DOCSLIB.ORG

Fabric Collection 2017

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fabric Collection 2017 Photos for reference only. Please request samples before ordering. Fabric Collection 2017 www.verellen.biz Photos for reference only. Please request samples before ordering. Adiago 51% Mohair 35% Virgin Wool 14% Rayon Grade I Foshia Light Grey Medium Grey Polvere Ari 76% Cotton 17% Flax 7% Nylon Grade A Natural Aristocosi 34% Cotton 30% Viscose 24% Linen 7% Bamboo 5% Rayon Grade E Chalk Grey Seagull Banks 82% Polyester 18% Cotton Grade A Charcoal Flannel Mink www.verellen.biz Photos for reference only. Please request samples before ordering. Banks 82% Polyester 18% Cotton Grade A Slate Smoke Uniform Vicuna Bare Linen 100% Linen Grade C Ecru Benny 87% Cotton 13% Polyester Grade EL1 Fumo Brigadoon 86% Wool 14% Cotton Grade K Brownstone Heather www.verellen.biz Photos for reference only. Please request samples before ordering. Cambric 90% Polyester 10% Linen Grade EL2 Ivory Nickel Stone Cambridge 100% Cotton Grade A Graphite White Casual Linen 100% Linen Grade C Café Noir Charcoal Flax Natural Oatmeal Oyster Casual Linen 100% Linen Grade C Stone www.verellen.biz Photos for reference only. Please request samples before ordering. Charisma 100% Polyester Grade EL2 Concrete Grey Como Cotton Velvet 74% Cotton 26% Polyester Grade C Dark Grey Grey Cloud Sharkskin Confetti Linen 50% Linen 50% Wool Grade I 001 Grey 003 Beige 006 Dark Grey 008 Black Dixon 91% Cotton 9% Polyester Grade EL1 Pewter www.verellen.biz Photos for reference only. Please request samples before ordering. Donnie 87% Cotton 13% Polyester Grade E Bleach Grey Sepia Eco I 51% Linen 49% Cotton Grade EL1 Porridge Eco II 51% Linen 49% Cotton Grade EL2 Driftwood Flax Natural Oatmeal Porcelain Evelyn 44% Wool 43% Cotton 8% Acrylic 5% Polyester Grade E Anise Cloud Zinc www.verellen.biz Photos for reference only. Please request samples before ordering. Flat Weave Linen 100% Linen Grade G Oatmeal Fulled Frisé 100% Cotton Grade C Natural Gauzy Linen 100% Linen Grade C Gunmetal Pewter Shale Silver Taupe Warm Grey Gent 80% Rayon 20% Linen Grade EL2 Charcoal Flax Smoke www.verellen.biz Photos for reference only. Please request samples before ordering. Griffin 44% Cotton 22% Wool 22% Nylon 7% Polyester Grade E Silk Hemp 100% Hemp Grade I Ash Grey Black Natural Oyster Herringbone (Adelene for Verellen) 53% Cotton 47% Viscose Grade I Graphite Jailbird II (Adelene for Verellen) 59% Cotton 33% Linen 8% Bamboo Grade G Breakout Grey II www.verellen.biz Photos for reference only. Please request samples before ordering. Kalahari 100% Linen Grade E Dark Grey Flax Natural Oatmeal Oyster Laundered Casual Linen 100% Linen Grade C Acorn Bone Coffee Gunmetal Optical White Pewter Shale Silver www.verellen.biz Photos for reference only. Please request samples before ordering. Lombardy 100% Linen Grade A Rosewood Lysordo 32% Linen 35% Jute 24% Acrylic 5% Polyester 4% Rayon Grade I Heavy Grey Marais 100% Linen Grade G 0001 Maremosso 54% Polyester 26% Cotton 10% Linen Grade I 02 18 Mellow Linen 100% Linen Grade G Ash Dyed Flax Petrol www.verellen.biz Photos for reference only. Please request samples before ordering. Mellow Linen 100% Linen Grade G Pewter Zinc Mephisto Alpaca Boucle 41% Wool 29% Alpaca 17% Cotton 3% Acrylic Grade N Stone Misanga 65% Natural Wool 35% Cotton Grade G Brownstone Misanga 67% Worsted Wool 33% Cotton Grade K Charcoal Mist 65% Cotton 35% Polyester Grade EL2 Cloud Licorice www.verellen.biz Photos for reference only. Please request samples before ordering. Montmartre 100% Linen Grade E 0001 0002 0003 0004 Nolan 72% Cotton 21% Linen 4% Polyester Grade EL2 Fumo Grey Sand Obsession Velvet 75% Polyester 25% Cotton Grade C Charcoal Midnight Mink Mushroom Platinum Sand www.verellen.biz Photos for reference only. Please request samples before ordering. Obsession Velvet 75% Polyester 25% Cotton Grade C Silhouette Oxford Linen Chintz 100% Linen Grade C 28 33 101 171 Pastel Linen 52% Linen 38% Viscose 10% Nylon Grade G 002 008 009 Pompidou 100% Linen Grade E 0004 0006 0007 www.verellen.biz Photos for reference only. Please request samples before ordering. Pompidou 100% Linen Grade E 0008 Rustic Linen 100% Linen Grade E Flax Natural Oyster Rustic Stonewash Linen 100% Linen Grade K Flax Natural Oyster Pewter Sahara Linen 100% Linen Grade E Flax Grey Natural www.verellen.biz Photos for reference only. Please request samples before ordering. Sahara Linen 100% Linen Grade E Oyster Salt & Pepper Linen 81% Linen 14% Polyamide 5% Viscose Grade I 0001 Sandy Linen 52% Linen 38% Viscose 10% Nylon Grade G 0008 0009 0010 0011 0012 0013 0018 0021 www.verellen.biz Photos for reference only. Please requestPhotos samples for before reference ordering. only. Please request samples before ordering. Sawyer 53% Linen 47% Cotton Grade A Grey Natural Travertine Seneca 62% Wool 38% Cotton Grade K Charcoal Solid Flat Weave Linen 100% Linen Grade G Natural Speckled Hen (Adelene for Verellen) 75% Cotton 25% Linen Grade I Mottled Stonewash Linen 91% Linen 9% Nylon Grade I Flax Grey Natural www.verellen.biz www.verellen.biz Photos for reference only. Please request samples before ordering. Stonewash Linen 91% Linen 9% Nylon Grade I Oyster Story 75% Cotton 20% Acrylic 5% Other Fibers Grade C 19 118 218 Sturdy Boy (Adelene for Verellen) 100% Cotton Grade C Ironware Nightfall Olive Porcelain Starch Sturdy Girl (Adelene for Verellen) 100% Cotton Grade A Cast Iron Nightfall Oatmeal www.verellen.biz Photos for reference only. Please request samples before ordering. Sturdy Girl (Adelene for Verellen) 100% Cotton Grade A Porcelain Starch Summer 70% Cotton 15% Acrylic 15% Polyester Grade A Black Milky Navy Sylvia 91% Linen 9% Wool Grade C White Tumbled Linen 100% Linen Grade I Beige Calcaire Dark Grey Dyed Natural Flax Grey www.verellen.biz Photos for reference only. Please request samples before ordering. Tumbled Linen 100% Linen Grade I Marine Militaire Opt. White Oyster Petrol Vance 83% Cotton 17% Polyester Grade EL1 Marine Pewter Vintage Linen 100% Linen Grade I Arabica Flax Granite Natural Oyster www.verellen.biz Photos for reference only. Please request samples before ordering. Wallace 71% Wool 29% Cotton Grade E Marble Willow 70% Recycled Wool 25% Recycled Polyacryl 5% Recycled Other Fibers Grade G Natural Kiezel 7 Light Grey Mid Grey www.verellen.biz.
Load more

Recommended publications
  • Here. the Whispered
    Apprentice Writer Vo The Lempuyang Gates of Heaven Chantel Kardous Lincoln, RI l u 38 m e Apprentice Writer www.apprenticewriter.com PRIZES HIGH SCHOOL WRITERS ARE INVITED TO SUBMIT $200 THEIR POETRY, CHOREOPOETRY, SPOKEN WORD to Outstanding Writer POETRY, GRAPHIC FICTION AND NONFICTION, PROSE in fiction, nonfiction, FICTION AND NONFICTION, AND PHOTOGRAPHY and poetry SUBMISSIONS FOR PUBLICATION & PRIZES. CALL FOR SUBMISSIONS: September 15 to March 15 In addition to being published in the 2021 edition, a published author $50 will award selected writers the prize of Outstanding Writer in fiction, to Runners-Up in nonfiction, and poetry as well as Runners-Up in each genre. fiction, nonfiction, and SUBMISSIONS: poetry HTTP://TINYURL.COM/APPRENTICEWRITER2021 Questions? Contact Ashley Houtz at The Writers Institute, Susquehanna University, at [email protected]. Spend a week immersed in writing with Susquehanna’s nationally recognized authors! JULY 18—24, 2021 Live the life of a practicing writer through intensive writing workshops and one-on-one conferences. Concentrate on fiction, poetry, or memoir. The $1025 fee (discount given for early applications submitted by April 15) covers all costs, including room and board. Scholarships are available. APPLY ONLINE AT: WWW.SUSQU.EDU/ WRITERSWORKSHOP The Gates of Heaven been taught better than that), but we didn’t play the be, but I liked the process anyway. game anymore. Instead, I stood on the stump alone, I carried a different name, different are White (Among sometimes with a notebook, sometimes just with the story—a different spoon-fed lie or Other Things) ants. I’d occasionally try to lean back on my own, partial truth, depending on how you Emily Bach but I wouldn’t get very far without falling.
    [Show full text]
  • “Al-Tally” Ascension Journey from an Egyptian Folk Art to International Fashion Trend
    مجمة العمارة والفنون العدد العاشر “Al-tally” ascension journey from an Egyptian folk art to international fashion trend Dr. Noha Fawzy Abdel Wahab Lecturer at fashion department -The Higher Institute of Applied Arts Introduction: Tally is a netting fabric embroidered with metal. The embroidery is done by threading wide needles with flat strips of metal about 1/8” wide. The metal may be nickel silver, copper or brass. The netting is made of cotton or linen. The fabric is also called tulle-bi-telli. The patterns formed by this metal embroidery include geometric figures as well as plants, birds, people and camels. Tally has been made in the Asyut region of Upper Egypt since the late 19th century, although the concept of metal embroidery dates to ancient Egypt, as well as other areas of the Middle East, Asia, India and Europe. A very sheer fabric is shown in Ancient Egyptian tomb paintings. The fabric was first imported to the U.S. for the 1893 Chicago. The geometric motifs were well suited to the Art Deco style of the time. Tally is generally black, white or ecru. It is found most often in the form of a shawl, but also seen in small squares, large pieces used as bed canopies and even traditional Egyptian dresses. Tally shawls were made into garments by purchasers, particularly during the 1920s. ملخص البحث: التمي ىو نوع من انواع االتطريز عمى اقمشة منسوجة ويتم ىذا النوع من التطريز عن طريق لضم ابر عريضة بخيوط معدنية مسطحة بسمك 1/8" تصنع ىذه الخيوط من النيكل او الفضة او النحاس.واﻻقمشة المستخدمة في صناعة التمي تكون مصنوعة اما من القطن او الكتان.
    [Show full text]
  • January 2020
    SHERRILL FABRIC CATALOG January 2020 Fabric List Fabric Catalog January 2020 GENERAL INFORMATION (1) RAFT: It has been determined by the Joint Industry Fabric Standards Committee that various fabric treatment processes are detrimental to the performance of fabrics. Therefore, neither Sherrill Furniture Company nor the fabric mill can be responsible for any claims made involving fabrics that have Retail Applied Fabric Treatment. (2) The manufacturers of upholstered fabrics do not guarantee their products for wearability or colorfastness; whether "Teflon" treated or not; therefore, we cannot assume this responsibility. We also cannot guarantee match in color items ordered at separate times because of dye lot variations. (3) We do not in any way guarantee that Teflon finish will definitely improve cleaning quality of fabrics. (4) We buy the best quality covers available in each grade, consistent with the present day styles, and cannot guarantee fabric for cleanability, fastness of color, or wearing quality. (5) A number or letter opposite the colors in the different patterns indicate the color set in which you may locate the pattern. Example: P-PRINTS 4-BEIGE/WHITE 7-MELON/RED 2-GREEN 5-GOLD/YELLOW 8-BLUE/BLACK 3-TOAST/CAMEL 6-TURQUOISE Also, italicized numbers following the color set (example: Multi 7 - 17963) indicate the fabric's SKU number. (6) Special features of each (content, repeats, etc.) are listed directly under the pattern colors. (7) All current fabrics are 54 inches wide unless otherwise noted. (8) When "Railroaded" is noted on the list, this denotes that the fabric is shown railroaded in swatches and on furniture.
    [Show full text]
  • Sew Any Fabric Provides Practical, Clear Information for Novices and Inspiration for More Experienced Sewers Who Are Looking for New Ideas and Techniques
    SAFBCOV.qxd 10/23/03 3:34 PM Page 1 S Fabric Basics at Your Fingertips EW A ave you ever wished you could call an expert and ask for a five-minute explanation on the particulars of a fabric you are sewing? Claire Shaeffer provides this key information for 88 of today’s most NY SEW ANY popular fabrics. In this handy, easy-to-follow reference, she guides you through all the basics while providing hints, tips, and suggestions based on her 20-plus years as a college instructor, pattern F designer, and author. ABRIC H In each concise chapter, Claire shares fabric facts, design ideas, workroom secrets, and her sewing checklist, as well as her sewability classification to advise you on the difficulty of sewing each ABRIC fabric. Color photographs offer further ideas. The succeeding sections offer sewing techniques and ForewordForeword byby advice on needles, threads, stabilizers, and interfacings. Claire’s unique fabric/fiber dictionary cross- NancyNancy ZiemanZieman references over 600 additional fabrics. An invaluable reference for anyone who F sews, Sew Any Fabric provides practical, clear information for novices and inspiration for more experienced sewers who are looking for new ideas and techniques. About the Author Shaeffer Claire Shaeffer is a well-known and well- respected designer, teacher, and author of 15 books, including Claire Shaeffer’s Fabric Sewing Guide. She has traveled the world over sharing her sewing secrets with novice, experienced, and professional sewers alike. Claire was recently awarded the prestigious Lifetime Achievement Award by the Professional Association of Custom Clothiers (PACC). Claire and her husband reside in Palm Springs, California.
    [Show full text]
  • Fibers and Fabrics; TX335 .A1 U6 NO
    KitlQRr Bureau of Standards Reference book' no' to ygjgtv |Oi Admin. Bldg. taken from the library, gmp STATES Ite.WMENT OF COMMERCE PUBLICATION A11ID3 Db3SbD All103063560 Blandford, Josephlne/FIbers and fabrics; TX335 .A1 U6 NO. 1, 1970 C.1 NBS-PUB-R 1 ^TES ‘‘•‘‘'/I'ti'i'.1'1' 1: BBB8 MB A Consumer’s Guide from the Mational Bureau of Standards NBS CIS 1 IIIIShSs Fibers and Fabrics by Josephine M. Blandford and Lois M. Gurel INFORMATION ABOUT NATURAL AND MAN-MADE FIBERS AND FABRICS TO MEET YOUR PARTICULAR NEEDS. NBS CONSUMER INFORMATION SERIES 1 Editor: James E. Payne Issued November 1970 U.S. DEPARTMENT OF COMMERCE Maurice H. Stans, Secretary Rocco C. Siciliano, Under Secretary Myron Tribus, Assistant Secretary for Science and Technology NATIONAL BUREAU OF STANDARDS A Consumer’s Lewis M. Branscomb, Director GUIDE FROM THE) NATIONAL BUREAU OF STANDARDS For sale by the Superintendent of Documents, U.S. Government Printing Office, U.S. DEPARTMENT Washington, D.C. 20402. OF COMMERCE Price 65 cents. NATIONAL BUREAU OF STANDARDS APR 1 0 1971 FOREWORD Technology is changing not only the products you buy, but the marketplace as well. Unfortunately, this is not an unmixed blessing. Products are constantly being improved, but designs are complicated, quality is vari¬ able, and good advice is hard to get. Modern stores and merchandising bring you a wide variety of products; but the large number of choices and the lack of dependable infor¬ mation often make shopping a confusing and frustrating experience. A generation ago the merchant was likely to be a friend of the family.
    [Show full text]
  • Checklist for Textiles U.S.A
    THE MUSEUM OF MODERN ART 11 WEST 53 STREET, NEW YORK 19, N. Y. TELEPHONE: CIRCLE 5-8900 No. &• TENTATIVE AND CONFIDENTIAL CHECKLIST FOR TEXTILES U.S.A. Home Furnishings Category Anderson Studio of Handweaving - East Gloucester, Massachusetts. Drapery material. Cotton, viscose and Jute. Designed by Beatrice Anderson, 1951*. Thelma Becherer - West Franklin, New Hampshire. Tapestry. Handwoven of green, yellow and clear "velon" plastic, with dried horsetails and cattails. Plain weave. 1956. Monica Bella Broner, Tapestry. "Fur Weave." Wool, cotton and fur strips, 195^• Bill Carter and Dodie Childs - Chicago, Illinois. Roll Shade, Handwoven matchstick bamboo across multicolored and textured cotton, wool and metallic yarn warp, 1955* Arundell Clarke Drapery fabric. "Strocm Draden". Handscreened white print on trans­ parent white silk. Designed by Pierre Kleykamp, 1955. Drapery fabric, "Primitive Forms." Handscreened black print on brown cotton. Designed by Baldwin-Machado, 1950, Drapery fabric. "10,000 B.C." Cotton jacquard, charcoal on white. Designed by Naomi Raymond, 1952. Cohn-Hall-Marx Co, (For Colvin, see Bertha Schaefer Callery - Page 3.) Upholstery fabric, Saran and metal, novelty weave. Brown, 1955. Fazakas Fabrics, Inc. Drapery fabric, "Hit & Miss," Black spray on white cotton batiste, Designed by DoneIda Fazakas, 1950, Qeraldine Punk - Lancaster, Pennsylvania, Window ahade, Handwoven red and rust cotton and rayon warp. Banana bark and coconut cord weft. 1950, Screen, Handwoven in Puerto Rico, White string warp,, white jnaguey and coconut sliver weft, 19^8, % Ginstrom - Cedar Falls, Iowa. Screen. "Scallops." Handwoven, handtied openwork; all linen panel. 1955. folding Decorative Fabrics. Drapery fabric. "Torero-Vermilion 33." Silk screened cotton sateen. Designed by Otto and Grete Wollner,1955» LiUy E.
    [Show full text]
  • SHARKSKIN SUITS Karl Schrag, Irving Maranu
    Paintings On Display In Stores / 'or the Better Things in Life. Original nil paintings hy a group of distinguished Amer­ WHITE ican artists have inspired U. S. Rubber Co., new "Ked- ettes Collection of Brilliant ('anvases." FRONT The exhibition currently is being shown by the May Co. Wilshire, with reproductions of the collection being shown in the shoe departments at all other May Co. stores Artists represented in the collection of ten paintings in­ clude Maurice Freedman, SHARKSKIN Karl Schrag, Irving MaranU. SUITS Mans Moller. Joseph De Mar­ Where else but White Front does so tini, Walter Meigs, Ben Benn, little money buy so much? Yet every lason Schoener, Victor Can- boy looks like a million in our tradi­ ilell, and .lulien Binford. tional ivy suits of 2 ply rayon shark- The manufacturer also is Skin, which retain fit and shed sponsoring a nationwide con­ wrinkles. Lustrous rayon linings test in havi which each of ten top inside pockets. winners will receive the orig Belt loop trousers inal painting of her choice as are smoothly unpleated. Black, olive, part of the prize. Customers blue and burgundy In sizes 8 to 16. only need select the pointing which they would like to own and fill in the entry form. Forms are available at all May Co. stores. There is no obligation of any kind and winners will be selected by drawing. Ten first-place winners also 'STOCK THE VAULT . Officials f Imperial Rank Rot a helping hand from will receive an all-rxpense- city officials nnd the new Miss Tor inrr RS they stocked the vault prior lo l H st paid weekend Thursday's in New York! opening of the Tnrraiu-c 1 rniu-h at 21151 Hnwthorne Blvd.
    [Show full text]
  • Archive Trim Pattern Inspiration
    The Archive Collection crafted traditions from artisans of the world Each country has a unique textile tradition, one that utilizes the materials, methods of manufacture and motifs unique to a given region. The Archive Collection represents the diversity of the world’s traditions and the artisans who keep them alive. The textiles that inspired the Archive Collection are from the Museum of International Folk Art in Santa Fe, New Mexico. The Museum is the largest of its kind in the world and its collections of furniture, ceramics, toys, fine art, jewelry, ceremonial objects and textiles come for over 100 countries and 6 continents. The Museum’s 30,000-piece ethnographic textile and dress collection is considered among scholars as one of the top ten in the world. A portion of the proceeds from the sale of the Archive Collection returns to the Museum. Aswan is a multicolored tassel fringe that was inspired by a Middle Eastern hand woven wool and beaded camel bridle. Aswan is woven in a linen, viscose and polyester blend and is offered in 6 colorways. MNM100 - T269 Edo is a small-scale dot design woven with a chenille figure. The delicate repeat featured on Edo was derived from the ikat indigo dyed panel on the vest. The white embroidered thread on the vest represents a technique known as sashiko. Unique to Japan, sashiko is employed to create visual harmony on garments of all kinds. Edo is woven in a linen, cotton, viscose and rayon blend and is offered in 5 colorways. NM204 - T270 Malay features a woven medallion design inspired by a similar pattern also woven into a rattan sleeping mat.
    [Show full text]
  • Mechanical Behavior Characterization of Knitted Textiles a Thesis
    Mechanical Behavior Characterization of Knitted Textiles A Thesis Submitted to the Faculty of Drexel University by Mustafa Oncul in partial fulfillment of the requirements for the degree of Master of Science in Mechanical Engineering December 2017 © Copyright 2017 Mustafa Oncul. All Rights Reserved. ii In the Name of Allah, the Entirely Merciful, the Especially Merciful iii TABLE OF CONTENTS LIST OF TABLES .......................................................................................................... v LIST OF FIGURES ........................................................................................................ vi ABSTRACT .................................................................................................................... x CHAPTER 1: INTRODUCTION ................................................................................... 1 1.1 An Overview ............................................................................................................. 1 1.1.1 Knitted Textiles .................................................................................................. 3 1.2 Testing and Characterization of Textiles .................................................................. 7 1.3 Nonlinear Mechanics of Knitted Textiles ................................................................. 9 1.4 Thesis Structure ....................................................................................................... 12 CHAPTER 2: BACKGROUND AND STATE-OF-THE-ART IN MECHANICAL BEHAVIOR CHARACTERIZATION
    [Show full text]
  • Textiles U.S.A
    THE MUSEUM OF MODERN ART 11 WIST S3 STREET, NEW YORK 19, N. Y. TILIPHONEi CIRCLE 5-8900 FOR RELEASE: TUESDAY, AUGUST 28, 19^6 PRESS PREVIEW: DAILY NEWCPATERS, MONDAY, AUGUST 27 MAGAZINES, TUESDAY, AUGUST 28 No. 80 11 am - h pm both days TEXTILES U.S.A. OPENS AT MUSEUM OF MODERN ART A delicate-looking mesh fabric used in radar targets, an opulent rayon "cloak" that is actually from the inside of a tire, brilliantly striped cotton and wool upholstery, faded blue denim and regulation Army twill, acetate jersey coated with 2k karat gold, handwoven tapestries and light dacrons, printed dress silks and combed cottons are among the 185 examples of American fabric designs on view at the Museum of Modern Art, 11 West 53 Street, from August 29 through November k in an exhibition, TEXTILES U.S.A. The show, the first at the Museum devoted entirely to American textile design, was selected by a seven-member jury from more than 3500 entries. Aesthetic qualities of construction, color and design were the criteria by which fabrics were chosen in three categories: home furnishings, apparel and industrial uses. Arthur Drexler, Director of the Museum's Department of Architecture and Design, organized the exhibition. Greta Daniel, Associate Curator, was project di­ rector and Bernard Rudofsky, well-known architect, designed the installation in the Museum's first floor galleries and on the garden terrace. Many of the labels carry swatches and the legend "please touch." Entrance to the exhibition is through screens of yellow and black polyethy­ lene ropes strung from floor to ceiling.
    [Show full text]
  • Global Material Sourcing for the Clothing Industry
    International Trade Centre UNCTAD/WTO Source-it Global material sourcing for the clothing industry Source it English copyright.pdf 1 2/17/2014 5:07:03 PM Source it English copyright.pdf 2 2/17/2014 5:07:18 PM International Trade Centre UNCTAD/WTO Source-it Global material sourcing for the clothing industry Geneva 2005 Source it English copyright.pdf 3 2/17/2014 5:07:18 PM ii ABSTRACT FOR TRADE INFORMATION SERVICES 2005 SITC 84 SOU INTERNATIONAL TRADE CENTRE UNCTAD/WTO Source-it – Global material sourcing for the clothing industry Geneva: ITC, 2005. xvi, 201 p. Guide dealing with dynamics of the global textiles and clothing supply chain, and why and how garment manufacturers need to develop alternative sourcing and supply management approaches – reviews historical background; discusses Chinese advantage in the international garment industry; explains different stages involved in material sourcing process; deals with fabric and trim sourcing; discusses politics of trade; includes case studies; appendices cover preferential access to the EU, summary of United States rules of origin, measures and conversions, and shipping terms/Incoterms; also includes glossary of related terms. Descriptors: Clothing, Textiles, Textile fabrics, Supply chain, Supply management, Value chain, Agreement on Textiles and Clothing English, French, Spanish (separate editions) ITC, Palais des Nations, 1211 Geneva 10, Switzerland The designations employed and the presentation of material in this publication do not imply the expression of any opinion whatsoever on the part of the International Trade Centre UNCTAD/WTO concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries.
    [Show full text]
  • Cashemere, Wool, Silk, Cotton, Linen, Viscose Acétate, Polyester, Mohair, Leather, Angora
    Care guide cashemere, wool, silk, cotton, linen, viscose acétate, polyester, mohair, leather, angora.. MAINTENANCE TIPS ba&sh recommends you follow these tips and to preserve the original look of your items. Each type of product requires special care; details are provided on the product’s care label. We recommend you follow the ins- tructions on the care label for optimal maintenance of your ba&sh items. PRÉPARATION••••••• Firstly, sorting colours is essential. Whites should be separated from co- lours, and pastels separated from darker colours, in order to avoid greying whites and dark stains bleeding onto lighter colours. Next, we recommend sorting clothes according to their washing tempera- ture, as indicated on their composition label. You can group together so-called delicate items (lace, silk, micro fibre ...) to wash then together. For some items, we recommend turning them over. This is essential for: velvets, items with prints, embroidery, transfers, fantasy knitwear, all pre- washed fabrics such as jeans. More generally, this technique is recom- mended to protect garments from fading, felting, wear or pilling for deli- cate materials. It can therefore be applied to all clothing. For delicate materials, the garment can be put in a cotton bag for washing, or a washing bag to protect it. Dry cleaning is recommended for padded garments (coats or jackets). Dry cleaning is more appropriate for this type of garment. More generally, dry cleaning is recommended for delicate materials and/or items. If you purchased coordinates, try to wash them together to limit colour differences. WASHING••••••• For the first few washes of your new clothes, we recommend you wash them separately to prevent any dye-bleeding.
    [Show full text]