temple University. 6 When the United States entered the World War, Dr. Boom was commissioned a Captain in the Medical Corps and at the time of his death held this rating in the Reserve Corps. He was the author of several works, the most important being "Essentials of Physics and Chemistry," "Laboratory Guide in Hygiene and Physiologic Chemistry," "Lecture Notes on Chemistry, Hygiene and Physiology/'. "Contributions to Medical and Dental Journals." Among other things he was a member of the County, State and American Medical Societies. Eight e\\M p El El El El EJ • M ilHJ P^J vP\ v^m^mM nl • : • C"l t V£": D S^T HP** i ^. J ' |fc^ • - 'lii1 ^^^^1 f31 1. 8 f^M if HENRY H. BOOM, M.D. Professor of Chemistry, Physics, Metallurgy and Materia Medica m f n 5fl 0 § § § § § @ 1131 rial EN F3 IK[[PIII^III^III^ CONTENTS Book I Department of Dentistry Part I The Faculty Part II The Classes Part III Organisations Part IV Athletics Part V Humor Book II Department of Oral Hygiene HID Foreword HE purpose of this Record is to act as a flame to rekindle the memories which have become dimmed with the passage of time and to keep before us the faces of our classmates and faculty in order that we may live again, in our dreams, those four long, yet short, years at old P. D. C. Those memories are cherished possessions and should never be for' gotten. Do not forget about your classmates and school as the years roll on, but let us return on Alumni Day and exchange reminiscences of those never'tO'be-forgotten days. It will be for the best interests of both your alma mater and yourself. Eleven Record Staff, 1927 Editor-in-Chief GEORGE T. MERVINE Associate Editors WM. J. MANNING EDWARD J. WESSEL Business Manager ALBERT R. DAVIS Assistant Business Managers E. HARRY McCUE OLIN L. MITTAN Art Editor HARRY J. FRANK Athletic Editor BERNARD SHAIR Prophet WILLIAM H. PARSELL Historian JOHN A. CRATE Poet JOHN B. CHUBB Assistant Editors CHARLES J. BARCUS JAMES M. LITTLEPAGE IRVING W. CAPELMAN NATHAN V. PLAFKER LEON COHEN T. MONROE REES EDWARD T. CONNOR WILLIAM J. ROZANSKI ALAN E. DAVIS SAMUEL SLOTKIN JOHN J. Fuoco STEPHEN J. YOB EDWARD J. GIBBONS HAMILTON R. YOUNG IRVING LAYTON IT] J f7=ri I fTZTs 1 nzzrt f^^ _ I I I I 1 _ i I i I 1 -^ 1 1 I I IVt w.n Amine kEJ.XYE55EL E.H.NcEUE >9sst £*«./*. G.T.MERVIhE £4~iti~C(ntf RECDRb KJ.FRAMK TAFF AR.DAVI5 Art. £& 1927 **i J. CRATE B,5HMIR CHUBB H PAR5ELL foet OFFICERS OF ADMINISTRATION OF / TEMPLE UNIVERSITY Temple University CHARLES E. BEURY, A.B., LL.B., LL.D. President of the University WILMER KRUSEN, M.D., LL.D. Vice'President of the University LAURA H. CARNELL, A.B., Litt.D. Associate President and Dean of the University BOARD OF TRUSTEES THE GOVERNOR OF THE STATE OF PENNSYLVANIA THE MAYOR OF THE CITY OF PHILADELPHIA THOMAS F. ARMSTRONG CHARLES E. BEURY, A.B., LL.B., LL.D. LAURA H. CARNELL, A.B., Litt.D. PERCY M. CHANDLER WALTER C. HANCOCK GEORGE DEB. KEIM DAVID KIRSCHBAUM WILMER KRUSEN, M.D., LL.D. EDWIN J. LAFFERTY CONRAD N. LAUER JOHN ARCHIBALD MACCALLUM, D.D. HON. HARRY S. McDEVITT EDWIN F. MERRITT ROLAND S. MORRIS, LL.D. ALBERT C. OEHRLE MICHAEL J. RYAN, ESQ. JOHN H. SMALTZ ERNEST T. TRIGG GEORGE A. WELSH, ESQ. GEORGE WHEELER, Ped.D. ALEXANDER WILSON, JR. WILLIAM T. WYCKOFF, D.D.S. OFFICERS OF THE BOARD OF TRUSTEES CHARLES E. BEURY, A.B., LL.B., LL.D. President WILMER KRUSEN, M.D., LL.D. Vice-President GEORGE A. WELSH, ESQ. Secretary JOHN ARCHIBALD MACCALLUM, D.D. Assistant Secretary EDWIN J. LAFFERTY Treasurer GEORGE S. GRAHAM, ESQ. Solicitor Eighteen Dr. Conwell and Temple University Forty-two years ago, beginning with a class of seven divinity students at night, Dr. Russell H. Conwell laid the foundation of a University which has grown and prospered into one of the ten largest institutions of learning in the United States. That class of seven has grown into a student body of 10,500 and over 100,000 men and women have benefited through the teachings of our great founder. Numbers, how­ ever, meant little to Dr. Conwell. He was concerned with quality. Himself almost an incarnation of a Knight Templar and a man who had proved the tempered steel of his spirit in the Civil War, he had the essential qualities of a commander and counsellor of men. He was able to impart these qualities to his students. Here was a farm boy who became a leader of men. A poor youth who hungered and thirsted for education, and having achieved his aim saw to it that other poor youths should have their chance for schooling. It is recorded that he helped wholly or in part for the education of over 10,000 students. Dr. Conwell enjoyed life not through physical or material pleasures, but by men­ tal and philanthropic efforts. He found pleasure not in accumulating wealth, but in giving it away and to say that he gave away to Temple University and her sons and daughters one million of dollars would be putting it mildly. He collected a much greater sum than this through his internationally known lecture, "Acres of Diamonds,1' which was delivered over one thousand times to several millions of people, the vast El majority of whom profited by the home-spun, common-sense of the story. How much money he gave will never be calculated, but it is known that upon his death he left only a few thousand dollars. This was the leader who began in Philadelphia forty-two years ago to teach young men and women how to live and reared a school of divinity numbering seven students into a University of 10,500 students scattered through the eleven schools and three hospitals of which it is composed. JE [Ml Ha] 'mlmimlTia VH •! J I—J' I I U—i I L»J The Founder, RUSSELL H.
Load more

Recommended publications
  • Treasures and Dreams 2009-8-12 Nova Southeastern University
    Nova Southeastern University NSUWorks Wishes and Dreams: Literary Magazine of the NSU Digital Collections Lower School 8-2009 Treasures and Dreams_2009-8-12 Nova Southeastern University Follow this and additional works at: https://nsuworks.nova.edu/uschool_magazine ' ---- ., fk.-- :oc~ bcUSCP Sehccl $Cadc:1tC$., P&IPC:JtC$., d:Jtd Pt:1ealC3,, The theme of this issue's cover motivated me to ponder the connection between reading and writing. Here is what some acclaimed and popular authors had to say on the subject: ,, l "} --- -~~;,- -"'\ .,-•. .. "-<} "Read the best books you can find, the books that will inspire you to write as well as you can" ... Judy ~ Blume --- 'Tm certain there's a link between reading good books and becoming a writer. I don't know a single / . writer who wasn't a reader first" ... Andrew Clements "You have no business wanting to be a writer unless you are a reader. You should read fantasies and essays, biographies and poetry, fables and fairy tales. Read, read, read, read, read" ... Kate DiCamillo r~ Certainly, the connection between reading and writing is a strong one. Our Lower School students spend their days in a literature-rich environment. Their exposure to quality literature throughout their school experiences is a part of what inspires them to write as wonderfully as this publication reflects. Thank you to the classroom teachers for your professionalism and dedication to writing. Thank you to the administration for their continued support. A special thanks to my delightful staff of students. Your commitment, hard work, and responsibility made this issue gorgeous. To our Lower School students, I hope our magazine will inspire you to continue reading and writing! /L.7 Sincerely, ~ /('v{ " ~ ~ '- ~j'~ Night Chills I r,J ) ~~ ..
    [Show full text]
  • Backforty Bunkhouse Newsletter
    Backforty Bunkhouse Newsletter Cowtown Society of Western Music ‗2009 Publication of the Year‘ Distributed by BACKFORTY BUNKHOUSE PRODUCTIONS 106 Roswell St., Ruidoso, NM 88345 (575) 808-4111 Home of Backforty Roundup and CD Chorale Backforty Bunkhouse Publishing BMI Venue / Show Productions Western Music Radio Marketing www.Backforty Bunkhouse.com [email protected] www.MySpace.com/BackfortyBunkhouse Twitter.com/backfortyBH Joe Baker Publisher The Backforty Bunkhouse Newsletter is sent to over 1,050 email subscribers periodically and is growing every day. There are DJs, artists and fans whose interest are Western Swing, Cowboy Poetry, Cowboy Heritage and Texas Honky Tonk music gen- res. We solicit your comments, suggestions and ways we may better serve you. If you do not want to receive this newsletter and want to be removed from our mailing list, reply to this email by entering ―UNSUBSCRIBE‖ in the subject box of the email. Joe Baker's Top 20 – October, 2010 13. Patty Parker, Southwest Serenade 14. Horse Crazy, Daughters Of The West Est. January, 2007 15. Jim Jones, Feels Like Home To Me Howard Higgins, Western Swing Co-Founder & Advisor 16. Backforty Roundup Vol. #46 1. Asleep At The Wheel & Leon Rausch, It‘s A 17. Almeda Terry, Voices From The Range Joe Baker, Co-Founder & Publisher Good Day 18. Troy Bateson, Midnight Moon 2. Tony Harrison & Hot Texas, Swingin‘ Big 19. Chuck Cusimano, Wind Blow My Blues Away Totsie Slover, Editor 3. Rebecca Linda Smith, True Love 20. Allan Chapman, West Of The 98th Meridian 4. Gayla Earlene, Traditional Sugar 5. Tom Houston, Tuxedo Country, Vol.#2 6.
    [Show full text]
  • Uhs-Antholoy17-18-Web.Pdf
    The Violet Hour Anthology 2017-18 © 2018 Michael Riedell’s UHS Creative Writing Class All rights remain with the individual authors Layout & Design by Blake More & UHS Creative Writing Class Funding for Poet Teaching and this anthology was provided by Mendocino County Office of Education California Poets In The Schools with help from the California Arts Council For information about California Poets InThe Schools, contact: CPITS 2131 19th Avenue #203 San Francisco CA 94116 415-221-4201 www.cpits.org The Violet Hour Anthology 2017-18 Table of Contents Luciana Allende, 8 Maria Andrade Gallegos, 18 Joshua Barrera, 28 amanda bednar, 35 Taylor Bowser, 45 Kenzie Bray, 55 Susana Correa-Avila Robb, 65 Dylan Deguzman, 77 Lucas Dhuyvetter, 87 Emma Dolan, 96 Mateo Flores, 106 Sylvia Fogle, 116 Indigo Funk, 125 Victor DeAnthony Galarza-Guevara , 135 Maya Halfacre, 145 Kailey Holmes, 155 Casserole Jones, 165 Cynthia Kachirisky, 172 Kaitlin Kendall, 182 Aeryn Kline, 192 Ava Larson, 200 Michael Leggett, 208 Lauren Lolonis, 218 Samantha London, 228 Jazmin Ramirez, 235 Carlos Rodriguez, 241 Dani Salazar, 251 Indigo Stewart, 261 Maria Tellez, 271 taylor jane travis, 281 Madison Valente, 289 Andrea Wagner, 293 Sasha Wilkins, 303 Michael Riedell, 213 Biographies, 318 Introduction It began like a prophecy fulfilled, with a solar eclipse. We stood at break together in a strange light, looking up at a celestial event some were calling The Great American Eclipse. Then, before the sun and moon were pulled apart again, we stepped inside the room that became Violet Hour. The name came from our studies of Sappho (630–570 BC), the famous lyric poet from the Greek island of Lesbos.
    [Show full text]
  • Backforty Bunkhouse Newsletter
    Backforty Bunkhouse Newsletter Cowtown Society of Western Music ‗2009 Publication of the Year‘ Distributed by BACKFORTY BUNKHOUSE PRODUCTIONS 106 Roswell St., Ruidoso, NM 88345 (575) 808-4111 Home of Backforty Roundup and CD Chorale Backforty Bunkhouse Publishing BMI Venue / Show Productions Western Music Radio Marketing www.Backforty Bunkhouse.com [email protected] www.MySpace.com/BackfortyBunkhouse Twitter.com/backfortyBH Joe Baker Publisher The Backforty Bunkhouse Newsletter is sent to over 1,050 email subscribers periodically and is growing every day. There are DJs, artists and fans whose interest are Western Swing, Cowboy Poetry, Cowboy Heritage and Texas Honky Tonk music gen- res. We solicit your comments, suggestions and ways we may better serve you. If you do not want to receive this newsletter and want to be removed from our mailing list, reply to this email by entering ―UNSUBSCRIBE‖ in the subject box of the email. Joe Baker's Top 20 – November, 2010 15. Backforty Roundup Vol. #46 16. Almeda Terry, Voices From The Range Est. January, 2007 17. Troy Bateson, Midnight Moon Howard Higgins, Western Swing Co-Founder & Advisor 18. Chuck Cusimano, Wind Blow My Blues Away 1. Brady Bowen, In My Spare Time – Vol. 6 19. Allan Chapman, West Of The 98th Meridian Joe Baker, Co-Founder & Publisher 2. Asleep At The Wheel & Leon Rausch, It‘s A Good 20. Bryan Ragsdale, Cowboy Christmas Tree Day Totsie Slover, Editor 3. Tony Harrison & Hot Texas, Swingin‘ Big 4. Gayla Earlene, Traditional Sugar "Swingin' West"- Mike Gross 5. Tom Houston, Tuxedo Country, Vol.#2 KSEY - Seymore, TX 6. Lonnie Spiker, Coming To A Honky Tonk Near Sundays 3-4 pm CST You November 1, 2010 7.
    [Show full text]
  • I Am out to Sing the Songs That Will Prove to You That This Is Your World...”
    “I AM OUT TO SING THE SONGS THAT WILL PROVE TO YOU THAT THIS IS YOUR WORLD...” THE WOODY GUTHRIE FOLK JAM Chicago Square Roots Festival Sunday, July 22, 3 pm with your host mark dvorak www.markdvorak.com Woody guthrie by STEVE EARLE The Nation, July 21, 2003 When Bob Dylan took the stage at the 1965 Newport Folk Festival, all leather and Ray-Bans and Beatle boots, and declared emphatically and (heaven forbid) electrically that he wasn't "gonna work on Maggie's farm no more," the folk music faithful took it personally. They had come to see the scruffy kid with the dusty suede jacket pictured on the covers of Bob Dylan and Freewheelin'. They wanted to hear topical songs. Political songs. Songs like "The Lonesome Death of Hattie Carroll," "Masters of War" and "Blowin' in the Wind." They wanted the heir apparent. The Dauphin. They wanted Woody Guthrie. Dylan wasn't goin' for it. He struggled through two electric numbers before he and the Paul Butterfield Blues Band retreated backstage. After a few minutes he returned alone and, armed with only an acoustic guitar, delivered a scathing "It's All Over Now, Baby Blue" and walked. Woody Guthrie himself had long since been silenced by Huntington's chorea, a hereditary brain-wasting disease, leaving a hole in the heart of American music that would never be filled, and Dylan may have been the only person present at Newport that day with sense enough to know it. One does not become Woody Guthrie by design. Dylan knew that because he had tried.
    [Show full text]
  • Anglo-American Ballads
    FOLK MUSIC OF THE UNITED STATES LIBRARY OF CONGRESS Recording Laboralory AFS L1 WASIIINGTON ANGLO-AMERICAN BALLADS From Ih., Archive of Folk Sonl.: Edited by AI.n Lomu rJ . 1 1,~ ~;.,I'- ,­ ,-.".:, ',', ~ -., ... ,0'­ ~ . INTRODUCTION by Wayne D. Shirley Reference Librarian, Music Division In 1942 the Arehive of Folk Song in tbe scriptions of the texts sung on the reeords and Library of Congress issued its first albums of notes on the music and performers. reeorded folk musie, thereby maki,'g some of its Attempts to devise some method for dis­ rieh collection of field recordings available to tributing the Archive's recorded treasures had the public. The recordings were issued under begun in 1941 with the establishment of the the editorship of Alan Lomax, then head of the Recording Laboratory in the Library of Con­ Archive. (The editing of the sixth album was gress. The press release announcing the estab­ entrusted to William N. Fenton.) Each album-­ lishment of the Recording Laboratory claimed they really were "albums" in those days--con­ that sisted of five 78-rpm records pressed in black when the installation is completed the Music Division shellac (the famous clear red vinyl was to come of the Library will be able to provide for schools, libraries, and individuals, recordings of American folk later). The albums patriotically mixed ten-inch music, American poetry read and interpreted by its and twelve-inch records-shellac was being ra­ makers, unpublished string quartets, new American tioned in 1942. musIc and other similar matenals. Much of this ma­ The six albums in the series were planned to terial stands ready for use on the shelves of the Library now-records of American folk music from exhibit the main varieties of American folk many parts of the country, documents basic to the music: history and culture of America and of the world I.
    [Show full text]
  • Polydor Records Discography 3000 Series
    Polydor Records Discography 3000 series 25-3001 - Emergency! - The TONY WILLIAMS LIFETIME [1969] (2xLPs) Emergency/Beyond Games//Where/Vashkar//Via The Spectrum Road/Spectrum//Sangria For Three/Something Special 25-3002 - Back To The Roots - JOHN MAYALL [1971] (2xLPs) Prisons On The Road/My Children/Accidental Suicide/Groupie Girl/Blue Fox//Home Again/Television Eye/Marriage Madness/Looking At Tomorrow//Dream With Me/Full Speed Ahead/Mr. Censor Man/Force Of Nature/Boogie Albert//Goodbye December/Unanswered Questions/Devil’s Tricks/Travelling PD 2-3003 - Revolution Of The Mind-Live At The Apollo Volume III - JAMES BROWN [1971] (2xLPs) Bewildered/Escape-Ism/Get Up, Get Into It, Get Involved/Get Up I Feel Like Being A Sex Machine/Give It Up Or Turnit A Loose/Hot Pants (She Got To Use What She Got To Need What She Wants)/I Can’t Stand It/I Got The Feelin’/It’s A New Day So Let A Man Come In And Do The Popcorn/Make It Funky/Mother Popcorn (You Got To Have A Mother For Me)/Soul Power/Super Bad/Try Me [*] PD 2-3004 - Get On The Good Foot - JAMES BROWN [1972] (2xLPs) Get On The Good Foot (Parts 1 & 2)/The Whole World Needs Liberation/Your Love Was Good For Me/Cold Sweat//Recitation (Hank Ballard)/I Got A Bag Of My Own/Nothing Beats A Try But A Fail/Lost Someone//Funky Side Of Town/Please, Please//Ain’t It A Groove/My Part-Make It Funky (Parts 3 & 4)/ Dirty Harri PD 2-3005 - Ten Years Are Gone - JOHN MAYALL [1973] (2xLPs) Ten Years Are Gone/Driving Till The Break Of Dawn/Drifting/Better Pass You By//California Campground/Undecided/Good Looking
    [Show full text]
  • Songs of The
    Songs of the PSI UPSILON FRATERNITY “The man that hath no music in himself, Nor is not moved with concord of sweet Sounds Is fit for Treason, Stratagems, and Spoils.” —— Shak “Until the sands of life are run, We’ll sing to thee, PSI UPSILON.” —— Finch Published By THE EXECUTIVE COUNCIL OF THE PSI UPSILON FRATERNITY NEW YORK 1908. Reprint of words of selected songs from the Official Song Book of the Fraternity authorized by the Executive Council 1987. INDEX OF SONGS # A STEIN SONG 17 AFTER THE BATTLE 22 BROTHERS ALL 8 BROTHERS, THE DAY IS ENDED 12 COME, BROTHERS FOR A SONG 16 DEAR OLD SHRINE 2 EVENSONG 11 HERE WE ARE AGAIN! 14 INITIATION DIRGE 20 PSI U BEER 10 PSI U DOXOLOGY 3 PSI U FELLOWSHIP 13 PSI U JOYS 7 PSI U LINEAGE 18 PSI U THIS AND PSI U THAT 21 PSI UPSILON SMOKING SONG 15 SESQUI PSI U 19 THE COLLEGE CHORUS 6 THE EVER-LOVELY MAIDEN 9 THE RHO OWL SONG 4 THE SWEETHEART SONG 23 TITLE PAGE 1 WELCOME, BROTHERS, OLD AND YOUNG 5 1. TITLE PAGE As sung in two parts by the Delta Chapter Songs of the Psi Upsilon Songs of the Psi Upsilon Songs of the Psi Upsilon Fraternity Fraternity, boys, Fraternity The man that hath no music The man that hath no music The man that hath no music in himself in himself, boys, in himself Nor is not moved with concord Nor is not moved with concord Nor is not moved with concord of sweet Sounds of sweet Sounds, boys, of sweet Sounds Is fit for Treason, Stratagems, Is fit for Treason, Stratagems, Is fit for Treason, Stratagems, And Spoils — Shak And Spoils — Shak, boys, And Spoils — Shak Until the sands of life are run We’ll sing to thee, Psi Upsilon We’ll sing to thee, Psi Upsilon Psi U Finch Psi U Finch, boys, Psi U Finch Published by the Executive Published by the Executive Published by the Executive Ke-oun-cil of the Psi Ke-oun-cil of the Psi, boys, Ke-oun-cil of the Psi Upsilon Fraternity Upsilon Fraternity Upsilon Fraternity New York New York, boys, New York Nineteen hundred oughty-eight Nineteen hundred oughty-eight Nineteen hundred oughty-eight Period! 2.
    [Show full text]
  • Sevierville/Pigeon Forge, TN-NATIONALS - Results
    Sevierville/Pigeon Forge, TN-NATIONALS - Results All Sessions Division 1 - Competitive ~ Solo ~ Acrobatics ~ Petite MEDAL ENTRY CLASS/ AGE # OF PLACEMENT ROUTINE TITLE ENTRY CATEGORY PLACEMENT TYPE LEVEL CATEGORY DANCERS SHATTER ME Division 1 - 1ST High Platinum (SOFIE 429 Acrobatics Solo Petite 1 Competitive MIDDLEBROOKS) Division 1 - Competitive ~ Solo ~ Acrobatics ~ Junior MEDAL ENTRY CLASS/ AGE # OF PLACEMENT ROUTINE TITLE ENTRY CATEGORY PLACEMENT TYPE LEVEL CATEGORY DANCERS HEAD ABOVE WATER Division 1 - 1ST High Platinum 445 Acrobatics Solo Junior 1 (ADRIENNE Competitive ANDERSON) Division 1 - Competitive ~ Solo ~ Character ~ Junior MEDAL ENTRY CLASS/ AGE # OF PLACEMENT ROUTINE TITLE ENTRY CATEGORY PLACEMENT TYPE LEVEL CATEGORY DANCERS GET DOWN Division 1 - 1ST Platinum (PRESLEY 441 Character Solo Junior 1 Competitive WHITTEN) Division 1 - Competitive ~ Solo ~ Clogging ~ Teen MEDAL ENTRY CLASS/ AGE # OF PLACEMENT ROUTINE TITLE ENTRY CATEGORY PLACEMENT TYPE LEVEL CATEGORY DANCERS MAN IN BLACK Division 1 - 1ST Platinum (ANSLEIGH 471 Clogging Solo Teen 1 Competitive RANDOLPH) Division 1 - Competitive ~ Solo ~ Contemporary ~ Mini MEDAL ENTRY CLASS/ AGE # OF PLACEMENT ROUTINE TITLE ENTRY CATEGORY PLACEMENT TYPE LEVEL CATEGORY DANCERS EMILY (KALLIE Division 1 - 1ST Platinum 85 Contemporary Solo Mini 1 EMERSON) Competitive Division 1 - Competitive ~ Solo ~ Contemporary ~ Petite MEDAL ENTRY CLASS/ AGE # OF PLACEMENT ROUTINE TITLE ENTRY CATEGORY PLACEMENT TYPE LEVEL CATEGORY DANCERS MERMAID Division 1 - 1ST Platinum (ADDISYN 87 Contemporary
    [Show full text]
  • October 2003
    • CHARLIE BENANTE • TRAPT • PEARL FIRECRACKERS • JACKJACK DDEEJOHNETTEJOHNETTE CCHANGINGHANGING DDIRECTIONSIRECTIONS SSCOTTCOTT UUNDERWOODNDERWOOD TTRACKINGRACKING WWITHITH TTRAINRAIN TTOMMYOMMY SSICKLESICKLES OFF NOTHINGFACEOTHINGFACE WIN! O N Super Gear From Smith Drums, RROBOB BBOURDONOURDON Sabian Cymbals, LINKININKIN PARKARK CHARTHART Gibraltar Hardware, L P C and Evans Heads YYAMAHAAMAHA’’SS AABSOLUTEBSOLUTE NNOUVEAUOUVEAU KKITIT $4.99US $6.99CAN 10 MDMD F FESTEST 20032003 MMONSTERONSTER PPLAYERSLAYERS && MMASSIVEASSIVE KKITSITS!! 0 74808 01203 9 Contents ContentsVolume 27, Number 10 Jazz Legend Jack DeJohnette Jack DeJohnette has remained one of the world’s premier drummers by always looking forward, and never losing the passion. Oh, and by playing some of the most uniquely beautiful music on the drums ever. by Ken Micallef 38 Paul La Raia Train’s UPDATE 22 Scott Underwood 54 Charlie Benante While fans discuss Train’s “new direction,” followers of Scott of Anthrax Underwood know at least one thing is beyond debate: That’s one helluva player behind the kit. by David John Farinella Sam McCandless of Cold Paul La Raia Stix Hooper of The Crusaders Modern Drummer’s 66 Festival Weekend 2003 J.R. Conners The MD Fest turned Sweet Sixteen this year. How sweet? Check of Cave In the lineup: Steve Smith, Airto, Mike Portnoy, Shawn Pelton, Nick D’Virgilio, Antonio Sanchez, Matt Wilson, Nathaniel Townsley, The Drumbassadors, Hip Pickles, and the two hottest “undiscovered” Stan Frazier drummers around. Yeah, that’s sweet. of Sugar Ray by T. Bruce Wittet Alex Solca Playback 120 Tommy Sickles Aerosmith’s Of Nothingface 130 Joey Kramer Every now and then, a drum roadie seizes that once-in-a-lifetime Everything old is new again, at least on opportunity of replacing the drummer he schleps for.
    [Show full text]
  • Southern Wine & Spirits of Delaware
    Southern Wine & Spirits of Delaware 615 Lambson Lane WEEKLY PRICING UP DATES New Castle, Delaware 19720 656-6000 • Fax 656-0291 • E-mail: [email protected] RUSS BASSETT.........................Display Service JENNIFER VENARCHICK............Accounts Receivable CHRIS COYLE........................Warehouse Manager/Draft Services MONIKA DAUGHERTY...............Credit Manager Phones: 302-656-4487 F/C F/C F/C F/C ITEM# SIZE CS DISC BOT * ITEM# SIZE CS DISC BOT * ITEM# SIZE CS DISC BOT * ITEM# SIZE CS DISC BOT * * + increase - decrease n new item t closeout * + increase - decrease n new item t closeout * + increase - decrease n new item t closeout * + increase - decrease n new item t closeout The following listing updates the current publication and establishes changes in these listed products only. ATLANTIC GROTH (FWS) WOODBRIDGE By WINE - FRANCE 10 RSV CAB SAUV 6/C__________________ DIVISION 354500 750 ML 719.94 119.99 Robert Mondavi 1 Case 462.00 257.94 77.00 174717 CAB/MERLOT DOMAINE FERRET 87007 CABERNET 13 POUILLY FUISSE 6/C ________________ 191263 CHARDONNAY (LIGHTLY OAKED) 394824 750 ML 207.98 34.66 VODKA - DOMESTIC JAMES MITCHELL 97438 CHARDONNAY 2 Case 155.96 52.02 25.99 CAB SAUV ___________________________ 164719 MALBEC 254374 750 ML 127.92 10.66 21867 MERLOT DEEP EDDY 5 Case 95.88 32.04 7.99 304575 MOSCATO WINE - ITALY 319330 80P 62738 PINOT GRIGIO 354324 CRANBERRY 70P REX GOLIATH 132095 PINOT NOIR BOLLA 336235 RUBY RED 70P 120691 RIESLING 298490 BARDOLINO 319329 SWEET TEA 70P 117991 CABERNET 87015 SAUVIGNON BLANC 286701 324787
    [Show full text]
  • DUSIE :Issue 19
    DUSIE the Asian Anglophone edition 2016 edited by Cynthia Arrieu-King Introduction For this issue of Dusie, I wanted to create a space where people could write Anglophonic or multi-lingual poems that they felt like writing but also enjoy a space designated “Asian” in the broadest ways possible. A freedom—let’s never forget—that doesn’t encroach on someone else’s; that moves toward self-determination. To me, that’s peace. I have all my life liked seeing things that are somewhat different together: quilts of cloth oddly matching/not matching, or houses in a row, or pageants. Friends used to tease me about the mixed tapes I gave them in high school because they seemed to have no “theme”: soft dirge of strings, then suddenly, a hip hop track. But why not? Seems like the way life is. Seeing designs, music, poems and people gather together in such difference is so heartening to me. Witness, narrative, lyric, fragment, daily life, ode, war, sexcapades, country western personas, indignation. Something like caught volition. The dream that includes us all: probably undreamable. But I think about it a lot. So then, why an issue of Asian poems written in English rather than of everyone? I was sitting on the beach in LA in March with Sueyeun Juliette Lee. We were looking at the ocean, the Pacific ocean, and I was considering that if I were still at the AWP bookfair I’d been at the day before, I might be selling books, but that blue! Pacific Ocean blue. It’s there and it’s not.
    [Show full text]