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Charitably Chic Lynn Willis
Philadelphia University Spring 2007 development of (PRODUCT) RED, a campaign significantly embraced by the fashion community. Companies working with Focus on . Alumni Focus on . Industry News (PRODUCT) RED donate a large percentage of their profits to the Global Fund to fight Lynn Willis Charitably Chic AIDS. For example, Emporio Armani’s line donates 40 percent of the gross profit By Sara Wetterlin and Chaisley Lussier By Kelsey Rose, Erin Satchell and Holly Ronan margin from its sales and the GAP donates Lynn Willis 50 percent. Additionally, American Express, Trends in fashion come and go, but graduated perhaps the first large company to join the fashions that promote important social from campaign, offers customers its RED card, causes are today’s “it” items. By working where one percent of a user’s purchases Philadelphia with charitable organizations, designers, University in goes toward funding AIDS research and companies and celebrities alike are jumping treatment. Motorola and Apple have also 1994 with on the bandwagon to help promote AIDS a Bachelor created red versions of their electronics and cancer awareness. that benefit the cause. The results from of Science In previous years, Ralph Lauren has the (PRODUCT) RED campaign have been in Fashion offered his time and millions of dollars to significant, with contributions totaling over Design. Willis breast cancer research and treatment, which $1.25 million in May 2006. is senior includes the establishment of health centers Despite the fashion industry’s focus on director for the disease. Now, Lauren has taken image, think about what you can do for of public his philanthropy further by lending his someone else when purchasing clothes relations Polo logo to the breast cancer cause with and other items. -
Luis Venegas What to Read, Watch, Listen To, and Know About to Become a Bullet-Proof Style Expert
KUltur kriTik SChOol of FasHion Vol. 1: LuiS VEnegas What to read, watch, listen to, and know about to become a bullet-proof style expert. SULEMAN ANAYA (username: vertiz136) talked to the Spanish magazine mastermind LUIS VENEGAS about his list of references. coat, jacket, and pants: Lanvin Homme, waistcoat: Polo Ralph Lauren, shirt: Dior Homme, bow tie: Marc Jacobs, shoes: Pierre Hardy photo: Chus Antón, styling: Ana Murillas 195 KUltur SChOol kriTik of FasHion At 31, Luis Venegas is already a one-man editorial powerhouse. He produces and publishes three magazines that, though they have small print runs, have a near-religious following: the six-year-old Fanzine 137 – a compendium of everything Venegas cares about, Electric Youth (EY!) Magateen – an oversized cornucopia of adolescent boyflesh started in 2008, and the high- ly lauded Candy – the first truly queer fashion magazine on the planet, which was launched last year. His all-encompassing, erudite view of the fashion universe is the foundation for Venegas’ next big project: the fashion academy he plans to start in 2011. It will be a place where people, as he says, “who are interested in fashion learn about certain key moments from history, film and pop culture.” To get a preview of the curriculum at Professor Venegas’ School of Fashion, Suleman Anaya paid Venegas a visit at his apartment in the Madrid neighborhood of Malasaña, a wonderful space that overflows with the collected objects of his boundless curiosity. Television ● Dynasty ● Dallas What are you watching these days in your scarce spare time? I am in the middle of a Dynasty marathon. -
Business Professional Dress Code
Business Professional Dress Code The way you dress can play a big role in your professional career. Part of the culture of a company is the dress code of its employees. Some companies prefer a business casual approach, while other companies require a business professional dress code. BUSINESS PROFESSIONAL ATTIRE FOR MEN Men should wear business suits if possible; however, blazers can be worn with dress slacks or nice khaki pants. Wearing a tie is a requirement for men in a business professional dress code. Sweaters worn with a shirt and tie are an option as well. BUSINESS PROFESSIONAL ATTIRE FOR WOMEN Women should wear business suits or skirt-and-blouse combinations. Women adhering to the business professional dress code can wear slacks, shirts and other formal combinations. Women dressing for a business professional dress code should try to be conservative. Revealing clothing should be avoided, and body art should be covered. Jewelry should be conservative and tasteful. COLORS AND FOOTWEAR When choosing color schemes for your business professional wardrobe, it's advisable to stay conservative. Wear "power" colors such as black, navy, dark gray and earth tones. Avoid bright colors that attract attention. Men should wear dark‐colored dress shoes. Women can wear heels or flats. Women should avoid open‐toe shoes and strapless shoes that expose the heel of the foot. GOOD HYGIENE Always practice good hygiene. For men adhering to a business professional dress code, this means good grooming habits. Facial hair should be either shaved off or well groomed. Clothing should be neat and always pressed. -
Fashion Awards Preview
WWD A SUPPLEMENT TO WOMEN’S WEAR DAILY 2011 CFDA FASHION AWARDS PREVIEW 053111.CFDA.001.Cover.a;4.indd 1 5/23/11 12:47 PM marc jacobs stores worldwide helena bonham carter www.marcjacobs.com photographed by juergen teller marc jacobs stores worldwide helena bonham carter www.marcjacobs.com photographed by juergen teller NEW YORK LOS ANGELES BOSTON LAS VEGAS MIAMI DALLAS SAO PAULO LONDON PARIS SAINT TROPEZ BRUSSELS ANTWERPEN KNOKKE MADRID ATHENS ISTANBUL MOSCOW DUBAI HONG KONG BEIJING SHANGHAI MACAU JAKARTA KUALA LUMPUR SINGAPORE SEOUL TOKYO SYDNEY DVF.COM NEW YORK LOS ANGELES BOSTON LAS VEGAS MIAMI DALLAS SAO PAULO LONDON PARIS SAINT TROPEZ BRUSSELS ANTWERPEN KNOKKE MADRID ATHENS ISTANBUL MOSCOW DUBAI HONG KONG BEIJING SHANGHAI MACAU JAKARTA KUALA LUMPUR SINGAPORE SEOUL TOKYO SYDNEY DVF.COM IN CELEBRATION OF THE 10TH ANNIVERSARY OF SWAROVSKI’S SUPPORT OF THE CFDA FASHION AWARDS AVAILABLE EXCLUSIVELY THROUGH SWAROVSKI BOUTIQUES NEW YORK # LOS ANGELES COSTA MESA # CHICAGO # MIAMI # 1 800 426 3088 # WWW.ATELIERSWAROVSKI.COM BRAIDED BRACELET PHOTOGRAPHED BY MITCHELL FEINBERG IN CELEBRATION OF THE 10TH ANNIVERSARY OF SWAROVSKI’S SUPPORT OF THE CFDA FASHION AWARDS AVAILABLE EXCLUSIVELY THROUGH SWAROVSKI BOUTIQUES NEW YORK # LOS ANGELES COSTA MESA # CHICAGO # MIAMI # 1 800 426 3088 # WWW.ATELIERSWAROVSKI.COM BRAIDED BRACELET PHOTOGRAPHED BY MITCHELL FEINBERG WWD Published by Fairchild Fashion Group, a division of Advance Magazine Publishers Inc., 750 Third Avenue, New York, NY 10017 EDITOR IN CHIEF ADVERTISING Edward Nardoza ASSOCIATE PUBLISHER, Melissa Mattiace ADVERTISING DIRECTOR, Pamela Firestone EXECUTIVE EDITOR, BEAUTY Pete Born PUBLISHER, BEAUTY INC, Alison Adler Matz EXECUTIVE EDITOR Bridget Foley SALES DEVELOPMENT DIRECTOR, Jennifer Marder EDITOR James Fallon ASSOCIATE PUBLISHER, INNERWEAR/LEGWEAR/TEXTILE, Joel Fertel MANAGING EDITOR Peter Sadera EXECUTIVE DIRECTOR, INTERNATIONAL FASHION, Matt Rice MANAGING EDITOR, FASHION/SPECIAL REPORTS Dianne M. -
Marcas E Editoriais De Moda Em Diferentes Nichos De Revistas Especializadas
UNIVERSIDADE DA BEIRA INTERIOR Engenharia Marcas e Editoriais de Moda em Diferentes Nichos de Revistas Especializadas O caso Vogue, i-D e Dazed & Confused Joana Miguel Ramires Dissertação para obtenção do Grau de Mestre em Design de Moda (2º ciclo de estudos) Orientador: Prof. Doutora Maria Madalena Rocha Pereira Covilhã, Outubro de 2012 Marcas e Editoriais de Moda em Diferentes Nichos de Revistas Especializadas II Marcas e Editoriais de Moda em Diferentes Nichos de Revistas Especializadas Agradecimentos Ao longo do percurso que resultou na realização deste trabalho, foram várias as pessoas que ajudaram a desenvolve-lo e que disponibilizaram o seu apoio e amizade. Desta forma, o primeiro agradecimento vai para a orientadora, Professora Doutora Maria Madalena Rocha Pereira, que desde o início foi incansável. Agradeço-lhe pela disponibilidade, compreensão, por me ter guiado da melhor forma por entre todas as dúvidas e problemas que foram surgindo, e por fim, pela força de vontade e entusiamo que me transmitiu. A todos os técnicos e colaboradores dos laboratórios e ateliês do departamento de engenharia têxtil da Universidade da Beira Interior agradeço o seu apoio e os ensinamentos transmitidos ao longo da minha vida académica. Agradeço em especial á D. Lucinda pela sua amizade, e pelo seu apoio constante ao longo destes anos. Às duas pessoas mais importantes da minha vida, pai e mãe agradeço do fundo do coração por todo o amor, carinho, compreensão, e por todos os sacrifícios que fizeram, de modo a me permitirem chegar ao final de mais esta etapa de estudos. Aos meus avós e restante família que também têm sido um pilar fundamental na minha vida a todos os níveis, os meus sinceros agradecimentos. -
How Do I Dress Professionally
Career Development JKM Library, 3rd floor (412) 365-1209 Phone (412) 365-1660 Fax [email protected] Professiona l Dress Guidelines Proper professional dress is essential for interviews and career fairs. Even if you would not be required to wear a suit in the position to which you are applying, it is the expected attire for job interviews and career fairs. Be sure to try on your interview outfit prior to career-related events to ensure a proper fit. Here are several tips for women and men on how to dress professionally and make a positive first impression. What to Wear for Women: Suit Long-sleeved blazer with a straight or pleated skirt or pants. Color should be neutral, such as navy blue, gray, tan, or black. Most solid-colored suits will work as long as they are not too bright. Patterns are only acceptable if they are extremely subtle. Skirt should be knee length or longer. Avoid tight pants and baggy pants. Shirt/blouse Stay away from shiny or sparkly material. Cotton or matte silks are always a good choice. A nice touch is often a collar pin or a simple necklace. A colorful scarf that compliments your outfit is acceptable, but it should not be too bright. Shoes First - no bare legs! Stockings or panty hose, usually in a skin tone or a complimenting color, are a must. The best shoes are simple pumps with no more than a one or two-inch heel. Shoes should be black or a complimentary color that works with your suit. Jewelry and Perfume Simple post earrings or hoops work best. -
Columbia Poetry Review Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Poetry Review Publications Spring 4-1-1990 Columbia Poetry Review Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cpr Part of the Poetry Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Poetry Review" (1990). Columbia Poetry Review. 3. https://digitalcommons.colum.edu/cpr/3 This Book is brought to you for free and open access by the Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Poetry Review by an authorized administrator of Digital Commons @ Columbia College Chicago. For more information, please contact [email protected]. COLUMBIA POETRY REVIEW Columbia College/Chicago Spring 1990 Columbia Poetry Review is published in the spring of each year by the English Department of Columbia College, 600 South Michigan A venue, Chicago, Illinois 60605. Submissions are encouraged and should be sent to the above address. Subscriptions are available at $8.00 an issue. Copyright © 1990 by Columbia College. Grateful acknowledgement is made to Dr. Philip Klukoff, Chairman of the English Department; Dean Lya Rosenblum, Academic Vice-President; Bert Gall, Administrative Vice-President; and Mirron Alexandroff, Presi dent of Columbia College. Cover photograph, Eleanor, 194 7 by Harry Callahan. Copyright, Harry Callahan; courtesy of Pace/ McGill Gallery, -
THE EMPEROR HAS HO CLOTHES All Hail New
fi % ST This year's biggesi losers, both Gorgeous and Grotesque! THE EMPEROR HAS HO CLOTHES All hail New York University President L. Jay Oliva, our distinguished unanimous choice for... BEST UNDRESSED MAN, 1994. Huzzah!!! HuzzahN! Huzzah!!! JSJ/O B u M b l E F u c k A i r Liines W e 'U TAkE you WHERE INO ONE ELSE WANTS TO GO. GRAND HAVEN Like sunny Grand Haven, M ichigan, hom e of the world's largest musical fountain! Lucky for you, as a tourist with Bum blefuck Airlines, you can not only witness the quaint rituals of rural existence, you can leave. C om e along on one of our pre-packaged tours, or go your own way. Prices start from $699 round trip, and only $15 one-way. The depressed prices in the local m om & pop stores will put you in hog heaven. The exchange rate is phenom enal: one New York City dollar is worth $1.84 in Grand Haven! In layman's terms this means that where in NY you can pur chase a small french fries, in CH you can purchase a small franchise. It's just like visiting a Third World nation, except here they've got a trolley. Tour the thriving dow ntow n metropolis and m eet som e of the local folk wandering around. Plenty of free parking! Centralia ranks am ong our most popular destinations! Our weekend getaway prices start at $499 round trip. This includes airfare, rental car courtesy of Corwin Insurance, and two nights accomodations at Casa del Zim m erm an on stately Seminary Hill, a m ost aptly nam ed locale. -
History of Swimwear
On Exhibit at the International Swimming Hall of Fame From Bloomer’s to Bikini’s: How the sport of Swimming Changed Western Culture In the 20th Century From Bloomer’s to Bikini’s: How the lapse, swimming fell out of favor in the the body and led Sport of Swimming Changed Western Christian west. The Popes also railed to a sound night’s Society in the 20th Century, is a multi- against the sexual excesses of the Roman sleep. Because media exhibit that demonstrates how baths and equated both nudity and swim- Franklin, like all swimming acted as the most significant ming with sin. During the Middle Ages male swimmers of cultural force in the women’s rights open air bathing was thought to be a his time, swam in movement of the 20th Century. This cause of the plague. the nude, swim- exhibit demonstrates how the sport of ming was deemed swimming changed the way women Interest in swimming revived somewhat inappropriate for dressed, thought about themselves and during the Age of Exploration when women until, tra- Illustration of an 1860’s women’s the way society thought about women sailors thought it dition has it, one bathing gown. While the gown and their role in society. The exhibit pri- might be a good of Franklin’s female enabled women to bathe, it made swimming impossible. marily focuses on four women swimmers idea to know how admirers threw who broke through the social and moral to swim before herself into the Seine fully dressed. barriers that held women back during the stepping on board While this popularized public bathing for Victorian era: Annette Kellerman, the their ships. -
Dossier De Presse Expo Dior
EXPOSITION DIOR musée du président Jacques Chirac 1er février – 15 avril 2010 Dior, la passion créatrice L’exposition Dior présentée au musée du président Jacques Chirac est composée d’une trentaine de robes de haute couture des années 1947 à 1951 (créées par Christian Dior) et 1997 à 2009 (créées par John Galliano). Parmi elles figurent notamment la robe Ciao Ci San (2007) de l’affiche, une robe 2008 portée par Marion Cotillard et la robe 2009 portée par Monica Bellucci au Festival de Cannes. L’exposition comprend également une douzaine de flacons et coffrets de parfum, des croquis de Christian Dior et des photos de grands photographes de mode. La scénographie de l’exposition est due à René Bouchara Design. L’exposition a été conçue par huit collaborateurs de la maison Christian Dior : Olivier Bialobos, Frédéric Bourdelier, Daphné Catroux, Gérald Chevalier, Barbara Jeauffroy-Mairet, Philippe Le Moult, Vincent Leret et Soizic Pfaff. Le musée Christian Dior à Granville a aimablement participé à l'exposition. Un catalogue produit par le musée accompagne l’exposition. Il a été réalisé par la maison Christian Dior, avec des textes de Nathalie Fraser, Vincent Leret et Soizic Pfaff. En voici quelques extraits. LE FONDATEUR Christian Dior naît le 21 janvier 1905 à Granville, en Normandie, dans une famille bourgeoise aisée qui déménage à Paris lorsqu’il a cinq ans. Ses parents imaginent pour lui une carrière de diplomate ; il abandonne donc son rêve de devenir architecte et s’inscrit à Sciences Po. Mais ce n’est qu’une parade : le jeune homme, habitué des milieux artistiques, ouvre en 1928 avec des amis une première galerie d’art contemporain, où il expose le travail de Georges Braque, Fernand Léger, Maurice Utrillo, Aristide Maillol, Raoul Dufy, et de proches comme Max Jacob, Léonor Fini, Salvador Dali et Christian Bérard. -
Council of Fashion Designers of America
Council of Fashion Designers of America ANNUAL REPORT 2017 The mission of the Council of Fashion Designers of America is to strengthen the impact of American fashion in the global economy. B 1 Letter from the Chairwoman, Diane von Furstenberg, and the President and Chief Executive Officer, Steven Kolb In fashion, we respond to the world we live in, a point that was powerfully driven home in 2017. We were excited to see talents with broad cultural backgrounds and political ideas begin to express their experiences and beliefs through their collections. Diversity moved into the spotlight in ways we have never seen before. Designers embraced new approaches to business, from varying show formats to disruptive delivery cycles. It was also the year to make your voices heard, and CFDA listened. We engaged in civic initiatives important to our industry and partnered with Planned Parenthood, the ACLU, and FWD.us. We also relaunched our CFDA Health Initiative with guidelines to help those impacted by sexual assault or other forms of abuse. There’s no going back. In 2018, CFDA is moving ahead at full speed with an increased focus on inclusivity and women in fashion, the latter through an exciting new study with Glamour magazine. We may be a reflection of the world we live in, but we also work hard to make that world a better place. Altruism, after all, never goes out of style. 3 CFDA STRENGTHENED PILLARS WITH MISSION-DRIVEN ACTIONS MEMBERSHIP Fashion Professional Fashion Civic+ Retail Partnership Week + Market Development Supply Chain Philanthropy Opportunities SUSTAINABILITY INDUSTRY ENGAGEMENT SOCIAL AND EDITORIAL MARKETING AND EVENTS KEY UNCHANGED MODIFIED NEW PROVIDED INITIATIVES RELEVANT TO DESIGNERS EMERITUS AT EVERY STAGE OF CAREER DESIGNERS • Board Engagement • Philanthropy and Civic ICONIC Responsibility DESIGNERS • Mentorship • Editorial Visibility • Board Engagement • Fashion Week • Philanthropy and Civic ESTABLISHED Responsibility DESIGNERS • Mentorship • Editorial Visibility • NETWORK. -
Popular Magazines, Or the Aestheticization of Postsoviet Russia
Studies in 20th Century Literature Volume 24 Issue 1 Russian Culture of the 1990s Article 3 1-1-2000 Style and S(t)imulation: Popular Magazines, or the Aestheticization of Postsoviet Russia Helena Goscilo University of Pittsburgh Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Film and Media Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Goscilo, Helena (2000) "Style and S(t)imulation: Popular Magazines, or the Aestheticization of Postsoviet Russia ," Studies in 20th Century Literature: Vol. 24: Iss. 1, Article 3. https://doi.org/10.4148/ 2334-4415.1474 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Style and S(t)imulation: Popular Magazines, or the Aestheticization of Postsoviet Russia Abstract The new Postsoviet genre of the glossy magazine that inundated bookstalls and kiosks in Russia's urban centers served as both an advertisement for a life of luxury and an advice column on chic style. Conventionalized signs of affluence, models of beauty, "educational" articles on topics ranging from the history and significance of ties ot correct behavior at a first-class estaurr ant filled the pages of magazines intended to provide an accelerated course in etiquette, appearance, and appurtenances for Russia's newly wealthy. The lessons in spending, demeanor, and taste emphasized moneyed visibility.