Table of Contents May/June 2019: Program Calendar in Brief
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Shannon Forrester Cv
A.I.R. SHANNON FORRESTER CV www.shannonforrester.com EDUCATION 2015 MFA Painting Boston University, College of Fine Arts, School of Visual Arts, Graduate School of Painting, Boston, MA., Thesis Advisor, John Walker, Professor of Art 2014 Graduate Certificate in Women’s, Gender, and Sexuality Studies Boston University, College of Arts and Sciences, Boston, MA 1992 BFA, Painting and Ceramic Sculpture School of the Art Institute of Chicago (SAIC), Chicago, IL EXHIBITIONS 2016 Group Exhibition, A.I.R. Gallery, Brooklyn, NY Generations X, A.I.R. Gallery, Brooklyn, NY 2015 Small, Smaller, Smallest, Brickbottom Gallery, Somerville, MA Lifeline, MFA Thesis Exhibition, 808 Gallery, Boston, MA Places, Times, Colors, Solo Exhibition, Commonwealth Gallery, Boston, MA MFA Candidate Exhibition, Sloane House, Boston, MA 2014 Movement Exhibition, TEDex Somerville, Somerville, MA Engendered, Atlantic Works Gallery, Boston, MA Reclamation, BLAA Gallery, Boston, MA Hot Spot, Brickbottom Gallery, Somerville, MA Group Exhibition, Commonwealth Gallery, Boston, MA Intuition, Brickbottom Gallery, Somerville, MA 2013 25 and Up, MassArt Student Life Gallery, Boston, MA Brickbottom Open Studios Exhibition, Somerville MA Summer Color, Brickbottom Gallery, Somerville, MA Media Mix Up, Brickbottom Gallery, Somerville, MA All School Show, Painting, MassArt, Boston, MA 1994 Group show, Crooked Tree Art Center, Petoskey, MI 1992 Group show, Night, Chicago, IL BFA Thesis, School of the Art Institute of Chicago, Chicago, IL TEACHING, ACADEMIC SERVICE, AND PROFESSIONAL EXPERTISE Artistic and teaching expertise: Painting, collage, drawing, curriculum design and innovation, training and workshop development, integration of Women’s, Gender, and Sexuality Studies into visual art curriculum. Management and business expertise: Over sixteen-years of executive management, teaching, and leadership experience. -
Table of Contents Summer 2018: Program
July/SummerDECEMBER | |Vol Vol 2016-2017: 2017-2018: Issue Issue 04 11 Editor Erik Gehring - [email protected] Welcome to our NEW MEMBERS: Kate Brown Gerold Pfeiffer We look forward to seeing you at upcoming meetings (if we haven’t already)! Image © Erik Gehring. Table of Contents Welcome, Contents p. 1 Summer Program Info p. 2 President’s Letter / BCC Event Recap pp. 2-5 NECCC / PSA News p. 5 Member News pp. 5-7 Classes and Exhibitions pp. 7-10 Competition Results pp. 10-17 Member Resources pp. 18-19 Summer 2018: Program Calendar In Brief July 26 Field Trip to Tower Hill Botanic Garden Aug. 04 Field Trip to Photograph Astro Landscapes Aug. 06 Photo Critique / Lightroom Workshop Sep. 04 Opening Meeting with Michael Milicia www.bostoncameraclub.org 1 Summer 2018 Programming Field Trip to Tower Hill Botanic Garden - Thursday, July 26 Time: 6 pm at Tower Hill Botanic Garden, 11 French Drive, Boylston, MA; led by David Long. Field Trip to Photograph Astro-Landscapes Saturday, August 4 Time: 8 pm at the Salt Pond Visitor Center, 50 Nauset Road, Eastham, MA; led by Jürgen Lobert. To sign up for field trips (and get imme- diate notice when they are scheduled) you must join our Meetup Group at http://www.meetup.com/BCCevents/. There is no extra fee for BCC members! Image © Jürgen Lobert. Photo Critique / Lightroom Workshop - Monday, August 06 Time: 7 - 9:30 pm Submission deadline: Monday, August 6, 12 noon You’ll have the opportunity to receive an informal critique of your photographs and learn how to improve and manipulate them in Lightroom. -
1 TEST OPTIONAL COLLEGES the Colleges Named Below Are SAT/ACT Optional Or Flexible, Meaning That They Minimize Or Eliminate
TEST OPTIONAL COLLEGES The colleges named below are SAT/ACT Optional or Flexible, meaning that they minimize or eliminate the importance of standardized tests in the admissions process. ARHS students regularly apply to these colleges, excerpted from a longer list at www.fairtest.org. That website also contains many religious colleges, art schools, music conservatories and many state campuses. Consult the website for the complete list. Some colleges will consider scores if you send them and others will ignore them if they do not enhance your application. Visit individual college websites to learn about their test-optional policies. Due to NCAA requirements, athletes hoping to participate at Division I and II colleges must submit SAT or ACT scores to all colleges. Key: 3 = SAT/ACT used only when minimum GPA and/or class rank is not met 4 = SAT/ACT required for some programs 5 = Test Flexible: SAT/ACT not required if submit Subject Test, Advanced Placement, Int'l Baccalaureate, other exams or graded writing samples. American International College, Springfield, MA American University, Washington, D.C. Assumption College, Worcester, MA Baldwin-Wallace College, Berea, OH Bard College, Annandale-on-Hudson, NY Bates College, Lewiston, ME Beloit college, Beloit, WI Benjamin Franklin Institute of Technology, Boston, MA Bennington College, Bennington, VT Bowdoin College, Brunswick, ME Brandeis University, Waltham, MA;5 Bridgewater State University, Bridgewater, MA Bryant University, Smithfield, RI Bryn Mawr College, Bryn Mawr, PA Castleton University, -
Table of Contents April 2020: Program Calendar In
AprilDECEMBER | Vol 2019-2020: | Vol 2016-2017: Issue 8 Issue 04 Editor Erik Gehring - [email protected] Welcome to our NEW MEMBERS: Lee Varis We look forward to seeing you at upcoming meetings (if we haven’t already). Image © Erik Gehring. In-person meetings have been suspended until further notice in light of the COVID-19 developments. We have moved all of our weekly Tuesday meetings online via web conferencing through Webex. Most of our programs are unaffected; however, some will be adjusted as needed. Table of Contents Welcome, Contents p. 1 April Program Info pp. 2-4 Upcoming Special Events p. 4 NECCC and PSA News p. 5 Member News pp. 5-7 Classes and Exhibitions pp. 7-10 Competition Results pp. 10-20 Member Resources p. 20 Advance Schedule in Brief for Rest of 2020 p. 20 April 2020: Program Calendar In Brief Apr. 07 Photo Competition with Henry Weisenburger Apr. 14 Photo Critique / Lightroom Workshop Apr. 21 Projected Image Competition with Larry Dunn Apr. 28 Tri Club Competition www.bostoncameraclub.org 1 April 2020 Programming Photo Competition - Tuesday, April 7 Time: 7 - 9:30 pm on Webex Submission deadline has passed. Originally scheduled as a Latimer Print Competition, this will now be an Electronic Competition that will work similar to the Projected competition held in March through the Webex videoconference. One difference from regular Projected competitions is that is that the judging / voting will work similar to the way the Latimer Print Competitions work. Members will vote for images online as they would normally in a Projected competition except that the number of votes per category will be based on the number of entries as it is with a Latimer. -
Table of Contents April 2021
AprilDECEMBER | Vol 2020-2021: | Vol 2016-2017: Issue 8 Issue 04 Editor Erik Gehring - [email protected] Welcome to our NEW MEMBERS: Jane Bowers Trenton Bricken William Eaton Linda Eyster Sandra Storey Kenneth Woody We look forward to seeing you at upcoming meetings (if we haven’t already). “Cranberry Harvesting” © Eldad Cohen, 3rd Place Open A, 3/9/21. See all Competition winners on pp. 8-18. Table of Contents Welcome, Contents p. 1 April Program Info pp. 2-3 NECCC and PSA News pp. 4-5 Classes, Publications and Exhibitions pp. 5-8 Competition Results pp. 8-18 Obituary - Henry F. Weisenburger, APSA, MNEC, Hon BCC pp. 18-23 Advance Schedule in Brief for 2021 p. 23 April 2021: Program Calendar In Brief Apr. 06 Projected Image Competition with Bill Buchanan Apr. 13 Joint Education Program - “The Heart of the Photograph” with David duChemin Apr. 20 Photo Critique / Lightroom Workshop Apr. 27 Quad Club Competition with Gateway, Newton, and Stony Brook CCs www.bostoncameraclub.org 1 April 2021 Programming Projected Image Competition - Tuesday, April 6 Time: 7 - 9:30 pm, Zoom Categories: Open; Abstract; Landscape. Submission deadline has passed. Judge: Bill Buchanan, HonPSA, HonFGDC Bill Buchanan, HonPSA, HonFGDC has been involved with photography almost his entire life. His passion for teaching photography has been fostered by being chairman of the Photo Guild of Detroit’s Annual Photographic Seminar. Bill has presented many instructional programs in the Detroit area as well as at NECCC, SWMCC and PSA con- ferences. He has been a major supporter of the electronic capture photography both in his own club and the PSA. -
Table of Contents November 2017: Program
NovemberDECEMBER | Vol | Vol 2017-2018: 2016-2017: Issue Issue 03 04 Editor Erik Gehring - [email protected] Welcome to our NEW MEMBERS: Bruce Barry Kathy Barry Adrian Benson Bernard Cabrera Joanne Cleary Anna Egozy Christine Huvos Jill Jacovitz Billy Korecki Jeff Muller Stuart Schaffner We look forward to seeing you at upcoming meetings (if we haven’t already)! Image © Erik Gehring. Table of Contents Welcome, Contents p. 1 November Program Info pp. 2-5 Special Program Info for 2017-2018 pp. 5-7 BCC Event Recap p. 7 NECCC/PSA News pp. 7-8 Member News pp. 8-10 Classes, Lectures, and Exhibitions pp. 11-12 Competition Results pp. 12-20 Advance Schedule In Brief for 2017-2018 p. 21 November 2017: Program Calendar In Brief Nov. 4 Lightroom Workshops with Rob Sylvan Nov. 5 Field Trip to Mt. Auburn Cemetery, Cambridge, MA Nov. 7 Latimer Print Competition with Paul Nguyen Nov. 12 Field Trip to Waitt’s Mountain Park, Malden, MA Nov. 14 Model Studio - Special Portrait Photography Demo Night with Donald Jin Nov. 14 Photo Critique / Lightroom Workshop Nov. 21 Projected Image Competition with Jon Sachs Nov. 28 Education with Jürgen Lobert - “Daytime Long Exposure” www.bostoncameraclub.org 1 November 2017 Programming 2 Field Trips: Mount Auburn Cemetery, Cambridge, MA - Sunday, November 5 Time: 8 am; led by Erik Gehring. Waitt’s Mountain Park, Malden, MA - Sunday, November 12 Time: 4 pm; led by David Long. Photograph fall color and the Boston skyline and the Tobin Bridge. To sign up for field trips you must join our Meetup Group at http://www.meetup.com/BCCevents/. -
Photography and the Art of Chance
Photography and the Art of Chance Photography and the Art of Chance Robin Kelsey The Belknap Press of Harvard University Press Cambridge, Massachusetts, and London, En gland 2015 Copyright © 2015 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America First printing Library of Congress Cataloging- in- Publication Data Kelsey, Robin, 1961– Photography and the art of chance / Robin Kelsey. pages cm Includes bibliographical references and index. ISBN 978-0-674-74400-4 (alk. paper) 1. Photography, Artistic— Philosophy. 2. Chance in art. I. Title. TR642.K445 2015 770— dc23 2014040717 For Cynthia Cone Contents Introduction 1 1 William Henry Fox Talbot and His Picture Machine 12 2 Defi ning Art against the Mechanical, c. 1860 40 3 Julia Margaret Cameron Transfi gures the Glitch 66 4 Th e Fog of Beauty, c. 1890 102 5 Alfred Stieglitz Moves with the City 149 6 Stalking Chance and Making News, c. 1930 180 7 Frederick Sommer Decomposes Our Nature 214 8 Pressing Photography into a Modernist Mold, c. 1970 249 9 John Baldessari Plays the Fool 284 Conclusion 311 Notes 325 Ac know ledg ments 385 Index 389 Photography and the Art of Chance Introduction Can photographs be art? Institutionally, the answer is obviously yes. Our art museums and galleries abound in photography, and our scholarly jour- nals lavish photographs with attention once reserved for work in other media. Although many contemporary artists mix photography with other tech- nical methods, our institutions do not require this. Th e broad affi rmation that photographs can be art, which comes after more than a century of disagreement and doubt, fulfi lls an old dream of uniting creativity and industry, art and automatism, soul and machine. -
United States District Court District of Massachusetts
Case 1:18-cv-12438-RGS Document 56 Filed 05/24/19 Page 1 of 17 UNITED STATES DISTRICT COURT DISTRICT OF MASSACHUSETTS CIVIL ACTION NO. 18-12438-RGS TRISTAN SQUERI, MADELINE McCLAIN, and GEORGE O’DEA, individually and on behalf of all others similarly situated v. MOUNT IDA COLLEGE, et al. MEMORANDUM AND ORDER ON DEFENDANTS’ MOTIONS TO DISMISS May 24, 2019 STEARNS, D.J. After more than a century of operation, Mount Ida College closed suddenly at the end of the 2018 academic year. Three students, Tristan Squeri, Madeline McClain, and George O’Dea, brought this putative class action against Mount Ida College; its Board of Trustees; the Board’s Chairwoman, Carmin Reiss; the President, Barry Brown; the Vice President, Chief Financial Officer, and Treasurer, Jason Potts; the Vice President of Enrollment Management and Dean of Admissions, Jeff Cutting; and the Chief Academic Officer and Provost, Ron Akie.1 Plaintiffs, on behalf of 1 Plaintiffs claim that the court has jurisdiction under the Class Action Fairness Act (CAFA), 28 U.S.C. § 1332(d), because “[t]he amount-in- controversy exceeds $5,000,000.00 and minimal diversity exists between the parties.” Am. Compl. (Dkt # 12) ¶ 19. While CAFA contains a home-state Case 1:18-cv-12438-RGS Document 56 Filed 05/24/19 Page 2 of 17 former and prospective Mount Ida students,2 allege that defendants failed to inform them of Mount Ida’s dire financial straits and shared their academic and financial profiles with the University of Massachusetts (UMass) Dartmouth without their consent. More specifically, the Amended Complaint sets out seven claims: violation of privacy under Mass. -
Fall 2018 Lecture and Course Descriptions
1 Fall 2018 Lecture and Course Descriptions 2 Lectures Sponsored by the Education Department All lectures take place in the Lasell Village Ballroom, and no pre-registration is required unless otherwise specified. Changes in the lecture schedule will be announced in News and Notes and posted on the bulletin board at the Resident Services Desk. Leveraging Cognitive Strategies to Benefit Attention and Memory Tuesday, October 2, 2018 7:30 PM Elizabeth K., Ph.D. In this talk, Elizabeth K. will briefly describe some commonly-experienced lapses in attention and memory and explain why they often occur more frequently as we age. She will discuss cognitive strategies that can be used to reduce the frequency or severity of these lapses. The focus will be on strategies that may help people to be at their mental best in attention- and memory-demanding situations, helping people to attend to what is important, to learn new information, and to retrieve information from memory. Presenter: Elizabeth K.is Professor and Chair of Psychology at Boston College, where she has directed the Cognitive and Affective Neuroscience Laboratory since 2006. Although she spent her childhood in Kansas City, Missouri, she has been in the Boston area for a long time, having received her B.A. from Harvard University and her Ph.D. from MIT. Her research combines multiple methods (behavioral testing, psychophysiological recording, and brain imaging techniques) to better understand how age affects the processes used to learn and remember information. She is the author of over 100 peer-reviewed manuscripts and her research has been cited over 10,000 times. -
L C 2011-2012
LLASELLLASELLASEll CC COLLEGEOLLEGEOllEGE 2011-2012 2011-20122011-2012 AAACCADEMICCADEMICADEMIC C CCATAATALOGATALOGLOG www.lasell.edu fax (617) 243-2380 phone (617) 243-2225 1844 Commonwealth Avenue Newton, Massachusetts 02466 email [email protected] [email protected] LASELL COLLEGE CATALOG 2011–2012 Lasell College 1844 Commonwealth Avenue Newton, Massachusetts 02466 (617) 243-2000 e-mail: [email protected] or [email protected] Michael B. Alexander President Accreditation The New England Association of Schools and Colleges Commission on Accreditation of Athletic Training Education Massachusetts Department of Elementary and Secondary Education National Association for the Education of Young Children Lasell College is accredited by the New England Association of Schools and Colleges, Inc., through its Commission on Institutions of Higher Education. Accreditation of an institution by the New England Association indicates that it meets or exceeds criteria for the assessment of institutional quality periodically applied through a peer group review process. An accredited school or college is one which has available the necessary resources to achieve its stated purposes through appropriate educational programs, is substantially doing so, and gives reasonable evi- dence that it will continue to do so in the foreseeable future. Institutional integrity is also addressed through accreditation. Accreditation by the New England Association is not partial but applies to the institution as a whole. As such, it is not a guarantee of every course or program offered, or the competence of individual graduates. Rather, it provides reasonable assurance about the quality of opportunities available to students who attend the institution. Inquiries regarding the accreditation status by the New England Association should be directed to the administrative staff of the institution. -
Curriculum Vitae Michael R. Brodeur 10 Tampa Street Greenville, SC 29609
Curriculum Vitae Michael R. Brodeur 10 Tampa Street Greenville, SC 29609 (864) 525-9144 [email protected] Education 1975 Master of Fine Arts, Painting and Drawing, Boston University, Boston, MA, studied with Philip Guston and James Weeks 1971-72 University of Iowa, Iowa City, IA, studied with Milton Resnick 1970 Bachelor of Arts, University of New Hampshire, Durham, NH Faculty Positions 2003 - present Art Department, Furman University, Greenville, SC: Associate Professor 2006, Assistant Professor 2003- 2006 Greenville County Museum of Art Center of Museum Studies, drawing and painting, critique group 2006 Professor of Painting, Summer Session, The University of Georgia Study Abroad Program in Cortona, Italy 1999-2003 Chair, Visual Arts Department, The South Carolina Governor’s School for the Arts and Humanities, Greenville, SC 1996-1999 Faculty, Florida Atlantic University, Boca Raton, FL 1994-1999 Faculty, Palm Beach Community College, Lake Worth, FL 1994-1996 Artist in Residence, Palm Beach County School for the Arts, West Palm Beach, FL 1984-1993 The New England School of Art and Design, Boston, MA, (Chair, Foundation Department, 1987-1993) 1993 Suffolk University, Boston, MA, painting (sabbatical replacement) 1981-1992 Mount Ida College, Newton Centre, MA, instructor 1976-1981 Rivier College, Nashua, NH, instructor Professional Activities Peer Evaluations 2015 David Burke, Chatham University, Pittsburg, PA 2013 Corey Dreith, University of Colorado, Colorado Springs, CO Committees 2013 – 2014 Art Acquisition Committee, Herring -
April 2017: Program Calendar Apr
AprilDECEMBER | Vol 2016-2017: | Vol 2016-2017: Issue 08 Issue 04 www.bostoncameraclub.org Welcome to our NEW MEMBERS in March 2017: Linda Ellis; Kenneth Sutton. We look forward to seeing you at upcoming meetings (if we haven’t already)! Image © Erik Gehring. April 2017: Program Calendar Apr. 4 Latimer Print Competition with Bruce Myren Apr. 11 Model Studio Apr. 11 Photo Critique and Lightroom Workshop Apr. 18 Projected Image Competition with Elizabeth “Lisa” Ryan Apr. 25 Education Program - “Photographiing Birds of Massachusetts” with Shawn Carey Apr. 26 Field Trip to Metropolitan Waterworks Museum, Chestnut Hill, MA Apr. 28-30 Panorama Lecture and Workshop with Vincent Lawrence Latimer Print Competition — Tuesday, April 4 Submission deadline: Saturday, April 1, 11:30 pm Social time, setup & hang prints: 6:30 – 7:10 pm Voting: 7:10 – 7:30 pm Judge’s presentation and critique: 7:30 pm Categories: Open A; Open B; On the Beach; Night in the City Prints must be in place not later than 7:10 pm. Members in good standing may enter up to three images total in any three categories, with no more than two images in any one category, in accordance with BCC Competi- tion Rules. Prints must be mounted and preferably matted. Maximum overall size for print and mount may not exceed 16”x20.” Prints must also be labeled on the back with name, title, and category. Competition Definitions: On the Beach: Photos for this category should portray beach scenes, but should be more than just a beach landscape. There should be people or objects (other than stones rocks, or sand) that are literally “on the beach.” 1 Night in the City: Photographs must clearly represent a vision of a large city at night.