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GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc. -
1993 February 24, 25, 26 & 27, 1993
dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging. -
Overview Guitar Models
14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic -
01437 1965 Epiphone Olympic SB 722D. Sunburst (9.00)
A Fine, All Original Mid-Sixties Two Pick-Up Epiphone Olympic 1965 Epiphone Olympic SB 722D. Sunburst (9.00). #01437 $1,750 This fine and very light guitar weighs just 5.60 lbs. One-piece mahogany neck with a fast thin-to-medium profile. Black faced 'Batwing' headstock with "Epiphone" silk-screened in gold. Rosewood fretboard with 22 original jumbo frets and pearl dot markers. Serial number "323241" stamped in blind on back of headstock. Six-in-a-row 'double-line' Kluson Deluxe tuners with white plastic oval buttons. The scale length is a standard Gibson 24 3/4 inches and the nut width is just over 1 9/16 inches. Two Melody Maker single-coil pickups with nice, balanced outputs of 6.97k and 7.09k. Single-layer white plastic pickguard with inlaid silver Epiphone 'Epsilon' and eight screws. Four controls (two volume, two tone) plus three-way selector switch and jack socket, all on pickguard. Black plastic ribbed-sided knobs with metal tops with red markings. The potentiometers are stamped "134 6508" & "134 6523" (Centralab February & June 1965). Combination ridged "wrap-over" bridge, factory Epiphone Vibrola tailpiece with tubular tremolo arm with walrus-tooth tip. There is a minimal amount of belt-buckle scarring on the back and a few very small surface marks, mainly on the edges. This fine little, all original mid- sixties guitar is in exceptionally fine (9.00) condition. Housed in a later 3-latch black softshell case with blue felt lining (8.50). "The solidbody line got a complete overhaul that gave the models as much first- impression power as the new sharp-pointed, double-cutaway Gibson SG models. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Summer Issue 2020
Minnesota Guitar Society Mission Statement Promote the guitar in all its stylistic and cultural diversity through sponsorship of public forums, concerts, and workshops. Serve as an educational and social link between the community G u i t a r i s t and amateur and professional guitarists of all ages. The Minnesota Guitar Society PO Box 14986 / Minneapolis MN 55414 Vol. 36 No. 2 / Summer Issue 2020 Great Concerts Just a Click Away! Special Benefit Concert Saturday, August 15, 2020 at 7:30 pm Streaming Live from Sundin Music Hall Featuring Jeffrey Van, Annett Richter, Robert Everest, and the Shank-Hagedorn Duo he Minnesota Guitar Society joins with people across our state and around the world who International Guitar Artists mourn the death of George Floyd at the hands of (brand new name, same great series) T police on May 25. We stand with those raising their voices against police brutality and systemic racism. or over 30 years, the Minnesota Guitar Socie- We thank the performers for donating their artistry and ty has presented an annual concert series. Sundin Music Hall on the campus of Hamline University Since the mid-1990s that series has had its for co-producing the event. Proceeds will be donated to home at Sundin Music Hall on the campus of the Lake Street Council in Minneapolis, to assist their ef- F Hamline University in St. Paul. One of the finest con- forts in rebuilding the neighborhood where George Floyd cert venues in the Twin Cities, this world-class facility lived and died. Thank you all for your support. -
Index 2000 Volume 158
Fredericton Fredericton New Brunswick Nouveau-Brunswick ISSN 0703-8623 ISBN 1-55236-409-7 Index 2000 Volume 158 Table of Contents / Table des matières Page Provincial Financial Statements / États financiers de la Province . 2 Proclamations . 2 Orders in Council / Décrets en conseil . 2 Legislative Assembly / Assemblée législative . 5 Office of the Chief Electoral Officer / Bureau de la directrice générale des élections. 5 Departmental Notices / Avis ministériels. 6 Board of Commissioners of Public Utilities / Commission des entreprises de service public . 7 General Notices and Notices Under Various Acts / Avis divers et avis en vertu de diverses lois. 8 Sheriff’s Sales / Ventes par exécution forcée. 9 Notices of Sale / Avis de vente . 9 Regulations / Règlements . 11 Corporate Affairs Notices / Avis relatifs aux entreprises. 12 Business Corporations Act / Loi sur les corporations commerciales. 12 Companies Act / Loi sur les compagnies. 43 Partnerships and Business Names Registration Act / Loi sur l’enregistrement des sociétés en nom collectif et des appellations commerciales . 45 Limited Partnership Act / Loi sur les sociétés en commandite . 67 2000 Index Provincial Financial Statements McCain, H. Harrison—OIC/DC 2000-131—p. 490 (May 10 mai) Certified General Accountants Association of New Brunswick, The / États financiers de la Province Association des comptables généraux licenciés du Nouveau-Brunswick, L’ Logan, John B.D.—OIC/DC 2000-518—p. 1342 (November 22 novembre) Provincial Financial Statements for the fiscal year ended 31 March 1999 / États Chief Electoral Officer / Directrice générale des élections financiers de la Province pour l’exercice terminé le 31 mars 1999—p. 83 Landry, Barbara J. (Appointment terminated / Fin du mandat)—OIC/DC (January 26 janvier) 2000-252—p. -
Taylor Guitars Wood & Steel Magazine
INSIDE THE WORLD OF TAYLOR GUITARS / VOLUME 74 winter 2013 THE 2013 GUITAR GUIDE The New Grand Orchestra Big & Balanced Koa 200s Find Your Fit All About Shapes, Woods & Sounds Your Player Profile Sustainable Forestry String-Changing Tips Taylor Around the World 2 www.taylorguitars.com 3 Letters Volume 74 Winter 2013 Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars the eye of the hurricane passed over around the block, so to speak. We lor sales managers Michael Lille and the beauty and the fullness of the us and spared us the non-stop winds were overwhelmed by the knowledge, Aaron Dablow, and product specialist sound coming from such a small guitar. and torrential rain that afflicted the sense of humor, and musical abilities of Marc Seal] played three different Taylor I knew I had to have one. areas farther north. We did, however, both people putting on the show [Ed. guitar shapes with different woods My wife and I do a great deal of suffer two high-tide storm surges that Note: Taylor district sales manager together, it was awesome to hear the traveling. I realized that the Mini would reached record heights. We were with- Mike Ausman and product specialist differences. The guys all had fantastic make a truly great travel guitar. The out heat or electricity for four days, and Wayne Johnson]. We are both retired attitudes, great senses of humor, and a Road Show was on a Tuesday, and were banned from returning home for teachers and have hundreds if not wonderful dedication to Taylor Guitars. -
Exhibitor Listing As of 9/30/21
Summer NAMM Exhibitor Listing as of 9/30/21 Name Booth 12-Bar Blues LLC 1132 3RD POWER Amplification 861 64 Audio 236 A Tempo Percusion 1543 Accountech Solutions 158 ACE TONE 653 Acme Audio Mfg. Co. 107 Adamovic 911 Advanced Audio Microphones 207 Advanced Plating Inc. 1207 ADVSOUND, Inc. 1 AEA - Audio Engineering Associates 124 Aeris Protective Packaging Inc. 1609 AES Nashville 448 Aguilar Amplification, LLC 853 AirTurn 1703 AJ Peat Effects 1458 Alclair Audio 342 Alexander Pedals 1254 Alfred Music 543 Allied Powers 1059 Alpha Distribution 952 Alpha Innovation 506 Aluminati Guitar Company 1631 Alvarez Guitars 809 Amahi Ukuleles 1501 American Engraver 1745 American Music Furniture, LLC 39, 40 AmeriTrust Group, Inc. MC5 Ampeg 643 Amphion Loudspeakers 531 AmpStamp 1643 AMS Neve 320 Analysis Plus 206 Anatomy of Sound 1727 Ansmann Rechargeables 122 Apex Tube Matching 1639 Artesia 335 Artiphon, Inc. 929 Asterope 529 ATR Magnetics, LLC 130 ATR Service, Inc. 130 ATV Corporation 653 Audio Sprockets 1608 AudioScape Engineering Co. 211 Augspurger Monitors 320 Aura Amps 2027 Auratone 2 Aurora Audio 137 Automated Processes, Inc. 535 AVA 911 Avalon Design 331 Aviate Audio 1357 Axe Paxe, LLC 1613 BackBeat 957 Bad Boy Guitars 1159 BAE (British Audio Engineering) 121 BaldMan Percussion 1760 Balthazar Audio Systems 1055 Bam France 1313 Bamboo 1306 Band-in-a-Box® 234 BandLab 921 Barym Benders and Amps 2010 BAS Instruments LLC 1154 Batson Guitars 911 Bedell Guitars 1213 Benson Custom 1356 Bettermaker 220 Big Bang Slides 1725 BIG EAR Pedals 1359 Big Joe Stomp Box Company 1543 Bigsby D1 Bock Audio 10 BOSS 821 Boutique Guitar Showcase 911 BP Rose Guitars 1620 BrandNewNoise 2007 Brandonwound Pickups 1255 Breedlove Stringed Instruments 1213 Breezy Ridge® Instruments, Ltd. -
Guitar in Oxford Music Online
Oxford Music Online Grove Music Online Guitar article url: http://www.oxfordmusiconline.com:80/subscriber/article/grove/music/43006 Guitar (Fr. guitare; Ger. Gitarre; It. chitarra; Sp. guitarra; Port.viola; Brazilian Port. violão). A string instrument of the lute family, plucked or strummed, and normally with frets along the fingerboard. It is difficult to define precisely what features distinguish guitars from other members of the lute family, because the name ‘guitar’ has been applied to instruments exhibiting a wide variation in morphology and performing practice. The modern classical guitar has six strings, a wooden resonating chamber with incurved sidewalls and a flat back. Although its earlier history includes periods of neglect as far as art music is concerned, it has always been an instrument of popular appeal, and has become an internationally established concert instrument endowed with an increasing repertory. In the Hornbostel and Sachs classification system the guitar is a ‘composite chordophone’ of the lute type (seeLUTE, §1, andCHORDOPHONE). 1. Structure of the modern guitar. Fig.1 shows the parts of the modern classical guitar. In instruments of the highest quality these have traditionally been made of carefully selected woods: the back and sidewalls of Brazilian rosewood, the neck cedar and the fingerboard ebony; the face or table, acoustically the most important part of the instrument, is of spruce, selected for its resilience, resonance and grain (closeness of grain is considered important, and a good table will have a grain count about 5 or 6 per cm). The table and back are each composed of two symmetrical sections, as is the total circumference of the sidewalls. -
Legendary Guitars & Musical Treasures
LEGENDARY GUITARS & MUSICAL TREASURES DECEMBER 2, 2017 Legendary Guitars & Musical Treasures - Dec 2 1: Les Paul electric guitar signed to Bruce Springsteen USD 5,000 - 7,000 An Epiphone electric guitar signed to Bruce Springsteen, from Les Paul. Serial #9400536. Les respected Bruce and thought he was a "cool dude." The consigner of this item, who worked for Les Paul, had given Bruce an acoustic guitar Les had signed in the 1990s. When Les heard he was on tour a few years later, he signed this guitar to Bruce. Lester William Polsfuss was an inventor and musician. A talented musician as well as inventor, Les Paul is credited with various recording innovations and his skilled guitar playing, however he is probably best known for helping to design the Gibson Les Paul.The consigner of this item worked directly with Les Paul. 2: 1963 Jan & Dean Master Tapes USD 3,000 - 5,000 Two master tracks from the album "Jan & Dean Take Linda Surfin'". Recorded on February 20th, 1963. Track list: "Rhythm of the Rain" and "Mr. Bass Man." Arranged and produced by Jan Berry and supervised by Lou Adler, "Jan & Dean Take Linda Surfin'" is the duo's first Liberty album, and included the usual backup of high quality musicians, giving Jan & Dean ample opportunity for vocal acrobatics and comic antics in "Mr. Bass Man," while their rendition of "Rhythm of the Rain" has a low-key charm that wasn't usually associated with the duo.Jan & Dean were an American rock duo made up of Jan Berry and Dean Torrence. -
Guitar 10 2020 Leseprobe
AUF CD: 4 SONGS + 5 WORKSHOPS D: 7,50 · A: 8,50 · B: 8,70 · L: 8,70 · E: 10,10 · I: 10,10 · CH: SFR 12,00 Heft Nr. 245 Ausgabe 10/2020 das magazin für gitarristen und bassisten F 41248 B RADIOHEAD No Surprises THE CLASH London Calling GRAVEYARD Goliath JUDAS PRIEST Screaming For Vengeance ZU GEWINNEN: GRETSCH G2622 StreamlinerStreamliner & G2210 PETER StreamlinerStreamliner Junior JetJet Club im Wert von GREEN über 900 Euro Saiten-Poet & Suchender + EXKLUSIV PETERS 1966er BLUESBREAKER 40 JAHRE ACE OF SPADES PRS GUITARS Silver Sky Mesa Gold · HOW TO HOME-RECORDING Teil II COREY TAYLOR · G & L GUITARS Fallout Bass Launch Edition · NIRVANA DRITTE WAHL · GRETSCH Streamliner-Collection · MOTHER’S CAKE REDEMPTION GUITARS Little K ELEC · LINDSAY ELL u. v. m. INTRO ofessional pr www.fame-guitars.de GLÜCKLICH GRANTIG! ST MUSIC ORE die gleiche Unterhose tragen, aber nicht dieselbe.“ Das wäre dann also auch ge- klärt, aber zurück zum Thema – Peter Greens Bluesbreaker von 1966. Der war in der Tat beim Captain zum Check, der Besitzer 2020-II hat schnell noch eine Gibson Coll- ectors Choice Greeny vorbeige- NEWS bracht und so stand dem Peter- & Green-Amp-Special nur noch HITS mein gitarristisches Unvermögen im Weg. Ernsthaft, ich hatte echt I weiche Knie … und 2015- die vielen ews N Leute … & its Liebe Leser, Nun ja, festgehalten haben H wir das eschreibung atalog meinereiner ist grundsätzlich ja im Video und im WorkshopB K aus der Fe- ziemlich positiv eingestellt (wenn- der unseres Kollegen Olli (S. 42), der Steve Vai • Copyright: Photo by Larry DiMarzio A gleich manche meiner Kollegen und sogar Rainer Langhans vor - das Mikro rtikelnr.