A Study of Kyomachiya in Comparison with Traditional Safranbolu House
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Buddhism in America
Buddhism in America The Columbia Contemporary American Religion Series Columbia Contemporary American Religion Series The United States is the birthplace of religious pluralism, and the spiritual landscape of contemporary America is as varied and complex as that of any country in the world. The books in this new series, written by leading scholars for students and general readers alike, fall into two categories: some of these well-crafted, thought-provoking portraits of the country’s major religious groups describe and explain particular religious practices and rituals, beliefs, and major challenges facing a given community today. Others explore current themes and topics in American religion that cut across denominational lines. The texts are supplemented with care- fully selected photographs and artwork, annotated bibliographies, con- cise profiles of important individuals, and chronologies of major events. — Roman Catholicism in America Islam in America . B UDDHISM in America Richard Hughes Seager C C Publishers Since New York Chichester, West Sussex Copyright © Columbia University Press All rights reserved Library of Congress Cataloging-in-Publication Data Seager, Richard Hughes. Buddhism in America / Richard Hughes Seager. p. cm. — (Columbia contemporary American religion series) Includes bibliographical references and index. ISBN ‒‒‒ — ISBN ‒‒‒ (pbk.) . Buddhism—United States. I. Title. II. Series. BQ.S .'—dc – Casebound editions of Columbia University Press books are printed on permanent and durable acid-free paper. -
DIJ-Mono 63 Utomo.Book
Monographien Herausgegeben vom Deutschen Institut für Japanstudien Band 63, 2019 Franziska Utomo Tokyos Aufstieg zur Gourmet-Weltstadt Eine kulturhistorische Analyse Monographien aus dem Deutschen Institut für Japanstudien Band 63 2019 Monographien Band 63 Herausgegeben vom Deutschen Institut für Japanstudien der Max Weber Stiftung – Deutsche Geisteswissenschaftliche Institute im Ausland Direktor: Prof. Dr. Franz Waldenberger Anschrift: Jochi Kioizaka Bldg. 2F 7-1, Kioicho Chiyoda-ku Tokyo 102-0094, Japan Tel.: (03) 3222-5077 Fax: (03) 3222-5420 E-Mail: [email protected] Homepage: http://www.dijtokyo.org Umschlagbild: Quelle: Franziska Utomo, 2010. Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Dissertation der Universität Halle-Wittenberg, 2018 ISBN 978-3-86205-051-2 © IUDICIUM Verlag GmbH München 2019 Alle Rechte vorbehalten Druck: Totem, Inowrocław ISBN 978-3-86205-051-2 www.iudicium.de Inhaltsverzeichnis INHALTSVERZEICHNIS DANKSAGUNG . 7 SUMMARY: GOURMET CULTURE IN JAPAN – A NATION OF GOURMETS AND FOODIES. 8 1EINLEITUNG . 13 1.1 Forschungsfrage und Forschungsstand . 16 1.1.1 Forschungsfrage . 16 1.1.2 Forschungsstand . 20 1.1.2.1. Deutsch- und englischsprachige Literatur . 20 1.1.2.2. Japanischsprachige Literatur. 22 1.2 Methode und Quellen . 25 1.3 Aufbau der Arbeit . 27 2GOURMETKULTUR – EINE THEORETISCHE ANNÄHERUNG. 30 2.1 Von Gastronomen, Gourmets und Foodies – eine Begriffs- geschichte. 34 2.2 Die Distinktion . 39 2.3 Die Inszenierung: Verstand, Ästhetik und Ritual . 42 2.4 Die Reflexion: Profession, Institution und Spezialisierung . 47 2.5 Der kulinarische Rahmen . 54 3DER GOURMETDISKURS DER EDOZEIT: GRUNDLAGEN WERDEN GELEGT . -
Japan, Land of Water No.15 Contents
Discovering Japan 2015 no.15 Special Feature Japan, Land of Water no.15 contents niponica is published in Japanese and six other languages (Arabic, Chinese, English, French, Russian and Spanish), to introduce the world to the people and culture of Japan today. The title niponica is derived from “Nip- pon,” the Japanese word for Japan. Special Feature Japan, Land of Water 04 Cities Blessed with Water 12 Water: A Natural Asset Readily Available in Japan 15 Protecting the City from Floods 16 Water Wizardry 18 A Marriage of Technology and Water 22 Tasty Japan: Time to Eat! Dashi Broth 24 Strolling Japan Special Feature The Niyodo River in Kochi No. 15 March 20, 2015 28 Souvenirs of Japan Published by: Ministry of Foreign Affairs of Japan Kasumigaseki 2-2-1, A Wave Motif to Decorate Chiyoda-ku, Tokyo 100-8919, Japan Japan, Land of Water http://www.mofa.go.jp/ Your Dining Table In Japan, people have a deep connection with the country’s plentiful water resources, Cover photo: Oirase Stream in Aomori Prefecture. The area is much admired for its waterscapes. creating a natural culture where water is not only used wisely, but also in some very unique ways. (Photo: Nawate Hideki / Aflo) Above: Icicles are a masterpiece of nature. In the Ukiyoe woodblock print by Katsushika Hokusai, entitled Shokoku Takimeguri Shimotsuke Kurokami-yama Kirifuri no Taki (“Kirifuri Falls on Mount Kurokami in Shimotsuke”), Chichibu Mountains in Saitama Prefecture, they from the artist’s A Tour of Waterfalls in Various Provinces series. His bold treatment of the rocks and water is remarkably expressive. -
View Trip Brochure
Inside Japan Travel with Dora C.Y. Ching *11 Associate Director of the P.Y. and Kinmay W. Tang Center for East Asian Art October 19-31, 2022 For peace of mind, all payments are 100% refundable until Thursday, July 21, 2022. Dear Princetonian, Join East Asian art specialist Dora C.Y. Ching *11 on a carefully crafted autumn journey to Japan, taking advantage of the chance to venture beyond the typical tourist sites to discover the fascinating worlds of this island nation — ancient and contemporary, urban and rural, sacred and cutting-edge. Begin in the Imperial capital of Kyoto, now a bustling modern city dotted with lovely ancient temples and gardens behind walls, and filled with some of the country’s top artisans. Then depart the city bustle for a memorable visit to the remote mountains and valleys of Shikoku Island, staying at a lovely traditional inn (ryokan) with indoor and outdoor hot spring baths (onsen). Continue to the contemporary artist retreat of Naoshima Island, and conclude with a bullet train journey to Tokyo to discover the highlights of Japan’s capital city. Throughout, savor the flavors of Japan, from simple vegetarian fare, traditionally served in Buddhist temples, to the exquisite kaiseki multi-course meals served at our ryokan. Dates are timed to coincide with both the annual Jidai Matsuri (Festival of the Ages) in Kyoto, which features a lively procession of people dressed in accurate costumes from almost every period of Japanese history, along with the beloved monthly flea market at Kyoto’s To-ji Temple, with bargains on used Japanese kimonos and other textiles, as well as antiques, ceramics and handicrafts. -
The Lesson of the Japanese House
Structural Studies, Repairs and Maintenance of Heritage Architecture XV 275 LEARNING FROM THE PAST: THE LESSON OF THE JAPANESE HOUSE EMILIA GARDA, MARIKA MANGOSIO & LUIGI PASTORE Politecnico di Torino, Italy ABSTRACT Thanks to the great spiritual value linked to it, the Japanese house is one of the oldest and most fascinating architectural constructs of the eastern world. The religion and the environment of this region have had a central role in the evolution of the domestic spaces and in the choice of materials used. The eastern architects have kept some canons of construction that modern designers still use. These models have been source of inspiration of the greatest minds of the architectural landscape of the 20th century. The following analysis tries to understand how such cultural bases have defined construction choices, carefully describing all the spaces that characterize the domestic environment. The Japanese culture concerning daily life at home is very different from ours in the west; there is a different collocation of the spiritual value assigned to some rooms in the hierarchy of project prioritization: within the eastern mindset one should guarantee the harmony of spaces that are able to satisfy the spiritual needs of everyone that lives in that house. The Japanese house is a new world: every space is evolving thanks to its versatility. Lights and shadows coexist as they mingle with nature, another factor in understanding the ideology of Japanese architects. In the following research, besides a detailed description of the central elements, incorporates where necessary a comparison with the western world of thought. All the influences will be analysed, with a particular view to the architectural features that have influenced the Modern Movement. -
Delft University of Technology Tatami
Delft University of Technology Tatami Hein, Carola Publication date 2016 Document Version Final published version Published in Kyoto Design Lab. Citation (APA) Hein, C. (2016). Tatami. In A. C. de Ridder (Ed.), Kyoto Design Lab.: The tangible and the intangible of the Machiya House (pp. 9-12). Delft University of Technology. Important note To cite this publication, please use the final published version (if applicable). Please check the document version above. Copyright Other than for strictly personal use, it is not permitted to download, forward or distribute the text or part of it, without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license such as Creative Commons. Takedown policy Please contact us and provide details if you believe this document breaches copyrights. We will remove access to the work immediately and investigate your claim. This work is downloaded from Delft University of Technology. For technical reasons the number of authors shown on this cover page is limited to a maximum of 10. TATAMI Inside the Shōkin-tei, located in the garden of the Katsura Imperial Villa. A joint of three tatami. Tatami Carola Hein Use of the tatami mat reportedly goes back to the 8th century (the Nara period in Japan) when single mats began to be used as beds, or brought out for a high-ranking person to sit on. Over centuries it became a platform that has hosted all facets of life for generations of Japanese. From palaces to houses, from temples to spaces for martial art, the tatami has served as support element for life. -
Okakura Kakuzō's Art History: Cross-Cultural Encounters
Asian Review of World Histories 2:1 (January 2014), 17-45 © 2014 The Asian Association of World Historians doi: http://dx.doi.org/10.12773/arwh.2014.2.1.017 Okakura Kakuzō’s Art History: Cross-Cultural Encounters, Hegelian Dialectics and Darwinian Evolution Masako N. RACEL Kennesaw State University Kennesaw, United States [email protected] Abstract Okakura Kakuzō (1863-1913), the founder of the Japan Art Institute, is best known for his proclamation, “Asia is One.” This phrase in his book, The Ideals of the East, and his connections to Bengali revolutionaries resulted in Okakura being remembered as one of Japan’s foremost Pan-Asianists. He did not, how- ever, write The Ideals of the East as political propaganda to justify Japanese aggression; he wrote it for Westerners as an exposition of Japan’s aesthetic heritage. In fact, he devoted much of his life to the preservation and promotion of Japan’s artistic heritage, giving lectures to both Japanese and Western audi- ences. This did not necessarily mean that he rejected Western philosophy and theories. A close examination of his views of both Eastern and Western art and history reveals that he was greatly influenced by Hegel’s notion of dialectics and the evolutionary theories proposed by Darwin and Spencer. Okakura viewed cross-cultural encounters to be a catalyst for change and saw his own time as a critical point where Eastern and Western history was colliding, caus- ing the evolution of both artistic cultures. Key words Okakura Kakuzō, Okakura Tenshin, Hegel, Darwin, cross-cultural encounters, Meiji Downloaded from Brill.com10/02/2021 09:32:22PM via free access 18 | ASIAN REVIEW OF WORLD HISTORIES 2:1 (JANUARY 2014) In 1902, a man dressed in an exotic cloak and hood was seen travel- ing in India. -
Insider's Japan
Smith College presents INSIDER’S JAPAN May 20-June 1, 2015 13 days from $5,686 total price from Los Angeles, San Francisco ($4,995 air & land inclusive plus $691 airline taxes and departure fees) This tour is provided by Odysseys Unlimited, six-time honoree Travel & Leisure’s World’s Best Tour Operators award. An Exclusive Small Group Tour for Smith Travel Featuring Professors Jamie Hubbard & Maki Hirano Hubbard Tour membership limited to 24 alumnae and friends of Smith College INSIDER’S JAPAN 13 days from $5,686 total price from Los Angeles, San Francisco ($4,995 air & land inclusive plus $691 airline taxes and departure fees) t’s a land of delicate art and bustling commerce, of rich traditions and I dizzying modernity; a jumble of sights, sounds, and tastes that for visitors are truly foreign — and truly fascinating. This well-crafted tour features the highlights of Tokyo and Kyoto, engages us in local life, and takes us off the beaten path to the lovely historic cities of Takayama and Kanazawa. Day 1: Depart U.S. for Tokyo, Japan JAPAN Day 2: Arrive in Tokyo After arriving in Sea of Japan Japan’s financial, commercial, and political capital Lake Suwa this evening, we transfer to our hotel where we learn about the journey ahead at a briefing with Kyoto our Odysseys Unlimited Tour Director. Osaka Hiroshima Day 3: Tokyo We spend the morning tour- Destination ing this amazing city that comprises 23 wards Motorcoach and covers a staggering 840 miles. We focus on Train Pacific Ocean a smaller area as we visit some of Tokyo’s top Extension (train) Entry/Departure sights, including Shinto Meiji Shrine, a peace- ful enclave of temples and gardens; and historic Avg. -
Download File
ARTICLES AND YOU MAY ASK YOURSELF, WHAT IS THAT BEAUTIFUL HOUSE:1 HOW TAX LAWS DISTORT BEHAVIOR THROUGH THE LENS OF ARCHITECTURE Meredith R. Conway* * Professor of Law, Suffolk University Law School. Thanks to Hilary Allen, Megan Carpenter, Allison Christians, Rebecca Curtin, Sara Dillon, Joseph Glannon, Janice Griffith, Renee Landers, Camille Nelson, Diane Ring, Adam Rosenzweig, Kerry Ryan, Sarah Schendel, Patrick Shin, and Maria Toyoda for comments and suggestions. This paper also benefited from feedback received during presentations at the CUNY School of Law’s Faculty Workshop and Suffolk University School of Law Faculty Works in Progress, and to my Aunt Violet Vietoris, whose travel, interest in the Guinness Factory and the windows and thoughtfulness of me inspired this piece. 1 Talking Heads, Once in a Lifetime, Remain in Light (Feb. 2, 1981) (downloaded using iTunes). 166 [Vol. 10:2 COLUMBIA JOURNAL OF TAX LAW TABLE OF CONTENT I. INTRODUCTION 168 II. JUSTIFICATIONS FOR TAXING REAL ESTATE AND ARCHITECTURE 170 III. THE HEARTH/CHIMNEY TAX 172 A. Byzantine Empire 172 B. French Hearth Tax 172 C. The Netherlands 173 D. British Hearth Tax 173 E. Ireland 174 F. New Orleans Chimney Tax 175 IV. THE WINDOW TAX 175 A. The Window Tax of Great Britain 175 B. The British Window Tax and Separate Buildings 179 C. Window Tax in the United States 180 D. The Window Tax in Ireland 181 E. The Windows and Doors Tax of France 181 F. The Window and Door Tax in the Netherlands 182 V. TAX LAWS THAT AFFECT THE CONSTRUCTION OF BUILDINGS 182 A. -
Religion and Culture
Japanese Journal of Religious Studies 40/2: 355–375 © 2013 Nanzan Institute for Religion and Culture review article Constructing Histories, Thinking Ritual Gatherings, and Rereading “Native” Religion A Review of Recent Books Published in Japanese on Premodern Japanese Religion (Part Two) Brian O. Ruppert Histories of Premodern Japanese Religion We can start with Yoshida Kazuhiko’s 吉田一彦 Kodai Bukkyō o yominaosu 古代仏 教 をよみ なお す (Tokyo: Yoshikawa Kōbunkan, 2006), since it seems in many ways like a founder and precursor of the range of works written recently concerning early and, to some extent, medieval Japanese religion. Yoshida, who has long attempted to overcome common misconceptions concerning early Buddhism, succinctly tries to correct the public’s “common sense” (jōshiki 常識). Highlights include clarifications, including reference to primary and secondary sources that “Shōtoku Taishi” is a historical construction rather than a person, and even the story of the destruction of Buddhist images is based primarily on continental Buddhist sources; “popular Buddhism” does not begin in the Kamakura period, since even the new Kamakura Buddhisms as a group did not become promi- nent until the late fifteenth century; discourses on kami-Buddha relations in Japan were originally based on Chinese sources; for early Japanese Buddhists (including Saichō, Kūkai, and so on), Japan was a Buddhist country modeling Brian O. Ruppert is an associate professor in the Department of East Asian Languages and Cul- tures, University of Illinois. 355 356 | Japanese Journal of Religious Studies 40/2 (2013) its Buddhism on the continent; and the term for the sovereign tennō, written as “heavenly thearch” 天皇, was based on Chinese religious sources and only used from the late seventh century. -
Japanese Gardens at American World’S Fairs, 1876–1940 Anthony Alofsin: Frank Lloyd Wright and the Aesthetics of Japan
A Publication of the Foundation for Landscape Studies A Journal of Place Volume ıv | Number ı | Fall 2008 Essays: The Long Life of the Japanese Garden 2 Paula Deitz: Plum Blossoms: The Third Friend of Winter Natsumi Nonaka: The Japanese Garden: The Art of Setting Stones Marc Peter Keane: Listening to Stones Elizabeth Barlow Rogers: Tea and Sympathy: A Zen Approach to Landscape Gardening Kendall H. Brown: Fair Japan: Japanese Gardens at American World’s Fairs, 1876–1940 Anthony Alofsin: Frank Lloyd Wright and the Aesthetics of Japan Book Reviews 18 Joseph Disponzio: The Sun King’s Garden: Louis XIV, André Le Nôtre and the Creation of the Garden of Versailles By Ian Thompson Elizabeth Barlow Rogers: Gardens: An Essay on the Human Condition By Robert Pogue Harrison Calendar 22 Tour 23 Contributors 23 Letter from the Editor times. Still observed is a Marc Peter Keane explains Japanese garden also became of interior and exterior. The deep-seated cultural tradi- how the Sakuteiki’s prescrip- an instrument of propagan- preeminent Wright scholar tion of plum-blossom view- tions regarding the setting of da in the hands of the coun- Anthony Alofsin maintains ing, which takes place at stones, together with the try’s imperial rulers at a in his essay that Wright was his issue of During the Heian period winter’s end. Paula Deitz Zen approach to garden succession of nineteenth- inspired as much by gardens Site/Lines focuses (794–1185), still inspired by writes about this third friend design absorbed during his and twentieth-century as by architecture during his on the aesthetics Chinese models, gardens of winter in her narrative of long residency in Japan, world’s fairs. -
Specially Designed Tatami Mats with Removable Sunken Hearth for IH Heater
Flooring Tatami for Tea Ceremony Specially designed Tatami Mats with Removable Sunken Hearth for IH heater Our newly developed tatami mats can transform your room into a beautiful tea ceremony room with our sunken hearth for IH heater. The thickness of tatami mats is the same as that of sunken hearth (14cm or 5.5 inch). As there is no difference in height between tatami mats and the frame of hearth, you can perform Otemae, or tea-ceremony just like a normal sunken hearth. You may think it is hard to have an authentic tea room, however, our flooring tatami mats make it possible for you to have full-scale tea practices and tea ceremonies even if you live in an apartment. Patent pending: No.2020-203707 ©2021 Motoyama Tatami Co., Ltd. All Rights Reserved. 1 #01 Features of Removable Sunken Hearth for IH heater As there is no difference in level between our tatami mats and the sunken hearth, you don’t need to build a sunken hearth into the floor. Anyone can practice Chado (tea-ceremony) with Ro (sunken hearth) readily at home. You can practice Chado with Kyoma size tatami regardless of size of a room. Quality Chashitsume (64 weaves) is available. New lightweight materials offer you easy installation and removal work. Your legs are less likely to numb on these tatami mats. All lineups are produced by artisans and high-quality igusa (rush) from Kumamoto, Japan. The thickness (14cm or 5.5 inch) of tatami mats is the same as that of sunken hearth for IH.