T.H.A.M.O.S. Based on Wolfgang Amadeus Mozart’S Thamos, King in Egypt K

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T.H.A.M.O.S. BASED ON WOLFGANG AMADEUS MOZART’S THAMOS, KING IN EGYPT K. 345 IN A VERSION BY CARLUS PADRISSA, WITH SELECTED ARIAS FROM THE MAGIC FLUTE K.620 AND ZAIDE K. 344 All rights reserved · credits not contractual · Different territories · Photos: © Matthias Baus · Flyer: mmessner.de contractualFlyer: Matthias Different Photos: · territories © · credits not rights · All reserved Baus · Wherever they are, that’s where the action is. The Catalan theatre The drama sheds light on the cultural changes of mankind in the 21st group La Fura dels Baus is staging T.H.A.M.O.S at the Felsenreitschule century and deals with the attempt to overcome the new forms of Salzburg. The performance is based on Thamos, King in Egypt, with slavery. Through the unravelling of physical and artistic paradigms, interlude music by Mozart for the heroic drama written by Tobias the individual existence of the artistic being is linked with the holistic Philipp Freiherr von Gebler, supplemented by other compositions by experiment of the “body to be collective”. Only in this way is art Mozart and texts by Nikolaus Tesla, Antonin Artaud and Alicia Aza. everything and everything is art. BACHCHOR SALZBURG . CAMERATA SALZBURG CONDUCTED BY ALONDRA DE LA PARRA STAGE DIRECTOR CARLUS PADRISSA (LA FURA DELS BAUS) RENÉ PAPE (KING MENES) . FATMA SAID (THARSIS) . NUTTHAPORN THAMMATHI (THAMOS) SILKE REDHAMMER (MYRIS) . BASTIAN THOMAS KOHL (A PRIEST) Cat. no. A 040 50108 | Video Director: Tiziano Mancini Length: approx. 101’ | Filmed in Ultra High Definition A production of UNITEL in cooperation with ORF III, ZDF/Arte Concert and Stiftung Mozarteum World Sales: Tel. +49.30.30306464 [email protected] Unitel GmbH & Co. KG, Germany · Tel. +49.89.673469-630 · [email protected] www.unitel.de.

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The Magic Flute Synopsis
Mozart’s The Magic Flute Synopsis ACT I Three ladies in the service of the Queen of the Night save the fainting Prince Tamino from a serpent (“Zu Hülfe! zu Hülfe!”). When they leave to tell the queen, the bird catcher Papageno bounces in and boasts to Tamino that it was he who killed the creature (“Der Vogelfänger bin ich ja”). The ladies return to give Tamino a portrait of the queen’s daughter, Pamina, who they say is enslaved by the evil Sarastro, and they padlock Papageno’s mouth for lying. Tamino falls in love with Pamina’s face in the portrait (“Dies Bildnis ist bezaubernd schön”). The queen, appearing in a burst of thunder, is grieving over the loss of her daughter; she charges Tamino with Pamina’s rescue (“Zum Leiden bin ich auserkoren”). The ladies give a magic flute to Tamino and silver bells to Papageno to ensure their safety, appointing three spirits to guide them (“Hm! hm! hm! hm!”). Sarastro’s slave Monostatos pursues Pamina (“Du feines Täubchen”) but is frightened away by the feather-covered Papageno, who tells Pamina that Tamino loves her and intends to save her. Led by the three spirits to the Temple of Sarastro, Tamino is advised by a high priest that it is the queen, not Sarastro, who is evil. Hearing that Pamina is safe, Tamino charms the animals with his flute, then rushes to follow the sound of Papageno’s pipes. Monostatos and his cohorts chase Papageno and Pamina but are left helpless by Papageno’s magic bells. Sarastro, entering in great ceremony (“Es lebe Sarastro”), promises Pamina eventual freedom and punishes Monostatos.
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