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From Vienna to Sarajevo, Role Models and Replicas in the Architecture of Austro-Hungarian Period Boris Trapara

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From Vienna to Sarajevo, Role Models and Replicas in the Architecture of Austro-Hungarian Period Boris Trapara From Vienna to Sarajevo, role models and replicas in the architecture of Austro-Hungarian period Boris Trapara To cite this version: Boris Trapara. From Vienna to Sarajevo, role models and replicas in the architecture of Austro- Hungarian period. Art and art history. Institut National des Langues et Civilisations Orientales- INALCO PARIS - LANGUES O’; International Burch University (Faculty of Engineering and Natural Sciences, Department of Architecture), 2019. English. NNT : 2019INAL0023. tel-02992615 HAL Id: tel-02992615 https://tel.archives-ouvertes.fr/tel-02992615 Submitted on 6 Nov 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Institut National des Langues et Civilisations Orientales École doctorale n°265 Langues, littératures et sociétés du monde CREE (Centre de Recherche Europes-Eurasie) THÈSE EN COTUTELLE avec Burch Université Internationale Faculté d'Ingénierie et Sciences Naturelles Département d'Architecture présentée par Boris TRAPARA soutenue le 13 décembre 2019 pour obtenir le grade de Docteur de l’INALCO en Histoire, sociétés et civilisations From Vienna to Sarajevo, role models and replicas in the architecture of Austro-Hungarian period THÈSE dirigée par : Taline TER MINASSIAN Professeur des universités, INALCO Maja POPOVAC Professeur des universités, co-directeur de cotutelle, UNMO RAPPORTEURS : Nicolas FAUCHERRE Professeur des universités, Aix-Marseille Université, CNRS Haris DERVIŠEVIĆ Maitre de conférence, Sarajevo Université, UNSA MEMBRES DU JURY : Taline TER MINASSIAN Professeur des universités, INALCO Maja POPOVAC Professeur des universités, co-directeur de cotutelle, UNMO Adnan NOVALIĆ Maitre de conférence, Burch Université Internationale, IBU Haris DERVIŠEVIĆ Maitre de conférence, Sarajevo Université, UNSA Nicolas FAUCHERRE Professeur des universités, Aix-Marseille Université, CNRS Carmen POPESCU Professeur des universités, Université Rennes 2, UR2 Frédéric CHAUBIN Expert, Cité de l’Architecture et du Patrimoine CONTENTS i. ACRONYMS ........................................................................................................................................... 4 1. INTRODUCTION ................................................................................................................................... 6 1.1. Foreword .......................................................................................................................................... 7 1.2. Historical Background: The Architectural Case of Bosnia and Herzegovina .................................. 14 1.3. Introduction to the Study ............................................................................................................... 23 1.4. The Subject and Span of the Research ........................................................................................... 25 1.5. Review of the Previous Scientific Researches and Publications ..................................................... 26 1.6. Hypothesis and Research Questions .............................................................................................. 29 1.7. The Aims, Motivation and Relevance ............................................................................................. 31 1.8. Methodological Approach .............................................................................................................. 33 1.9. The Structure of the Doctoral Dissertation .................................................................................... 35 2. ARCHITECTURAL TYPOLOGIES ........................................................................................................... 36 IN BOSNIA AND HERZEGOVINA FROM THE OUTSIDE............................................................................ 36 2.1. Early period: Butmir culture - the most significant archaeological settlement in Bosnia and Herzegovina ........................................................................................................................................... 37 2.2. Medieval period ............................................................................................................................. 43 2.2.1. Secular Architecture: The Medieval Fortified Towns from Medieval period .............................. 43 2.2.2. Sepulchral Architecture: Stećaks – Tombstones from Medieval period ..................................... 61 2.3. Ottoman period .............................................................................................................................. 80 2.3.1. Secular Architecture: Svrzo Family House in sequences and scale ............................................. 80 2.3.2. Sacred Architecture: Mosques of Banja Luka .............................................................................. 89 2.4. Austro-Hungarian period .............................................................................................................. 111 2.4.1. Secular Architecture: Salom’s Palace and Napredak Palace in Sarajevo .................................. 111 2.4.2. Sacred Architecture: Franciscan Monasteries ........................................................................... 120 2.5. Architecture from Yugoslavia: Memorial Architecture in Kozara and Tjentište .......................... 131 2.6. Modernism in Architecture: Museum of History of Bosnia and Herzegovina ............................. 138 2.7. Post Modernism in Architecture: Theater in Zenica .................................................................... 152 2.8. Vernacular and Contemporary Bosnian Architecture .................................................................. 160 2.8.1. Secular Architecture: Bosnian Ethno Village Lukomir ............................................................... 160 2.8.2. Sacred Architecture: Orthodox Wooden Churches ................................................................... 165 2.8.3 Current State .............................................................................................................................. 173 3. CONFLICT OF DESIRES AND OPPORTUNITIES .................................................................................. 181 3.1. Political, social and cultural relations of a confident Centre and restless Colony ....................... 182 3.2. New rules for space treatment: The Construction Order and Urbanism of the Austro-Hungarian period in Sarajevo ................................................................................................................................ 194 3.3. New monumental buildings of sacral and public architecture: Cathedral of the Sacred Heart of Jesus and the National Theater in Sarajevo ........................................................................................ 201 3.4. Materials of the new era in the architecture of Bosnia and Herzegovina ................................... 210 3.5. Stylistic articulation of architecture of the Austro-Hungarian period in Bosnia and Herzegovina: four dominant groups ......................................................................................................................... 214 3.6. Architecture as a voice of politics: Neo-Moorish style in Bosnia and Herzegovina ..................... 225 3.7. The celebrated protagonists of the new architecture in Sarajevo: Josip pl. Vancaš and Karel Pařík ............................................................................................................................................................. 237 3.8. New ornamental aesthetics: Iron fences in the residential and business palaces in Sarajevo .... 245 4. SARAJEVO AND VIENNA .................................................................................................................. 253 IN THE CONTEXT OF GENIUS LOCI ....................................................................................................... 253 4.1. Introduction with chosen examples in Sarajevo and Vienna ....................................................... 254 4.2. The Academy of Fine Arts Building in Sarajevo and Protestant Chapel in Vienna ....................... 264 4.3. The National museum of Bosnia and Herzegovina in Sarajevo and Künstlerhaus and Musikverein in Vienna .............................................................................................................................................. 271 4.4. The Presidency of Bosnia and Herzegovina Building in Sarajevo and Museum of Applied Arts Building in Vienna ................................................................................................................................ 279 4.5. The Marienhof Building in Sarajevo and Baldiahof Building in Vienna ........................................ 286 4.6. The Post Office Building in Sarajevo and Austrian Postal Savings Bank Building in Vienna ......... 293 4.7. Originals and copies in Architecture: The Power of the Centers - East and West ....................... 301 4.8. Defining the Genius loci: Weaknesses and Advantages of Genius loci .......................................
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