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Reunion Reunion
THE MAGAZINE OF THE HAAS SCHOOL OF BUSINESS AT THE UNIVERSITY OF CALIFORNIA, BERKELEY University of California, Berkeley NONPROFIT ORG Haas School of Business US POSTAGE 545 Student Services #1900 PAID Berkeley, CA 94720-1900 S.M.I BerkeleyHaasFall 2015 14 DREAM MAKERS 8 MODERN BRANDING 24 DEAL FLOW Danae Ringelmann and Eric Schell, MBA 08s, Prof. Emeritus David Aaker reflects on The Berkeley-Haas alumni network powers revolutionize the crowdfunding industry branding trends past and future new ventures 2015 Business Leader of the Year 1996 · 200 91 · 1 · 2 19 00 · 6 86 · 9 20 1 1 · 1 1 · 8 E 9 M 1 · B A 6 7 April 29-May 1 1 9 4 Progress 1 · · 2 1 0 7 1 9 5 1 REUNIONREUNION in a Bold WEEKENDWEEKEND Quest 2016 Joseph Jimenez, MBA 84, the CEO of Novartis, has set his firm in a battle against various forms of cancer. And the Relive the best of your Berkeley-Haas experience! outlook is promising. Catch up with classmates, listen to engaging lectures, make new connections, and bring your family back to campus. Everything you loved about business school—without the exams. haas.berkeley.edu/reunion #haasreunion Question the Status Quo Fall 2015 FEATURES AND DEPARTMENTS The Confidence Without Attitude Issue EXECUTIVE EDITORS Confidence Without Attitude Richard Kurovsky UP FRONT Ute Frey Students Always MANAGING EDITOR Beyond Yourself Amy Marcott DESIGN Cuttriss & Hambleton, Berkeley Berkeley-Haas alumni STAFF WRITERS Laura Counts, Kim Girard, enjoy open- Pamela Tom 15% off MBA Classes Fed Reserve Chair Janet Yellen enrollment programs. 2010–2015 2 Haas List CONTRIBUTING WRITERS Berkeley-Haas economists John Deever, Mandy Erickson, rule the financial world. -
Ripe Frenzy Written by Jennifer Barclay Directed by Bridget Kathleen O’Leary February 24-March 11, 2018 a Boston University New Play Initiative Production
FOR IMMEDIATE RELEASE – Friday, February 9, 2018 MEDIA CONTACT – Michael Duncan Smith | 617-923-7060 x8205 | [email protected] NEW REPERTORY THEATRE AND BOSTON CENTER FOR AMERICAN PERFORMANCE PRESENT A NATIONAL NEW PLAY NETWORK ROLLING WORLD PREMIERE OF RIPE FRENZY WRITTEN BY JENNIFER BARCLAY DIRECTED BY BRIDGET KATHLEEN O’LEARY FEBRUARY 24-MARCH 11, 2018 A BOSTON UNIVERSITY NEW PLAY INITIATIVE PRODUCTION [WATERTOWN] New Repertory Theatre and Boston Center for American Performance (BCAP) present Ripe Frenzy, performed February 24-March 11, 2018 at the Boston University College of Fine Arts Studio ONE, 855 Commonwealth Ave, Boston. Tickets may be purchased by calling the New Rep Box Office at 617-923- 8487 or visiting newrep.org. The press opening will be on Monday, February 26 at 7:30pm. "In New Rep’s Statements of Survival Series, we chose plays that would resonate firmly with the social and political times in which we are now living,” says New Rep and BCAP Artistic Director Jim Petosa. “It is sobering to present a work like Ripe Frenzy at a time when tragedies, such as the one depicted in the play, have become so normalized in our society. The power behind this new work, however, comes from its ability to examine a shocking event from multiple angles, weaving the story through the lives of three women and their children, and allowing us a unique glimpse at how a community functions in the wake of tradgedy. New Rep and Boston Center for American Performance are pleased to partner once again to present this remarkable National New Play Network Rolling World Premiere from playwright Jennifer Barclay." About RIPE FRENZY Winner of the National New Play Network’s 2016 Smith Prize for Political Theatre, this National New Play Network Rolling World Premiere brings us to Tavistown, New York, where a recent tragedy has rocked the community to its core. -
New Waves – Feminism, Gender, and Podcast Studies” 1
Issue 2020 7 7 New Waves – Feminism, Gender, and Podcast Studies Edited by Julia Hoydis ISSN 1613-1878 Editor About Prof. Dr. Beate Neumeier Gender forum is an online, peer reviewed academic University of Cologne journal dedicated to the discussion of gender issues. As an English Department electronic journal, gender forum offers a free-of-charge Albertus-Magnus-Platz platform for the discussion of gender-related topics in the D-50923 Köln/Cologne fields of literary and cultural production, media and the Germany arts as well as politics, the natural sciences, medicine, the law, religion and philosophy. Inaugurated by Prof. Dr. Tel +49-(0)221-470 2284 Beate Neumeier in 2002, the quarterly issues of the journal Fax +49-(0)221-470 6725 have focused on a multitude of questions from different email: [email protected] theoretical perspectives of feminist criticism, queer theory, and masculinity studies. gender forum also includes reviews and occasionally interviews, fictional pieces and Editorial Office poetry with a gender studies angle. Dr.’ Sarah Youssef Opinions expressed in articles published in gender forum are those of individual authors and not necessarily Tel.: +49-(0)221-470 3030 endorsed by the editors of gender forum. email: [email protected] Submissions Editorial Board Target articles should conform to current MLA Style (8th Prof. Dr. Mita Banerjee, edition) and should be between 5,000 and 8,000 words in Johannes Gutenberg University Mainz (Germany) length. Please make sure to number your paragraphs Prof. Dr. Nilufer E. Bharucha, and include a bio-blurb and an abstract of roughly 300 University of Mumbai (India) words. -
Issue 10 Nova Southeastern University
Nova Southeastern University NSUWorks The urC rent NSU Digital Collections 10-16-2018 The urC rent Volume 29 : Issue 10 Nova Southeastern University Follow this and additional works at: https://nsuworks.nova.edu/nsudigital_newspaper NSUWorks Citation Nova Southeastern University, "The urC rent Volume 29 : Issue 10" (2018). The Current. 672. https://nsuworks.nova.edu/nsudigital_newspaper/672 This Newspaper is brought to you for free and open access by the NSU Digital Collections at NSUWorks. It has been accepted for inclusion in The Current by an authorized administrator of NSUWorks. For more information, please contact [email protected]. The Student-Run Newspaper of Nova Southeastern University October 16, 2018 | Vol. 29, Issue 10 | nsucurrent.nova.edu Features Arts & Entertainment Sports Opinions Where did the Black Power Fist Skip the department store and try these Learn about this week in The supreme court: come from? indie perfumes sports history who are we hiring? P. 4 P. 7 P. 8 P. 10 Clearwater Campus under construction By: Christina McLaughlin Co-Editor-in-Chief Moss Construction & Associates is well multi-level parking structure has begun. It will underway with the construction of the Dr. Kiran hold 1,377 spaces and be located on the south C Patel College of Osteopathic Medicine and side of campus. There are future talks with the the Dr. Pallavi Patel College of Health Care city of Clearwater to widen the access road due Sciences in Clearwater, FL, expected to open in to the expectation of higher traffic conditions Aug. 2019. once the campus is open. Last year, the Patel Family Foundation The 325,000 sq. -
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00:00:00 Music Transition Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:12 Music Transition “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:19 Jesse Host It’s Bullseye. I’m Jesse Thorn. Look, the reality is this: baking a Thorn cake is hard, especially the kind of fancy cake that goes on television. Exhibit A) The Great British Bake Off, on Netflix. A reality competition show that contestants spend years preparing for. If something is off about your cake, even the slightest bit off—maybe a little too much lemon or cardamom or maybe your mirror glaze never set right—you’re gonna go home. But then there’s exhibit B) Nailed It, also on Netflix. Nailed It takes the same basic premise— bring people together in a big kitchen, have them make a big, pretty cake. Only none of the people really [chuckling] know anything about baking or cooking. And instead of four hours, they give them 90 minutes. So. What could possibly go wrong? The answer, of course, is everything. Sad, droopy cupcakes that are barely baked, burnt fondant monstrosities, ingredients materializing that were never in the recipe. Nailed It is a celebration of failure. It’s a warmhearted ode to, “Well, at least you tried your best and that’s good enough.” The baked goods are never pretty. -
Nostalgia Electrics Chocolate Fountain Instructions
Nostalgia electrics chocolate fountain instructions Continue Photo Emo Night in Brooklyn Forgotten Ghosts of Pop Culture past made a triumphant comeback. Between shows like Fuller House (Netflix reboot of 90s hit Full House), the return of the Gilmore Girls, and the Backstreet Boys and New Kids on the block back on tour, nostalgia has its moment. Whether it's podcasts about old shows and movies, nostalgia-driven events and merchandise, or the resurgence of food and drink made popular decades ago, entrepreneurs are finding ways to relive what made them happy in the past and create something new. In most cases, these return businesses are a lucky accident. For many entrepreneurs of nostalgia, their business arose from their passion, which led to crowds of die-hard followers and fans. This is especially true for the duo who runs Emo Night in Brooklyn, a monthly event with a DJ who plays emo, post-hardcore and pop punk hits aughts, attracting thousands of passionately singing millennials to their party. The idea for their event was laid in Boston, where British co-founders and childhood friends Alex Badanes and Ethan McCoough both went to college. The couple started the party in their dorm rooms, and rocked quite hard by doing so. The guys then moved to Brooklyn around the same time and always will be before the game (partying in front of the bar) in a similar way. Alex and I thought it would be great if we moved the 'party' to the bar, invited our friends, and maybe the bar would give us a free beer in exchange for attracting people,' McCoy said. -
Mbmbam 421: Spoonhog Published on August 20Th, 2018 Listen Here on Themcelroy.Family
MBMBaM 421: Spoonhog Published on August 20th, 2018 Listen here on TheMcElroy.family Intro (Bob Ball): The McElroy brothers are not experts, and their advice should never be followed. Travis insists he's a sexpert, but if there's a degree on his wall, I haven't seen it. Also, this show isn't for kids, which I mention only so the babies out there will know how cool they are for listening. What's up, you cool baby? [theme music, ―(It‘s a) Departure‖ by The Long Winters, plays] Justin: Hello, everybody, and welcome to My Brother, My Brother and Me, an advice show for the modern era. I‘m your oldest brother, Justin McElroy. Travis: I‘m your middlest brother, Travis McElroy. Griffin: I‘m your sweet baby brother and 30 Under 30 media luminary, Griffin McElroy. Justin: Once upon a time, I was one of the cohosts of the Joystiq Podcast. And we got to Episode 99 and realized the week following would be our hundredth episode. And we didn‘t have it in us, or didn‘t—weren‘t able to be prepared enough, maybe, is another way of putting it, to actually get it together to do something special for a 100th episode. So we released Episode 98, Episode 98-A, Episode 98-B, Episode 98-C, Episode 99, 99.5, 99.75, 99-A, and then Episode 100. [laughs] Griffin: Okay. Justin: So we did that this one time. I don‘t know why I‘m relating that anecdote right now, but welcome to Episode 421 of My Brother, My Brother and Me. -
Saving New Sounds: Podcast Preservation and Historiography
Saving New Sounds Saving New Sounds Podcast Preservation and Historiography Jeremy Wade Morris and Eric Hoyt, editors University of Michigan Press • Ann Arbor Copyright © 2021 by Jeremy Wade Morris and Eric Hoyt Some rights reserved This work is licensed under a Creative Commons Attribution- NonCommercial 4.0 International License. Note to users: A Creative Commons license is only valid when it is applied by the person or entity that holds rights to the licensed work. Works may contain components (e.g., photographs, illustrations, or quotations) to which the rightsholder in the work cannot apply the license. It is ultimately your responsibility to independently evaluate the copyright status of any work or component part of a work you use, in light of your intended use. To view a copy of this license, visit http://creativecommons.org/ licenses/by- nc/4.0/ For questions or permissions, please contact [email protected] Published in the United States of America by the University of Michigan Press Manufactured in the United States of America Printed on acid- free paper First published July 2021 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication data has been applied for. DOI: https://doi.org/10.3998/mpub.11435021 ISBN: 978- 0- 472- 05447- 3 (Paper : alk paper) ISBN: 978- 0- 472- 90124- 1 (OA ebook) Contents Acknowledgments vii Introduction: The Inseparability of Research and Preservation Frameworks for Podcasting History 1 Eric Hoyt and JErEmy WadE morris Revisiting Podcasting’s Histories 1. Podcast Archaeology: Researching Proto- Podcasts and Early Born- Digital Audio Formats 29 andrEW J.