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FROM THE PUBLISHER
NOBODY LOVED CHRISTMAS like my dad. He was a rather stoic man special moments when all eyes were on him as he opened something who turned almost childlike at Christmas. As this first Christmas that had been chosen especially for his pleasure. It was during those season since he passed away began to approach, I feared there would happy times that his eyes would return to a youthful sparkle and a be something missing. Dad wouldn’t be sitting on the couch with sheepish little grin would appear across his face. that old Santa Claus hat cocked on his head, I was seemingly prepared for missing my dad’s presence this anticipating the moment when another gift holiday season until a special gift caught me off guard on Christmas would be opened. Eve. This gift was a letter from my dad’s brother. It was the first- Of course, I have no memories of my ever letter from an uncle in California, and in this letter addressed father’s childhood Christmases, but I seem to to my brothers and me, we were treated to a kind note from a man be able to remember every moment of every who took the time to reminisce about the good times he remem- Christmas from my own childhood. Each year bered when growing up with his older brother. The letter shared began with the same ritual. My brothers and I some events and emotions that were previously not known to me. It Rick Briscoe would spring out of bed early and try to make was the perfect uplift on a Christmas Eve day when I was busy and enough noise to wake our parents. We were happy — but was quietly missing my smiling old Santa of a dad. allowed to traverse to the end of the hall and peer across the living I am sure I will always remember how much I appreciated this room at the Christmas tree as it arose from a mountain of presents. letter from my uncle, and looking forward, I hope I can do a better Only after Dad was out of bed with his trusty eight-millimeter movie job of giving gifts of memories and emotions to others. Who knows, camera in hand did we get to approach and choose the first gift to I may just give someone a boost on a day when it’s really needed. open. And so went the morning, very orderly, and yet so joyful. Thanks, Uncle Ralph. You made my Christmas season so much It wasn’t until I was quite a bit older that I learned it was really more meaningful. my dad who “just went nuts at Christmas.” It was this disciplined, regimented engineer of a father who couldn’t resist buying way too many toys for his three sons. It was the one time each year when he secretly let his hair down to indulge in his annual shopping spree. Rick Briscoe Publisher As my brothers and I grew into adulthood, my father’s joy of buying gifts faded into a memory; but his love of Christmas never diminished. His joy came from watching others — and from those
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A.G. Edwards is a division of Wachovia Securities, LLC. Member SIPC. [24778-v1-0241] IM-367-0408 CONTENTS MAGAZINE 8 Publisher Richard Briscoe The skilled craftsmen Editor Penny Briscoe at Kalamazoo’s HERITAGE Copy Editor Cherri Glowe GUITAR produce Assistant to the Publisher some of the world’s Ronald Dundon
Volume 35 Issue 5 January 2008 January 5 Issue 35 Volume finest guitars. Contributing Writers Tom Chmieleski John Howson Ann Lindsay Larry B. Massie Patrice L. Mindock Theresa Coty O’Neil Robert M. Weir
Poetry Editor Theresa Coty O’Neil
Contributing Poets Marion Boyer Rose Swartz
Cartoonist 18 SPECIALS Craig Bishop With a new heart and 5 FROM THE PUBLISHER Featured Photographer plenty of gratitude, John Gilroy DAVID ROZELLE 26 READ THE LOCALS Designer crusades for organ donations. Brakeman A Recipe for Perseverance
Encore magazine is pub- 27 PUT YOURSELF FIRST lished nine times yearly, September through May. Let’s Get Ready To Be Active Copyright 2007, Encore Publishing Group, Inc. All 28 GUESS WHO rights reserved. Editorial, 38 circulation and advertising 30 EVENTS OF NOTE correspondence should Risk turns into reward be sent to 350 S. Burdick, for downtown entrepreneur Suite 316, Kalamazoo, MI RYAN REEDY. 32 MASSIE’S MICHIGAN 49007. Telephone: (269) 383-4433. Fax number: When in Pain — Please Pass the (269) 383-9767. E-mail: Paine’s — Hiccup Publisher@Encoreka- lamazoo.com. The staff at POETRY Encore welcomes written comment from readers, Chmeliewski Photo: Tom and articles and poems for 25 Poetry Mother submission with no obliga- 48 tion to print or return them. 36 To learn more about us or Making history in Suddenly, I respect cheerleaders to comment, you may visit Antarctica is an experience www.encorekalamazoo. WILLIAM HOUGH com. Encore subscription rates: one year $27.00, two will never forget. years $53.00, three years $78.00. Current single is- sue and newsstand $4.00, $10.00 by mail. Back issues
$6.00, $12.00 by mail. Ad- Mindock Photo: Patrice vertising rates on request. Closing date for space is On the cover clockwise from the 28 days prior to publication top left are Chris Gates, Jim Deurloo, date. Final date for print- Charlie Cook, Rendal Wall and Pete Moreno. ready copy is 21 days prior Cover photos by Rick Briscoe. to publication date. Guess Who photography by John Gilroy. +"/6"3:t&/$03& 7 :NXV[¼ :b`VP DVaU N 8NYNZNg\\ 5R_VaNTR Heritage Guitar owners pose in front of their business on Parsons Street. Standing in front are Jim Deurloo and Marv Lamb, and in /f ?\OR_a : DRV_ back are Vince Margol and J.P. Moats. Photo: Robert Weir Robert Photo:
A new sign hanging inside the entrance to the company emphasizes the tradition that is Heritage Guitar.
HEN SHOE CLERK and whittler kept the enterprise from moving to the were farmers in Alabama. I came north Orville Gibson began to hand- windy city. But, in 1984, with sales of in October 1955 and worked with my craft wooden musical instruments musical instruments drastically down, brother and brother-in-law at a bakery. in Kalamazoo in the 1890s, he did so Norlin Corporation, which took over op- Dad came to the Gibson guard shack with passion and pride for his craft erations in 1968, closed the Kalamazoo where they took applications every day and his community. But over the years, plant and left behind a core of craftsmen until they hired him, and he got me a job people emerged and factors arose that with 500 collective years of guitar-mak- here, too.” could have driven guitar manufacturing ing experience. Like Marv, J.P. also hails from from the area. And each time, a handful A few of those luthiers formed a new Alabama and retains a hint of southern of men stepped forward to make sure company, Heritage Guitar Inc. The appel- twang. “I came up here for a vacation and Gibson’s heritage stayed right here. lation is apt. “Heritage is more than our got a job at the paper mill,” he says. “I was Orville, himself, was not a share- name; it’s who we are,” says Jim Deurloo, only 16, and I worked there four years. holder of the Gibson Mandolin-Guitar a cofounder along with Marv Lamb, J.P. My sister worked at Gibson and she got Manufacturing Company Ltd. that bore Moats and Bill Paige. “We’ve been build- someone to hire me — that was in 1957 his name. When the company was sold ing guitars all our lives,” adds Jim, who — and I worked for them for 28 years.” to the Chicago Musical Instrument started at Gibson in 1958 at age 19. A guitar is made of hundreds of Company in 1944, it’s likely that only Marv was 16 when hired on May 31, parts: wood, plastic, metal, wire, paint, the booming post-World War II economy 1956, a date he recalls with pride. “We lacquer and, in some cases, mother-of- 8 &/$03&t+"/6"3: 9VXR N OVT SNZVYf Y\cR N[Q QRQVPNaV\[ UNcR XR]a 5R_VaNTR NYVcR Y\PNY N[Q dVaU aUR Â[R P_NSaZN[`UV] aUNa UN` PN__VRQ \cR_ S_\Z aUR N_RN¼` 4VO`\[ QNf` T\[R Of
Katie Flamm does a final sanding and fixes tiny imperfections prior Patrick Whalen skillfully applies a sealant to the binding of another custom to sending the guitars to the finishing department. guitar prior to the color coat being applied.
pearl inlay. It’s held together with glue. engineering and assumed responsibility sembly and finishing, and, finally, plant Electronic components are screwed in for jig construction. He became supervi- superintendent. place. Connections are soldered. sor of the pattern makers and machine Each agrees: “Heritage is a natural The handcrafted construction shop, and then plant manager. name for us.” process requires hundreds of steps. J.P. started sanding white wood, t the same time, the evolution Major departments include the mill moved to cleaning and buffing, and then f r o m b e i n g a G i b s o n e m p l o y e e room where lumber is sawn and planed; became cleaning inspector. From there, to a Heritage founder is tinged assembly where parts for the guitar it was a quick step to quality control. withA a hint of vinegar. body and neck are cut, sanded and put After a stint as wood purchaser, which “When Gibson closed,” Jim begins. together; finishing where paints are took him to forests in Michigan’s Upper “No, let me say it like it is — when sprayed, shaded and buffed; final as- Peninsula, Mississippi, the West Coast, Gibson left us, we could have gone to sembly where electronics are inserted; Germany and other parts of the world, Nashville, but all of us would have been inspection where each guitar is played he returned to quality control and super- redundant there.” and tested for “buzzes” or “splat outs” visor of the service department. In actuality, Jim did go to Nashville and, if necessary, adjusted; and packag- Marv, in his early days as a hand for awhile, attending the groundbreak- ing and shipping. sander, expressed his desire to learn ing ceremony and working there three Jim started sanding rims, the verti- all he could about guitar making. He days a week for a little over a year. cal “side” of a guitar as the instrument became an inspector, then a line leader, But he saw two inherent problems lays on its back. He then moved into the and then a supervisor. He also started with attempting to continue a career mill room where he operated band saws, the first night shift at Gibson, and then with Gibson. “First, Nashville isn’t an routers, joiners and shapers. He went to returned to the day shift as a supervisor. industrial town,” he says. “The mill sup- pattern making, his favorite job, then to He became foreman of whitewood, as- ply houses and tool makers are here in +"/6"3:t&/$03& 9 Heritage Guitar
Michigan because of the auto industry, Yet, there is also little doubt that guys at Heritage Guitar and I’d convince so I flew back every week, representing emotions were a factor in their decisions them to teach me how to do what they Gibson, to have their tools made then to disassociate from Gibson. “Their move do so that when they’re ready to retire, I shipped to Nashville.” Jim commuted was definitely devastating,” says Marv. could buy the company.’” from Nashville to Grand Rapids every “To spend that many years and have Upon arriving home from vacation, Thursday, met with vendors on Fridays, them up and pull away. We had been Vince and Tracy attended a family party and returned to Nashville on Mondays. told this was a flagship plant and that it where a relative mentioned that the Heri- He bought all the equipment for Gib- would remain here. But the hardest part tage plant was closing. Vince called J.P. son’s new plant. was laying off those several hundred Moats, and J.P. told him, “We’re taking The second problem was probable people. That was tough. I got high blood offers. If you’re interested, put one to- demotion. “I had been plant manager pressure over those layoffs.” gether in the next day or two.” Vince did, here in Kalamazoo, and they already had But even with their vast knowledge and within a week, the principles were a plant manager. What would they do of birthing handcrafted musical instru- negotiating a partnership agreement with two plant managers? One was going ments, the Heritage owners encountered through which each own one-fourth to go, and I wasn’t interested in that,” problems with delayed shipment of parts of the business. “I pinch myself every he explains. “Bruce Bolen and I bread- and declining profits. In the summer of morning,” Vince says. “The greatest of boarded the idea of starting a guitar 2007, they confronted the decision to planners could not have made this whole company. We talked with Marv and J.P., either close or sell the company. thing fall into place the way it has.” and that’s how it started.” At the same time, Kalamazoo at- Vince, who is mechanically in- Marv and J.P. offer more down- torney Vince Margol was engaged in a clined, admits that the nuances of guitar to-earth reasons for declining jobs in coincidental conversation with his wife, construction are not yet on his learning Nashville. “I’ve been in Michigan since Tracy. “We were on vacation in Tennes- curve, which, considering the vast ex- 1955,” Marv explains. “I married a girl see. We had put the kids to bed and were perience of his mentors, is huge. “Right from Michigan. I love Michigan.” sitting on a deck overlooking a creek in now, they need someone to run the J.P. adds: “I have six children and the mountains, and Tracy said to me, company more than someone to build some rental property here. I didn’t want ‘If you could do anything, regardless of guitars,” he says. to sell everything. So, when Jim asked your education and work history, what The others admit that, over the me about starting Heritage, I said, ‘Yes.’” would you do?’ I said, ‘I’d look up those years, they were too busy with their
The guitars all start as planks of raw lumber. The oldest piece of equipment in the shop Craig “Curly” Spink uses clothespins to hold together Most of the wood is from the United States, but dates back to the beginning of Gibson the rim of a semi-hollow body guitar. mahogany must be imported from Honduras to Guitar. Here it is used to clamp multiple provide just the right material required to create pieces of maple that will be glued onto a Heritage Guitar. mahogany to create a solid body guitar. 10 &/$03&t+"/6"3: %POBME-4BQQBOPT 1$ passion of making guitars to properly "mSNGPDVTJOHPODSJNJOBMMBX nurture the business. “Vince brings a lot to the party,” Marv says. “If I didn’t think Bad things can happen to good people. he could, he wouldn’t be here.” “He runs his own business. He’s a tax We’re here when you need us. attorney. He can help us a lot,” J.P. adds. “That gives him credibility when 4UBEJVN%SJWFt,BMBNB[PP .*t t'BY negotiating with our dealers, sales guys TBQQBOPTQD!NZXBZDPN and vendors,” Jim states. “He has spunk,” Marv continues. “He knows computers. He’s knowledge- able of systems. That’s our goal — for him to put in systems. We want trans- parency of the bottom line. And we’re getting old. I’m 68. Jim is 68. J.P.’s 71. We need young blood.”
ince adds that he’s always gravitated toward guitars. Now 38, he’s played since he was 12 although,V admittedly, not very well. “I bugged my parents to buy me a guitar, and when they did, I played ’til my fingers bled. I had a garage band, and I took lessons until I was 17,” he says. In college, he set guitar playing aside but took it up again when Tracy, soon after they were married, bought him a Gibson guitar. Today, his modest collection in- cludes three from Heritage — a Fender, a Parker, and a Paul Reed Smith. He also sees the guitar, undoubtedly the world’s most popular instrument, as a way to connect with his younger self. “It doesn’t make any difference how old you are,” he says. “When you pick up a guitar, you’re back to being a teenager with screaming, adoring fans hanging on every note. It’s also a way to relax and forget about things that happen during the day.” But most of all, he sees the gui- tar as a way to connect with his children, Alex, Nicholas and Elizabeth. “Music is a good outlet for a kid to express without speaking,” he says. Of his decision to diversify his professional attention between law and being part owner/operator of a guitar manufacturer, Vince sites many support- ers, starting with his wife. “Tracy derives a lot of pleasure from her job as a product manager with Fabri-Kal. She sees that by +"/6"3:t&/$03& 11 Heritage Guitar
buying into this business, I could feel the same way she does about her job.” Vince credits his father, who im- migrated from war-torn Poland after being separated from his parents and taken to a forced labor camp at age 7, and his mother, a stay-at-home mom, for teaching him to “do the right thing and do it well.” With those tutorials firmly implanted, Vince is pleased that his parents support the duality of his profes- sional choices. He also receives support from his law partner, Nancy Kirkpatrick, who, he says, “Doesn’t think I’m crazy.” In fact, Vince sees a practical application of his legal training to the guitar business. Ted Deville fine sands between the coats of lacquer on an instrument that is close to coming to life at “Law brings out the ability to look at a Heritage Guitar. problem and know, if I apply the rules as they are and not as I want them to be, I ers can do that in a timely fashion. I’m not hand-made, high-quality craftsmanship, can always find a solution,” he says. tied to the old systems of how the company just as it’s always been. Made in the U.S.A. Applying his skills to Heritage, Vince used to operate. I’m tied to the heritage Made in Michigan. Made in Kalamazoo.” elaborates, “I’m not required to put out a of our guitars. Our product is the core of Not surprisingly, Vince finds sup- guitar. I’m required to make sure the work- the company, and customers can count on port in Jim, Marv, J.P., Bill Paige and a
12 &/$03&t+"/6"3: on his sleeve. Even though they have reached retirement age, they each plan to stay as long as they are needed because they want to be secure in knowing the company will continue here in Kalama- zoo.” He smiles with appreciation. “And I can’t do this without them.” Vince also admits being surprised that Jim, Marv and J.P. don’t play a guitar. “It was like finding out the guys who build Ferraris don’t drive,” he says with a grin. Marv says he can strum a few chords and once dreamt of being a guitar player but lost the desire because he built them every day. J.P. loves guitar music and took lessons as a teenager before discovering girls. And Jim used to have Floyd Newton, an employee since 1959 of both Gibson Guitar and now Heritage Guitar, provides new partner Vince Margol with a little historical perspective. an interest in playing but didn’t devote the time to practice. half dozen others in the plant who, for their hands to build those wonderful in- Yet, Heritage does employ some guitar 50 years, have lived a golden partner- struments everyone covets,” Vince says. players. Key among them is Rendal Wall, ship deeper than some marriages. “These “Each of them reminds me of my father who works in final inspection. “From my guys are amazing individuals above and in some way: Jim’s sense of humor; J.P.’s office, I can hear Rendell running up and beyond the amazing things they do with easy way; and Marv wears his honesty down the frets, making sure the guitar
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sounds good. He makes a few adjustments, because of how it sounds and feels, but then he plays a song or two, and I say, they also want a guitar that will accom- ‘There’s another Heritage being born.’” modate the image they want to portray.” Rather than being players them- Polar examples are the sweeping, selves, Jim, Marv and J.P. take pride in hour-glass curves of a traditional guitar being an integral part of the entertain- used by classical and jazz musicians ment infrastructure. “A guitar is two versus the jagged, Flying V shape of things,” says Jim. “It’s an instrument, hard rock ’n’ roll performers who want a but it’s also artistic. Players buy a guitar shocking look. DUNa¼` N 4bVaN_ D\_aU,
An internet notice in 2000 gave Vicks- burg’s James Brown information that his long-lost guitar had recently sold for $50,000.
WithWith his 40-percent emem-- ployee discount, the price of the guitar was $765, including the case. In 1972, James took the guitarguitar ttoo a seminarseminar in ColoradoColorrado whereh he received privateprivi t instruction from Johnny Smith, an event that he captured in a treasured photograph of himself and the great performer playing their instruments N 1966, GUITARIST James Brown together in an outdoor setting. was 24 and had been working at In 1985, James sold his red guitar for Gibson for four years when he $900 to buy recording equipment with placed an order for a custom-made the proviso that he could have first refus- guitar. His specifications were that it al rights if the purchaser, a guitar collec- be a Johnny Smith model, red, with tor, decided to sell it. That opportunity a Bigsby vibrato tail piece that would arose a few years later, but James lacked allow him to hold a note to create a the money to reacquire the instrument, wuh-wuh-wuh effect. “Chet Atkins so it moved on to other hands by way of used a Bigsby on his guitars, and I was a guitar show in Milwaukee. “The man a Chet Atkins fan,” James says, “and I who bought it was from Japan, and I chose the Johnny Smith model because thought I’d never see the guitar again,” I loved the way it sounded.” James says, “but sometime later, he put As an employee, James, like a out a very colorful book with pictures of father nurturing a growing child, all the guitars he owned — the book cost monitored the guitar’s progress all the $100 — and my guitar was in it. I could way through production. “I picked out tell right away because it’s a red Johnny all the wood before it was glued to- Smith with a Bigsby and my name on it. gether,” he says. And when the instru- It’s a one-of-a-kind. You can’t miss it.” ment was in the final stages, he had his The guitar reappeared again in 1999, name — JAMES BROWN — engraved featured in a calendar along with infor- in distinctive gold capital letters on the mation that the guitar was in California. black-and-red pick guard. James purchased the calendar. 14 &/$03&t+"/6"3: he Heritage catalog shows 33 mod- els — custom-carved hollow body, semi-hollow body, solid body, with Tor without cutaways — in 21 colors. Yet, over half of the guitars made are custom instruments because, as Jim says, “Those models and colors don’t satisfy everybody. Prince, for example, wanted a purple gui- tar, so we made one for him.”
James next learned of the guitar in 2000 by means of an Internet notice Stately Homes Cocktail Table that the guitar, now distinctly famous, had been sold again. The price this time — $50,000. Although James wishes that he had not sold the unique instrument, he con- Harbour Bay Furniture Co. tinues to enjoy pickin’ and strummin’ Stuart, FL and Holland, MI other guitars in his collection. He has produced CDs to display his talent, and Downtown Holland · 212 S. River Ave., Holland · (616) 395-5554 Open Mon.–Sat. 10:00–5:30 www.harbourbayfurniture.com credits his dad, who played stringed instruments, for teaching him chords at an early age. James graduated from Vicksburg High School, where he enjoyed shop classes, and became a Gibson employee in 1962. During his 15-year stint there, he worked, first, as a rim gluer in the assembly department on the night shift. From there, he became a repairman in the paint department, responsible for making sure that lacquer applications covered and filled properly. He spent most of his 15 years at Gibson in the adjustment department, setting frets to the proper height to allow accurate dis- tance, measured in 64ths of an inch, to the strings. He estimates that he tested and adjusted more than 90,000 guitars while at Gibson. While still working at Gibson, James also attended college, earning a teaching degree at Bethel College in Mishawaka, Ind., in 1979. His employ- ment included, and continues to be, substitute teaching assignments in the Vicksburg School System. He has been married to Grace since 1963. They have two married daughters, Debra Sue and Jamie Sue. +"/6"3:t&/$03& 15 Heritage Guitar
Some performers use multiple guitars that classic rock crunch. A guy who numbers, combined with the Heritage even within a single concert. “A performer plays country music might also play a owners’ knowledge that “we have the de- might start out with a solid body or a solid body, but with a different configu- mand and we will be growing” motivates double cutaway, switch to a jazz guitar, ration or type of wood to give it a unique them to continue as luthiers. As Vince then switch to a flat top,” states Jim. sound.” says, “Because of poor communications “It’s all part of the show,” adds Marv. At one point in the 1960s, the old systems, we’ve had customers waiting “They’ve got kids taking pictures of them, Gibson company employed over 1,000 on a guitar for five years, but they wait so they want to put on different images.” workers and cranked out as many as 350 because they cannot get a product of this “There’s a difference in the sound guitars a day. Today, Heritage employs quality anywhere else.” you get from different guitars,” Vince 18 and sells 1,200 to 1,800 a year to Another sign of hope is the says. “With a solid-body guitar, you get customers around the world. These Heritage guitars being plucked and strummed by celebrity musicians such as Roy Clark, Eric Clapton, Trini Lo- pez, Henry Johnson, Marcos Loya and 9baUVR_` \S N 1VSSR_R[a 9VTUa popular British Isles performer Gary Moore. Only a few of these are “endors- EST MICHIGAN is home to many burg, adding that Napa Valley, Calif., ing artists” who receive guitars for free. wood craftsmen, as evidenced by the has a few also. “Our company doesn’t have a lot of furniture industry of Grand Rapids In his shop at 113 South Main, money to pay a musician to endorse our and Holland and the stringed-instrument Aaron builds custom guitars and man- guitars. And we don’t give them away,” industry of greater Kalamazoo. dolins to customer specifications under says Vince. And while Heritage Guitar shines his brand, Jubel Guitars. He also repairs “Garth Brooks wanted to be a Heri- in the spotlight of guitar manufacturing and restores stringed instruments of tage endorsing artist, and we turned him around the world, a number of luthiers all sorts and tutors young artisans who down,” Jim adds. work in the glow of their bench lights wish to continue the handcrafted luthier “People who have bookoo money in little shops in Vicksburg, Paw Paw, tradition. are the ones who want us to give them a Portage, Schoolcraft, Three Rivers and Aaron began to play guitar in guitar,” says Marv. “Because they’re big Kalamazoo. “That’s a lot of guitar makers 1958 while a student at Pennfield High names they think it will be good adver- for one area,” says one of them, Aaron School. He started working at Gibson tising for us.” Cowles of Aaron’s Music Service in Vicks- Guitar in Kalamazoo in 1962 at age 22, “We did give a guitar to Fred Newell and remained there until 1984 — he’s a studio player at the Grand Ole when Gibson took its manufac- Opry — but so did 40 other manufactur- turing operations to Nashville, ers. They all sat on stage with him, so he Tenn. Of his employment quali- might pick up ours to play it or he might fications for Gibson, Aaron says, not,” Jim says. “I could tune a guitar by ear.” “But you can tell that the great art- That innate skill led him to the ists appreciate us because they come to Gibson inspection department visit us,” says Vince. “Kalamazoo is an where, for more than a decade, out-of-the-way place, so when people Aaron inspected and adjusted of stature come here, it’s not to pick up approximately 200,000 guitars. a check as an endorsing artist because “About 100 guitars a day went we’re not writing any. They’re here be- through my hands,” he says. cause we build great guitars.” His friend, guitarist James It’s not uncommon for a celebrity Brown, offers a high estima- in the music business to walk into the tion of Aaron’s ear, comparing Heritage plant and look over the shoul- the acoustics of Aaron’s Jubel der of the craftsmen there. But lacking, Guitars to that of Stradivarius’ in Vince’s view, is a showcase and history
Photo: Robert Weir Robert Photo: violins. “He knows how to room. “Everyone tells me about the James Brown, Richard Brown and Aaron people who showed up here. Jimmy Page, Cowles display three of the fine guitars at scallop the braces inside a guitar to get a Aaron’s Music Service in Vicksburg. beautiful sound out of his instruments,” the guitar player for Led Zeppelin — and James explains. there are very few of his stature — just 16 &/$03&t+"/6"3: When Roy Clark (center) came to pick up his new guitar in 1988, owners Bill Page, Jim Deurloo, J.P. Moats and Marv Lamb were on hand to greet him. showed up one day. And we don’t have a place for him to sit down, pick up a gui- tar and play it. Our prototypes and extra custom-built guitars, which we made in case something happened to the original, are gathering dust because we don’t have a showroom. We need a place where people who work here can bring their families and friends to see the history of the company. That’s something I’m going to change.” Vince also intends to start tak- ing photos of celebrities with Heritage craftsmen. “Elvis during the Gibson days, B.B. King, Les Paul, Chet Atkins — the huge icons of the music busi- ness — have been here. Our guys are reverent of the fact that these celebrities are important in the music industry, but they don’t care to have pictures of themselves hanging around with these famous people. But, to me, to have those pictures is invaluable.” As the four partners carry forward the heritage that Orville Gibson initiated more than a century ago, they do so with pride and passion that Orville would have admired. '*/"/$*"-4&37*$&4 “We’re the ‘Old Gibson’ people,” says °BOJOEFQFOEFOUGJSN° Marv. “We’re the little guys who stayed behind when Gibson went south.” “With our experience and abilities, 5IPNBT+ (BVOUMFUU $'1 $*." we could have gone out and got jobs,” J.P. *OWFTUNFOU adds, “but we like this work and that’s /PSUI3PTF4USFFU 4VJUF why we stayed. Even today, I don’t have 3FUJSFNFOU to be here. I’m here because I want to 1MBOOJOH be.” “This is the cradle,” Vince says. “Or- XXXTMFESVOOFSDPN ville Gibson started here. Then Heritage started here because J.P., Marv and Jim 4FDVSJUJFTPGGFSFEFYDMVTJWFMZUISPVHI made a commitment that goes beyond 3":.0/%+".&4'*/"/$*"-4&37*$&4 */$ them. And I want to make sure it goes .FNCFS/"4%BOE4*1$ beyond me.” “Exactly,” says Marv. “That’s our heritage.” +"/6"3:t&/$03& 17 A Gift of Love for a Broken Heart By Ann Lindsay
“ T’S JUST damn good luck,” said Da- vid Rozelle, referring to the journey that got him to — and well past — the point on the national organ transplant waiting list where his name came up. Since receiving a life-saving new heart in the fall of 2001, Rozelle has re- routed that same good fortune in an out- ward direction by working to increase the availability of organs for others in need, and through the opportunity he’s given many Western Michigan Univer- sity students to get involved in the cause. David Rozelle is awarded the 2007 Distinguished Service Award for his long-time mentorship of ac- counting students, his campus contributions, and his community work on behalf of organ donation. Now in his 38th year at WMU, Secretary of State Terry Lynne Land is pictured at the ceremony with Rozelle. Rozelle, an associate professor of accoun- tancy in the school’s Haworth College of Business, is known for devotion to his students. He has been multiply honored for teaching excellence and service to the university, and was one of the first group of six faculty members to be awarded a named professorship — the Beulah I. Kendall Professor of Accountancy — in a program established in 1997 by former WMU president Diether H. Haenicke. Most recently, the Cleveland native received the university’s 2007 Distinguished Service Award, one of its top honors, recognizing his long-time mentorship to accounting students, his campus contributions, and his commu- nity work on behalf of organ donation. Rozelle’s commitment to teach- ing has been a constant for nearly four decades, even through the life-changing Buster Bronco hangs out with two WMU students who are soliciting donations for the Gift of Life Uni- events that landed him in the group of versity Challenge. The event pits Michigan colleges and universities against each other in a friendly some five-million Americans with heart competition to sign up the most people for organ donation. failure and, later, the much smaller 18 &/$03&t+"/6"3: group of those who have received re- condition, the phrase “heart failure” can ies. “I’ve always called it the roto-rooter,” placement hearts. be misleading. As the American Heart Rozelle said. As he relates the details of those Association explains, the term makes it events, his experience as an instruc- sound like the heart is no longer working y September, dodging an op- tor is clear — the account is personal at all. But actually heart failure means eration was no longer possible. and emotional, yet peppered with facts, that the heart muscle isn’t pumping as Rozelle had the bypass surgery in figures, and terminology. He weaves well as it should be. Oxygenated blood BKalamazoo with a good recovery. “I’m a through the timeline, detouring for side- is not delivered to the body effectively, pretty good healer. I’m what the doctors bars, but always returning to the main which prevents it from functioning at call ‘compliant,’” he said, “I thought I topic, sometimes clarifying with bullet normal capacity. The heart may com- was brand new.” And for a while, with points and definitions. The story begins pensate by enlarging or pumping faster, the help of medication and monitoring in the summer of 1984. by his doctors, he was. Driving back to David Rozelle knows the true meaning In 2001, things took Kalamazoo with a friend another serious turn. after a day of sailing at of receiving a valuable gift. Rozelle and his wife Gull Lake, Rozelle, then Since his heart transplant, he has been Sandy, a long-time French 47, sensed something was paying forward his gift of life. teacher at Hackett Catho- physically amiss, so his lic Central High School, companion detoured to now retired, were abroad. Bronson Hospital. While “We had chartered a boat there, Rozelle experienced to go through the canals what he describes as a in France,” Rozelle said. very, very severe heart A wonderful trip, with attack. “The only reason I the bonus that you get to survived it was because it open and close many of happened at the hospital,” the locks yourself. “Some he said. A defibrillator of the locks are very deep, saved him, but the attack and you have to climb destroyed a third of his long ladders to get up out heart. of them. I was getting It was not something shortness of breath,” he he had anticipated. “I was said, “but we pressed on.” a sailor, fairly physically Breathing got harder active,” Rozelle said. But and the voyage became looking back, he realized Lindsay Ann Photo: a true adventure, but David Rozelle enjoyed nearly four decades of working with accounting students that he was not an en- at WMU. As an extension of his teaching, he inspired his students to participate in not exactly the good tirely unlikely candidate organ donation events, including the Gift of Life. kind. “Now, I couldn’t lie either, being a bit over- down and breathe. One weight, over 40, and a smoker. masking symptoms for a while. Over of the things doctors ask about is how After the attack, Rozelle wondered time, though, heart failure often gets many pillows you use,” noted Rozelle, how his life would be affected by the worse, leading to breathing difficulty and referring to a symptom of congestive damage to his heart. “I found it wasn’t great fatigue from daily activities like heart failure, where the heart’s reduced as debilitating as I’d feared. The doctors walking and climbing stairs. pumping allows fluid to build up in kept an eye on me. I had procedures like After a few years, that is what the lungs, making it especially hard to heart catheterization and angioplasty, Rozelle experienced. “It became appar- breathe while reclining. “What I needed but I wasn’t a sick person,” he said. He ent I was getting worse,” he said. In May was a corner,” he said. Something to lean started a regular walking routine. What of 1995, in an attempt to avoid bypass up against. However, no such luck. With he didn’t foresee at the time was the surgery, his cardiologist sent him to Wil- the sense of distress still in his voice, but roller coaster-like ride of living with liam Beaumont Hospital, where an ag- also a years-later wry expression, Rozelle heart failure. “Most of us enter this with gressive angioplasty technique had been described how the small boat was so well a great deal of ignorance,” he said. developed, combining the procedure designed that it made use of every bit of If you aren’t very familiar with the with powerful drugs that relax the arter- space. There were shelves in all the +"/6"3:t&/$03& 19 Rozelle
corners and no place to prop oneself up. seconds. The doctor After a week on the boat, the couple said that was good got a train back to Paris, then a turbu- — I don’t know what lent flight across the Atlantic, meaning bad is.” Rozelle had little opportunity to stand, September 11, which would have greatly eased his 2001, was Sandy’s 61st respiration. birthday. She went At the time, Rozelle saw this as to school as usual, just another bump in the road. “I’m not while her husband dying, I’m just sick,” he thought. Back was home resting. home, though, it was apparent that She brought home things had progressed to a new stage. “I the birthday balloons was getting so I could do almost nothing. her colleagues had Photo: Courtesy of U M Medical Center I had to sit while brushing my teeth,” he cheerfully given her Dr. Francis Pagani of the University of Michigan Medical Center is the said. His cardiologist explained there early that morning surgeon who performed David Rozelle’s heart transplant. wasn’t anything else they could do as far and popped them all. as standard treatment was concerned. “It seemed so silly to be celebrating a a new heart just to have an extended So, Rozelle asked about the only other birthday,” she recalled. retirement. He told his WMU dean, “If I option he was aware of: a transplant. “All I could do was cry,” Rozelle said get through this, I’m not going away!” Thus began the next phase of the of the events of that day. trek when, in August 2001, Rozelle was Back at the U of M Transplant Cen- onday, October 15, was an referred to the University of Michigan’s ter on October 3rd, Rozelle’s condition eventful day. The young Transplant Center, one of the busiest had worsened enough that his doctor woman who answered phones transplant programs in the country. He told him, “I’m not going to let you go onM his floor of the hospital leaked the and Sandy learned the requirements for home today.” good news to Rozelle: There was a heart being placed on the heart transplant “Am I a good candidate?” Rozelle for him. This is the part that still chokes waiting list, which involves a long series asked the physician. him up a little — officially, a doctor is of medical tests, many trips and phone The reply: “Since you can hardly supposed to relay that information, but calls to Ann Arbor, and waiting to learn talk — yes!” the girl wanted him to know right away. the doctors’ decision on your status — About a week later, Rozelle was of- His first call was to the office at Hackett all at a time when your heart function ficially on the waiting list, and ended up High. When the school secretary ap- has declined so much that breathing is being there only six days. Had a match- peared at the door of Sandy’s classroom, difficult and exhaustion is a constant. ing donor heart not become available she and her students knew what the mes- “There are national standards that so soon, the next step would have been sage would be: “We have a heart.” The they are applying. The United Network to surgically implant a left ventricular students were all so excited, Sandy recalls. for Organ Sharing (UNOS) gives us assist device, or LVAD, a mechanism She left immediately for Ann Arbor. national organ-sharing rules,” Rozelle that pumps blood for a heart that can no The eight-hour operation made explained. “The sickest, not the rich- longer keep up on its own. Rozelle the U of M’s 42nd heart recipient est, get organs, and organs will not be He did not have to wait long that year and the 482nd in their history for sale.” He later learned that the U of enough to need the pump, but during of doing heart transplants. M Transplant Center is more conserva- the days and nights he spent in the U After the surgery, Rozelle received tive than some in approving transplant of M hospital in early October 2001, immune suppression drugs to keep his candidates for the waiting list. Though Rozelle did have time to reflect. “You do body from rejecting the new heart, some- at the time, Rozelle said, “I didn’t know I a lot of thinking,” he said — about the thing he will need to take the rest of his was in a tough league.” organ shortage and the many others on life. Hallucinations are a side effect of the Heart transplantation is considered the waiting list. He considered the fact quantities administered right after the a last-resort treatment for heart failure. that he and Sandy do not have children. operation. Other post-transplant patients “You’ve got to have an awful rotten heart, “What is this going to get me?” he asked on the same floor were having similar but be strong enough for the operation. himself. But if he had any doubts, Sandy experiences. “Since all of us had been on You can be too sick or not sick enough. did not. “He was a fine teacher and had a these drugs, it was kind of a carnival,” It’s a terrible dilemma,” Rozelle ex- lot yet to give,” she said. Rozelle realized he said. On top of that, the post-9/11 an- plained. “I had a stress test and lasted 13 that what he didn’t want was to accept thrax scare was happening, making real 20 &/$03&t+"/6"3: life as odd as the drug-induced world. Throughout, what impressed Rozelle were the nurses. “They are unflappable,” he said. Rozelle sums up the experience suc- cinctly. “I was extraordinarily lucky,” he said. “One, I was lucky to get a heart in the first place; two, I was lucky to avoid two operations (i.e., no LVAD surgery); three, my recovery was absolutely won- derful.” That recovery didn’t just happen, though, explains Sandy. “David is very religious about walking, using weights.” He felt good enough to go back to work in six months, but waited for the new semester to begin in fall 2002. The emotional side of heart trans- plant is huge for both the donor’s family and the recipient’s. The relationship between the two, whatever form it takes, is always there, accompanied by the unavoidable fact that it was someone’s death that made the rest possible. While the process is anonymous, recipients and donors do learn some- thing about each other and can choose to exchange identities and even meet, HANDMADE CABINETS AND FURNITURE if both agree. Rozelle learned his donor was a 17-year-old high school senior who was driving to work when his vehicle hydroplaned and was hit by a truck. He was pronounced dead at the hospital. “I cannot imagine his family being asked about organ donation,” Rozelle said. The donor’s mother initially said no to giving her son’s organs because she wasn’t sure what his wishes were. Her decision changed, though, when her daughter recalled that she had heard him say he wanted to donate. “There were seven transplants from him, four life-saving, and one was for me,” Rozelle said. He has corresponded with the fami- ly and just recently met them for the first time. “It was extraordinary, very touch- ing, with tears and hugs,” said Sandy. “I was just a bystander,” she added with a smile. She and her husband often wonder what would have happened if the young 1050 E. Michigan Ave. • Kalamazoo, MI 49048 • (269) 382-0114 man’s sister had not spoken up. Visit our Web site at www.winshipcabinetry.com Another thing Rozelle thought Showroom available by appointment about while waiting in the hospital for +"/6"3:t&/$03& 21 Rozelle
a matching heart was a sense of owing unique opportunity to contribute. in class and “telling my own tale.” He something — to Sandy, of course — but “I have a captive audience of young passed out donor forms and a symbolical- also in a more general way. Back in the people each semester. They’re idealistic,” ly gift-wrapped box into which the forms classroom in fall 2002, he recognized his he said. He started taking 10 minutes were returned. To keep things anony- Show Us Your Heart! HAT IS, THE SMALL, red heart If you signed the back of your license much easier,” says Jennifer Tislerics, Spe- sticker that may be found just above to indicate your willingness to donate cial Events and Partnerships Coordinator the photo on your Michigan driver’s organs, that information did not go at Gift of Life. “It’s a gift to the family. It license or state ID card. If you renewed any further than your card, unless you lifts the burden of decision.” this year, you might already be familiar separately contacted the registry. Now, According to Tislerics, the percent of with it. the emphasis is on getting donor names Michigan citizens on the donor regis- A new Michigan statute, called the into the registry as the first step, with the try is lower than many states. Despite “heart insignia” law, went into effect heart sticker on the license a visual con- educational efforts, there are still mis- January 1, 2007. Since then, the Secre- firmation of that action. A major advan- conceptions about organ donation, she tary of State’s office has distributed heart tage of this method is that the electronic explained. “People often tell us they think stickers to those who sign up on the registry is always available to transplant they are too old or sick to register,” she state’s donor list, thus becoming regis- professionals to check a person’s dona- said. On the contrary, there is no age limit tered organ and tissue donors. Informa- tion wishes, whereas a license or ID card or disease that prevents you from signing tion on the registry is included in the may be inaccessible. up. The rules for what is transplantable license and ID renewal packets sent out The ongoing “Show Us Your Heart change quickly, so Gift of Life encourages by the Department of State. Campaign,” a partnership of Gift of Life everyone who is interested in donating to The registry has existed for some Michigan, (the nonprofit organ and tis- register, letting the rules in effect at the years, but before the new law there was sue donation program for Michigan) and time determine what is possible should not as direct a connection between one’s the Secretary of State’s office, aims to they become a potential donor. license or ID card and the registry itself. spread the word about the registry and to Another myth is that religions pro- encourage more citizens to sign up. hibit organ donation. All major religions Donor registration is truly a life and either approve or see it as a decision death matter. The need for organs greatly for the individual to make. The donor’s exceeds the availability. Some statistics family does not incur any cost for organ illustrate this fact: donation and it does not affect the option — In 2006, there were 905 organ for an open-casket funeral service. transplants in Michigan, while the num- With efforts like the Show Us Your ber of people on the organ waiting list in Heart campaign and the University Chal- our state is approximately 3,200. lenge, Tislerics and volunteers like David — Nationally there are almost Rozelle are working to spread awareness 100,000 people awaiting a transplant. An among Michiganders about the value of average of 18 people die each day in the giving the gift of life. “We have a long United States from the lack of available way to go,” Tislerics said, “but we’re organs. moving in the right direction.” One donor can save the lives of up to More information on organ donation eight people needing organs and can ben- in Michigan is available from Gift of Life efit many more through tissue donation. Michigan (www.giftoflifemichigan.org Being on the registry also helps family or 800-482-4881) or from the Secretary members already facing grief and shock, of State’s office (www.michigan.gov/sos). by eliminating the need for them to guess Those who don’t have a license or state Photo: Ron Dundon Photo: Ron Dixie Edwards shows her donor designation about their loved one’s wishes. “It makes ID can join the organ donor registry by after recently renewing her driver’s license. the conversation with the family go so contacting Gift of Life.
22 &/$03&t+"/6"3: Watch for her columns in the Kalamazoo Gazette. JULIE K. PHILLIPS, PC mous, a student delivered the box to the ATTORNEY AND COUNSELOR AT LAW department office. From there they were Completed Certificate Program in forwarded to Gift of Life Michigan — the Estate Planning and Probate state’s organ recovery organization — to t t t be added to the organ donor registry. Trusts Wills Estate Plans Probate Real Estate t Forming Corporations and LLCs while later, Rozelle and the 225 West Walnut Street, Kalamazoo, MI student accounting honorary Over A Decade of Experience (269) twww.jkphillipslaw.com he’s advised for many years, Beta AlphaA Psi, led WMU in a larger organ donation effort by joining Gift of Life’s University Challenge. The Challenge pits Michigan colleges and universities against each other in a friendly competi- #LIENT SERVICE tion to sign up the most people. In the last three years, WMU has finished first once and second twice in the number of WORTHY OF registrants category by inspiring over 2,000 to add their names to the list. AN %NCORE Jennifer Tislerics, Gift of Life coor- dinator of the Challenge, met the WMU 7EST #ROSSTOWN 0ARKWAY ■ 3UITE ■ +ALAMAZOO -) ■ volunteers while visiting campus. “David )NFORMATIVE WEBSITEWWWJVTRCOM ■ &AX