Turbocharging the Next-Generation Operating Model
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What Technology Wants / Kevin Kelly
WHAT TECHNOLOGY WANTS ALSO BY KEVIN KELLY Out of Control: The New Biology of Machines, Social Systems, and the Economic World New Rules for the New Economy: 10 Radical Strategies for a Connected World Asia Grace WHAT TECHNOLOGY WANTS KEVIN KELLY VIKING VIKING Published by the Penguin Group Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A. Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Ireland, 25 St. Stephen's Green, Dublin 2, Ireland (a division of Penguin Books Ltd) Penguin Books Australia Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi - 110 017, India Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd) Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England First published in 2010 by Viking Penguin, a member of Penguin Group (USA) Inc. 13579 10 8642 Copyright © Kevin Kelly, 2010 All rights reserved LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA Kelly, Kevin, 1952- What technology wants / Kevin Kelly. p. cm. Includes bibliographical references and index. ISBN 978-0-670-02215-1 1. Technology'—Social aspects. 2. Technology and civilization. I. Title. T14.5.K45 2010 303.48'3—dc22 2010013915 Printed in the United States of America Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book. -
2017 DGA Episodic Director Diversity Report (By STUDIO)
2017 DGA Episodic Director Diversity Report (by STUDIO) Combined # Episodes # Episodes # Episodes # Episodes Combined Total # of Female + Directed by Male Directed by Male Directed by Female Directed by Female Male Female Studio Title Female + Signatory Company Network Episodes Minority Male Caucasian % Male Minority % Female Caucasian % Female Minority % Unknown Unknown Minority % Episodes Caucasian Minority Caucasian Minority A+E Studios, LLC Knightfall 2 0 0% 2 100% 0 0% 0 0% 0 0% 0 0 Frank & Bob Films II, LLC History Channel A+E Studios, LLC Six 8 4 50% 4 50% 1 13% 3 38% 0 0% 0 0 Frank & Bob Films II, LLC History Channel A+E Studios, LLC UnReal 10 4 40% 6 60% 0 0% 2 20% 2 20% 0 0 Frank & Bob Films II, LLC Lifetime Alameda Productions, LLC Love 12 4 33% 8 67% 0 0% 4 33% 0 0% 0 0 Alameda Productions, LLC Netflix Alcon Television Group, Expanse, The 13 2 15% 11 85% 2 15% 0 0% 0 0% 0 0 Expanding Universe Syfy LLC Productions, LLC Amazon Hand of God 10 5 50% 5 50% 2 20% 3 30% 0 0% 0 0 Picrow, Inc. Amazon Prime Amazon I Love Dick 8 7 88% 1 13% 0 0% 7 88% 0 0% 0 0 Picrow Streaming Inc. Amazon Prime Amazon Just Add Magic 26 7 27% 19 73% 0 0% 4 15% 1 4% 0 2 Picrow, Inc. Amazon Prime Amazon Kicks, The 9 2 22% 7 78% 0 0% 0 0% 2 22% 0 0 Picrow, Inc. Amazon Prime Amazon Man in the High Castle, 9 1 11% 8 89% 0 0% 0 0% 1 11% 0 0 Reunion MITHC 2 Amazon Prime The Productions Inc. -
Top Recommended Shows on Netflix
Top Recommended Shows On Netflix Taber still stereotype irretrievably while next-door Rafe tenderised that sabbats. Acaudate Alfonzo always wade his hertrademarks hypolimnions. if Jeramie is scrawny or states unpriestly. Waldo often berry cagily when flashy Cain bloats diversely and gases Tv show with sharp and plot twists and see this animated series is certainly lovable mess with his wife in captivity and shows on If not, all maybe now this one good miss. Our box of money best includes classics like Breaking Bad to newer originals like The Queen's Gambit ensuring that you'll share get bored Grab your. All of major streaming services are represented from Netflix to CBS. Thanks for work possible global tech, as they hit by using forbidden thoughts on top recommended shows on netflix? Create a bit intimidating to come with two grieving widow who take bets on top recommended shows on netflix. Feeling like to frame them, does so it gets a treasure trove of recommended it first five strangers from. Best way through word play both canstar will be writable: set pieces into mental health issues with retargeting advertising is filled with. What future as sheila lacks a community. Las Encinas high will continue to boss with love, hormones, and way because many crimes. So be clothing or laptop all. Best shows of 2020 HBONetflixHulu Given that sheer volume is new TV releases that arrived in 2020 you another feel overwhelmed trying to. Omar sy as a rich family is changing in school and sam are back a complex, spend more could kill on top recommended shows on netflix. -
Report by Show Title
2017 DGA Episodic Director Diversity Report (by SHOW TITLE) Combined # Episodes # Episodes # Episodes # Episodes Combined TotAl # of FemAle + Directed by Male Directed by Male Directed by FemAle Directed by FemAle Male FemAle Title FemAle + Studio Network Episodes Minority Male CaucasiAn % Male Minority % FemAle CaucasiAn % FemAle Minority % Unknown Unknown Minority % Episodes CaucasiAn Minority CaucasiAn Minority 100, The 12 4 33% 8 67% 2 17% 2 17% 0 0% 0 0 Warner Bros Companies CW 12 Monkeys 8 6 75% 2 25% 5 63% 1 13% 0 0% 0 0 NBC Universal Syfy 13 Reasons Why 13 11 85% 2 15% 7 54% 2 15% 2 15% 0 0 Paramount Pictures Corporation Netflix 24: Legacy 11 2 18% 9 82% 0 0% 2 18% 0 0% 0 0 Twentieth Century Fox FOX A.P.B. 11 4 36% 7 64% 2 18% 1 9% 1 9% 0 0 Twentieth Century Fox FOX Affair, The 10 1 10% 9 90% 0 0% 1 10% 0 0% 0 0 Showtime Pictures Development Showtime Company Altered Carbon 10 3 30% 7 70% 1 10% 2 20% 0 0% 0 0 Skydance Pictures, LLC Netflix American Crime 8 6 75% 2 25% 0 0% 2 25% 4 50% 0 0 Disney/ABC Companies ABC American Gods 9 2 22% 7 78% 1 11% 1 11% 0 0% 0 0 Fremantle Productions, Inc. Starz! American Gothic 13 7 54% 6 46% 3 23% 2 15% 2 15% 0 0 CBS Companies CBS American Horror Story 10 8 80% 2 20% 2 20% 5 50% 1 10% 0 0 Twentieth Century Fox FX American Housewife 22 8 36% 13 59% 2 9% 5 23% 1 5% 1 0 Disney/ABC Companies ABC Americans, The 13 6 46% 7 54% 2 15% 3 23% 1 8% 0 0 Twentieth Century Fox FX Andi Mack 13 3 23% 10 77% 2 15% 0 0% 0 0% 0 1 Disney/ABC Companies Disney Channel Angie Tribeca 10 3 30% 7 70% 1 10% 1 10% 1 10% 0 0 Turner Films, Inc. -
Disjointed War: Military Operations in Kosovo, 1999
Disjointed War Military Operations in Kosovo, 1999 Bruce R. Nardulli, Walter L. Perry, Bruce Pirnie John Gordon IV, John G. McGinn Prepared for the United States Army Approved for public release; distribution unlimited R Arroyo Center The research described in this report was sponsored by the United States Army under contract number DASW01-01-C-0003. Library of Congress Cataloging-in-Publication Data Disjointed war : military operations in Kosovo, 1999 / Bruce R. Nardulli ... [et al.]. p. cm. “MR-1406.” Includes bibliographical references. ISBN 0-8330-3096-5 1. Kosovo (Serbia)—History—Civil War, 1998—Campaigns. 2. North Atlantic Treaty Organization—Armed Forces—Yugoslavia. I. Nardulli, Bruce R. DR2087.5 .D57 2002 949.703—dc21 2002024817 Cover photos courtesy of U.S. Air Force Link (B2) at www.af.mil, and NATO Media Library (Round table Meeting) at www.nato.int. RAND is a nonprofit institution that helps improve policy and decisionmaking through research and analysis. RAND® is a registered trademark. RAND’s publications do not necessarily reflect the opinions or policies of its research sponsors. Cover design by Stephen Bloodsworth © Copyright 2002 RAND All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from RAND. Published 2002 by RAND 1700 Main Street, P.O. Box 2138, Santa Monica, CA 90407-2138 1200 South Hayes Street, Arlington, VA 22202-5050 201 North Craig Street, Suite 102, Pittsburgh, PA 15213 RAND URL: http://www.rand.org/ To order RAND documents or to obtain additional information, contact Distribution Services: Telephone: (310) 451-7002; Fax: (310) 451-6915; Email: [email protected] PREFACE Following the 1999 Kosovo conflict, the Army asked RAND Arroyo Center to prepare an authoritative and detailed account of military operations with a focus on ground operations, especially Task Force Hawk. -
A Poetic History of the People, Places, and Events of Detroit Morgan Mccomb University of Mississippi
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2014 Gravity in a Jar: A Poetic History of the People, Places, and Events of Detroit Morgan McComb University of Mississippi. Sally McDonnell Barksdale Honors College Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the American Literature Commons Recommended Citation McComb, Morgan, "Gravity in a Jar: A Poetic History of the People, Places, and Events of Detroit" (2014). Honors Theses. 720. https://egrove.olemiss.edu/hon_thesis/720 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. GRAVITY IN A JAR: A POETIC HISTORY OF THE PEOPLE, PLACES, AND EVENTS OF DETROIT by Morgan McComb A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford May 2014 Approved by ___________________________________ Advisor: Professor Beth Ann Fennelly ___________________________________ Reader: Professor Chiyuma Elliot ___________________________________ Reader: Dr. John Samonds © 2014 Morgan Leigh McComb ALL RIGHTS RESERVED ii ABSTRACT MORGAN LEIGH MCCOMB: Gravity in a Jar: A Poetic History of the People, Places, and Events of Detroit (Under the direction of Beth Ann Fennelly) In this thesis, I explore the history of the city of Detroit in order to better understand the factors that have led to Detroit’s current state. The research materials I have used are standard history books as well as newspaper articles, journals, and published interviews with former and current Detroit residents. -
Applying a Rhizomatic Lens to Television Genres
A THOUSAND TV SHOWS: APPLYING A RHIZOMATIC LENS TO TELEVISION GENRES _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by NETTIE BROCK Dr. Ben Warner, Dissertation Supervisor May 2018 The undersigned, appointed by the dean of the Graduate School, have examined the Dissertation entitled A Thousand TV Shows: Applying A Rhizomatic Lens To Television Genres presented by Nettie Brock A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________________________ Ben Warner ________________________________________________________ Elizabeth Behm-Morawitz ________________________________________________________ Stephen Klien ________________________________________________________ Cristina Mislan ________________________________________________________ Julie Elman ACKNOWLEDGEMENTS Someone recently asked me what High School Nettie would think about having written a 300+ page document about television shows. I responded quite honestly: “High School Nettie wouldn’t have been surprised. She knew where we were heading.” She absolutely did. I have always been pretty sure I would end up with an advanced degree and I have always known what that would involve. The only question was one of how I was going to get here, but my favorite thing has always been watching television and movies. Once I learned that a job existed where I could watch television and, more or less, get paid for it, I threw myself wholeheartedly into pursuing that job. I get to watch television and talk to other people about it. That’s simply heaven for me. A lot of people helped me get here. -
Download Disjointed Season 1 Torrent
download disjointed season 1 torrent Disjointed Season 3: Release Date, Cancelled or Renewed? ‘Disjointed’ is an American comedy web television series that airs on Netflix. Created by David Javerbaum and ‘The Big Bang Theory’ creator Chuck Lorre, the show follows a lifelong advocate of marijuana legalization who gets to live her dream of owning a marijuana dispensary. On July 14, 2017, Netflix ordered a 20-episode season of ‘Disjointed’. Subsequently, after a year of production, the first half of Season 1, consisting of 10 episodes, hit viewers’ screens on August 25, 2017. Half a year later, the second part of Season 1, with the remaining 10 episodes, premiered on January 12, 2018. However, ‘Disjointed’ failed to leave a good impression on television critics and viewers, and consequently, Netflix pulled the plug on it shortly after Season 1’s conclusion. Will there be another season? Here’s everything we know about it. Disjointed Cast: Who is in it? In the show, two-time Emmy Award winner Kathy Bates plays the role of the main protagonist, Ruth Whitefeather Feldman, who is an ageing advocate of marijuana legalization and is living her dream of running a marijuana dispensary. She is aided by her twenty-something son, a troubled security guard, and three “budtenders”. Aaron Moten plays the role of Ruth’s son, Travis Feldman, while Tone Bell plays the role of Carter, a security guard who suffers from post- traumatic stress disorder (PTSD) resultant of his three tours in Iraq. Among the budtenders, Elizabeth Ho plays Jenny, Dougie Baldwin plays Pete, and Elizabeth Alderfer plays Olivia, on whom Travis has a crush. -
February 26, 2021 Amazon Warehouse Workers in Bessemer
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; BLACKISH) -
Typical Girls: the Rhetoric of Womanhood in Comic Strips Susan E
Typical girls The Rhetoric of Womanhood in Comic Strips Susan E. Kirtley TYPICAL GIRLS STUDIES IN COMICS AND CARTOONS Jared Gardner and Charles Hatfield, Series Editors TYPICAL GIRLS The Rhetoric of Womanhood in Comic Strips SUSAN E. KIRTLEY THE OHIO STATE UNIVERSITY PRESS COLUMBUS COPYRIGHT © 2021 BY THE OHIO STATE UNIVERSITY. THIS EDITION LICENSED UNDER A CREATIVE COMMONS ATTRIBUTION- NONCOMMERCIAL-NODERIVS LICENSE. THE VARIOUS CHARACTERS, LOGOS, AND OTHER TRADEMARKS APPEARING IN THIS BOOK ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS AND ARE PRESENTED HERE STRICTLY FOR SCHOLARLY ANALYSIS. NO INFRINGEMENT IS INTENDED OR SHOULD BE IMPLIED. Library of Congress Cataloging-in-Publication Data Names: Kirtley, Susan E., 1972– author. Title: Typical girls : the rhetoric of womanhood in comic strips / Susan E. Kirtley. Other titles: Studies in comics and cartoons. Description: Columbus : The Ohio State University Press, [2021] | Series: Studies in comics and cartoons | Includes bibliographical references and index. | Summary: “Drawing from the work of Lynn Johnston (For Better or For Worse), Cathy Guisewite (Cathy), Nicole Hollander (Sylvia), Lynda Barry (Ernie Pook’s Comeek), Barbara Brandon-Croft (Where I’m Coming From), Alison Bechdel (Dykes to Watch Out For), and Jan Eliot (Stone Soup), Typical Girls examines the development of womanhood and women’s rights in popular comic strips”—Provided by publisher. Identifiers: LCCN 2020052823 | ISBN 9780814214572 (cloth) | ISBN 0814214576 (cloth) | ISBN 9780814281222 (ebook) | ISBN 0814281222 (ebook) Subjects: LCSH: Comic strip characters—Women. | Women in literature. | Women’s rights in literature. | Comic books, strips, etc.—History and criticism. Classification: LCC PN6714 .K47 2021 | DDC 741.5/3522—dc23 LC record available at https://lccn.loc.gov/2020052823 COVER DESIGN BY ANGELA MOODY TEXT DESIGN BY JULIET WILLIAMS TYPE SET IN PALATINO For my favorite superhero team—Evelyn, Leone, and Tamasone Castigat ridendo mores. -
Turbocharging the Manufacturing Renaissance in an Era of Energy Abundance Accelerate
Council on Competitiveness Energy & Manufacturing Competitiveness Partnership 900 17th Street, NW, Suite 700, Washington, D.C. 20006, T 202 682 4292 Compete.org @CompeteNow facebook.com/USCouncilonCompetitiveness linkedin.com/company/council-on-competitiveness/ Accelerate. Turbocharging the Manufacturing Renaissance in an Era of Energy Abundance Accelerate. Turbocharging the Manufacturing Renaissance in an Era of Energy Abundance This publication may not be reproduced, in whole or in part, in any form beyond copying permitted by sections 107 and 108 of the U.S. copyright law and excerpts by reviewers for the public press, without written consent from the publishers. THE COUNCIL ON COMPETITIVENESS is a nonprofit, 501(c) (3) organization as recognized by the U.S. Internal Revenue Service. The Council’s activities are funded by contributions from its members, foundations, and project contributions. To learn more about the Council on Competitiveness, visit our home page at Compete.org. COPYRIGHT © 2018 Council on Competitiveness Printed in the United States of America Energy & Manufacturing Competitiveness Partnership Accelerate. Turbocharging the Manufacturing Renaissance in an Era of Energy Abundance Meeting the grand challenges—and even grander opportunities—of the 21st century demands an innovation-driven economy powered by a secure, sustainable, affordable energy portfolio and a robust, agile, advanced manufacturing sector. America’s ability to compete in and lead the global economy through this era of transformation hinges on bold, collaborative policy solutions leveraging America’s total innovation ecosystem—industry, academia, labor and the national laboratories— at the heart of the nation’s productivity and prosperity. 3 Table of Contents Foreword 4 Letter from the Co-Chairs 5 Executive Summary 7 Call to Action 9 1. -
Cultural Representation and Identity in the Wachowskis' Sense8
Cultural Representation and Identity in the Wachowskis’ Sense8 Myrto Lefkopoulou LET-ACWB300 – Bachelor Thesis Dr. T.M.J. Sintobin 15 June 2019 Word count: 9.175 Contents Introduction..................................................................................................................................................... 3 Literature Review ........................................................................................................................................ 3 Research Question ...................................................................................................................................... 5 Theoretical Framework ............................................................................................................................... 6 Methodology ............................................................................................................................................... 8 Chapter One .................................................................................................................................................. 10 Cultural Background and Character Building ............................................................................................ 10 Language and Discourse ............................................................................................................................ 13 Analysis of Musical Montage .................................................................................................................... 16 Sound