A Historical Survey of Music Recommendation Systems: Towards Evaluation
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Connecting Music and Place: Exploring Library Collection Data Using Geo-Visualizations
Evidence Based Library and Information Practice 2017, 12.2 Evidence Based Library and Information Practice Research Article Connecting Music and Place: Exploring Library Collection Data Using Geo-visualizations Carolyn Doi Music & Education Librarian University Library University of Saskatchewan Saskatoon, Saskatchewan, Canada Email: [email protected] Received: 23 Jan. 2017 Accepted: 26 Mar. 2017 2017 Doi. This is an Open Access article distributed under the terms of the Creative Commons‐Attribution‐ Noncommercial‐Share Alike License 4.0 International (http://creativecommons.org/licenses/by-nc-sa/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly attributed, not used for commercial purposes, and, if transformed, the resulting work is redistributed under the same or similar license to this one. Abstract Objectives – This project had two stated objectives: 1) to compare the location and concentration of Saskatchewan-based large ensembles (bands, orchestras, choirs) within the province, with the intention to draw conclusions about the history of community-based musical activity within the province; and 2) to enable location-based browsing of Saskatchewan music materials through an interactive search interface. Methods – Data was harvested from MARC metadata found in the library catalogue for a special collection of Saskatchewan music at the University of Saskatchewan. Microsoft Excel and OpenRefine were used to screen, clean, and enhance the dataset. Data was imported into ArcGIS software, where it was plotted using a geo-visualization showing location and concentrations of musical activity by large ensembles within the province. The geo-visualization also allows users to filter results based on the ensemble type (band, orchestra, or choir). -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
Developing a New Text for Music 304 at Iowa State University and Measuring Its Viability
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-2006 Developing a new text for Music 304 at Iowa State University and measuring its viability Ryan Dean Sheeler Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Sheeler, Ryan Dean, "Developing a new text for Music 304 at Iowa State University and measuring its viability" (2006). Retrospective Theses and Dissertations. 19085. https://lib.dr.iastate.edu/rtd/19085 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Developing a new text for Music 304 at Iowa State University and measuring its viability by Ryan Dean Sheeler A thesis submitted to the graduate faculty in partial fulf llment of the requirements for the degree of MASTER OF ARTS Major: Interdisciplinary Graduate Studies (Arts and Humanities) Program of Study Committee: David Stuart, Major Professor Debra Marquart, English Jeffrey Prater, Music Iowa State University Ames, Iowa 2006 CopyrightO Ryan Dean Sheeler 2006. All rights reserved. 11 Graduate College Iowa State University This is to certify that master's thesis of Ryan Dean Sheeler has met the thesis requirements of Iowa State University Signatures -
Go for Lunar Landing Conference Report
CONFERENCE REPORT Sponsored by: REPORT OF THE GO FOR LUNAR LANDING: FROM TERMINAL DESCENT TO TOUCHDOWN CONFERENCE March 4-5, 2008 Fiesta Inn, Tempe, AZ Sponsors: Arizona State University Lunar and Planetary Institute University of Arizona Report Editors: William Gregory Wayne Ottinger Mark Robinson Harrison Schmitt Samuel J. Lawrence, Executive Editor Organizing Committee: William Gregory, Co-Chair, Honeywell International Wayne Ottinger, Co-Chair, NASA and Bell Aerosystems, retired Roberto Fufaro, University of Arizona Kip Hodges, Arizona State University Samuel J. Lawrence, Arizona State University Wendell Mendell, NASA Lyndon B. Johnson Space Center Clive Neal, University of Notre Dame Charles Oman, Massachusetts Institute of Technology James Rice, Arizona State University Mark Robinson, Arizona State University Cindy Ryan, Arizona State University Harrison H. Schmitt, NASA, retired Rick Shangraw, Arizona State University Camelia Skiba, Arizona State University Nicolé A. Staab, Arizona State University i Table of Contents EXECUTIVE SUMMARY..................................................................................................1 INTRODUCTION...............................................................................................................2 Notes...............................................................................................................................3 THE APOLLO EXPERIENCE............................................................................................4 Panelists...........................................................................................................................4 -
Larry Page Developing the Largest Corporate Foundation in Every Successful Company Must Face: As Google Word.” the United States
LOWE —continued from front flap— Praise for $19.95 USA/$23.95 CAN In addition to examining Google’s breakthrough business strategies and new business models— In many ways, Google is the prototype of a which have transformed online advertising G and changed the way we look at corporate successful twenty-fi rst-century company. It uses responsibility and employee relations——Lowe Google technology in new ways to make information universally accessible; promotes a corporate explains why Google may be a harbinger of o 5]]UZS SPEAKS culture that encourages creativity among its where corporate America is headed. She also A>3/9A addresses controversies surrounding Google, such o employees; and takes its role as a corporate citizen as copyright infringement, antitrust concerns, and “It’s not hard to see that Google is a phenomenal company....At Secrets of the World’s Greatest Billionaire Entrepreneurs, very seriously, investing in green initiatives and personal privacy and poses the question almost Geico, we pay these guys a whole lot of money for this and that key g Sergey Brin and Larry Page developing the largest corporate foundation in every successful company must face: as Google word.” the United States. grows, can it hold on to its entrepreneurial spirit as —Warren Buffett l well as its informal motto, “Don’t do evil”? e Following in the footsteps of Warren Buffett “Google rocks. It raised my perceived IQ by about 20 points.” Speaks and Jack Welch Speaks——which contain a SPEAKS What started out as a university research project —Wes Boyd conversational style that successfully captures the conducted by Sergey Brin and Larry Page has President of Moveon.Org essence of these business leaders—Google Speaks ended up revolutionizing the world we live in. -
New Product Development Methods: a Study of Open Design
New Product Development Methods: a study of open design by Ariadne G. Smith S.B. Mechanical Engineering Massachusetts Institute of Technology, 2010 SUBMITTED TO THE DEPARTMENT OF ENGINEERING SYSTEMS DEVISION AND THE DEPARTMENT OF MECHANICAL ENGINEERING IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREES OF MASTER OF SCIENCE IN TECHNOLOGY AND POLICY AND MASTER OF SCIENCE IN MECHANICAL ENGINEERING A; SW AT THE <iA.Hu§TTmrrE4 MASSACHUSETTS INSTITUTE OF TECHNOLOGY H 2 INSTI' SEPTEMBER 2012 @ 2012 Massachusetts Institute of Technology. All rights reserved. Signature of Author: Department of Engineering Systems Division Department of Mechanical Engineering Certified by: LI David R. Wallace Professor of Mechanical Engineering and Engineering Systems Thesis Supervisor Certified by: Joel P. Clark P sor of Materials Systems and Engineering Systems Acting Director, Te iology and Policy Program Certified by: David E. Hardt Ralph E. and Eloise F. Cross Professor of Mechanical Engineering Chairman, Committee on Graduate Students New Product Development Methods: a study of open design by Ariadne G. Smith Submitted to the Departments of Engineering Systems Division and Mechanical Engineering on August 10, 2012 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Technology and Policy and Master of Science in Mechanical Engineering ABSTRACT This thesis explores the application of open design to the process of developing physical products. Open design is a type of decentralized innovation that is derived from applying principles of open source software and crowdsourcing to product development. Crowdsourcing has gained popularity in the last decade, ranging from translation services, to marketing concepts, and new product funding. -
Back to the Moon – for Good: Teacher's Guide
Back to the Moon – For Good: Teacher’s Guide Target Audience: Ages 9+ (grades 3 – adult) Length: 24 minutes + Live Portion (50 minutes total) Trailer: http://www.youtube.com/watch?v=pOLRWMOf4jQ Expanded Description: Narrated by Tim Allen, this show chronicles teams from around the world competing to land a robotic spacecraft on the moon for the first time in more than 40 years. With stunning visuals and a compelling narrative, the show highlights the importance of the Google Lunar X-Prize. This encourages today’s space entrepreneurs and innovators to build a new space economy, while inspiring the next generation to “shoot for the moon”. General Concepts: The first human-made object to reach the surface of the Moon was the Soviet Union’s Luna 2, on September 13th, 1959. Space probes and rovers explore unknown places before humans do, informing us of potential dangers. Spacecraft are designed to be small and lightweight to better escape Earth’s gravity. The United States’ Apollo 11 was the first manned mission to land on the Moon, on July 20th, 1969. A total of 12 men have landed on the Moon – the first was Neil Armstrong with Buzz Aldrin. The Apollo 17 mission on December 14th, 1972 with Gene Cernan and Jack Schmitt was the last. All Apollo lunar missions required a 3rd crew member to remain on board a Command Module that orbited the Moon. Because the Moon is less massive, astronauts experience 1/6 the gravity we feel on Earth. It takes the Moon roughly one month to orbit the Earth and one month to rotate about its axis. -
Anexo:Premios Y Nominaciones De Madonna 1 Anexo:Premios Y Nominaciones De Madonna
Anexo:Premios y nominaciones de Madonna 1 Anexo:Premios y nominaciones de Madonna Premios y nominaciones de Madonna interpretando «Ray of Light» durante la gira Sticky & Sweet en 2008. La canción ganó un MTV Video Music Awards por Video del año y un Grammy a mejor grabación dance. Premios y nominaciones Premio Ganados Nominaciones Total Premios 215 Nominaciones 407 Pendientes Las referencias y notas al pie Madonna es una cantante, compositora y actriz. Nació en Bay City, Michigan, el 16 de agosto de 1958, y creció en Rochester Hills, Michigan, se mudó a Nueva York en 1977 para lanzar su carrera en la danza moderna.[1] Después haber sido miembro de los grupos musicales pop Breakfast Club y Emmy, lanzó su auto-titulado álbum debut, Madonna en 1983 por Sire Records.[2] Recibió la nominación a Mejor artista nuevo en el MTV Video Music Awards (VMA) de 1984 por la canción «Borderline». Madonna fue seguido por una serie de éxitosos sencillos, de sus álbumes de estudio Like a Virgin de 1984 y True Blue en 1986, que le dieron reconocimiento mundial.[3] Madonna, se convirtió en un icono pop, empujando los límites de contenido lírico de la música popular y las imágenes de sus videos musicales, que se convirtió en un fijo en MTV.[4] En 1985, recibió una serie de nominaciones VMA por sus videos musicales y dos nominaciones en a la mejor interpretación vocal pop femenina de los premios Grammy. La revista Billboard la clasificó en lista Top Pop Artist para 1985, así como en el Top Pop Singles Artist en los próximos dos años. -
Essays on Innovation and Contest Theory
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2017 Essays on innovation and contest theory Letina, Igor Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-136322 Dissertation Published Version Originally published at: Letina, Igor. Essays on innovation and contest theory. 2017, University of Zurich, Faculty of Economics. Essays on Innovation and Contest Theory Dissertation submitted to the Faculty of Business, Economics and Informatics of the University of Zurich to obtain the degree of Doktor der Wirtschaftswissenschaften, Dr. oec. (corresponds to Doctor of Philosophy, PhD) presented by Igor Letina from Bosnia and Herzegovina approved in February 2017 at the request of Prof. Dr. Armin Schmutzler Prof. Dr. Nick Netzer Prof. Dr. Georg Nöldeke The Faculty of Business, Economics and Informatics of the University of Zurich hereby autho- rizes the printing of this dissertation, without indicating an opinion of the views expressed in the work. Zurich, 15.02.2017 Chairman of the Doctoral Board: Prof. Dr. Steven Ongena iv Acknowledgements When it comes to achievements, research suggests that individuals tend to underestimate the role of luck and to overestimate the contribution of their own effort and abilities. Even with that bias, I am amazed by the amount of good fortune that I have had while writing this thesis. I was fortunate to have advisors who were generous with their time and advice and gentle but precise with their criticism. Without the kind guidance of Nick Netzer, Georg Nöldeke and in particular Armin Schmutzler, the quality of this dissertation, and the person submitting it, would be significantly lower. -
Czech Multitalented Artist Milli Janatková Working on Her New Album Deep
Czech multitalented artist Milli Janatková working on her new album Deep Milli Janatková is a distinctive singer, multi-instrumentalist, composer, visual artist and lecturer naturally interconnecting genres and artistic fields. Based in the Czech Republic she has been travelling in Europe, India, USA. Recently she has been working on her original project Deep. It is based on the original arrangements of the oldest Czech and European spiritual songs from the 12th and 14th centuries and presented in vocals, drums and looping. God (Buoh) is a single song released in 2019 as part of the project. The song has won The 17th Independent Music Awards – Vox Populi Award in the World Traditional Song category in New York. Milli is releasing her third album Deep in October 2020. The main melodic line of Buoh is complemented by melodies inspired by traditional Bengali songs from the West Bengal region in India, which Milli visited during a creative tour and residency. Captivated by the Bengali culture and music-making tradition, Milli composed Buoh (the old Czech word for God) to foster communication and connection among people from different cultures and different places around the world. Milli’s goal was to show that all human beings are connected through fundamental roots and the quintessential qualities of life, and that they all deserve respect and trust, regardless of their origin. Milli shot the video herself in India where she was invited. “I´m happy Milli accepted our invitation and came here to perform. Her concerts and paintings were fantastic and local people were amazed by her art,” says Amitava Bhattacharya from Banglanatak.com, a social enterprise working across India with a mission to foster inclusive and sustainable development using culture based approaches. -
Google Lunar XPRIZE Market Study 2013 a Report to the Foundation
Google Lunar XPRIZE Market Study 2013 A Report to the Foundation MEDIA SUMMARY Prepared by October 2013 About London Economics London Economics (LE) is a leading independent economic consultancy, headquartered in London, United Kingdom, with a dedicated team of professional economists specialised in the application of best practice economic and financial analysis to the space sector. As a firm, our reputation for independent analysis and client‐driven, world‐class and academically robust economic research has been built up over 25 years with more than 400 projects completed in the last 7 years. We advise clients in both the public and private sectors on economic and financial analysis, policy development and evaluation, business strategy, and regulatory and competition policy. Our consultants are highly‐qualified economists with experience in applying a wide variety of analytical techniques to assist our work, including cost‐benefit analysis, multi‐criteria analysis, policy simulation, scenario building, statistical analysis and mathematical modelling. We are also experienced in using a wide range of data collection techniques including literature reviews, survey questionnaires, interviews and focus groups. Drawing on our solid understanding of the economics of space, expertise in economic analysis and best practice industry knowledge, our Aerospace team has extensive experience of providing independent analysis and innovative solutions to advise clients (both public and private) on the economic fundamentals, commercial potential of existing, -
The Perception of Movement Through Musical Sound: Towards A
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 7-10-2013 The eP rception of Movement through Musical Sound: Towards a Dynamical Systems Theory of Music Performance Alexander P. Demos University of Connecticut, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Demos, Alexander P., "The eP rception of Movement through Musical Sound: Towards a Dynamical Systems Theory of Music Performance" (2013). Doctoral Dissertations. 155. https://opencommons.uconn.edu/dissertations/155 The Perception of Movement through Musical Sound: Towards a Dynamical Systems Theory of Music Performance Alexander Pantelis Demos, PhD University of Connecticut, 2013 Performers’ ancillary body movements, which are generally thought to support sound- production, appear to be related to musical structure and musical expression. Uncovering systematic relationships has, however, been difficult. Researchers have used the framework of embodied gestures, adapted from language research, to categorize and analyze performer’s movements. I have taken a different approach, conceptualizing ancillary movements as continuous actions in space-time within a dynamical systems framework. The framework predicts that the movements of the performer will be complexly, but systematically, related to the musical movement and that listeners will be able to hear both the metaphorical motion implied by the musical structure and the real movements of the performer. In three experiments, I adapted a set of statistical, time-series, and dynamical systems tools to music performance research to examine these predictions. In Experiment 1, I used force plate measurements to examine the postural sway of two trombonists playing two solo pieces with different musical structures in different expressive styles (normal, expressive, non-expressive).